scholarly journals Cheesie Mack Is Not a Genius or Anything by S. Colter

2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Dale Storie

Cotler, Steve.  Cheesie Mack Is Not a Genius or Anything. Illus. Adam McCauley.  New York: Random House, 2011. Print. The protagonist of this story is Ronald “Cheesie” Mack, an energetic boy who, at ten years and ten months of age, has just finished Grade 5.  In his own words, his story is about “a mysterious old coin, an evil sister…a dead sister…runaway rodents, a super-best friend, a fifth-grade graduation disaster, some really unusual words (including a few that I made up), and The Haunted Toad”. The plot is equal parts mystery novel, elementary school pranks, and sibling rivalry, with a running commentary on friendship woven through the book. The strength of this novel is the first-person narration, which stays lively from Chapter 0 (“This Story is Over!”) to the very last page (“This is not a Chapter. Visit CheesieMack.com if…”).  Cheesie Mack is a self-aware narrator who makes frequent asides to the reader, in order to provide foreshadowing, define words, explain character motives, and encourage readers to visit his website.  Readers who enjoy plot-driven books may find Cheesie’s interludes annoying, since they act as frequent distractions from a plot that seems meandering at times.  The book weaves multiple plot threads together, but takes its time doing so.  Readers may feel as though the author will never return to earlier plot threads to resolve them (although he does successfully tie these pieces together at the end). However, young readers who appreciate a light-hearted character-driven story will definitely enjoy this book.  Readers of a similar age will be able to relate to Cheesie’s sentiments towards his best friend and to his ongoing battles with his sister.  His comical interjections and mock dialogue with his readers ensure that the book remains playful and engaging, even when the plot may not be.  For those who don’t want the story to end, there is always the CheesieMack.com website. Recommended: 3 out of 4 starsReviewer: Dale StorieDale Storie is Public Services Librarian at the John W. Scott Health Sciences Library at the University of Alberta. He has a BA in English, and has also worked in a public library as a children's programming coordinator, where he was involved with story times, puppet shows, and book talks.

2020 ◽  
Vol 9 (2) ◽  
Author(s):  
Jenn Laskosky

Bayer, Vanessa. How Do You Care for a Very Sick Bear? Illustrated by Rosie Butcher. New York: Macmillan Publishing, 2019. Vanessa Bayer’s How Do You Care for a Very Sick Bear? provides young readers with advice on how to deal with and help their friends who are facing a difficult illness. The book offers suggestions and advice for young children, but also reminds them that even though their friend is sick, they are still their friend. Bayer’s story provides examples of the simple gestures that friends can make when helping each other. The illustrations by Rosie Butcher are bright, colourful, and simple. Butcher illustrates common activities that friends would do together, which makes them relatable to children even though the characters are bears. The illustrations take up most of the page and provide young readers with a lot to explore. The text throughout the book is simple and easy to read. Bayer’s story tackles a difficult topic, but she presents it in a way that is easy for children to understand. Her use of bears as her main characters helps to soften the impact of a difficult topic to approach with children. However, Bayer is also honest with her portrayal of illness, which offers children a realistic view of what to expect. This book can be very useful for children who have a friend facing a difficult illness. Additionally, it can be useful to parents when explaining illnesses to their children. With that in mind, I would recommend it for elementary school and public libraries. Highly Recommended: 4 out of 4 starsReviewer: Jenn Laskosky Jenn Laskosky is a masters student at the University of Alberta in the Library and Information Studies program. She has an interest in health sciences librarianship and international librarianship. Her passion for reading has continued to grow throughout her education.  


