scholarly journals SIGNIFICANCE OF FORESTS IN TRIBAL VERNACULAR ARCHITECTURE: IN CONTEXT TO KHARIA TRIBE IN JHARKHAND,INDIA

2021 ◽  
Vol 9 (12) ◽  
pp. 244-250
Author(s):  
Shruti Saumya

Tribal community and their association with nature is deeply rooted. The primitive tribes in India and the world are settled around forests or islands and use their products for their livelihood. The style of architecture, art, culture, beliefs, socio-economic framework is guided by the local environment. As the primitive tribe remain secluded from the urban development and advancement, their beliefs and practices are limited and are based on real time experiences. The availability of resources around the community shapes the type of architectural and cultural practices of the tribe. The forest provides ample resources like wood, fodder, mud, straw, etc. which serves as construction materials, fuel, and source of livelihood for the ethnic community. The article throws light on the influence of forests and its resourceson the vernacular architectural style, the settlement pattern, dwelling units, construction technology and, materials which ultimately responds to the local climate, art, culture, socio-economic framework, and beliefs of the people.

2021 ◽  
Author(s):  
◽  
Anthony Liuvaie Freddie

<p>With the increase in climate change, small Pacific nations such as Niue face significant risks from rising sea levels and the increased intensity of natural disasters such as tropical cyclones. These extreme weather events have caused severe devastation therefore threatening the fragile economy, and social and cultural fabric that make up the identity of Niue, a Pacific nation. This is evident in the decline of the island’s population. A current issue faced by Pacific nations such as Niue is the lack of contemporary vernacular, sustainable and resilient architectural solutions to the environmental and economic issues these nations face. Further compelling this situation is the lack of research and study of Niue’s traditions and cultural practices, vernacular architecture and natural environment. This issue has negatively affected urban renewal and developmental projects, most of which have been formulated based on individual’s experiences, outdated attitudes and approaches or the findings of research conducted through pan-Pasifika or western lenses. The devastating outcomes of Cyclone Heta in 2004, which struck most of the coastal edge of Niue, particularly the South side of the Capital Alofi, Aliluki and destroyed the national hospital, the national museum, the Niue Hotel and Amanau apartments brought to light the seriousness of this issue. From then until now, Aliluki which once was the centre of Niue has been stigmatised by cyclone destruction, and deteriorated into a barren ruin overgrown by nature.  This thesis aims to document and preserve through this project, local knowledge associated with Niuean building traditions and cultural practices; develop a design method that leads to a contemporary architectural solution informed by the local culture, traditional practices and contextual situation; and develop a viable architectural solution that contributes to increasing the resilience and sustainability of Aliluki to future disasters and enhances the economic prosperity of the community through an increase in social, economic, and cultural opportunities.  The design thesis argues that understanding Niue’s traditional values, practices, and contextual situation will help identify resilient and sustainable vernacular architectural solutions for Niue’s cyclone-prone environment. This is done through two stages of the research: Theoretical grounding and a one-month field research and site studies in Niue. All the key literature, case studies and key findings were then explored, tested and developed through the urban re-development of Aliluki and a design of a cultural centre that will be used as an evacuation shelter in the event of a devastating tropical cyclone. In search for a better and safer future, this research will hopefully contribute towards the survival of the people and traditions of Niue, who has for several decades, struggled with the forces of modernisation.</p>


