scholarly journals Las primeras mujeres de letras en España: disidencia, aceptación y olvido = The first women of letters in Spain: disidency, acceptance and forgetfulness

2019 ◽  
Vol 4 (1) ◽  
pp. 166
Author(s):  
Ana María Velasco Molpeceres
Keyword(s):  
Middle Ages ◽  
Historical Context ◽  
Marian Devotion ◽  
Female Authors ◽  
Late Middle Ages ◽  
Intellectual Capacity ◽  
History Of ◽  
Las Mujeres ◽  
Women Of Letters

Resumen. El objetivo de este trabajo es el estudio del rol de las primeras autoras de España. La lista de escritoras que desarrollaron una obra que fue publicada, leída y admirada (así como también cuestionada) es extensa; pero sus nombres han caído en el olvido. Entre la Antigüedad y el siglo XVI, las mujeres de letras desafiaron las convenciones asociadas a su sexo aunque también se inscribieron en una nueva sociedad que permitió su admiración, a menudo desde el escepticismo. Este texto pretende recuperar a estas escritoras marginales, en el pasado y sobre todo en el presente. Para ello se propone hacer un recorrido biobibliográfico por las primeras autoras españolas y un análisis del contexto histórico en que desarrollaron su labor. Acercarse a las mujeres autoras es un tema interesante porque tradicionalmente, e in­cluso hoy, se ha cuestionado la capacidad intelectual femenina. Pero el debate sobre el papel de la mujer en la sociedad y acerca de su educación viene igualmente de lejos. En particular, desde la Baja Edad Media, un nuevo sentir cristiano que fomenta la devoción mariana y la cultura de los trovadores y el amor cortés abrieron nuevos caminos para las féminas. El objetivo de este trabajo es estudiar estos fenómenos, y sus ejemplos más destacados, en la España cristiana.Palabras clave: Escritoras, España, Historia de las mujeres, Historia de la literatura.Abstract. The aim of this work is to study the role of Spain’s first female authors. The list of writers who developed a work that was published, read and admired (as well as questioned) is extensive; but their names have fallen into oblivion. Between Antiquity and the 16th century, women of letters defied the conventions associated with their sex although they also joined a new society that allowed their admiration, often from skepticism. This text tries to recover these marginal writers, in the past and especially in the present. In order to do so, it is pro­posed to make a biobibliographical journey through the first Spanish authors and an analysis of the historical context in which they developed their work. Approaching women authors is an interesting subject because traditionally, and even today, the intellectual capacity of women has been questioned. But the debate about the role of women in society and about their educa­tion also comes from afar. In particular, since the Late Middle Ages, a new Christian sentiment that fosters Marian devotion and the culture of troubadours and courteous love opened new paths for women. The aim of this work is to study these phenomena, and their most prominent examples, in Christian Spain.Keywords: Women writers, Spain, History of women, History of literature.

Part I Histories, Ch.2 Roman Law and the Intellectual History of International Law

2016 ◽  
Author(s):  
Lesaffer Randall
Keyword(s):  
International Law ◽  
Intellectual History ◽  
Middle Ages ◽  
Roman Law ◽  
Late Middle Ages ◽  
History Of ◽  
History Of Law ◽  
History Of International Law ◽  
Roman Antiquity

This chapter describes the role of Roman law—whose influence has been largely underestimated in recent scholarship—in the intellectual history and development of international law. To that end, the chapter offers a general survey of the historical interactions between Roman law and international law, drawing from general insights into the intellectual history of law in Europe that have remained remarkably absent in the grand narrative of the history of international law. The focus is on the periods in which these interactions were most pronounced. Next to Roman Antiquity, these are the Late Middle Ages (eleventh to fifteenth centuries) and the Early Modern Age (sixteenth to eighteenth centuries).

For the Benefit of Students: Memory and Anatomical Learning at Bologna in the Fourteenth to Early Sixteenth Centuries

2020 ◽  
Vol 75 (2) ◽  
pp. 135-150
Author(s):  
Kira L Robison
Keyword(s):  
Middle Ages ◽  
Scientific Method ◽  
Medical Knowledge ◽  
University Medicine ◽  
Body Of Knowledge ◽  
Late Middle Ages ◽  
History Of ◽  
New Ideas ◽  
History Of Anatomy

Abstract The anatomical textbook in the late Middle Ages was one part of a greater pedagogical process that involved students’ seeing, hearing, reading, and eventually knowing information about the human body. By examining the role of the anatomical textbook and accompanying bodily images in anatomical learning, this article illuminates the complexity and self-consciousness of anatomical education in the medieval university, as professors focused on ways to enhance student memory of the material. Traditionally, the history of anatomy has been heavily influenced by the anatomical Renaissance of the late-sixteenth century, highlighting a focus on innovative medical knowledge and the scientific method. However, if we engage a pedagogical lens when looking at these medieval authors, it becomes quickly obvious that the whole point of university medicine was not to explore unknown boundaries and discover new ideas of medicine, but rather to communicate the current and established body of knowledge to those not familiar with it.

