Introduction

Author(s):  
Katie Donington ◽  
Ryan Hanley ◽  
Jessica Moody

The Introduction to this volume (Britain’s History and Memory of Transatlantic Slavery) sets out the current context of scholarship on the history of Britain’s involvement in transatlantic slavery and the slave trade and its abolition, and work around the memory of this history. This chapter considers what is ultimately at stake through configuring, reconfiguring and contesting the place of slavery and the slave trade in British national identity narratives, how this has changed in the last thirty years and why examining such relationships through a ‘local’ lens is important for interrogating the relationship between history, memory and identity. The Introduction sets out the structure of the book in its two parts and gives brief overviews of the following chapters.

Author(s):  
Padraic X. Scanlan

Before the abolition of the slave trade in the British empire in 1807, colonial Sierra Leone was an experiment in free trade and free labour, founded by the Sierra Leone Company, a joint-stock company led by antislavery activists, and settled by African American Loyalists from Nova Scotia. This chapter explores the early history of the colony, and shows how antislavery was undermined by the routines of the transatlantic slave trade. Meanwhile, African American settlers were marginalised, and the arrival of 500 Jamaican Maroons in 1800 helped to cement the relationship between the leaders of the antislavery movement and the British armed forces.


2019 ◽  
Vol 4 (2) ◽  
pp. 352-377 ◽  
Author(s):  
Saladin Ambar

AbstractThis article seeks to illuminate the relationship between two of the most important figures in American political thought: the pragmatist philosopher William James, and the pioneering civil rights leader and intellectual, W.E.B. Du Bois. As Harvard's first African American PhD, Du Bois was a critical figure in theorizing about race and identity. His innovative take on double consciousness has often been attributed to his contact with James who was one of Du Bois's most critical graduate professors at Harvard. But beyond the view of the two thinkers as intellectual collaborators, is the fraught history of liberal racial fraternal pairing and its role in shaping national identity. This article examines Du Bois and James's relationship in the context of that history, one marked by troubled associations between friendship and race.


2020 ◽  
Vol 8 (14) ◽  
pp. 143-163
Author(s):  
María Del Pilar Melgarejo

One of the pillars of the history of Latin American documentary filmmaking is undoubtedly the Chilean director Patricio Guzmán. During more than five decades of film production, he has given an account of Chile's political history, specifically dealing with the meaning of the Chilean dictatorship for the country's past, present and future, as well as its relevance in the Latin American context. His films undoubtedly represent one of the most relevant testimonies to the continent's history in the 20th century, with hundreds of hours of footage of the high points in the violent transition process between the Allende and Pinochet governments. His film proposal will take a radical turn in his last two productions: Nostalgia de la Luz ([2010] 2011) and El Botón de Nácar (2015), which are part of a trilogy - the latter film is currently in production. Its aesthetic proposal is revolutionary in the sense that it resignifies the relationship between memory and history by establishing a connection between nature, cosmology and historical memory. In this trilogy he deals separately in each film with the desert, the sea and the mountain, leading the viewer to a reflection that, through poetic language and a meditative tone, proposes a new look at history and memory. In this essay I analyze three elements that define his film El Botón de Nacar and that open the possibilities for a new type of theoretical reflection on the documentary genre: the relationship between nature, narration and history, history understood as genealogical memory and the new type of visual aesthetic that the director is proposing, which I call "poetry of beauty". 


wisdom ◽  
2018 ◽  
Vol 11 (2) ◽  
pp. 66-70
Author(s):  
Davit Mosinyan

This paper discusses the issue of the relationship of history and memory. Memory becomes a topic in historical discourses as it deals with identity, especially when we speak of collective memory. The paper presents the history of the relationship of history and memory and suggests a thesis according which the close interaction between these two concepts can solve the crisis of identity that has been most urgent in our days.


2020 ◽  
Vol 66 (2) ◽  
pp. 185-206
Author(s):  
Sarah E. Cornish

The World War II diary A Woman in Berlin: Eight Weeks in the Conquered City (2005) documents one woman’s story of survival in the spring of 1945 in Berlin, during which upward of 130,000 women were raped by soldiers of the Red Army. First, this essay introduces the politics of recuperating the English translation of the diary within the context of the scant supporting historical documentation and memorialization of Berliner women’s experience during the occupation. Second, it demonstrates how the diary produces a feminist account of survival and a narrative for collective trauma by examining the diarist’s representations of the effects of rape and rubblestrewn Berlin. Third, the essay details the complicated publication history of the diary through a consideration of the relationship between the trauma sustained by the survivors of mass rape and the blows to German national identity that it documents.


