scholarly journals GALERI SENI RUPA KIWARI DI SURAKARTA

Arsitektura ◽  
2017 ◽  
Vol 13 (2) ◽  
Author(s):  
Radityo Aryanto ◽  
Rachmadi Nugroho ◽  
Mohamad Muqoffa
Keyword(s):  
Contemporary Art ◽  
Architectural Design ◽  
Rapid Development ◽  
Video Art ◽  
Environmental Art ◽  
Art World ◽  
Art Gallery ◽  
Art Installation ◽  
Display Systems

<p><em>Designing a Contemporary Art Gallery is considered by the rapid development of the art world, and contemporary art is part of the development which has great potential and practice in Surakarta, but the lack of  facilities such as a gallery to display contemporary art. The  purpose to be achieved is to design a gallery which is able to accommodate contemporary art and its development, to increase the appreciation of contemporary art, the quality of the artists, and the produced works of art. The method to be used is a method of architectural design. The main issues to be solved are: to choose and design the site as required location, the land use of Surakarta, and to be able to support the activities of contemporary art; to design spaces with the display systems which can answer the need of various contemporary art such as painting, printmaking, sculpture, video art, installation art, and environmental art. The result to be obtained is an art gallery which be able to display contemporary art in various forms and presentation, with the design of the building which is also contemporary, so that it can represents the works of contemporary art itself.</em></p><p> </p><p><strong><em>Keywords: </em></strong><em>Gallery, Art, Contemporary, Display Rooms, Display, Surakarta</em></p>

Fred Forest's Utopia

2017 ◽  
Author(s):  
Michael F. Leruth
Keyword(s):  
Contemporary Art ◽  
Second Life ◽  
Video Art ◽  
Art World ◽  
Marshall Mcluhan ◽  
Modus Operandi ◽  
Interactive Communication ◽  
Wide Range ◽  
Internet Art ◽  
The 1960S

This book introduces readers to the iconoclastic work of the French media artist Fred Forest. A pioneer in the fields of video art in the 1960s and internet art in the 1990s, and cofounder of the Sociological Art Collective (1974) and the Aesthetics of Communication International Group (1983), Forest is best known as an ironic media hijacker and tinkerer of unconventional interfaces and alternative platforms for interactive communication that are accessible to the general public outside the exclusive precincts of the art world. He has also made headlines as an outspoken critic of the French contemporary art establishment, most famously by suing the Centre Pompidou in 1994 over its opaque acquisitions practices. This book surveys Forest’s work from the late 1960s to the present with particular emphasis on his prankster modus operandi, his advocacy of an existentially relevant form of counter-contemporary art―or “invisible system-art”―based on the principle of metacommunication (i.e., tasked with exploring the “immanent realities” of the virtual territory in which modern electronic communication takes place), his innovative “social” and “relational” use of a wide range of media from newspapers to Second Life, his attention-grabbing public interventions, and the unusual utopian dimension of his work. Never a hot commodity in the art world, Forest’s work has nonetheless garnered the attention and appreciation of a wide range of prominent intellectuals, critics, curators, technology innovators, and fellow artists including Marshall McLuhan, Edgar Morin, Vilém Flusser, Abraham Moles, Jean Duvignaud, Paul Virilio, Pierre Lévy, Pierre Restany, Frank Popper, Harald Szeeman, Robert C. Morgan, Vinton Cerf, Roy Ascott, and Eduardo Kac.

scholarly journals Art in the Digital during and after Covid: Aura and Apparatus of Online Exhibitions

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
João Pedro Amorim ◽  
◽  
Luís Teixeira ◽  
Keyword(s):  
Contemporary Art ◽  
New Technologies ◽  
Art World ◽  
Art Gallery ◽  
Digital Platforms ◽  
The Public ◽  
Alternative Materials ◽  
Digital Reproduction ◽  
Mega Event ◽  
The Impact

The public health measures that were put in place to contain COVID-19 impacted the lives of people and institutions alike. For its global impact and transformation, the pandemic has the potential to be classified as a mega-event. Such radical events have become great opportunities to the testing of new technologies and forms of organisation, (Masi, 2016) that might in the future become prevalent. The impact of the pandemic was particularly felt in the contemporary art world, as the entire cultural activity was suspended. During this period, art institutions and collectives around the world reacted by adapting and providing alternative materials online. This paper aims at reflecting upon the challenges facing the exhibition of contemporary art online. Following Boris Groys’ (2016) actualisation of Walter Benjamin, we problematise how the digital reproduction of art affects the aura of an artwork. Proposing a critique of the apparatus of digital platforms, we analyse how the digital reproduces and enhances ideological structures that overpass the whole of society. For that purpose we analyse how four different organisations (an artist-run space, an art gallery, a museum and an art biennale) have migrated their activity to online platforms. The case-studies will allow a broad understanding of the different approaches available – with some radically taking advantage of the digital environment, and others merely digitising the role taken henceforth by printed catalogues.