Forma Dat Esse

2020 ◽  
Vol 23 (2) ◽  
pp. 423-446
Author(s):  
Sylvain Roudaut
Keyword(s):  
Middle Ages ◽  
Progressive Decline ◽  
De Trinitate ◽  
Late Middle Ages ◽  
History Of ◽  
The Middle Ages

Abstract This paper offers an overview of the history of the axiom forma dat esse, which was commonly quoted during the Middle Ages to describe formal causality. The first part of the paper studies the origin of this principle, and recalls how the ambiguity of Boethius’s first formulation of it in the De Trinitate was variously interpreted by the members of the School of Chartres. Then, the paper examines the various declensions of the axiom that existed in the late Middle Ages, and shows how its evolution significantly follows the progressive decline of the Aristotelian model of formal causality.

Conclusion

2018 ◽  
Author(s):  
Ildar Garipzanov
Keyword(s):  
Cultural History ◽  
Middle Ages ◽  
Late Antiquity ◽  
Western Europe ◽  
Dominant Role ◽  
Ninth Century ◽  
Sources Of Authority ◽  
History Of ◽  
Historical Periods

The concluding chapter highlights how the cultural history of graphic signs of authority in late antiquity and the early Middle Ages encapsulated the profound transformation of political culture in the Mediterranean and Europe from approximately the fourth to ninth centuries. It also reflects on the transcendent sources of authority in these historical periods, and the role of graphic signs in highlighting this connection. Finally, it warns that, despite the apparent dominant role of the sign of the cross and cruciform graphic devices in providing access to transcendent protection and support in ninth-century Western Europe, some people could still employ alternative graphic signs deriving from older occult traditions in their recourse to transcendent powers.

MARCEL PAGNOL'S THE BAKER'S WIFE, A CINEMATIC CHARIVARI IN POPULAR FRONT FRANCE

2005 ◽  
Vol 48 (2) ◽  
pp. 437-469 ◽  
Author(s):  
BRETT BOWLES
Keyword(s):  
Middle Ages ◽  
Focal Point ◽  
Public Support ◽  
Popular Front ◽  
Partisan Politics ◽  
National Union ◽  
Late Middle Ages ◽  
The Social ◽  
Definition Of

Taking an anthropological approach, this article interprets Pagnol's critically acknowledged classic as a reinvention of a carnivalesque ritual practised in France from the late middle ages through the late 1930s, when ethnographers observed its last vestiges. By linking La Femme du boulanger (The baker's wife, 1938) to contemporaneous debates over gender, national decadence, and the definition of French cultural identity, I argue that the film recycles the charivari's long-standing function as a tool of popular protest against social and political practices regarded as detrimental to the welfare of the nation. In the context of the Popular Front, Pagnol's charivari ridiculed divisive partisan politics pitting Left against Right, symbolically purged class conflict from the social body, and created a new form of folklore that served as a focal point for the communitarian ritual of movie-going among the urban working and middle classes. In so doing, the film promoted the ongoing shift in public support away from the Popular Front in favour of a conservative ‘National Union’ government under Prime Minister Edouard Daladier, who in 1938–9 assumed the role of France's newest political patriarch.

The Virtues of Economy

2019 ◽  
Author(s):  
James A. Palmer
Keyword(s):  
Political Culture ◽  
Middle Ages ◽  
Fourteenth Century ◽  
Subsequent Development ◽  
Political Society ◽  
Future Role ◽  
Late Middle Ages ◽  
History Of ◽  
The City ◽  
Distinct Role

The humanist perception of fourteenth-century Rome as a slumbering ruin awaiting the Renaissance and the return of papal power has cast a long shadow on the historiography of the city. Challenging the view, this book argues that Roman political culture underwent dramatic changes in the late Middle Ages, with profound and lasting implications for the city's subsequent development. The book examines the transformation of Rome's governing elites as a result of changes in the city's economic, political, and spiritual landscape. It explores this shift through the history of Roman political society, its identity as an urban commune, and its once-and-future role as the spiritual capital of Latin Christendom. Tracing the contours of everyday Roman politics, the book reframes the reestablishment of papal sovereignty in Rome as the product of synergy between papal ambitions and local political culture. More broadly, it emphasizes Rome's distinct role in evolution of medieval Italy's city-communes.

