scholarly journals Keramičke studije i arheometrija: između analiza prirodnih nauka i arheološke interpretacije

2017 ◽  
Vol 12 (3) ◽  
pp. 683
Author(s):  
Jasna Vuković

The consideration of the relationship between pottery studies and the application of hard sciences in archaeology includes the scrutiny of the importance of pottery studies in the history of archaeology as a discipline, and especially the differences in the approach to material culture between European and North American researchers. After modest beginnings during the 19th century, petrographic analyses were introduced into ceramology during the first decades of the 20th century, mainly thanks to the works of Anna Shepard. She was one of the initiators of the first conference on the ceramic technology, held as early as 1938. For archaeology in general, it is significant to note that the beginning of pottery studies, stressing the importance of social anthropology as well as the application of hard science methods, markedly predates the expansion of processual archaeology.It is also vital to explore certain tensions and differences in approaches to ceramics, exiting today as the consequence of polarization inside archaeology, among researchers primarily leaning upon natural sciences, and the ones regarding material culture as the product of cultural processes. Archaeometry is widely applicable in ceramology, above all in identifying the pottery recipes, raw material provenance, firing regimes, and many other aspects that are the consequences of various cultural practices. Maybe paradoxically, the researchers leaning towards natural sciences have most frequently embraced the concept of technological choices, presupposing that every human activity is the consequence of social relations, leading artisans to choose one of several technical possibilities, depending upon social norms. On the other hand, ethno-archaeological research relativizes to a certain extent the “solid” and unambiguous results of natural sciences, more readily accepting the concept of technological style, i.e. considering the socially influenced technological traditions. The concept of archaeological biomarkers, i.e. research into the remains of organic matters on ceramic vessels, indicates the differences between the scientistically oriented European archaeology, as opposed to the North American, dominated by the anthropological dimension of research, and pottery is not treated as a mere source of data, but as an object of research in its own right.  An additional difficulty in pottery studies is presented by the essential misunderstanding between archaeologists and natural scientists, also present in Serbia. We are still faced with the insufficient knowledge of possibilities of analytical techniques. On the other hand, the majority of research is conducted by the natural scientists, resulting in one-sided or multidisciplinary outcomes, and interdisciplinary studies are extremely rare. At the same time, although with exceptional possibilities, natural sciences applied to the research into the past are not infallible, and have been criticized on several levels, concerning the issues of raw material provenance, as well as identifying the remains of organic material on pottery vessels. Interdisciplinarity should undoubtedly be considered as an advantage in archaeological research, but we should bear in mind that the aim of pottery studies is the understanding of people and processes in the past, so the ultimate responsibility of interpretation rests upon archaeologists. For this very reason, they are obliged to understand the advantages as well as limitations of analytic techniques, and above all to formulate the theoretical framework, research topics and hypotheses.

Author(s):  
Józsa István

The figure and story of Faustus is part of the European cultural heritage, and as it usually, even inevitably happens with legends, it lives further in the adaptations of later periods and authors . It is mainly linked to Goethe’s name, his figure became well known and immortal in his works. Ever since Goethe, all authors – who respect themselves – in German literature must write a new Faustus, while in other nation’s literatures newer and newer paraphrases were born, which on their turn gave rise to further adaptations, and the scientific, aesthetic etc. literature also has gotten richer. However the canonized, more precisely, classicisized framework of interpretation is not transgressed by any of the newer writers and poets of the past centuries, moreover it is only the form of the legend that is rewritten – naturally with the aim of modernization. All of that as part of the literary heritage. As far as the problem of original sources is concerned: what can be regarded as a source and what is adaptation, which are the works that motivated writers, are just a matter of the preliminary work of the interpretation. On the other hand the problem that within the ancient, mythical tradition there is an original, ancient Faustus legend, does not raise any attention as that is “mere raw material”. The truth is ... that the beginning that has been preliminarily, yet directly definitory for centuries, is that original force that is given in the topic and thus it is difficult to bring it to the surface, preferably independently from the heritage that was built upon it. As far as the time dimension is concerned, we are searching in an undefineable, open past, moreover it is most probable that the legend itself is not entirely original, so to say, but it is the adaptation of a more ancient idea or topic. And by this its symbolism and hidden semantics lose their European characteristics.