Numerical Simulation of College Dormitory Ventilation Airflow

2014 ◽  
Vol 522-524 ◽  
pp. 491-494
Author(s):  
Hui Xing Li ◽  
Cheng Cheng Tang ◽  
Guo Hui Feng ◽  
Rui Yang Gao
Keyword(s):  
Indoor Air ◽  
Air Conditioning ◽  
Architectural Design ◽  
Rapid Development ◽  
High Rise ◽  
The North ◽  
Heating And Cooling ◽  
Air Supply ◽  
Central Air Conditioning

China's higher education has entered a rapid development period, the total number of students increased dramatically, using the north-south double-sided architectural design of high-rise dormitory buildings constantly emerge. The indoor air quality of dormitory using central air-conditioning for heating and cooling has become the focus problem. To the north of the dormitory air conditioning as the research object, under the same condition and simulate and analysis the airflow of the side air supply and the top air supply of the air conditioning and ventilation room. The results show that the room adopt the side air supply form has more superiority in comfort and economy.

scholarly journals The development of an arts centre with the application of futuristic architecture

2021 ◽  
Vol 878 (1) ◽  
pp. 012029
Author(s):  
J B Pane ◽  
J Rilatupa ◽  
S Simatupang
Keyword(s):  
Contemporary Art ◽  
Architectural Design ◽  
Freedom Of Expression ◽  
Art Appreciation ◽  
Art Gallery ◽  
Art Activities ◽  
Materials Used ◽  
The Times ◽  
The Many ◽  
The Impact

Abstract Art is a culture that was born from human freedom of expression. One type is contemporary art, which is the development of art that is affected by the impact of modernization, but contemporary and modern are two different things, because contemporary continues to keep up with the times. Appreciation for art in Indonesia has recently been appreciated both at the national and international levels, art appreciation is shown by the many art activities held, this has resulted in many artists being required to hold their work so they need a place such as an art gallery building so that the public can understand the activities contained therein. and can enjoy the art exhibition. The Contemporary Art Gallery was built to help artists show their work. This building was built with a futuristic architectural design, namely a building style whose planning does not look to the past but to the future, this can be seen from the shape and materials used which have high hi-tech. The appearance of the building is made expressive as the hearts of the artists can be seen from the spatial processing, forms and games of building facades.

On Methodology for Designing Architectural Lighting of Production Site Interior

2020 ◽  
pp. 10-21 ◽  
Author(s):  
Vladimir V. Voronov ◽  
Nikolay I. Shchepetkov
Keyword(s):  
Architectural Design ◽  
Comprehensive Approach ◽  
Scientific Methodology ◽  
Field Observations ◽  
Production Site ◽  
Artificial Illumination ◽  
Engineering Parameters ◽  
Architectural Lighting ◽  
Candidate Thesis

The article describes content of original and relevant but virtually forgotten thesis of V.V. Voronov on lighting of production site interiors by means of overhead natural (using three types of skylights) and artificial illumination, in order to elaborate scientific methodology for architectural design of more qualitative luminous environment on the basis of comprehensive approach and enhanced criteria framework of its evaluation using light engineering parameters. The thesis is unique in terms of the scope and quality of field and laboratory observations which are reflected not only in the text but also in the graphical attachments, namely photos, figures, schemes, drawings, charts, nomograms, and diagrams accompanied by specific measured or calculated parameters. The first part of the thesis contains theoretical basics and results of field observations conducted by different methods. This second part is the exposition of chapter 3 of the V.V. Voronov’s candidate thesis (1985). It describes the methodology for and the results of the experiments by means of planar and volumetric light simulation using the architectural lighting simulating assembly (chamber) which were conducted in MARKHI in 1970–1985.

