scholarly journals Religion, Platonist Dialectics, and Pragmatist Analysis: Marcus Tullius Cicero’s Contributions to the Philosophy and Sociology of Divine and Human Knowing

2021 ◽  
Vol 7 (3) ◽  
pp. 1-30
Author(s):  
Robert Prus

Whereas Socrates, Plato, Aristotle and Augustine are probably the best known of the early Western philosophers of religion, Marcus Tullius Cicero (106-43 BCE) also played a particularly consequential role in the development and continuity of Greco-Latin-European social thought. Cicero may be best known for his work on rhetoric and his involvements in the political intrigues of Rome, but Cicero’s comparative examinations of the Greco-Roman philosophies of his day merit much more attention than they have received from contemporary scholars. Cicero’s considerations of philosophy encompass much more than the theological issues considered in this statement, but, in the process of engaging Epicurean and Stoic thought from an Academician (Platonist) perspective, Cicero significantly extends the remarkable insights provided by Socrates, Plato, and Aristotle. Although especially central to the present analysis, Cicero’s On the Nature of the Gods (1972) is only one of several texts that Cicero directs to a comparative (multiparadigmatic and transhistorical) analysis of divine and human knowing. Much of Cicero’s treatment of the philosophy of religion revolves around variants of the Socratic standpoints (i.e., dialectics, theology, moralism) that characterized the philosophies of Cicero’s era (i.e., Stoicism, Epicureanism, Academician dialectics), but Cicero also engages the matters of human knowing and acting in what may be envisioned as more distinctively pragmatist sociological terms. As well, although Cicero’s materials reflect the socio-historical context in which he worked, his detailed analysis of religion represents a valuable source of comparison with present day viewpoints and practices. Likewise, a closer examination of Cicero’s texts indicates that many of the issues of divine and human knowing, with which he explicitly grapples, have maintained an enduring conceptual currency. This paper concludes with a consideration of the relevance of Cicero’s works for a contemporary pragmatist sociological (symbolic interactionist) approach to the more generic study of human knowing and acting.

Author(s):  
Valnikson Viana Oliveira ◽  
Daniela Maria Segabinazi

<p>Este artigo procura mostrar de que maneira os romances <em>As aventuras de Telémaco</em> (2006), do autor francês François Fénelon, e <em>Aventuras de Diófanes</em> (1993), da escritora luso-brasileira Teresa Margarida da Silva e Orta, contribuíam para a formação virtuosa de crianças durante o século XVIII. As narrativas resgataram personagens e mitos da antiguidade clássica greco-romana para difundir determinados valores morais e cívicos, também envolvendo críticas ao contexto político e social de França e Portugal. Para embasar nosso trabalho, nos valemos principalmente de Abreu (2003), Coelho (1991) e Hipolito (2004), compreendendo as obras em seu contexto histórico de produção e circulação. </p><p><strong>Abstract:</strong> <em>This article aims to show how the novels </em>As aventuras de Telémaco<em> (2006) by the French author Francois Fénelon and </em>Aventuras de Diófanes<em> (1993) by the Luso-Brazilian writer Teresa Margarida da Silva e Orta contributed to the virtuous upbringing of children during the eighteenth century. The narratives not only revived characters and myths of Greco-Roman antiquity to diffuse certain moral and civic values but also entailed criticism of the political and social context of France and Portugal. As the basis for the discussion, the works of Abreu (2003), Coleho (1991) and Hipolito (2004) are utilized to assist in the understanding of the novels in the historical context of their production and circulation</em>.</p>


Author(s):  
V.N. Smirnov

The article deals with the political views of Ivan Vasilievich Kireevsky in connection with the history of censorship prohibition of the journal “European” published by him. The text of the report due to which the journal was closed is analyzed. Special attention is paid to the idea of “merging minds together”, interpreted in the text of the denunciation as the basis of Republican beliefs. The author reconstructs Kireevsky's political views in the context of the influence of German romantic ideas on Russian social thought in the first half of the XIX century. The author clarifies Kireevsky's attitude to the ideals of the Great French Revolution and concludes that his views are opposed to the radical vector of the European Enlightenment as a whole. The author demonstrates the historical context in which the views of young Kireevsky are formed, and focuses on the contrast between the Enlightenment and the Romanticism era, which is associated in Russia with the counter-enlightenment reaction of the times of the Holy Union. The author reconstructs Kireevsky's religious and philosophical views, which, following V.S. Solovyov, are characterized as philosophical, romantic Christianity. Kireevsky's ideas are compared with those of representatives of other trends of Russian social thought that were influenced by German Romanticism − theorists of official conservatism, as well as P.Ya. Chaadaev. Their conceptual differences in understanding the relationship between “world” and “national” are revealed. The author demonstrates Kireevsky's socio-political concept, in which the “organic” development of people's life is contrasted with the “violent” establishment of social institutions. It is concluded that the primacy of spiritual unity over political aspirations in Kireevsky's worldview leads him away from both republican beliefs and official imperial conservatism.


2006 ◽  
Vol 131 (1) ◽  
pp. 83-150 ◽  
Author(s):  
Carola Nielinger

Taking into account the sources now available at the Archivio Luigi Nono in Venice, this article first looks at Nono's serial masterpiece Il canto sospeso (1955–6) in its historical context, both in Germany and in Italy. Having outlined the political circumstances and aesthetic premisses, the article goes on to provide a detailed analysis of the serial technique employed. Particular attention is paid to a technique of pitch permutation that explains the pitch structures of several movements, hitherto not fully understood. Each of the nine movements is examined in view of a better understanding of the work's expressive qualities and in order to show the underlying formal and compositional relationships.