2016 ◽  
Vol 9 (3) ◽  
pp. 563
Author(s):  
Staša Babić

Over the last decades, especially among the postprocessualy oriented archaeologists, the link between the research into the past and various relations of domination in the modern world has been explicitly articulated, as well as the ways in which the discipline engages in the dialogue with its social context, widely encompassed by the notion of the public. On the other hand, the eminent representatives of other theoretical approaches in archaeology, such as Gordon Childe, have argued for the purpose of archaeological research in the search for knowledge leading to more just and human society much before this clearly value-oriented proclamation. The message conveyed by archaeologists to the public depends on the choice of the segment of this wide notion and whose interests an individual researcher decides to enforce, regardless of the theoretical and methodological inclinations.


2013 ◽  
Vol 20 (1) ◽  
pp. 81-107 ◽  
Author(s):  
Astrid Van Oyen

AbstractThis paper argues that material culture should be brought even more to the forefront in post-colonial archaeology. At present, post-colonial analyses start from a baseline of pinned-down, delineated things as processed through artefact analysis, to proceed to interpretations of how these things were used in fluid, multidirectional, ambivalent social and cultural interactions. But what if thingsthemselvescan be fluid rather than bounded? Can we look into the various ways in which things were defined in the past, and the various relations they enabled? Such a change of perspective can also help redress the imbalance within post-colonial studies between, on the one hand, consumption as the field in which meaning is negotiated and, on the other hand, production as offering merely a template for the inscription of that meaning. A case study of so-called pre-sigillata production in southern Gaul articulates the benefit to be gained from considering these issues.


2010 ◽  
Vol 51 (1-2) ◽  
pp. 215-224
Author(s):  
Alexander Carpenter

This paper explores Arnold Schoenberg’s curious ambivalence towards Haydn. Schoenberg recognized Haydn as an important figure in the German serious music tradition, but never closely examined or clearly articulated Haydn’s influence and import on his own musical style and ethos, as he did with many other major composers. This paper argues that Schoenberg failed to explicitly recognize Haydn as a major influence because he saw Haydn as he saw himself, namely as a somewhat ungainly, paradoxical figure, with one foot in the past and one in the future. In his voluminous writings on music, Haydn is mentioned by Schoenberg far less frequently than Bach, Mozart, or Beethoven, and his music appears rarely as examples in Schoenberg’s theoretical texts. When Schoenberg does talk about Haydn’s music, he invokes — with tacit negativity — its accessibility, counterpoising it with more recondite music, such as Beethoven’s, or his own. On the other hand, Schoenberg also praises Haydn for his complex, irregular phrasing and harmonic exploration. Haydn thus appears in Schoenberg’s writings as a figure invested with ambivalence: a key member of the First Viennese triumvirate, but at the same time he is curiously phantasmal, and is accorded a peripheral place in Schoenberg’s version of the canon and his own musical genealogy.


2018 ◽  
Vol 47 (2) ◽  
Author(s):  
Kempe Ronald Hope

Countries with positive per capita real growth are characterised by positive national savings—including government savings, increases in government investment, and strong increases in private savings and investment. On the other hand, countries with negative per capita real growth tend to be characterised by declines in savings and investment. During the past several decades, Kenya’s emerging economy has undergone many changes and economic performance has been epitomised by periods of stability, decline, or unevenness. This article discusses and analyses the record of economic performance and public finance in Kenya during the period 1960‒2010, as well as policies and other factors that have influenced that record in this emerging economy. 


