Representing the Twelve Calendrical Animals as Beastly, Human, and Hybrid Beings in Medieval China
In this study, the early history of the calendrical animals is traced to the mapping of space, time, stars and constellations, the rise of correlative cosmology and the mantic arts in China. It draws attention to the representations of the calendrical animals as beasts, humans and hybrids, their internal as well as external sources of inspiration, and the differing perspectives on the relationship between humans and animals underlying such depictions. Archaeology provides the primary materials for the study of the belief in the calendrical animals as arbiters of human fate in medieval China. Today the calendrical animals continue to engage the religious imagination and beyond, as they also spark the discourse on national identity and global politics.