scholarly journals Magnetowid i walkman jako przedmioty nostalgiczne w najnowszej literaturze polskiej

2021 ◽  
Vol 27 ◽  
pp. 495-506
Author(s):  
Dariusz Piechota

This article is devoted to analysing and interpreting nostalgic objects in contemporary culture. Video and Walkman have changed the way we listen to music and watch films. It is worth mentioning that contemporary Polish writers often come back to their childhood and describe objects that were important in their existence, such cassettes of their favorites artists and actors. Nostalgia is a crucial feeling in their writings and a result of the digital age we are living in. Walkman and video resemble an analogue time machine taking one back to a period when the past was written in objects.

Author(s):  
Vilaksan Mishra

We have seen that business can be done amid lockdowns and curfew restrictions. The pandemic having a lot of negative impact on almost everyone has a silver lining, which is the digital age. India could not have been more digital than it has been in the past one year from online grocery shopping to food delivery and the WFH culture is sure to promote people from ordering things from the comfort of their homes. In coming times the restrictions will become preferred choices and our average shopkeeper needs to be more tech savvy but it is next to impossible for every shop to go digital the way things are. In order to meet the requirements of the time we have proposed a solution in the form of a mobile application which will provide users to order food and services from the comfort of their homes.


2018 ◽  
Vol 9 (1) ◽  
pp. 33-48
Author(s):  
Elisabeth Bronfen

This article looks at the way Matthew Weiner deploys double vision in his historical re-imagination of the 1960s in Mad Men. At issue is both the way the past haunts the present on the diegetic level in the form of flashback sequences, as well as the way Weiner performs simultaneity by virtue of parallel editing, especially in the closing sequences of individual episodes. At issue also is the way stock footage of key historical events such as the moon landing is deployed so as to offer a further juxtaposition of present and past.


2020 ◽  
Vol 53 (4) ◽  
pp. 963-989 ◽  
Author(s):  
Julia Laite

Abstract Digitization has usually been considered a facilitator of what has been called “big” history. While digital history projects increasingly make good and sensitive use of individual and granular records and use them to bring human complexity into a larger analysis, the digitization of published material and archives have mostly been discussed by historians in aggregate: they are valued chiefly for their ability to give us “big data” about phenomena in the past. Yet for those interested in questions and methodologies of microhistory, biographical history, history from below, and other kinds of what we might call “small” history, the digitization of archives and individual records is an equally transformative development. This article will examine the way that digitization has changed how historians discover, concatenate, and communicate small stories in their narratives and arguments. I will consider the practice and the ethics of telling and digitizing individual histories, and I will suggest some different ways of dealing with the new boundaries—and boundlessness—that the “mass digitized turn” throws up, particularly for historians working in the period after 1800. Finally, amidst an increased emphasis on digitization and big data in the field of history, I want to assert the continuing power of all kinds of small histories to explain the past and to connect it to our present, and ourselves.


HISTOREIN ◽  
2016 ◽  
Vol 15 (2) ◽  
pp. 21
Author(s):  
Stefan Tanaka

<p>This essay explores the way that digital media helps us think differently about how we practice history. Digital media can raise two issues about how our current practices can offer new ways to explore the current state of historiography. First, the more one is immersed in digital tools, they make us question first principles, the various practices and assumptions of modern history itself. Second, it offers ways of communicating the past that do not hide the process of “doing” history. In this article I will draw on my project, 1884 Japan, to raise questions about data or the fact. By using recorded happenings, I plan to explore the distancing of fact from the context in which it was embedded. Recorded happenings exist prior to the filtering of importance. It enables us to first recover the heterogeneity of pasts and recover the stories and experiences of a variety of people who have usually been written out of Japanese history. Second, by presenting this material I will suggest a layered, multitemporal history that combines the narrative of national becoming with the experiences of others.</p><p> </p>