2021 ◽  
Author(s):  
◽  
Anthony Liuvaie Freddie

<p>With the increase in climate change, small Pacific nations such as Niue face significant risks from rising sea levels and the increased intensity of natural disasters such as tropical cyclones. These extreme weather events have caused severe devastation therefore threatening the fragile economy, and social and cultural fabric that make up the identity of Niue, a Pacific nation. This is evident in the decline of the island’s population. A current issue faced by Pacific nations such as Niue is the lack of contemporary vernacular, sustainable and resilient architectural solutions to the environmental and economic issues these nations face. Further compelling this situation is the lack of research and study of Niue’s traditions and cultural practices, vernacular architecture and natural environment. This issue has negatively affected urban renewal and developmental projects, most of which have been formulated based on individual’s experiences, outdated attitudes and approaches or the findings of research conducted through pan-Pasifika or western lenses. The devastating outcomes of Cyclone Heta in 2004, which struck most of the coastal edge of Niue, particularly the South side of the Capital Alofi, Aliluki and destroyed the national hospital, the national museum, the Niue Hotel and Amanau apartments brought to light the seriousness of this issue. From then until now, Aliluki which once was the centre of Niue has been stigmatised by cyclone destruction, and deteriorated into a barren ruin overgrown by nature.  This thesis aims to document and preserve through this project, local knowledge associated with Niuean building traditions and cultural practices; develop a design method that leads to a contemporary architectural solution informed by the local culture, traditional practices and contextual situation; and develop a viable architectural solution that contributes to increasing the resilience and sustainability of Aliluki to future disasters and enhances the economic prosperity of the community through an increase in social, economic, and cultural opportunities.  The design thesis argues that understanding Niue’s traditional values, practices, and contextual situation will help identify resilient and sustainable vernacular architectural solutions for Niue’s cyclone-prone environment. This is done through two stages of the research: Theoretical grounding and a one-month field research and site studies in Niue. All the key literature, case studies and key findings were then explored, tested and developed through the urban re-development of Aliluki and a design of a cultural centre that will be used as an evacuation shelter in the event of a devastating tropical cyclone. In search for a better and safer future, this research will hopefully contribute towards the survival of the people and traditions of Niue, who has for several decades, struggled with the forces of modernisation.</p>


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Vu Tuan Anh Nguyen ◽  
Jin-Ho Park ◽  
Yangsook Jeon

PurposeThis paper focuses on the evolution of and changes in French colonial architectural designs over time in terms of the use of vernacular architectural features of Vietnam.Design/methodology/approachIt first examines the underlying principles of spatial compositions behind traditional vernacular architecture, thus revealing vernacular architectural values that have survived from the past. Styles of vernacular houses differ by region; thus, their unique spatial characteristics are analyzed by selecting the typical houses in each region. The study also illuminates ecological features and technical norms tailored to the local climate and Vietnamese traditional architecture. It examines how local and regional characters of vernacular houses affect the developments and changes in the French colonial public buildings in Vietnam, forming an identity that represents an eclectic Indochina style with the adaptation of local discourses on climate.FindingsThe Vietnamese have developed unique architectural styles that are inextricably linked to their identities, cultures, climates and livelihoods – for example, vernacular houses. Although at the beginning of the colonial period, the French imported their styles, decorations and details, which were foreign to the Vietnamese, later, they perhaps realized that such direct import was no longer suitable for the natural and socio-cultural situation of the colony. Toward the end of the colonial period, it is noticeable that French colonial architects gradually started using local design principles.Research limitations/implicationsAlthough many existing buildings can be further added for the discussion, we limit a few cases, due to the length of the paper.Social implicationsThis paper proves that toward the end of the colonial period, colonial architecture in Vietnam became increasingly localized, adapting to the local environment and climate. The buildings during the period were gradually associated with Vietnamese culture and sentiment.Originality/valueAlthough few papers deal with the vernacular architecture in Vietnam with regard to local climate and regional characteristics, there are no paper that related the vernacular Vietnamese houses to influence the French colonial designs in Vietnam. Therefore the paper has value and significance.


2011 ◽  
Vol 368-373 ◽  
pp. 3567-3570 ◽  
Author(s):  
Peng Cheng Zhang ◽  
Kai Luo ◽  
Wen Bin Liao

Fujian Earth Building is one of typical Chinese traditional houses famous for unique architectural style and construction techniques. They were widely used in Wuyi mountain passing more than 500 years. How were them built, and how were adjusted to fit their valley environment are interesting questions for each sight-seer, archetects and engineers. This paper try to explain the answers by study the local climate, environment characteristics, historical background, construction technology, structure, material selection, andconstruction location, also to infer how the structure resistant earthquake. The analysis may be helpful for architects and engineers in design practise.