2016 ◽  
Vol 6 (1) ◽  
Author(s):  
Leslie Aitken

Forssen Ehrlin, Carl-Johan.  The Rabbit Who Wants to Fall Asleep: A New Way of Getting Children to Sleep. Illus. Irina Maununan.  New York: Crown Books for Young Readers, 2014. Print.Carl-Johan Forssen Ehrlin, the psychologist who wrote this book, introduces the work with instructions for its calm, slow, emphatic reading.  He then begins the bedtime story proper, a ten page text in which he uses the word sleep or one of its variants (asleep, sleeping, sleepy) approximately 100 times.  It may be that he uses the words “yawn,” “tired,” and “relax” just as frequently; frankly, it seems too daunting a task to count and confirm this possibility.  The literary effect is tedious—given the subtitle, probably intentionally so. There is a storyline, albeit a thin one.  It is much enhanced by the delicate drawings by Irina Maununen; a young child might well pore over these.  However, storytelling is not the main purpose of the book.  Its main purpose would appear to be hypnosis.   That is just a guess; the publisher’s blurb does not actually confirm it.  The blurb does, however, rave about the book’s ability to put children to sleep.  Quite so. This is not a work of children’s literature; it is a “how to” book for adults.  Its advice should not replace common sense.  Childhood sleeplessness can stem from serious causes.  It can be the result of underlying medical conditions, of pain, of breathing difficulties.  It can indicate worrisome psychological states: stress, anxiety, and fear.  It can be the result of a socio-economic environment that is typified by deprivation and hunger, domestic instability, the presence of danger.  A book outlining hypnotic techniques does not obviate any of these root causes of sleeplessness.  However, in the event that they are all ruled out or remedied, and that a child is found to suffer from nothing more than a deep need for the comforting presence of a loving adult as he or she falls asleep, why not just ensure that one can be there?All this being said, the book is currently popular.  As I write this review, my public library lists thirty holds on fourteen copies of it.  Many parents must be waiting in line for an introduction to Forssen-Ehrlin’s methods.  Meanwhile, the old standbys of sleep induction, the rocking, the reassuring, the crooning of lullabies, might just prove equally effective as his book.Not RecommendedReviewer: Leslie AitkenLeslie Aitken’s long career in librarianship involved selection of children’s literature for school, public, special and academic libraries.  She is a former Curriculum Librarian of the University of Alberta.


2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Debbie Feisst

Sayres, Brianna K. Where Do Diggers Sleep at Night? Illus. Christian Slade.  New York: Random House, 2012. Print.If the title Where Do Diggers Sleep at Night? seems a tad familiar, well, it probably is.  In the same vein as the ultra-popular Good Night, Good Night, Construction Site, Diggers presents the sweet nighttime rituals of diggers, trucks and other heavy machinery.  At first I thought this was a simple effort to take advantage of a similar, bestselling title however Sayres’ work does indeed hold its own.In this picture book aimed at ages 3-6, first time picture book author Sayres gives young heavy equipment aficionados a delightful take on the bedtime story.  In rhyming couplets and often in a humorous manner, all sorts of trucks, cranes and tractors get ready for rest under the watchful headlamps of their caregivers: “Where do garbage trucks sleep / when they’re done collecting trash? / Do their dads sniff their load and say, / ‘Pee-yew—time to take a bath’?”  Sure to get the young ones giggling.The sleepy-eyed dozers and tow trucks eventually give way to an equally sleepy young boy in his cozy bed, with a reminder that the trucks will be waiting for him when he wakes.  Save for one naughty truck, winking, under the bed (my five-year-old happily pointed this out).Though the illustrations by former Disney animator Christian Slade are rather cartoon-like and not realistic, they match the text well, are in soothing nighttime colours and allow for the trucks to have droopy eyes and smiling faces. Read in a lyrical fashion, or even as a song, this would be a nice end to any wee truck lover’s day.  This would make a nice addition to any public library or as a gift.Reviewer: Debbie Feisst Recommended: 3 stars out of 4Debbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Hanne Pearce

