scholarly journals “Far more fair than black”: Othellos on the Chilean Stage

2020 ◽  
Vol 22 (37) ◽  
pp. 139-170
Author(s):  
Paula Baldwin Lind
Keyword(s):  
Nineteenth Century ◽  
Early Development ◽  
Skin Colour ◽  
Social Changes ◽  
Historical Sources ◽  
Cultural Contexts ◽  
Exact Date ◽  
Visual Dimension ◽  
History Of ◽  
Shakespearean Tragedy

This article reviews part of the stage history of Shakespeare’s Othello in Chile and, in particular, it focuses on two performances of the play: the first, in 1818, and the last one in 2012-2020. By comparing both productions, I aim to establish the exact date and theatrical context of the first Chilean staging of the Shakespearean tragedy using historical sources and English travellers’ records, as well as to explore how the representation of a Moor and of blackness onstage evolved both in its visual dimension — the choice of costumes and the use of blackface—, and in its racial connotations alongside deep social changes. During the nineteenth century Othello became one of the most popular plays in Chile, being performed eleven times in the period of 31 years, a success that also occurred in Spain between 1802 and 1833. The early development of Chilean theatre was very much influenced not only by the ideas of the Spaniards who arrived in the country, but also by the available Spanish translations of Shakespeare; therefore, I argue that the first performances of Othello as Other — different in origin and in skin colour — were characterised by an imitative style, since actors repeated onstage the biased image of Moors that Spaniards had brought to Chile. While the assessment of Othello and race is not new, this article contrasts in its scope, as I do not discuss the protagonist’s actual origin, but how the changes in Chilean social and cultural contexts can reshape and reconfigure the performance of blackness and turn it into a meaningful translation of the Shakespearean Moor that activates audiences’ awareness of racism and fears of miscegenation.

scholarly journals An Illustrated Shiʿi Pilgrimage Scroll in the Collections of the Royal Asiatic Society

2021 ◽  
pp. 1-25
Author(s):  
ULRICH MARZOLPH ◽  
MATHILDE RENAULD
Keyword(s):  
Nineteenth Century ◽  
Visual Narrative ◽  
Early Nineteenth Century ◽  
Asiatic Society ◽  
Material Condition ◽  
Visual Dimension ◽  
History Of ◽  
Initial Survey ◽  
Royal Asiatic Society

Abstract The collections of the Royal Asiatic Society hold an illustrated pilgrimage scroll apparently dating from the first half of the nineteenth century. The scroll's hand painted images relate to the journey that a pious Shiʿi Muslim would have undertaken after the performance of the pilgrimage to Mecca. Its visual narrative continues, first to Medina and then to the Shiʿi sanctuaries in present-day Iraq, concluding in the Iranian city of Mashhad at the sanctuary of the eighth imam of the Twelver-Shiʿi creed, imam Riḍā (d. 818). The scroll was likely prepared in the early nineteenth century and acquired by the Royal Asiatic Society from its unknown previous owner sometime after 1857. In terms of chronology the pilgrimage scroll fits neatly into the period between the Niebuhr scroll, bought in Karbala in 1765, and a lithographed item most likely dating from the latter half of the nineteenth century, both of which depict a corresponding journey. The present essay's initial survey of the scroll's visual dimension, by Ulrich Marzolph, adds hitherto unknown details to the history of similar objects. The concluding report, by Mathilde Renauld, sheds light on the scroll's material condition and the difficulties encountered during the object's conservation and their solution.

scholarly journals ‘Constitutions selection’: Darwin, race and medicine

BJHS Themes ◽  
2021 ◽  
pp. 1-19
Author(s):  
Suman Seth
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Charles Darwin ◽  
Skin Colour ◽  
Race Science ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
History Of Race ◽  
Descent Of Man

Abstract In the course of his discussion of the origin of variations in skin colour among humans in the Descent of Man, Charles Darwin suggested that darker skin might be correlated with immunity to certain diseases. To make that suggestion, he drew upon a claim that seemed self-evidently correct in 1871, although it had seemed almost certainly incorrect in the late eighteenth century: that immunity to disease could be understood as a hereditary racial trait. This paper aims to show how fundamental was the idea of ‘constitutions selection’, as Darwin would call it, for his thinking about human races, tracking his (ultimately unsuccessful) attempts to find proof of its operation over a period of more than thirty years. At the same time and more broadly, following Darwin's conceptual resources on this question helps explicate relationships between conceptions of disease and conceptions of race in the nineteenth century. That period saw the birth of a modern, fixist, biologically determinist racism, which increasingly manifested itself in medical writings. The reverse was also true: medicine was a crucial site in which race was forged. The history of what has been called ‘race-science’, it is argued, cannot and should not be written independent of the history of ‘race-medicine’.

