scholarly journals FISSURAR A EDUCAÇÃO POR ENTRE ESCRITA DERIVA...

2018 ◽  
Vol 4 (1) ◽  
pp. 89
Author(s):  
Alda Regina Tognini Romaguera ◽  
Maria Dos Remédios de Brito
Keyword(s):  
Palabras Clave ◽  
Language Writing ◽  
The Creation ◽  
To Come ◽  
Style Of Writing ◽  
Keywords Education

Uma escrita e uma educação que apresentem digressão e apostem na criação de palavras, de uma escrita singular; um entretecer e entremear e entrever planos gerados por encontros e forças que possam compor outros chãos para a educação por meio de uma escrita-deriva, como aquilo que resiste e inventa um povo por vir. Para isso é necessário gaguejar a linguagem, as palavras, a sintaxe e fazer linhas de fuga, percorrendo o meio, as margens, sem o horror das descertezas, das ausências, dos vazios, nos intervalos fazendo variar a educação representacional. Com Deleuze, tomar da arte aquilo que resiste, e resistir educação por um estilo de escrita. Explorar na arte o conceito de resistência e fazer conexões com a escrita singular.   PALAVRAS-CHAVE: Educação; Linguagem; Escrita.     ABSTRACT A writing and an education that presents digression and bet on the creation of words, of a singular writing; An interweaving and intermingling and glimpsing plans generated by encounters and forces that can compose other grounds for education through a writing-drift, as that which resists and invents a people to come. For this it is necessary to stutter language, words, syntax and make escape lines, traversing the middle, the margins, without the horror of the uncertainties, the absences, the voids, in the intervals making representational education vary. With Deleuze, take from art what resists, and resist education by a style of writing. Explore in art the concept of resistance and make connections with singular writing.   KEYWORDS: Education; Language; Writing.     RESUMEN Escrita y una enseñanza, que han recorrido y el interés en la creación de palabras, una escritura singular; uno planes de tejido y entretejen y vislumbrar generados por las reuniones y las fuerzas que pueden componer otros motivos de la educación a través de una escritura derivan, como la que se resiste y se inventa un pueblo del futuro. Esto requiere el lenguaje tartamudeo, las palabras, la sintaxis y escapan líneas, cubriendo el medio ambiente, los bancos, sin el horror de descertezas, de ausencias, el vacío, los intervalos variables de educación representacional. Con Deleuze, llevar el arte que resistir, resistir y educación para un estilo de escritura. Explora la técnica, el concepto de resistencia y hacer conexiones con la escritura singular.   PALABRAS CLAVE: Educación; Linguaje; Escritura.

Retóricas, metáforas y su papel en el cambio organizacional

Oikos ◽  
2014 ◽  
Vol 16 (33) ◽  
pp. 69
Author(s):  
Luis Muñoz Medina ◽  
Rafael Pizarro Rodríguez
Keyword(s):  
Scientific Literature ◽  
Organisational Change ◽  
Change Processes ◽  
Emotional Burden ◽  
New Approaches ◽  
Palabras Clave ◽  
The Creation ◽  
Change Concept

The Role of Rhetoric and Metaphors in Organisational Change  RESUMEN El presente artículo es una recopilación de literatura científica que demuestra la relevancia de comprender nuevas formas de construir el concepto de cambio organizacional a través del lenguaje, en especial a través de claves lingüísticas como la retórica y metáfora. Esta construcción ayuda a generar procesos de cambio organizacional que presenten una menor intensidad y carga emocional negativa para los individuos, así como una mejor comprensión del mismo cambio para los empleados. Palabras clave: cambio, organización, retórica, metáfora. ABSTRACT This article is a compilation of scientific literature about the importance of understanding new approaches to the construction of the organisational change concept through language, especially through linguistic devices such as rhetorical and metaphorical ones. This construction helps the creation of organisational change processes with lower levels of impact and a lower negative emotional burden for individuals as well as a better understanding of such changesKeywords: changes; organisation; rhetoric; metaphor. 