Watts, Irene N., Touched by Fire. Toronto: Tundra Books, 2013. Print.In the first decade of the 20th century, Miriam Markovitz and her family have fled their small town in the country to live in Kiev. She and her family are Jewish and the Tsar does not favor Jews. After narrowly escaping the pogroms, Miriam’s father Sam dreams of taking the whole family to America. Known as the “Golden Land”, in America Jews are free of persecution.     Over the next few years the family relocates to Berlin where Miriam’s parents and grandparents work hard to save enough money. The plan is for Sam to travel to New York ahead of the family. Miriam is fourteen years old when the first set of tickets to America arrives in the mail from her father. Leaving on the adventure of their lives, the Markovitz family must endure illnesses, family quarrels, and filth. For Miriam it seems crossing the ocean is the hardest thing she has very done, but she is destined to witness an even worse tragedy in her new country.     Touched By Fire is an enlightening story that brings to light many of the injustices Jews were forced to face, long before the anti-Semitism of the Nazis’ era. It is easy to form an attachment to the characters, and I found myself hoping and worrying for the Markovitz family. Miriam is especially vivid and comes out clearly as a strong and self-sacrificing heroine.These positive points aside, there were some peculiarities about this book that stood out in my mind. Firstly, Miriam’s journey is relatively tame, especially when you consider how graphic young adult literature has become. While there is a fair share of danger and hardship in the journey, Watts has left the harsher struggles to be faced by minor characters, leaving Miriam as merely a witness. I would also have liked more development of the characters Miriam met along the way. Leaving these characters underdeveloped reduced the impact of their struggles and made Miriam’s feelings about them somewhat flat. Finally, I must admit to some puzzlement as to why Watts chose to give the book the title Touched By Fire, as it refers strictly to the tragedy detailed in the conclusion, when most of the book’s focus is on Miriam’s journey and her maturation.In considering these criticisms alongside the overall story, I found myself divided as to how I felt about the book. I have to conclude that younger readers may not be drawn to these inconsistences and nuances, but would rather enjoy the story for the picture it paints of the time period. I have therefore given the book three out four stars. Touched by Fire is most suitable for children ages 9-13 and would be enjoyed by young readers that enjoy historical fiction.Recommended: 3 out of 4 starsReviewer: Hanne PearceHanne Pearce has worked at the University of Alberta Libraries in various support staff positions since 2004 and is currently a Public Service Assistant at the Rutherford Humanities and Social Sciences Library. In 2010 she completed her MLIS at the University of Alberta. Aside from being an avid reader she has continuing interests in writing, photography, graphic design and knitting.


2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Sandy Campbell

Weiner, Andrew.  Down by the River: A Family Fly Fishing Story. Harry N. Abrams, 2018.  This is a beautifully illustrated book that tells a simple story about a boy, Art, who goes on a fly-fishing trip with his mother and grandfather. The story recalls a time when Art’s grandfather taught his mother to fish.  April Chu has used a subdued palette for her two-page riverine landscapes, with lots of green and rich autumn colours in the environment. The book has a calm and peaceful feel about it that mirrors the contemplative nature of fly-fishing.  The text is simple and descriptive of a day spent on the river. The reading level is too difficult for the intended Kindergarten to Grade 2 audience, so an adult will need to read the book aloud, especially those sentences that could confuse young readers with difficult concepts or complicated jargon: “The line arced forward and the fly landed softly a few feet above the rock. It drifted with the current past the rock. There was a splash and the line went tight.”  The last three pages contain information about fly fishing, the clothing worn by fly fishers and where to get more information about the sport. The end pages are decorated with images of intricate flys with such fun and mysterious names as: “Ian’s Crunch Caddis,” “Black Fur Ant,” and “Purple Parachute Adams.” This book is a good introduction to fly fishing for younger children that also tells a charming story. Highly recommended for school and public libraries. Highly Recommended: 4 stars out of 4 Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2016 ◽  
Vol 5 (4) ◽  
Author(s):  
Sandy Campbell

Qitsualik-Tinsley, Rachel and Sean Qitsualik-Tinsley.  Lesson for the Wolf.  Illus. Alan Cook. Iqaluit, NU:  Inhabit Media, 2015. Print.The writing duo of Rachel and Sean Qitsualik-Tinsley are back with a story about being comfortable in your own skin, literally.  The wolf in this story is not happy to be a wolf, so with the help of “the magic of the land”, he acquires owl’s feathers, the wolverine’s tail and the caribou’s antlers.  But he cannot fly like the owl or eat lichen like the caribou and he is too different from the wolves, so he becomes sad, lonely and starves.  Eventually he learns the beauty of being himself and the magic of the land restores him.  The story is a lovely Arctic fable on the lesson of being true to one’s self. Alan Cook’s paintings capture the wildness of the Arctic, with sweeping brush-strokes and suggestions of distant landscapes.  The animals are all cartoon-like creatures, sometimes verging on caricature.  Both the wolves and the caribou are drawn with over-accentuated face length and extreme thinness of the abdomen. Children who are struggling to be satisfied with and confident in their identities may be able to identify with the wolf.  This book would be a good starting point for discussion.  Highly recommended for elementary school libraries and public libraries.Highly recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2015 ◽  
Vol 4 (4) ◽  
Author(s):  
Kerri Trombley

