Monumental Failures

2017 ◽  
Author(s):  
Maurizio Peleggi
Keyword(s):  
Modern Art ◽  
Public Monuments ◽  
Art Educator ◽  
European Tradition ◽  
Public Sculpture

Chapter 7 examines the monuments realized by the nationalist leadership that came to power in 1932 as ambitious but ultimately failed attempts at localizing a type of commemorative public sculpture and architecture modeled on the European tradition of propaganda. The chapter offers a close examination of several public monuments in Bangkok and elsewhere, and discusses the central role of the Italian sculptor and art educator Corrado Feroci, naturalized Thai with the name Silpa Bhirasri, and celebrated as “the father of Thai modern art.”

Crossing the Pomerium

2020 ◽  
Author(s):  
Michael Koortbojian
Keyword(s):  
Social Practices ◽  
Civic Life ◽  
Public Monuments ◽  
Religion And Law ◽  
Mediterranean World ◽  
The Mediterranean ◽  
The Military ◽  
The City

The ancient Romans famously distinguished between civic life in Rome and military matters outside the city—a division marked by the pomerium, an abstract religious and legal boundary that was central to the myth of the city's foundation. This book explores, by means of images and texts, how the Romans used social practices and public monuments to assert their capital's distinction from its growing empire, to delimit the proper realms of religion and law from those of war and conquest, and to establish and disseminate so many fundamental Roman institutions across three centuries of imperial rule. The book probes such topics as the appearance in the city of Romans in armor, whether in representation or in life, the role of religious rites on the battlefield, and the military image of Constantine on the arch built in his name. Throughout, the book reveals how, in these instances and others, the ancient ideology of crossing the pomerium reflects the efforts of Romans not only to live up to the ideals they had inherited, but also to reconceive their past and to validate contemporary practices during a time when Rome enjoyed growing dominance in the Mediterranean world. The book explores a problem faced by generations of Romans—how to leave and return to hallowed city ground in the course of building an empire.

Two Representations of the Moscow Art Theater Audience

2020 ◽  
Vol 17 (5) ◽  
pp. 462-476
Author(s):  
Alexander A. Ushkarev ◽  
Galina G. Gedovius ◽  
Tatyana V. Petrushina
Keyword(s):  
Online Community ◽  
Modern Art ◽  
Virtual Space ◽  
Demographic Parameters ◽  
Cultural Consumption ◽  
Cultural Activity ◽  
Behavioral Differences ◽  
Technological Revolution ◽  
Definition Of

The technological revolution of recent decades has already brought art to the broadest masses, and the unexpected intervention of the pandemic has significantly accelerated the process of migration of theatrical art to the virtual space, causing the corresponding dynamics of the audience. What is the theater audience in the era of digitalization and the spread of alternative forms of cultural consumption? How does the theater build its relationship with the audience today? In search of answers, we conducted a series of sociological surveys of the Chekhov Moscow Art Theater’s audience — both at the theater’s performances and in the online community of its fans. The purpose of this phase of the study was to answer the fundamental questions: do spectators surveyed in the theater and those surveyed online represent the same audience; what are their main differences; and what are the drivers of their spectator behavior? The article presents the main results of a comparative analysis of two images of the Moscow Art Theatre’s audience based on a number of content parameters by two types of surveys, as well as the results of a regression analysis of the theater attendance. The study resulted in definition of the qualitative and behavioral differences between the theater visitors and the viewers surveyed online, and identification of the factors of theater attendance for both of the represented audience groups. The study made it possible to clarify the role of age and other socio-demographic parameters in cultural activity, as well as the influence of preferred forms of cultural consumption (live contacts or online views) on one’s attitude to art, motivation and spectator behavior. The conclusions of the study, despite the uniqueness of the object, reflect the general patterns of the modern art audience’s dynamics.

On Important Role of the View of Harmony between Man and Nature in Modern Art Designing - Taking Environmental Design as an Example

2012 ◽  
Vol 209-211 ◽  
pp. 23-27
Author(s):  
Gang Lv
Keyword(s):  
Theoretical Basis ◽  
Modern Art ◽  
Environmental Design ◽  
Modern Design ◽  
Man And Nature ◽  
People Orientation ◽  
The Relationship ◽  
Art Designing

This paper mainly discusses the important role of the Chinese ancient view –“harmony between man and nature” in modern design. It focuses on the analysis of popular concepts of “environment orientation” and “people orientation” in environmental design, and holds the view that the concept of “harmony of man and nature” makes up for the deficiencies of the first two. In dealing with the relationship between man and himself or nature, the concept of “harmony between man and nature” offers a good theoretical basis which will surely become new ethics and standard in design.