Author(s):  
Emma Simone

Virginia Woolf and Being-in-the-world: A Heideggerian Study explores Woolf’s treatment of the relationship between self and world from a phenomenological-existential perspective. This study presents a timely and compelling interpretation of Virginia Woolf’s textual treatment of the relationship between self and world from the perspective of the philosophy of Martin Heidegger. Drawing on Woolf’s novels, essays, reviews, letters, diary entries, short stories, and memoirs, the book explores the political and the ontological, as the individual’s connection to the world comes to be defined by an involvement and engagement that is always already situated within a particular physical, societal, and historical context. Emma Simone argues that at the heart of what it means to be an individual making his or her way in the world, the perspectives of Woolf and Heidegger are founded upon certain shared concerns, including the sustained critique of Cartesian dualism, particularly the resultant binary oppositions of subject and object, and self and Other; the understanding that the individual is a temporal being; an emphasis upon intersubjective relations insofar as Being-in-the-world is defined by Being-with-Others; and a consistent emphasis upon average everydayness as both determinative and representative of the individual’s relationship to and with the world.


2019 ◽  
Vol 66 ◽  
pp. 327-334
Author(s):  
Inga V. Zheltikova ◽  
Elena I. Khokhlova

The article considers the dependence of the images of future on the socio-cultural context of their formation. Comparison of the images of the future found in A.I. Solzhenitsyn’s works of various years reveals his generally pessimistic attitude to the future in the situation of social stability and moderate optimism in times of society destabilization. At the same time, the author's images of the future both in the seventies and the nineties of the last century demonstrate the mismatch of social expectations and reality that was generally typical for the images of the future. According to the authors of the present article, Solzhenitsyn’s ideas that the revival of spirituality could serve as the basis for the development of economy, that the influence of the Church on the process of socio-economic development would grow, and that the political situation strongly depends on the personal qualities of the leader, are unjustified. Nevertheless, such ideas are still present in many images of the future of Russia, including contemporary ones.


2021 ◽  
pp. 263300242110244
Author(s):  
Alice M. Greenwald ◽  
Clifford Chanin ◽  
Henry Rousso ◽  
Michel Wieviorka ◽  
Mohamed-Ali Adraoui

How do societies and states represent the historical, moral, and political weight of the terrorist attacks they have had to face? Having suffered in recent years from numerous terrorist attacks on their soil originating from jihadist movements, and often led by actors who were also their own citizens, France and the United States have set up—or seek to do so—places of memory whose functions, conditions of creation, modes of operation, and nature of the messages sent may vary. Three of the main protagonists and initiators of two museum-memorial projects linked to terrorist attacks have agreed to deliver their visions of the role and of the political, social, and historical context in which these projects have emerged. Allowing to observe similarities and differences between the American and French approach, this interview sheds light on the place of memory and feeling in societies struck by tragic events and seeking to cure their ills through memory and commemoration.


1963 ◽  
Vol 28 (4) ◽  
pp. 659
Author(s):  
Fred Cottrell ◽  
Bernard C. Borning
Keyword(s):  

2016 ◽  
Vol 26 (2) ◽  
pp. 339-352
Author(s):  
TIMOTHY SCOTT BROWN

‘In Search of Space’ explores the history of Krautrock, a futuristic musical genre that began in Germany in the late 1960s and flowered in the 1970s. Not usually explicitly political, Krautrock bore the unmistakable imprint of the revolt of 1968. Groups arose out of the same milieux and shared many of the same concerns as anti-authoritarian radicals. Their rebellion expressed, in an artistic way, key themes of the broader countercultural moment of which they were a part. A central theme, the article argues, was escape – escape from the situation of Germany in the 1960s in general, and from the specific conditions of the anti-authoritarian revolt in the Federal Republic in the wake of 1968. Mapping Krautrock's relationship to key locations and routes (both real and imaginary), the article situates Krautrock in relationship to the political and cultural upheavals of its historical context.


Sociology ◽  
2021 ◽  
pp. 003803852098579
Author(s):  
Clive James Nwonka

The racial unrests permeating across Britain in the late 1970s resulted in a set of political agendas responding to racism to be brought into being though legislation, culminating in the passing of the 1976 Race Relations Act. Crucial to such agendas were strategies for the prevention of black urban uprisings against state authority and the politicisation of black youths against racism. The emergence of politicised black British film during the late 1970s offered a crucial counter-hegemonic exploration and re-enactment of an extra-filmic reality of police violence and popular racism within the British body social. However, these texts were subjected to forms of political censorship through a number of state organisations who identified radical black cinema as a political threat with the potential to incite violent responses from black youths. This article will offer a detailed analysis of Babylon (1980) and seeks to investigate the ideological processes leading to its X certification and the moral panic located in its representations of black youths within the crisis of race vis-a-vis the political, social and cultural authority of race relations, situating Babylon’s controversial X certification as an exemplar of the ‘applicational dexterity’ of the race relations discipline.


1970 ◽  
Vol 4 (1) ◽  
pp. 57-77
Author(s):  
Adeniyi S. Basiru

The president and the network of offices that are linked to him, in modern presidential democracies, symbolize a neutral state that does not meddle in order-threatening political struggles. It however seems that this liberal ideal is hardly the case in many illiberal democracies. Against this background, this article examines the presidential roots of public disorder in post-military Nigeria. Drawing on documentary data source and deploying neo-patrimonial theory as theoretical framework, it argues that the presidency in Nigeria, given the historical context under which it has emerged as well as the political economy of neo-patrimonialism and prebendalism that has nurtured it, is a central participant in the whole architecture of public disorder. The paper recommends, among others, the fundamental restructuring of the Nigerian neo-colonial state and the political economy that undergird it.Keywords: Imperial Presidency; Neo-patrimonialism; Disorder; Authoritarianism; Nigeria.


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