scholarly journals Internationalization of SMEs and Effectuation: The Way Back and Forward

Proceedings ◽  
2018 ◽  
Vol 2 (24) ◽  
pp. 1422 ◽  
Author(s):  
Hamza El Guili ◽  
Driss Ferhane
Keyword(s):  
Decision Making ◽  
Business Growth ◽  
Entrepreneurial Behavior ◽  
Entrepreneurship Research ◽  
Early Stages ◽  
Theoretical Perspectives ◽  
Theoretical Paper ◽  
Similarities And Differences ◽  
The Creation ◽  
To Come

Business growth is considered as one of the main topics of entrepreneurship research. Due to the increased interest on entrepreneurship, new theoretical perspectives have emerged to explain entrepreneurial behavior. One of these emergent theories is effectuation. It is widely known that entrepreneurs and owner-managers count on different decision-making logics during the internationalization of their ventures, including causal and effectual reasoning. Despite that the use of effectual reasoning has been generally linked to the early stages of the creation of a venture; it has recently been introduced to on the internationalization of SMEs research. Introduced by Sarasvathy (2001), effectuation logic is stated to grow in an unstable operating context where it is complicated to predict and in contrast, it is likely to unexpectedly respond to changes in the environment. Furthermore, it represents a typical shift in approaching entrepreneurship. In this theoretical paper, we first aim to highlight the evolution of the concept and the development of the effectuation theory within the literature. Furthermore, we explain the similarities and differences existing between causation and effectuation reasoning. Finally, we use the lens of effectuation to come up with an understanding of the internationalization of SMEs.

scholarly journals Marriage in the theology of Martin Luther – worldly yet sacred: An option between secularism and clericalism

2007 ◽  
Vol 63 (2) ◽  
Author(s):  
Johan Buitendag
Keyword(s):  
Sexual Intercourse ◽  
Martin Luther ◽  
Human Race ◽  
Adam And Eve ◽  
The Creation ◽  
To Come ◽  
The Church ◽  
Law And Gospel

Marriage, according to Martin Luther, is an institution both secular and sacred. It is secular because it is an order of this earthly life. But its institution goes back to the beginning of the human race and that makes marriage sacred, a divine and holy order. It does not – like the sacraments – nourish and strengthen faith or prepare people for the life to come; but it is a secular order in which people can prove faith and love, even though they are apt to fail without the help of the Word and the sacrament. The author applies this view of Luther in terms of two unacceptable extremes: the creation ordinances of Brunner and the analogy of relation of Barth. The dialectic of Law and Gospel should never be dispensed. Marriage is necessary as a remedy for lust, and through marriage God permits sexual intercourse. Similar is the allegory which Paul employs: that Adam and Eve, or marriage itself, is a type of Christ and the church.

scholarly journals Déchiffrer sa vie et l’écrire

2014 ◽  
Vol 11 (1) ◽  
pp. 40-45
Author(s):  
Colette Nys-Mazure
Keyword(s):  
Writing Workshop ◽  
Collective Work ◽  
The Creation ◽  
To Come ◽  
Premiere Partie

La littérature est un texte, un tissu de relations de soi à soi, de soi aux autres, d’innombrables autres passés et à venir, par le biais du langage. Cet outil premier semble appartenir à tous, mais en réalité il n’est pas à la portée de chacun. Il serait donc intéressant de relater l’expérience angevine que je viens de vivre avec Lire~Ecrire~Compter (LEC), une association pour la promotion des savoirs, l’insertion sociale et professionnelle, créée en 1986, qui lutte contre l’illettrisme. L’une de ses approches originales, la “lecture-plaisir”, consiste à proposer à des volontaires de participer à la création d’un livre. Depuis 2004, l’association permet à ses “apprenants” de rencontrer un écrivain reconnu afin de participer à des ateliers d’écriture. Le fruit de leur travail commun est retranscrit dans la première partie de l’ouvrage publié ; la seconde nait de la libre créativité de l’auteur. Deciphering one’s life and writing it Literature is a text, a fabric of relations between oneself and oneself, between oneself and others – countless past and to come –, by the means of language. This tool is supposed to belong to all, but is in fact not accessible to everybody. In this respect, an experience I just went through in Angers (France) is highly interesting. Lire-Écrire-Compter (Read-Write-Count), an association for the promotion of knowledge, social and professional inclusion, and against illiteracy since 1986, proposes to its students to take part in the creation of a book. Since 2004, this program called “Reading-pleasure” offers students the opportunity of a “writing workshop” with a renowned writer. The first part of the published book presents this collective work; the second part originates from the author’s own creativity.