Perilaku Birokrat Dalam Pelayanan Publik Di Distrik Asologaima Kabupaten Jayawijaya

2020 ◽  
Vol 12 (2) ◽  
pp. 93-100
Author(s):  
Yoel Tabuni
Keyword(s):  
Consumer Satisfaction ◽  
Rapid Development ◽  
Main Task ◽  
Government Administration ◽  
Following Instructions ◽  
District Government ◽  
The Times ◽  
Rule Governance ◽  
Descriptive Method

In line with the rapid development of the times and the increasingly complex problems faced by the state, there has also been a development in government administration which has been marked by a shift in the paradigm of governance from Rule Governance. This situation makes the bureaucracy rigid, in an environment that is only limited to flowing the instructions or following instructions. The district government in an Asologaima District has the main task of carrying out part of the authority delegated by the district head in the fields of government, economy, and development, society, peace, and order as well as coordination.The method is sed is descriptive method. Bureaucrats as providers of public services must be able to provide quality services, the quality of service of bureaucrats to society is closely related to customer satisfaction or consumer satisfaction as the recipient of the service itself.

Cinema Expanded

2020 ◽  
Author(s):  
Jonathan Walley
Keyword(s):  
New Media ◽  
Film History ◽  
Video Art ◽  
Experimental Film ◽  
Art World ◽  
Film Culture ◽  
Moving Image ◽  
Avant Garde ◽  
Expanded Cinema ◽  
History Of

Cinema Expanded: Avant-Garde Film in the Age of Intermedia is a comprehensive historical survey of expanded cinema from the mid-1960s to the present. It offers an historical and theoretical revision of the concept of expanded cinema, placing it in the context of avant-garde/experimental film history rather than the history of new media, intermedia, or multimedia. The book argues that while expanded cinema has taken an incredible variety of forms (including moving image installation, multi-screen films, live cinematic performance, light shows, shadow plays, computer-generated images, video art, sculptural objects, and texts), it is nonetheless best understood as an ongoing meditation by filmmakers on the nature of cinema, specifically, and on its relationship to the other arts. Cinema Expanded also extends its historical and theoretical scope to avant-garde film culture more generally, placing expanded cinema in that context while also considering what it has to tell us about the moving image in the art world and new media environment.

scholarly journals Mobile Networks and Internet of Things Infrastructures to Characterize Smart Human Mobility

Smart Cities ◽  
2021 ◽  
Vol 4 (2) ◽  
pp. 894-918
Author(s):  
Luís Rosa ◽  
Fábio Silva ◽  
Cesar Analide
Keyword(s):  
Internet Of Things ◽  
Mobile Networks ◽  
Smart Cities ◽  
Human Mobility ◽  
Rapid Development ◽  
Disruptive Technology ◽  
New Paradigm ◽  
Design And Optimization ◽  
High Level

The evolution of Mobile Networks and Internet of Things (IoT) architectures allows one to rethink the way smart cities infrastructures are designed and managed, and solve a number of problems in terms of human mobility. The territories that adopt the sensoring era can take advantage of this disruptive technology to improve the quality of mobility of their citizens and the rationalization of their resources. However, with this rapid development of smart terminals and infrastructures, as well as the proliferation of diversified applications, even current networks may not be able to completely meet quickly rising human mobility demands. Thus, they are facing many challenges and to cope with these challenges, different standards and projects have been proposed so far. Accordingly, Artificial Intelligence (AI) has been utilized as a new paradigm for the design and optimization of mobile networks with a high level of intelligence. The objective of this work is to identify and discuss the challenges of mobile networks, alongside IoT and AI, to characterize smart human mobility and to discuss some workable solutions to these challenges. Finally, based on this discussion, we propose paths for future smart human mobility researches.

scholarly journals Contemporary Art Practice and Indigenous Knowledge

2020 ◽  
Vol 68 (2) ◽  
pp. 111-128
Author(s):  
Gerald McMaster
Keyword(s):  
Medicinal Plants ◽  
Indigenous Knowledge ◽  
Traditional Knowledge ◽  
Contemporary Art ◽  
Art World ◽  
Art Practice ◽  
Knowledge Practices ◽  
Communal Sharing ◽  
Cultural Hero ◽  
The Way

AbstractIndigenous artists are introducing traditional knowledge practices to the contemporary art world. This article discusses the work of selected Indigenous artists and relays their contribution towards changing art discourses and understandings of Indigenous knowledge. Anishinaabe artist Norval Morrisseau led the way by introducing ancient mythos; the gifted Carl Beam enlarged his oeuvre with ancient building practices; Peter Clair connected traditional Mi'kmaq craft and colonial influence in contemporary basketry; and Edward Poitras brought to life the cultural hero Coyote. More recently, Beau Dick has surprised international art audiences with his masks; Christi Belcourt’s studies of medicinal plants take on new meaning in paintings; Bonnie Devine creates stories around canoes and baskets; Adrian Stimson performs the trickster/ruse myth in the guise of a two-spirited character; and Lisa Myers’s work with the communal sharing of food typifies a younger generation of artists re-engaging with traditional knowledge.

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