Asian/American Improvisation in Chicago: Tatsu Aoki and the ‘New’ Japanese American Taiko

Author(s):  
Deborah Wong

In this essay, I look at Aoki’s recent work in order to consider the place of the Asian/American in the world of American improvisation and public presentation. Aoki’s long-term involvement in the (Asian) American creative improvisation scene is well known, but his more recent work with a Chicago taiko group suggests that the interface between the ‘traditional’ and the ‘experimental’ can create new forms of community-based transnational performance. Complex issues of Asian American identity and its articulations through musical improvisation are explored through interviews with Chicago bassist Tatsu Aoki and members of Tsukasa Taiko. The article includes detailed analyses of three pieces from Aoki’s Basser Live II project, supported by video and audio examples.

Author(s):  
Samuel O. Regalado

Nikkei Baseball examines baseball's evolving importance to the Japanese American community and the construction of Japanese American identity. Originally introduced in Japan in the late 1800s, baseball was played in the United States by Japanese immigrants first in Hawaii, then San Francisco and northern California, then in amateur leagues up and down the Pacific Coast. For Japanese American players, baseball was seen as a sport that encouraged healthy competition by imposing rules and standards of ethical behavior for both players and fans. The value of baseball as exercise and amusement quickly expanded into something even more important, a means for strengthening social ties within Japanese American communities and for linking their aspirations to America's pastimes and America's promise. Drawing from archival research, prior scholarship, and personal interviews, this book explores key historical factors such as Meiji-era modernization policies in Japan, American anti-Asian sentiments, internment during World War II, the postwar transition, economic and educational opportunities in the 1960s, the developing concept of a distinct “Asian American” identity, and Japanese Americans' rise to the major leagues with star players including Lenn Sakata and Kurt Suzuki and even managers such as the Seattle Mariners' Don Wakamatsu.


Author(s):  
Floyd Cheung

Early Chinese and Japanese American male writers between 1887 and 1938 such as Yan Phou Lee, Yung Wing, Sadakichi Hartmann, Yone Noguchi, and H. T. Tsiang accessed dominant US publishing markets and readerships by presenting themselves and their works as cultural hybrids that strategically blended enticing Eastern content and forms with familiar Western language and structures. Yan Phou Lee perpetrated cross-cultural comparisons that showed that Chinese were not unlike Europeans and Americans. Yung Wing appropriated and then transformed dominant American autobiographical narratives to recuperate Chinese character. Sadakichi Hartmann and Yone Noguchi combined poetic traditions from Japan, Europe, and America in order to define a modernism that included cosmopolitans such as themselves. And H. T. Tsiang promoted Marxist world revolution by experimenting with fusions of Eastern and Western elements with leftist ideology. Although these writers have been discounted by some critics as overly compromising in their attempts to reach Western readers, they accomplished laudable cultural work in their particular historical circumstances and provide insights into the varied and complicated negotiations of Asian American identity during the exclusion era.


2019 ◽  
Author(s):  
Deborah Wong

Louder and Fasteris a cultural study of the phenomenon of Asian American taiko, the thundering, athletic drumming tradition that originated in Japan. Immersed in the taiko scene for twenty years, Deborah Wong has witnessed cultural and demographic changes and the exponential growth and expansion of taiko, particularly in Southern California. Through her participatory ethnographic work, she reveals a complicated story embedded in memories of Japanese American incarceration and legacies of imperialism, Asian American identity and politics, a desire to be seen and heard, and the intersection of culture and global capitalism. Exploring the materialities of the drums, costumes, and bodies that make sound, analyzing the relationship of these to capitalist multiculturalism, and investigating the gender politics of taiko,Louder and Fasterconsiders both the promises and pitfalls of music and performance as an antiracist practice. The result is a vivid glimpse of an Asian American presence that is both loud and fragile.


Author(s):  
Julia H. Lee

This chapter examines the use of realism in Asian American literature and the debate surrounding its political and aesthetic meanings in Asian American literary criticism. Even though realist narratives have dominated Asian American literary history, the use and significance of realism nevertheless continue to stir controversy within the field. The chapter explores both sides of the “realism controversy” within Asian American studies and makes the case that realism exposes the contradictions of Asian American identity and that Asian American identity exposes the contradictions of realism. The chapter concludes with an analysis of Hisaye Yamamoto’s short story “The Legend of Miss Sasagawara” (1950), focusing on how the author deploys a realist mode of narration to reveal the historically contingent process by which Japanese American identity and community in the internment era are constituted.


2013 ◽  
Vol 83 (1) ◽  
pp. 153-164 ◽  
Author(s):  
Charles Kim ◽  
Nobuko Miyamoto

In this cross-generational dialogue, authors Charles Kim and Nobuko Miyamoto engage in a creative exploration of community-based art, contemporary Asian American identity, and the possibilities of creativity within educational spaces. Using the ideas of John Dewey as a foundation, Kim and Miyamoto offer their dialogues, experiences, and analyses as a window into the processes of creating, making an argument for the need for education to return to the context of communities, and sharing a hope that art will “reclaim its place in the everyday lives of ordinary people.”


2007 ◽  
Vol 5 (2) ◽  
pp. 33-54
Author(s):  
Chong-suk Han ◽  
Edward Echtle

In this paper, we explore the significance of the Wing Luke Asian Museum (WLAM) in Seattle, Washington as a site where pan-ethnic Asian American identity can be promoted by analyzing the strategies employed by the staff and artists of the WLAM to promote, foster and disseminate a larger Asian Pacific Islander American pan-ethnic identity. We argue that museums are a significant site that can “provide a setting for persons of diverse Asian backgrounds to establish social ties and to discuss their common problems and experiences.”


2019 ◽  
Vol 6 (2) ◽  
pp. 1-12
Author(s):  
Gesoon j.k Al-Abass ◽  
Huda R. ALkifaey

"Internet of things (IoT) domain targets human with smart resolutions through the connection of “M2M” in all over the world, effectively. It was difficult to ignore domain importance field of IoT with the new deployment of applications such as smartphone in recent days. The most important layer in architecture of IoT is network layer, because of various systems (perform of cloud computing, switching, hub, gateway, so on), different technologies of connection (Long-Term Evolution (LTE), WIFI, Bluetooth, etc.) gathered in layer. Network layers should transfer the information from or to various applications/objects, via gateways/interfaces between networks that are heterogeneous, therefore utilizing different connection technologies, protocols. Recent work highlighted IoT technologies state-of-the-art utilized in architectures of IoT, some variations among them in addition to the applications of them in life."


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