Stanton, Brandon. Little humans. New York, NY: Farrar Straus Giroux Books for Young Readers, 2014. PrintFrom the creator of Humans of New York, comes the most dynamic, colourful and diverse group of little people of New York City. Brandon Stanton’s ability to capture the unique personalities of his subjects and “tell” a story through pictures is both captivating and brilliantly vivid. The ‘Little Humans’ are shown throughout the book in bright close-ups and even brighter clothing. Each page is filled in entirely with a close-up photograph of a child in different situations. Cultural diversity and differences are prominent in the photographs, but the text tackles the sameness we all share.“Little humans can be tough…but not too tough to need a hug.”Set against New York City streets, Little Humans embodies the ethnic diversity of the people of NYC. The text is limited, but has themes of resiliency, strength, identity and character woven throughout. Stanton writes of how little people are strong, talented and helpful.The story itself could have been written with more depth; however, the lack of narrative allows the reader to engage with the photographs and imagine the story of each unique person that is highlighted.Highly Recommended: 4 out of 4 starsReviewer: Kerri TrombleyKerri Trombley is a Vice Principal with Sturgeon School Division and is currently completing her Master’s Degree in Elementary Education at the University of Alberta. She shares her love of literature with all of her students.


2013 ◽  
Vol 3 (2) ◽  
Author(s):  
Kim Frail

Fitch, Sheree. Night Sky Wheel Ride. Illus. Yayo. Vancouver : Tradewind Books, 2012. Print.Fans of Sheree Fitch will not be disappointed by the magical dream world circus presented in "Night Sky Wheel Ride". Young readers are drawn into the ethereal journey by the main characters as they wonder if they are up to the challenge of riding the big wheel: "Are we big enough this year, Mama? Are we brave enough, Brother? Sister are you ready to fly?"  This book will work well as a bedtime or naptime story as Fitch's rhymes and scenarios are a little softer and less gregarious than some of her other books. For example, the siblings contemplate the night sky as they enjoy the ride: "Swinging, swaying, staying / up top the stopped ferris wheel / Dizzy-dazed we gaze upfeel the moon's breath on our faces/soft as dandelion's fuzz". However, there are certainly bursts of action and energy often accented by onomatopoeic words, such as when the children first take flight: “Hop up to knee knock rockety rock swiggle sway creak squeak rickety ratcheting up! up! up!”Illustrator Yayo's images are bright, whimsical and echo a child's imagination and point of view where everyday objects morph into magic: a roller coaster glides along the curved edges of a laundry basket while the big wheel can be seen inside the spinning drum of a washing machine. There are forests of cotton candy, and the colourful dots of people “waayyy down on the ground” are drawn as "dancing jellybeans".  The back and front covers and inside pages are particularly attractive as they feature phosphorescent images on a dark background.Throughout the story the text is woven in and out of the illustrations to reflect the movements of the main characters and other objects. This helps to engage readers without hindering the storyteller as the text is large and legible. According the publisher's web site it is recommended for ages 3-4.  It would make an excellent addition to a home, school or public library picture book collection.Highly recommended: 4 out of 4 stars Reviewer: Kim FrailKim is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta. Children’s literature is a big part of her world at work and at home. She also enjoys gardening, renovating and keeping up with her kids.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
John Huck