scholarly journals Aesthesis decolonial y los tiempos relacionales Entrevista a Rolando Vázquez

2016 ◽  
Vol 11 (18) ◽  
pp. 76
Author(s):  
Rolando Vazquez ◽  
Miriam Barrera Contreras
Keyword(s):  
Contemporary Art ◽  
The Arts ◽  
Palabras Clave ◽  
The Creation ◽  
The Senses ◽  
The Difference ◽  
The Aesthetic ◽  
Arte Contemporáneo ◽  
The Way

RESUMEN Hay que pensar la decolonialidad en relación a las artes. En esta entrevista exploramos cómo las artes decoloniales se diferencian de la estética moderna/colonial. La decolonización de la estética conlleva la liberación de a la aiesthesis, es decir de las formas de relacionarnos con el mundo y de hacer mundo a través de los sentidos. La aiesthesis decolonial se distingue de los principios del arte contemporáneo y en particular de su sujeción a la temporalidad moderna, abriéndonos hacia las temporalidades relacionales. Los artistas decoloniales ejercen una temporalidad distinta que conlleva no sólo una crítica radical al orden de la representación y de la visualidad modernas sino que también nos dan la posibilidad de entender a la decolonialidad cómo un movimiento cargado de esperanza, cargado de la posibilidad de nombrar y vivenciar los mundos interculturales que han sido negados. PALABRAS CLAVE Decolonialidad, tiempo relacional, esperanza, cuerpo, interculturalidad KAI SUTI AESTHESIS ÑAGPAMANDA KAUSAKUNA TUKUIKUNAWA TAPUCHI SUG RUNATA ROLANDO VÁSQUEZ SUTITA SUGLLAPI Kaipi kawachinakumi iska ruraikuna ñugpamanda chasallata kunaurramanda. Kai suti aiesthesis, kawachiku imasami pai kawa kawachimanda ukusinama paipa iuaikunawa. Aiesthesis kame tukuikunamanda sugrigcha.Lsx artistxs kawachinakumi ñugpamanda kausikuna munankuna kawachingapa charrami kausanakunchi parlanakumi ñugpata imasami mana lisinsiaskakuna allí ruraikuna tukuikunamanda. IMA SUTI RIMAI SIMI: Ñugpamanda, parlaikuna sullai, nukanchi kikin, tukuikuna. DECOLONIAL AESTHESIS AND THE RELATIONAL TIMES. INTERVIEW WITH ROLANDO VÁSQUEZ ABSTRACT We have to hink the decoloniality in relation with the arts. This interview explores the difference between the modern/colonial aesthetic and the decolonial arts. The aesthetic decolonization leads to the release of the aesthesis, ergo it relates in every way to the connection and creation of a world through the senses. The decolonial aesthesis is particularly different from the contemporary art principles in the way it grasps the modern temporality consenting the creation of a path toward relational temporalities. The decolonial artists exercise a different temporality that results in not only a radical criticism to the modern representation and visuality but it makes possible to understand the decolonialization as a hopeful movement, full of possibilities for naming and experiencing neglected intercultural worlds. KEYWORDS Decolonialization, relational time, hope, body, interculturality ESTEHÉSIE DÉCOLONIALE ET LE TEMPS RELATIONNELS. ENTRETIEN À ROLANDO VASQUEZ RÉSUMÉ Il faut penser la décolonisation en relation aux arts. Dans cet entretien on explore comment les arts décoloniaux sont différents de l’esthétique moderne-coloniale. La décolonisation de l’esthétique entraîne la libération de l’estehésie, c’est-à-dire, la libération des façons de nous mettre en relation avec le monde et d’en créer un nouveau à travers les sens. L’estehésie décoloniale se différence des principes de l’art contemporain, principalement pour son fixation à la modernité en nous emmenant vers les temporalités relationnelles. Les artistes décoloniaux exercent avec une temporalité qui n’implique pas juste une critique radicale à l’ordre de la représentation et de la vision moderne, mais aussi de la possibilité de comprendre la décolonisation comme un mouvement plein d’espoir, chargé d’une possibilité de nommer et de mettre en relief les interculturalités qu’ont été niées. MOTS-CLEFS Décolonisation, temps relationnels, espoir, corps, interculturalité ESTESIA DESCOLONIAL E O TEMPO RELACIONAL ENTREVISTA A ROLANDO VAZQUEZ RESUMO Temos que pensar a descolonização em relação as artes. Nesta entrevista é explorado como as artes descoloniais são diferentes da estética moderna-colonial. A descolonização da estética conduz a emancipação da estesia, isto é, das formas de relacionamento com o mundo e da fôrma de fazer mundo a partir dos sentidos. A estesia descolonial distinguese dos princípios da arte contemporânea particularmente pela fixação o tempo moderno, abrindo-nos para a temporalidades relacionales. Os artistas descoloniais exercem uma temporalidade diferente que implica não só uma crítica radical à ordem da representação e à visão moderna, mas também à possibilidade de entender a descolonização como um movimento cheio de esperança, carregado da possibilidade de designar e viver os mundos interculturais que foram negados. PALAVRAS CHAVES Descolonização, esperança, tempo relacional, fôrma, intercultural.   Recibido el 20 de enero de 2015 Aceptado el 26 de febrero de 2015