Burney's The Wanderer and Early-Nineteenth-Century Commodity Fetishism

2002 ◽  
Vol 57 (1) ◽  
pp. 1-30 ◽  
Author(s):  
Andrea Henderson
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Social Changes ◽  
Commodity Fetishism ◽  
Early Nineteenth Century ◽  
Labor Theory ◽  
History Of ◽  
Theory Of Value ◽  
Historical Moment ◽  
The Wanderer

This essay explores a particular moment in the history of commodity fetishism by means of an examination of Frances Burney's The Wanderer (1814). The novel, which is explicitly concerned with the social changes facing early-nineteenth-century England, reveals that at this historical moment the commodity inspired emotions of a particular kind: it was idealized and perceived as attractively individualized, aloof, exotic, and changeable, and it elicited a passionate and sometimes even painful form of desire. In The Wanderer Burney explores the human repercussions of this new way of engaging with objects in the marketplace. She reveals, moreover, the extent to which the fetishism of the commodity reflected not just developments within the economy but also political change: under the influence of the French Revolution the charisma once generated by social status was transferred to the economic realm, where, embodied in the commodity, it gave rise to a pleasurable but masochistic reverence. Burney'sargument for the usefulness of economic independence necessarily leads her to appreciate the commodity fetishism she describes: even while she develops a labor theory of value, Burney promotes a mystification of the commodity by insisting on the aloof independence of both labor and its products. Thus, Burney uses the apparent autonomy of things——which Marx decries——as a means to argue for the autonomy of the makers of those things.

scholarly journals The boundary between the domains of the Kosaca and the Brankovic south of the Tara river

Balcanica ◽  
2004 ◽  
pp. 91-158
Author(s):  
Milos Lukovic
Keyword(s):  
Nineteenth Century ◽  
River Valley ◽  
Historical Sources ◽  
Accurate Identification ◽  
Long Period ◽  
Feudal Lord ◽  
History Of ◽  
The Moment ◽  
The Village ◽  
Rule Out

With the partitioning in 1373 of the domain of Nikola Altomanovic, a Serbian feudal lord, the old political core of the Serbian heartland was shattered and the feudal Bosnian state considerably extended to the east. The region was crossed by the Tara river, mostly along the southeast-northwest "Dinaric course". Although the line along which Altomanovic?s domain was partitioned has been discussed on several occasions and over a comparatively long period, analyses show that the identification of its section south of the Tara is still burdened by a number of unanswered questions, which are the topic of this paper. An accurate identification of this historical boundary is of interest not only to historiography, but also to archaeology ethnology, philology (the history of language and dialectology in particular) and other related disciplines. The charters of Alphonse V and Friedrich III concerning the domain of herceg Stefan Vukcic Kosaca, and other historical sources relating to the estates of the Kosaca cannot reliably con?rm that the zupa of Moraca belonged to the Kosaca domain. The castrum Moratsky and the civitate Morachij from the two charters stand for the fortress near the village of Gornje Morakovo in the zupa of Niksic known as Mrakovac in the nineteenth century, and as Jerinin Grad/Jerina?s Castle in recent times. The zupa of Moraca, as well as the neighbouring Zupa of Brskovo in the Tara river valley, belonged to the domain of the Brankovic from the moment the territory of zupan Nikola Altomanovic was partitioned until 1455, when the Turks ?nally conquered the region thereby ending the 60-year period of dual, Serbian-Turkish, rule. Out of the domain of the Brankovic the Turks created two temporary territorial units: Krajiste of Issa-bey Ishakovic and the Vlk district (the latter subsequently became the san?ak of Vucitrn). The zupa of Moraca became part of Issa-bey Ishakovic?s domain, and was registered as such, although the fact is more di?cult to see from the surviving Turkish cadastral record. The zupa of Moraca did not belong to the vilayet of Hersek, originally established by the Turks within their temporary vilayet system after most of the Kosaca domain had been seized. It was only with the establishing of the San?ak of Herzegovina that three nahiyes which formerly constituted the Zupa of Moraca (Donja/Lower Moraca, Gornja/Upper Moraca and Rovci) were detached from Issa-bey?s territory and included into the San?ak of Hercegovina. It was then that they were registered as part of that San?ak and began to be regarded as being part of Herzegovina.