Author(s):  
Jaco Beyers

Learning from the past prepares one for being able to cope with the future. History is made up of strings of relationships. This article follows a historical line from colonialism, through apartheid to post-colonialism in order to illustrate inter-religious relations in South-Africa and how each context determines these relations. Social cohesion is enhanced by a post-colonial theology of religions based on the current context. By describing the relationship between Christians and Muslims during the 17th–18th centuries in the Cape Colony, lessons can be deduced to guide inter-religious relations in a post-colonial era in South Africa. One of the most prominent Muslim leaders during the 17th century in the Cape Colony was Sheik Yusuf al-Makassari. His influence determined the future face of Islam in the Cape Colony and here, during the 18th century, ethics started playing a crucial role in determining the relationship between Christians and Muslims. The ethical guidance of the Imams formed the Muslim communities whilst ethical decline was apparent amongst the Christian colonists during the same period. The place of ethics as determinative of future inter-religious dialogue is emphasised. Denial and exclusion characterised relationships between Christians and Muslims. According to a post-colonial understanding of inter-religious contact the equality and dignity of non-Christian religions are to be acknowledged. In the postcolonial and postapartheid struggle for equality, also of religions, prof Graham Duncan, to whom this article is dedicated, contributed to the process of acknowledging the plurality of the religious reality in South Africa.


1998 ◽  
Vol 14 (2) ◽  
pp. 389-406 ◽  
Author(s):  
Pilar Gonzalbo Aizpuru

In recent decades scholars have become interested in the nature of daily life and the history of the family. Studies of those subjects in Mexico, although scattered and unsystematic, now constitute an important body of work. Large questions, such as the formation of a national identity, biological and cultural mestizaje, changes in social organization, and the preservation of traditions and ancestral beliefs, can be better understood if considered from the perspective of family structure, manifestations of daily life, and the relationship between the public and the private. This essay seeks to assess the recent advances in these fields.


Author(s):  
Catherine E. Clark

What is the history of preserving, writing, exhibiting, theorizing, and imagining the history of Paris photographically? How, when, and to what end did photographs become interesting as historical evidence—and more specifically, evidence of the history of Paris—and to whom? These questions can be best answered by an institutional history of photo collecting in the city’s historical museum and library alongside an effort to traces the uses of photographs by amateur and popular historians, publishers, and photographers beyond their walls. This investigation builds on literatures about the city of Paris, its visual regimes, the relationship between history and memory, the role of the historical imagination, the reduction of Paris to an image, and histories of the “Visual Turn.” It deploys the cliché as a methodological approach to tell a new history about the relationship between Paris and its insistently photographic past.


2016 ◽  
Vol 16 (2) ◽  
pp. 1-11 ◽  
Author(s):  
Anna Wexler

This research brief explores the controversial history of the cherry tomato and analyzes its role in the construction of Israel's national identity. Since 2003, mentions of Israel having “invented” the cherry tomato have appeared in both Israeli and international media. However, such claims have sparked outrage on various blogs and websites, and questions have been raised about the veracity of Israel's claims—as well as about the true origin of the cherry tomato. I explore the history of the cherry tomato, tracing mentions of it from the Renaissance period to modern times. In addition, I clarify the assertions of Israeli scientists credited with the development of the cherry tomato—that their research transformed the cherry tomato into a commodity in the 1980s. Finally, I discuss the cherry tomato claim in light of the Israeli government's hasbara (Hebrew for “explanation”) efforts, which attempt to counter negative images of Israel in the international press. While much previous scholarship on food and nationalism has focused on the relationship between the cultivation, preparation, or consumption of a food and the construction of a national identity, the present work focuses on the relationship between the food's invention narrative and national identity. By transforming the cherry tomato into an embodiment of technological innovation, I argue that hasbara separates the cherry tomato from its essence as a food and co-opts it into a symbol of modernity and progress.


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