scholarly journals Un nuevo centro de producción de cultura contemporánea: la Fondazione Prada en Milán, Italia

2019 ◽  
pp. 142-151
Author(s):  
Tommaso Cigarini
Keyword(s):  
Contemporary Art ◽  
Stimulus Space ◽  
Palabras Clave ◽  
Production Of Culture ◽  
Peripheral Area ◽  
The Creation ◽  
Museum Of Contemporary Art ◽  
Infrastructure Rehabilitation ◽  
Arte Contemporáneo

La Fondazione Prada de Milán, Italia, es un paradigma y un ejemplo del mecenazgo moderno. En este documento se analiza de qué forma un museo de arte contemporáneo puede generar cambios positivos en el barrio donde se localiza, más aún si ese vecindario se ubica en una zona periférica de la ciudad que ha pasado por un proceso de degradación urbana. Veremos el caso de un museo como elemento rehabilitador de infraestructura y un espacio de estímulo para la creación y producción de cultura. El museo le da una nueva vida a una edificación abandonada que anteriormente estaba destinada a la producción industrial. Los amplios espacios de manufactura, hoy en día abandonados, son ideales para instalar obras de arte contemporáneo.  Palabras clave: Fondazione Prada, Miuccia Prada, Rem Koolhaas, museografía moderna, cultura contemporánea, arte contemporáneo   AbstractThe Fondazione Prada in Milan, Italy, is a paradigm and an example of modern patronage. This document analyzes how a museum of contemporary art can generate positive changes in the neighborhood where it is located, especially if that neighborhood is located in a peripheral area of thecity that has gone through a process of urban degradation. We will consider the case of a museum as an infrastructure rehabilitation element and a stimulus space for the creation and production of culture. The museum gives a new life to an abandoned building that was previously destined forindustrial production. The large manufacturing spaces, now abandoned, are ideal for installing works of contemporary art. Keywords: Fondazione Prada, Miuccia Prada, Rem Koolhaas, modern museography, contemporaryculture, contemporary art

Deleuze and Guattari and the Future of Politics: Science Fiction, Protocols and the People to Come