scholarly journals Revival and preservation of historical memory in the creative heritage of Professor M. P. Kovalskyi

2020 ◽  
Vol 2 (1) ◽  
pp. 13
Author(s):  
Serhii I. Svitlenko
Keyword(s):  
Middle Ages ◽  
Historical Memory ◽  
Primary Sources ◽  
Scientific School ◽  
Subject Field ◽  
Late Middle Ages ◽  
Archival Documents ◽  
Source Studies ◽  
History Of ◽  
Historical Epoch

The purpose of the article is to reveal the concept of the revival and preservation of historical memory in the creative heritage of Professor M. P. Kovalskyi. Research methods: historical-genetic, historical-system and historical-biographical; complex and personalistic approaches. Sources: a series of archival documents of personal origin, published sources of epistolary and memoir character, the latest historiography. The main results. In the analytical article the regularities of the choice of young scientists in the field of scientific research are highlighted. The peculiarities of the study of the scientist-historian of the source-related problems of the period of transition from the late Middle Ages to the early Modern (ХVІ – the first half of the ХVІІ century) are studied in an atmosphere of the Soviet reality of the 70ʼs and 80ʼs of the 20th century; is accentuated on the great heuristic activity of the scientist; shows his specific contribution to the study of this historical epoch. It is argued that one can speak about the complexity of M. Kovalskyiʼs approach to the development of a source base as a documentary basis for the revival of historical memory. It was proved that the part of the process of renaissance and preservation of historical memory by Professor M. P. Kovalskyi was his work in the development of Ukrainian archeography. The afore mentioned process was traced in the creative heritage of the professor not only in the national, but also in the regional and historical lore contexts. It is highlighted that in the process of revival and preservation of historical memory M. P. Kovalskyi significantly expanded the subject field of research, boldly engaging in the innovative scientific themes of his students. The attention was also paid to the methodical aspect of the revival and preservation of historical memory by Professor M. P. Kovalskyi, which was very broad, including the study of historical chronology, museology, historiography, source studies, historical heuristics, and historical bibliography. Conclusions. Professor M. P. Kovalskyi was made a great contribution to the revival and preservation of the historical memory of Ukrainians about the Cossack period of Ukrainian history, actively involving young scientists, postgraduates and students in this process, which resulted in the formation and formation of a scientific school on source study the history of Ukraine in the ХVІ–ХVІІІ centuries. Practical meaning. The material of this article may be interesting in the process of preparing students and postgraduates, preparing theses. Scientific novelty. The research has actualized a variety of primary sources, insufficiently researched the perspective of the creative activity of Professor M. P. Kovalskyi.

scholarly journals composer phenomenon in a historical retrospect of an authorship idea formation in European musical culture of the middle ages

2021 ◽  
Vol 5 (S2) ◽  
pp. 284-302
Author(s):  
Iryna Yu Konovalova
Keyword(s):  
Middle Ages ◽  
Significant Role ◽  
Oral Tradition ◽  
Musical Culture ◽  
Late Middle Ages ◽  
European Culture ◽  
Historical Retrospect ◽  
Idea Formation ◽  
The Middle Ages

The article is devoted to comprehension of specifics and formation prerequisites of composer’s and musical authorship phenomena historical formation in European culture of the Middle Ages. Genesis of composer’s phenomenon and individual musical authorship model is considered on the basis of historical, socio-cultural and aesthetic-artistic transformations, on awareness about their dynamic’s tendencies and general cultural institutionalization of an authorship phenomenon, as well as on an increasing role of individual creativity in an artistic realm. It is stated that multi-ethnic and anonymous culture of oral tradition, folklore and Christian singing practices, as well as instrumental improvisation’s traditions, became spiritual sources of this phenomena and turn into a strong foundation of musical professionalism and creative impulse for European authorial music evolution. It is emphasized that process of composer’s formation as a creativity subject and musical professionalism carrier was stimulated by the necessity of everyday vocal-choral practice, conditioned by the spiritual context of time, by intention on theocentric world’s picture and religious – Christian outlook dominance. Significant role of secular direction development in the context of music-author’s discourse formation and composer’s figure assertion in the late Middle Ages is highlighted. 

Sign in / Sign up

Export Citation Format

Share Document