Author(s):  
James J. Coleman

At a time when the Union between Scotland and England is once again under the spotlight, Remembering the Past in Nineteenth-Century Scotland examines the way in which Scotland’s national heroes were once remembered as champions of both Scottish and British patriotism. Whereas 19th-century Scotland is popularly depicted as a mire of sentimental Jacobitism and kow-towing unionism, this book shows how Scotland’s national heroes were once the embodiment of a consistent, expressive and robust view of Scottish nationality. Whether celebrating the legacy of William Wallace and Robert Bruce, the reformer John Knox, the Covenanters, 19th-century Scots rooted their national heroes in a Presbyterian and unionist view of Scotland’s past. Examined through the prism of commemoration, this book uncovers collective memories of Scotland’s past entirely opposed to 21st-century assumptions of medieval proto-nationalism and Calvinist misery. Detailed studies of 19th-century commemoration of Scotland’s national heroes Uncovers an all but forgotten interpretation of these ‘great Scots’ Shines a new light on the mindset of nineteenth-century Scottish national identity as being comfortably Scottish and British Overturns the prevailing view of Victorian Scottishness as parochial, sentimental tartanry


The Eye ◽  
2019 ◽  
Vol 21 (128) ◽  
pp. 19-22
Author(s):  
Gregory DeNaeyer

The world-wide use of scleral contact lenses has dramatically increased over the past 10 year and has changed the way that we manage patients with corneal irregularity. Successfully fitting them can be challenging especially for eyes that have significant asymmetries of the cornea or sclera. The future of scleral lens fitting is utilizing corneo-scleral topography to accurately measure the anterior ocular surface and then using software to design lenses that identically match the scleral surface and evenly vault the cornea. This process allows the practitioner to efficiently fit a customized scleral lens that successfully provides the patient with comfortable wear and improved vision.


2017 ◽  
Vol 41 (1) ◽  
pp. 31-47
Author(s):  
Clinton D. Young

This article examines the development of Wagnerism in late-nineteenth-century Spain, focusing on how it became an integral part of Catalan nationalism. The reception of Wagner's music and ideas in Spain was determined by the country's uneven economic development and the weakness of its musical and political institutions—the same weaknesses that were responsible for the rise of Catalan nationalism. Lack of a symphonic culture in Spain meant that audiences were not prepared to comprehend Wagner's complexity, but that same complexity made Wagner's ideas acceptable to Spanish reformers who saw in the composer an exemplar of the European ideas needed to fix Spanish problems. Thus, when Wagner's operas were first staged in Spain, the Teatro Real de Madrid stressed Wagner's continuity with operas of the past; however, critics and audiences engaged with the works as difficult forms of modern music. The rejection of Wagner in the Spanish capital cleared the way for his ideas to be adopted in Catalonia. A similar dynamic occurred as Spanish composers tried to meld Wagner into their attempts to build a nationalist school of opera composition. The failure of Tomás Bréton's Los amantes de Teruel and Garín cleared the way for Felip Pedrell's more successful theoretical fusion of Wagnerism and nationalism. While Pedrell's opera Els Pirineus was a failure, his explanation of how Wagner's ideals and nationalism could be fused in the treatise Por nuestra música cemented the link between Catalan culture and Wagnerism.


2008 ◽  
Vol 30 (4) ◽  
pp. 9-27 ◽  
Author(s):  
Cary Carson

Abstract Are historic sites and house museums destined to go the way of Oldsmobiles and floppy disks?? Visitation has trended downwards for thirty years. Theories abound, but no one really knows why. To launch a discussion of the problem in the pages of The Public Historian, Cary Carson cautions against the pessimistic view that the past is simply passéé. Instead he offers a ““Plan B”” that takes account of the new way that learners today organize information to make history meaningful.


2017 ◽  
Vol 14 (2) ◽  
pp. 67-88
Author(s):  
Ryszard Skawiński

The Diocese of Ełk was established in 1992 as a major change in the structure of the Churchin Poland. It connects the land belonging in the past to various forms of the Polish state and theGerman state, as well as the Russian state. As a result of these conditions, the parishes of theRoman Catholic Church in this area have arisen in different circumstances and have distincttraditions. Parishes are currently experiencing similar problems. Within the Diocese of Ełk therewas an increase in the number of parishes and the process of unifying the way they functioned.


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