2011 ◽  
Vol 5 (supplement) ◽  
pp. 77-97 ◽  
Author(s):  
Ronald Bogue
Keyword(s):  
Science Fiction ◽  
Reference Points ◽  
Deleuze And Guattari ◽  
Group Relations ◽  
Political Issues ◽  
The People ◽  
The Future ◽  
The Creation ◽  
To Come ◽  
The Relationship

When is the future? Is it to come or is it already here? This question serves as the frame for three further questions: why is utopia a bad concept and in what way is fabulation its superior counterpart? If the object of fabulation is the creation of a people to come, how do we get from the present to the future? And what is a people to come? The answers are (1) that the future is both now and to come, now as the becoming-revolutionary of our present and to come as the goal of our becoming; (2) utopia is a bad concept because it posits a pre-formed blueprint of the future, whereas a genuinely creative future has no predetermined shape and fabulation is the means whereby a creative future may be generated; (3) the movement from the revolutionary present toward a people to come proceeds via the protocol, which provides reference points for an experiment which exceeds our capacities to foresee; (4) a people to come is a collectivity that reconfigures group relations in a polity superior to the present, but it is not a utopian collectivity without differences, conflicts and political issues. Science fiction formulates protocols of the politics of a people to come, and Octavia Butler's science fiction is especially valuable in disclosing the relationship between fabulation and the invention of a people to come.

The Early Dynastic Period

2020 ◽  
pp. 595-618
Author(s):  
Ludwig D. Morenz
Keyword(s):  
Material Culture ◽  
Sociology Of Knowledge ◽  
Homogeneous Material ◽  
Territorial State ◽  
Political Concept ◽  
Early Dynastic ◽  
Egyptian Culture ◽  
The Creation ◽  
To Come ◽  
City States

The Early Dynastic Period is seen as a formative phase influencing the character and shape of Egyptian culture for millennia to come. The sacro-political concept of ‘unification of the two lands’ had the effect of mythologizing transition from a system of city states with an already widely homogeneous material culture into a kind of territorial state under one divine king (Narmer) at the end of the fourth millennium bc. This set the stage for the developments in iconography, archaeology of media and sociology of knowledge that are discussed in this chapter. A formalization of iconographic tradition building on ‘iconems’ (specifically shaped pictorial motives) was connected to the sphere of rulership from the earliest periods. Additionally, the developing need for an invention of new iconographic conventions to construct and visualize a unified Egyptian identity (as well as the concept of the divine dual king) culminated in the creation of monumental art and ceremonial objects as ‘semiophors’ (‘carriers of meaning’). Like iconography, the new medium of pictorial-phonetic writing served power and articulated governmental knowledge of the elite. As a state-wide standardized system of notation and expression, phonetic writing also provided an indispensable prerequisite to organize and administer a unified territory of this size.

The Claim of Issue Creation on the U.S. Supreme Court

1996 ◽  
Vol 90 (4) ◽  
pp. 845-852 ◽  
Author(s):  
Lee Epstein ◽  
Jeffrey A. Segal ◽  
Timothy Johnson
Keyword(s):  
Supreme Court ◽  
Third Parties ◽  
Policy Entrepreneurs ◽  
The Creation ◽  
To Come ◽  
The U.S ◽  
The Way

We argue that a variant of the sua sponte doctrine, namely, the practice disfavoring the creation of issues not raised in the legal record, is a norm with substantial consequences for the U.S. Supreme Court. Without it, justices would act considerably more like legislators, who are free to engage in “issue creation,” and less like jurists, who must wait for issues to come to them. Yet, McGuire and Palmer claim that justices engage in issue creation in a “significant minority” of their cases. We dispute this finding because we think it is an artifact of the way McGuire and Palmer collected their data. Indeed, for virtually every case in which they found evidence of issue creation, we show that the issue was actually present in at least one of the litigants' briefs. This suggests that justices may be policy seekers, but they are not policy entrepreneurs; an that briefs filed by third parties (such as amici curiae) are generally not a source of important issues considered by the Court.

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