Making Space

2020 ◽  
Vol 35 (3) ◽  
pp. 132-141
Author(s):  
Jasmine Nichole Cobb
Keyword(s):  
Nineteenth Century ◽  
Family History ◽  
Black Culture ◽  
Personal History ◽  
Cultural Institutions ◽  
Cultural Contexts ◽  
Black Artists ◽  
Look Back ◽  
Iconic Images ◽  
History Of

In this interview, artist and scholar Deborah Willis describes the work of excavating and organizing the history of Black photography. Willis’s groundbreaking scholarship helped to formally establish an archive of Black visual practice before libraries and cultural institutions began to purposely catalogue such materials. Across projects, she has engaged questions of beauty, citizenship, Black culture, and family history from the nineteenth century to the present by closely examining the camera practices of legendary photographers and the cultural contexts surrounding iconic images. In this interview, Willis describes her research as a student relying on periodical records as well as on the support of Black artists such as Roy DeCarava, Carrie Mae Weems, Gordon Parks, and James VanDerZee. This conversation with the author intertwines Willis’s personal history and the history of creating a visual archive to offer a look back and a look forward at the practice of Black photography.

scholarly journals The Moor’s Political Colour: Race and Othello in Poland

2020 ◽  
Vol 22 (37) ◽  
pp. 171-190
Author(s):  
Anna Kowalcze-Pawlik
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Reception History ◽  
Social Contexts ◽  
Racial Stereotypes ◽  
Skin Colour ◽  
The Political ◽  
History Of ◽  
Stage Adaptations ◽  
The Way

This paper provides a brief outline of the reception history of Othello in Poland, focusing on the way the character of the Moor of Venice is constructed on the page, in the first-published nineteenth-century translation by Józef Paszkowski, and on the stage, in two twentieth-century theatrical adaptations that provide contrasting images of Othello: 1981/1984 televised Othello, dir. Andrzej Chrzanowski and the 2011 production of African Tales Based on Shakespeare, in which Othello’s part is played by Adam Ferency (dir. Krzysztof Warlikowski). The paper details the political and social contexts of each of these stage adaptations, as both of them employ brownface and blackface to visualise Othello’s “political colour.” The function of blackface and brownface is radically different in these two productions: in the 1981/1984 Othello brownface works to underline Othello’s overall sense of alienation, while strengthening the existing stereotypes surrounding black as a skin colour, while the 2011 staging makes the use of blackface as an artificial trick of the actor’s trade, potentially unmasking the constructedness of racial prejudices, while confronting the audience with their own pernicious racial stereotypes.

Landlords and Strangers

2018 ◽  
Author(s):  
Christopher R. DeCorse
Keyword(s):  
Nineteenth Century ◽  
West Africa ◽  
Guinea Coast ◽  
Historical Sources ◽  
Cultural Contexts ◽  
Diverse Communities ◽  
Commercial Enterprise ◽  
Archaeological Work ◽  
Political Traditions ◽  
Atlantic Economy

Drawing on historical sources and archaeological work, this chapter considers the varied communities associated with the British forts and outposts of West Africa and places them in their wider economic and cultural contexts. Beginning with founding of the first English fort in Ghana in the 1630s through the construction of the smaller proto-colonial defensive works of the nineteenth century, British trading companies established dozens of outposts of varying size and duration on the Guinea coast. Although all primarily established for trade within an expanding sphere of British commercial enterprise, the outposts and the communities with which they were associated differed in terms of their histories, the cultural interactions represented, and their component populations. Predominantly African, the diverse communities associated with these forts underscore both the ways in which the expanding Atlantic economy structured these intersections and how African social, cultural, and political traditions shaped the entanglements that unfolded.