Hector, Julian. The Gentleman Bug. New York: Atheneum Books for Young Readers, 2010. Print. The Gentleman Bug is a charming book written and illustrated by Julian Hector and recommended for children aged 2 to 5. The story takes place in an urban, nineteenth-century locale called the Garden, which is inhabited by bugs, beetles and bees. The setting must be described as pan-European, since the Garden includes both Bugadilly Circus and something resembling the Moulin Rouge. The Gentleman Bug is a bespectacled bibliophile, who teaches a small class of younger bugs from the Garden. He may not be a stylish dresser, but his students are as devoted to him as he is to them. The Gentleman Bug is opposed by a group of four rivals that includes such churlish figures as Boss Beetle and Mayer de Mothschild. These bully bugs poke fun at the Gentleman Bug for his bookish ways. He is content to ignore them until the day the Lady Bug arrives in the Garden. Alas, she is befriended by his rivals, and so the Gentleman Bug attends the Pollen Hill social club dressed to the nines in a bid to win her attention. An embarrassing mishap with a waiter dashes his plans, but the Lady Bug notices the book he drops (surely bringing a book to a formal event is the sign of a hopeless bookworm) and secretly invites him to the opening of a new building – which turns out to be the town library – where she introduces herself as the new librarian. The entire town has assembled to admire the new library, and even Boss Beetle & co. discovers a newfound love of books. Meanwhile, the Gentleman Bug and the Lady Bug become fast friends, reading together on picnics. This is a book about the pleasures of reading and about finding friends who also enjoy reading: surely a fine message to deliver to budding young readers. The deeper lesson is that you will find true friends if you stay true to yourself and your true interests. When the Gentleman Bug's rivals are converted to reading, the book suggests that distractions will fall by the wayside when you find your purpose; either that or else that people who scoff at book lovers just haven't discovered what they are missing yet. The story is told as much through the illustrations as the text. The text is generally brief and understated, while the illustrations contain the specifics of the plot. The interplay between text and image achieves soft, humorous effects: when the protagonist crashes into a waiter, the text reads: "the rest of the evening didn't go quite as planned." Because of the many clever details that the author has included in the illustrations, he clearly expects readers to stop, interpret the pictures, and then take up the text again. He has managed to differentiate a cast of ten named characters, primarily through the illustrations, with the assistance of a guide to the characters printed on the endpapers. All of this will increase the potential for repeat reads. Although the protagonist is a gentleman bug, the book will appeal to female readers too, because the Lady Bug is a strong character and because girls and boys are portrayed as equals, both as readers and in gender roles. For example, the Gentleman Bug's students work together to sew him a suit. Likewise, it is refreshing to see that the Lady Bug is not overly feminized with long lashes or lipstick, for instance. The fact that she is a librarian might strike some as a cliché, but it does not seem out of place given the story, and the portrayal is free of the usual stereotypes of librarians. Finally, the book shows admirable restraint by eschewing a wedding bell ending, showing instead the beginning of a simple friendship between a gentleman and a lady.   Highly recommended: 4 out of 4 stars Reviewer: John Huck John is a metadata and cataloguing librarian at the University of Alberta. He holds an undergraduate degree in English literature and maintains a special interest in the spoken word. He is also a classical musician and has sung semi-professionally for many years. 


2018 ◽  
Vol 7 (4) ◽  
Author(s):  
Sandy Campbell

The Jerry Cans. Mamaqtuq! Illustrated by Eric Kim. Inhabit Media, 2018.Mamaqtuq! means “delicious”.  This delightful Inuit board book tells a simple story of hunting all day for seal, running out of provisions and finally finding and catching a seal. It is written in Inuktitut and English, appropriately, at an early reader level. Erik Kim’s cartoon-like illustrations are bright, fun, and representative of the hunters, their clothing, and the environment. The book contains images of people using hunting rifles, but there are no images of seals being killed. As a stand-alone book it is a very good presentation of traditional hunting. However, the book is just one half of the story. The authors, The Jerry Cans, are a band from Iqualuit, whose music is a “unique mix of Inuktitut alt-country, throat singing and reggae.” The words in the Mamaqtuq! are the lyrics to a song. You can see the YouTube video at  https://www.youtube.com/watch?v=DueVqYKWQxE. The piece looks like a skit, with a cardboard boat and people waving cloth to make waves. The seal is played by a young man, so the shooting part is a little more disturbing than in the book. There is also a realistic scene of lead vocalist, Andrew Morrison, eating raw, bloody meat. However, the production is exuberant, even festive, fun, and true to the culture. The book is highly recommended for elementary school libraries and public libraries.Recommendation: 4 stars out of 4Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.  


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