2019 ◽  
Vol 12 (1) ◽  
pp. 111-128
Author(s):  
Zuzanna Kruk-Buchowska

The paper looks at the role of traditional foodways and related cultural practices in Oneida’s contemporary food sovereignty efforts, and the various understandings of the continuity of food and agricultural traditions in the community. The tribe’s Tsyunhehkw^’s (joon-hen-kwa) farm, whose name loosely translates into “life sustenance” in English, serves important cultural, economic and educational purposes. It grows Oneida white flint corn, which is considered sacred by the tribe and is used for ceremonial purposes, it grows the tobacco used for ceremonies and runs a traditional Three Sisters Garden. The Three Sisters – corn, beans and squash, are an important part of the Oneida creation story, as well as the vision of Handsome Lake – a Seneca prophet from the turn of the 19th century, who played an significant role in the revival of traditional religion among the People of the Longhouse.[1] They inform the work done at Tsyunhehkw^ to provide healthful food for the Oneida community. [1]The Oneida form part of the Iroquois Confederacy (as called by the French), referred to as the League of Five Nations by the English, or the Haudenosaunee Confederacy, as they call themselves. Haudenosaunee translates into the People of the Longhouse. The Confederacy, which was founded by the prophet known as Peacemaker with the help of Hiawatha, is made up of the Mohawks, Oneidas, Onondagas, Cayugas, and Senecas. It was intended as a way to unite the nations and create a peaceful means of decision making. The exact date of the joining of the nations is unknown and it is one of the first and longest lasting participatory democracies in the world (“About the Haudenosaunee Confederacy” 2019).


2020 ◽  
Vol 4 (2) ◽  
pp. 84-94
Author(s):  
Sem Touwe

This study identifies and describes the local wisdom carried out by the coastal communities, especially the people of North Seram, Maluku in preserving the island and marine environment as well as the customary institutions in determining and guarding local wisdom of coastal communities to manage marine resources. The marine resource is started to weaken along with the development of modern technology. This paper provides contemporary phenomena regarding the weakness of customary laws and traditional institutions that regulate marine resources, including social values in the form of rituals, representing the relationship between humans and their environment. The protection of marine resources around them will be an important discussion to see the role of government and society in preserving marine and coastal resources. This study used a qualitative approach to produce descriptive explanations from reports, book reviews, and documents that describe theories and information of both past and present. The result is that the local wisdom maintained as superior cultural practices that are beneficial to human survival, especially in maintaining the sustainability and balance between humans and living objects.


2019 ◽  
Vol 1 (3) ◽  
Author(s):  
Grace Kurniawati ◽  
Lisa Oksri Nelfia ◽  
Ade Okvianti Irlan ◽  
Indrawati Sumeru

Construction is growing rapidly nowadays. Buildings, housing, industry/business centers and highways will require natural aggregates which are natural resources that cannot be renewed. Therefore, we need replacement materials able to replace these natural aggregate. The large amount of plastic waste in fields, based on existing data, causes environmental pollution through it can be reused and useful for building and road construction. Most of communities don’t even know the plastic waste processing technology that allow their use in the construction of house construction such as floors, walls, roofs, and hinges and also road construction with not heavy road loads. The purpose of this activity is to provide the knowledge to the people of RPTRA related to technology for the use of plastic waste for building materials and also road construction in the area in the RPTRA environment considering it is not a public road and hence, with not heavy vehicle. The method used is firstly observation and interview of several houses visited. Then activities about using different types of plastic waste as construction materials. Finally, evaluation of the progress of the project by conducting a survey to people who had met the criteria of being a member of the plastic waste program. The success of this program will be the people’s understanding and a significate growing of any highvalue plastic use as construction material. The benefit of this community service is to increase the knowledge and insight of the people of RPTRA, South Meruya, and West Jakarta City, related to environmentally friendly technologies such as plastic waste processing.


2021 ◽  
pp. 59-65
Author(s):  
O. D. Rykhlitska ◽  
O. I. Kosyk

The article analyzes modern design practices based on symbolic and ornamental motives of folk art and their modern actualization in ethno-artistic areas, reflecting the relationship of traditional aspects with innovative, symbolic translation of cultural experience in time and space, creating symbolic value images, enhancing emotional environment and creating new narratives. Symbols, as the basis of the existence of the people, reflect the ethno- national aspects of culture, is an opportunity to find yourself at the level of relationship with your people, your nation, traditions. The appeal to archetypes is a special methodological perspective in which the meaning of the future is created due to the transformation of the past into a symbol. What is relevant in modern Ukrainian realities is that the whole cultural paradigm is being reconsidered and new ways of national identification are being sought. Embroidery is marked by a special color and incredible ornamentation, complex performance technique, which is reflected in the symbols of sociocultural practices, immersing in the depths of traditional norms and values that encourage to feel, assimilate, preserve and transmit. In modern domestic discourse, design practices are thought of as aimed at transforming the cultural environment into the integrity of cultural and natural components. They serve as a basis for forming an idea of the world and building harmonious relationships with the world. And the use of symbols-amulets and a certain emotional color is a special process of self-identification and the foundation for the revival of national culture and spiritual values, seeing their own place in the global cultural and artistic space. Therefore, the use of ornamental symbols in design practice is the basis for the revival of national culture and spiritual values and the formation of a new promising direction of Ukrainian design. Among the spiritual heritage of Ukraine with its color and incredible ornamentation, complex technique is embroidery, which is reflected in the symbols-codes of modern socio-cultural practices