“The Temple of the Incredulous”: Ottoman Sultanic Mosques and the Principle of Legality

2019 ◽  
Vol 36 (1) ◽  
pp. 179-207
Author(s):  
Samet Budak
Keyword(s):  
Nineteenth Century ◽  
Sixteenth Century ◽  
Cultural Memory ◽  
Holy War ◽  
Historical Sources ◽  
History Of ◽  
Historical Accounts ◽  
Principle Of Legality ◽  
The Temple ◽  
As If

Abstract This article traces the history of an Ottoman legal custom related to the construction of sultanic (imperial) mosques. According to conventional narratives, the victory over non-Muslims was the essential requisite for constructing a sultanic mosque. Only after having emerged victorious should a sultan use the funds resulting from holy war to build his own mosque. This article argues that this custom emerged only after the late sixteenth century in tandem with rising complaints about the Ottoman decline and with the ḳānūn-consciousness of the Ottoman elite, although historical accounts present it as if it existed from the beginning of Ottoman rule. It rapidly gained importance, so much so that the Sultan Ahmed Mosque was dubbed “the unbeliever’s mosque” by contemporary ulema. After having examined details of the custom’s canonization, the article deals with how it left its imprint in construction activities (struggles and workarounds), historical sources, literature, and cultural memory, up to the nineteenth century.

‘Our Catholic school’: themes and patterns in early Catholic school buildings and architecture before 1872

2020 ◽  
Vol 71 (1) ◽  
pp. 1-66
Author(s):  
Diane M. Watters
Keyword(s):  
Nineteenth Century ◽  
Catholic Education ◽  
Early Development ◽  
Catholic Schools ◽  
Catholic School ◽  
School Buildings ◽  
School Architecture ◽  
History Of ◽  
Catholic Schooling

The transformation in Catholic schooling after the Education (Scotland) Act, 1918, is widely recognised. But research on the building of Catholic schools, beginning with the early decades of the nineteenth century, has not yet been done to a level that can support the claim that the ‘greatest impact’ on building was the transfer of voluntary Catholic primaries to the education authorities. By contrast with the history of Catholic education, there has been no thematic study of Scotland's historic school architecture. The aim here is to address that gap, and provide a foundation for further study, by tracing the early development of Catholic school buildings down to the Education (Scotland) Act, 1872. Educational historians have maintained the narrative that, before 1872, many school buildings were ‘little more than hovels’, and the date of 1918 has been identified as the watershed for improvement. That view is challenged.

From bazaar to Big Bazaar

2018 ◽  
Vol 10 (3) ◽  
pp. 312-330 ◽  
Author(s):  
Chinmay Tumbe ◽  
Shashank Krishnakumar
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Environmental Influence ◽  
Environmental Influences ◽  
Service Innovation ◽  
Business Environment ◽  
Home Delivery ◽  
Historical Sources ◽  
Content Type ◽  
History Of

Purpose This paper aims to understand the factors affecting the evolution of retailing in India since the mid-nineteenth century. Design/methodology/approach This paper compares the trajectories of four distinct retail stores in India – Spencer’s pan-Indian retailing empire since 1863, Akbarallys’ department store chain in Mumbai since 1897, Apna Bazar’s consumer cooperative chain in Mumbai since 1948 and the Future Group’s pan-Indian retailing chain since the 1980s. Historical sources include firm biographies and newspaper archives. Findings This paper proposes a systems theory linking environmental influences and service innovation, to explain the evolution of retailing in India since the mid-nineteenth century. The key environmental influence on retailing has been state patronage – colonialism and high-end department stores until the 1940s, socialism and cooperative stores until the 1980s and liberalisation with restricted foreign direct investment in retailing until 2015 associated with indigenous corporate large retail format stores. Service innovation in terms of home delivery and recreation of the bazaar atmosphere due to norms on gender and community have also interacted to shape individual success in modern retailing and the dominance of small shop retailing over the long run. Research limitations/implications This paper questions standard accounts of retailing history in India that began with the late-twentieth century by showing the scale of a pan-Indian retailing chain in the early-twentieth century. It also provides an account of retailers that is missing in the current literature on the history of consumption in India. Practical implications Findings of this study will be useful to marketing professionals and teachers who wish to learn more about the history of retailing in India. It also shows how retailers navigated changes in the regulatory and business environment. Originality/value Through a comparative study, this paper outlines the environmental influences on retail formats and service innovation strategies that are required to serve the Indian market. It also brings to fore the significance of retailing chains in colonial India.

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