2000 ◽  
Vol 6 ◽  
pp. 171-182 ◽  
Author(s):  
Ben A. LePage ◽  
Hermann W. Pfefferkorn

When one hears the term “ground cover,” one immediately thinks of “grasses.” This perception is so deep-seated that paleobotanists even have been overheard to proclaim that “there was no ground cover before grasses.” Today grasses are so predominant in many environments that this perception is perpetuated easily. On the other hand, it is difficult to imagine the absence or lack of ground cover prior to the mid-Tertiary. We tested the hypothesis that different forms of ground cover existed in the past against examples from the Recent and the fossil record (Table 1). The Recent data were obtained from a large number of sources including those in the ecological, horticultural, and microbiological literature. Other data were derived from our knowledge of Precambrian life, sedimentology and paleosols, and the plant fossil record, especially in situ floras and fossil “monocultures.” Some of the data are original observations, but many others are from the literature. A detailed account of these results will be presented elsewhere (Pfefferkorn and LePage, in preparation).


1943 ◽  
Vol 12 (1) ◽  
pp. 28-34
Author(s):  
Kenneth Scott Latourette

A strange contrast exists in the status of the Christian Church in the past seventy years. On the one hand the Church has clearly lost some of the ground which once appeared to be safely within its possession. On the other hand it has become more widely spread geographically and, when all mankind is taken into consideration, more influential in shaping human affairs than ever before in its history. In a paper as brief as this must of necessity be, space can be had only for the sketching of the broad outlines of this paradox and for suggesting a reason for it. If details were to be given, a large volume would be required. Perhaps, however, we can hope to do enough to point out one of the most provocative and important set of movements in recent history.


2008 ◽  
Vol 15 (1) ◽  
pp. 56-69 ◽  
Author(s):  
Kristian Kristiansen

When I agreed to present the article as a vehicle for discussion at a session at the EAA's annual meeting in Zadar, Croatia, I decided to approach the question of a European archaeology from what I considered to be the three organizing pillars of archaeological practice: heritage, theory and publications. Heritage is the dominant organizational/legislative framework for archaeological practice, and it is where most of the money is spent. Theory, on the other hand, organizes most of our interpretations of the past, while publications are still the most common way of presenting the results of both heritage work (mostly excavations) and interpretations of that work. In this way I hoped to have encircled the dominant parameters for a diagnosis of the archaeological landscapes in Europe. I assumed that there might be some correlation between the three, and that such observed common trends within two or more variables would strengthen the argument, to paraphrase processual jargon.


2021 ◽  
Vol 90 ◽  
pp. 105-123
Author(s):  
Thaddeus Metz

AbstractOn the rise over the past 20 years has been ‘moderate supernaturalism’, the view that while a meaningful life is possible in a world without God or a soul, a much greater meaning would be possible only in a world with them. William Lane Craig can be read as providing an important argument for a version of this view, according to which only with God and a soul could our lives have an eternal, as opposed to temporally limited, significance since we would then be held accountable for our decisions affecting others’ lives. I present two major objections to this position. On the one hand, I contend that if God existed and we had souls that lived forever, then, in fact, all our lives would turn out the same. On the other hand, I maintain that, if this objection is wrong, so that our moral choices would indeed make an ultimate difference and thereby confer an eternal significance on our lives (only) in a supernatural realm, then Craig could not capture the view, aptly held by moderate supernaturalists, that a meaningful life is possible in a purely natural world.


Author(s):  
Rimma M. Khaninova ◽  

The article discusses ballads of the Kalmyk poets Tseren Ledzhinov “Бальчгин туск баллад” (“A Ballad about the Mud”, 1941) and Sanzhar Baidyev «Башмгудин туск баллад» (“A Ballad about Boots”, 1967). The analysis of the two ballads in the original showed that neither the content nor the form of Ledzhinov’s poem fits the announced genre. The poem by Baidyev, on the other hand, is one of the interesting ballads of the Kalmyk poetry of the past century, it is experimental in terms of the plot and the characters. The original text of S. Badyev’s work is compared to its Russian translation “Boots” translated by D. Dolinsky and V. Strelkov. The comparison revealed that the author’s conception and manifestation were altered by the translators in the aspect of semantic context and genre identity.


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