10.33177/4.7 ◽  
2017 ◽  
pp. 129-143

This paper presents a comparative climatic analysis response of traditional dwellings in two locations: Northern Brazil (Amazon) and Southern China (Fujian). The study explores how positive and negative aspects of traditional dwellings (Construction/ materials use) need to be addressed at a larger scale, across diverse communities, if it is to survive the tests of practicality, convenience and environmental feasibility within our modernized and urbanized world. Vernacular architecture, despite its widespread acceptance amongst academics, and increased interest by high socio-economic layers of society, especially in the developed world, is in fact on a decline within local rural traditional communities. The three key reasons for such decline are based on: high maintenance costs (especially labour), poor overall performance of traditional buildings, followed by associations of poverty with locally sourced materials. The need for better understanding of the needs and aspirations of diverse communities and their living conditions, can lead us towards architectural solutions that are affordable, environmentally appropriate and engaging of traditional and contemporary approaches towards buildings. This particular study focuses on the analysis and response of roofs, given its significance as a construction element that provides not only shelter, but structural integrity for traditional dwellings.


2021 ◽  
Vol 25 (1) ◽  
pp. 91
Author(s):  
Kamaruddin Mustamin ◽  
Muhammad Gazali Rahman ◽  
Arhanuddin Salim

ABSTRACT This article aims to discover and probe deeper into the acculturation process of local culture with the practices and traditions of the maulid of the Prophet Muhammad in the Gorontalo community. This study uses a phenomenological qualitative approach. Data collection methods applied are in-depth interviews, observation, and documentation. The results of the study found that the presence and expansion of Islam in Gorontalo also influenced the religious perspective held by the people of Gorontalo. The willingness of the local community to adapt to the new teachings of Islam that they believe is a reinforcement of the acculturation of local cultural practices with the implementation of the tradition of the maulid of the Prophet Muhammad. The early Islamic preachers in Gorontalo managed to distinguish between the part of the local culture that still worth preserved and the part that must be preserved. This combination and acculturation effort between Islam and local culture is able to engender a new version and level of culture that is unique and has a local character. The innovative ability of the preachers to communicate Islamic rituals to the local culture of the Gorontalo people, can lead to a critical appreciation of the local values of the community's culture and the characteristics that accompany these values. Keywords: tradition; political; culture.ABSTRAKArtikel ini bertujuan untuk mengetahui dan menggali lebih dalam proses akulturasi budaya lokal dengan praktik dan tradisi maulid Nabi Muhammad saw. dalam masyarakat Gorontalo. Penelitian ini menggunakan pendekatan kualitatif fenomenologis. Metode pengumpulan data yang digunakan adalah wawancara mendalam, observasi, dan dokumentasi. Hasil penelitian menemukan bahwa kehadiran dan ekspansi Islam di Gorontalo turut mempengaruhi cara pandang keagamaan yang dianut oleh masyarakat Gorontalo. Kesediaan masyarakat lokal untuk mau beradaptasi dengan ajaran Islam yang baru mereka yakini menjadi penguat dari akulturasi praktik budaya lokal dengan pelaksanaan tradisi maulid Nabi Muhammad saw. Para pendakwah Islam awal di Gorotalo berhasil memilah antara bagian budaya lokal yang masih layak dipertahankan dan bagian yang harus dilestarikan. Upaya kombinasi dan akulturasi antara Islam dan budaya lokal ini mampu melahirkan versi dan level budaya baru yang khas dan bercorak lokal. Kemampuan inovasi para pendakwah mendialogkan ritual Islam dengan budaya lokal masyarakat Gorontalo, dapat mengantarkan diapresiasinya secara kritis nilai-nilai lokalitas dari budaya masyarakat beserta karakteristik yang mengiringi nilai-nilai itu.Kata kunci: tradisi; politik; budaya.


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