Exhibition 58: Modern Architecture in England, Museum of Modern Art, 1937

2013 ◽  
Vol 56 ◽  
pp. 277-298 ◽  
Author(s):  
Alan Powers
Keyword(s):  
New York ◽  
Modern Art ◽  
Modern Architecture ◽  
Museum Of Modern Art ◽  
Multiple Sequence ◽  
Sequence Of Events ◽  
The World ◽  
The Usa ◽  
New Yorkers

Exhibition 58: Modern Architecture in England, held between 10 February and 7 March 1937 at the Museum of Modern Art in New York (MoMA), was a notable event. Amidst claims that ‘England leads the world in modern architectural activity’, the exhibition ‘amazed New Yorkers’ and equally surprised English commentators. However, it has not subsequently received any extended investigation. The present purpose is to look at it as a multiple sequence of events, involving other exhibitions, associated publications and the trajectories of individuals and institutions, through which tensions came to the surface about the definition and direction of Modernism in England and elsewhere. Such an analysis throws new light on issues such as the motives for staging the exhibition, the personnel involved and associated questions relating to the role of émigré architects in Britain and the USA, some of which have been misinterpreted in recent commentaries.Hitchcock's unequivocal claim for the importance of English Modernism at this point still arouses disbelief, and raises a question whether it can be accepted at face value or requires explaining in terms of some other hidden intention.

scholarly journals Man, fate, and death in Indo-European tradition

2004 ◽  
pp. 49
Author(s):  
Martin Litchfield West
Keyword(s):  
Human Condition ◽  
Old Irish ◽  
European Tradition ◽  
Linguistic Material ◽  
The Human Condition

This paper deals with Indo-European concepts concerning the human condition: the nature of man, the role of fate in shaping his life, his destiny in death. The evidence is partly drawn from linguistic material, partly from literary. The assumption is that, just as comparison of vocabulary in widely separated languages such as Hittite, Sanskrit and Old Irish makes it possible to reconstruct words of the parent language, so comparison of parallel motifs in different traditional literatures may show up inherited ideas and beliefs.

The Adventures of the Optic Nerve

2004 ◽  
Author(s):  
John Elderfield
Keyword(s):  
Optic Nerve ◽  
Art History ◽  
Modern Art ◽  
Historical Study ◽  
Visual Medium ◽  
Relationship Of ◽  
The Relationship

This chapter presents the text of a lecture on the role of visual medium in art-historical study. It addresses the relationship of art history to the existential acts of painting and looking at painting and describes how the so-called story of modern art has been narrated in the history literature. It also considers how modern histories can accommodate the unfamiliar that is normally part of the story.

The Changing Role of Art and Interpretations of Art in Contemporary Societies

2017 ◽  
pp. 1-9
Keyword(s):  
Contemporary Art ◽  
Visual Art ◽  
Modern Art ◽  
Modern Science ◽  
Art Works ◽  
Rule Breaking ◽  
Changing Role

In this chapter the changing role of art and interpretations of art in contemporary societies are discussed. Visual art works are always open to a great diversity of possible interpretations, impressions and opinions. There are also vastly differing opinions and ideas about what art is or should be. What characterizes contemporary art is the idea that it is one of the areas freedom that allow and encourage rule-breaking and visions. In short, it is the refuge of imagination in a society that otherwise is built on modern science, logic and reflexivity. For some that freedom and imagination is too much: modern art may include elements of carnival madness, sophomoric humour, cheap publicity-seeking or hoax – in addition to great art providing deep experiences and/or thoughts to people who cherish the opportunity to feed their souls with art. Viewing art can be a deeply intimate individual process or a social statement, sometimes both of these. However, this book also offers consolation to all art lovers: art itself is globally in no danger of disappearing as a result of any political or commercial pressure.

scholarly journals Pelestarian dan Pengembangan Seni Ajeng Sinar Pusaka pada Penyambutan Pengantin Khas Karawang

Panggung ◽  
2016 ◽  
Vol 26 (1) ◽  
Author(s):  
Rosikin Wikandia
Keyword(s):  
Young People ◽  
Modern Art ◽  
Conservation And Development ◽  
Qualitative Descriptive ◽  
Descriptive Approach

ABSTRACT Ajeng art preservation Hamlet  origin  Bambu  Duri, Karangpawitan.  Karawang,  many obstacles.  Passive  role of the local artist community,  the lack of regeneration  culture  of origin, not pro-active  good relations  between relevant  agencies as well as the entry  of modern art, the art of Ajeng  undeveloped and eroded extinction.  Ajeng art is a kind of art that has its peculiari- ties such as art pangajeng-ngajeng  (Pangwilujeng)  accompanied by Soja dances that were held at the welcoming  ceremony  the bride or the guest  of honor.  Through  research  with qualitative descriptive approach to the socio-cultural  aspects in a systematic, empirical, and cultural  theory is expected to  be the  presentation  of Ajeng  art Maya art aesthetic  tradition  and loved young people in the conservation and development  of the  art of Ajeng. Keywords: Ajeng,  Dance Soja     ABSTRAK Pelestarian seni Ajeng asal Dusun Bambu Duri, Karang Pawitan. Kabupaten Karawang, banyak mengalami hambatan. Pasifnya peran komunitas seniman setempat, kurang adanya regenerasi budaya asal, tidak pro aktifnya hubungan baik antara dinas terkait serta masuknya kesenian modern, maka seni Ajeng tidak berkembang dan tergerus kepunahan. Seni Ajeng merupakan jenis seni yang memiliki kekhasan seperti seni pangajeng-ngajeng (Pangwilujeng) dengan diiringi tarian Soja yang biasanya dilaksanakan pada acara upacara pengantin atau penyambutan tamu kehormatan. Melalui penelitian dengan pendekatan deskriftif kualitatif pada aspek sosial budaya secara sistematis, empiris, dan teori budaya diharapkan seni Ajeng menjadi penyajian seni Ajeng yang estetik tradisi dan dicintai generasi muda dalam rangka pelestarian dan pengembangan seni Ajeng. Kata kunci: Ajeng, Tari Soja

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