“The Dispute on Russia” in the Book “Temptation by the Revolution” (2009) by Vladimir Sharov: Tradition and Discourse

2019 ◽  
Vol 5 (4) ◽  
pp. 98-111
Author(s):  
Galina I. Danilina ◽  
Olga V. Khavraleva
Keyword(s):  
19Th Century ◽  
Historical Novel ◽  
Literary Work ◽  
Historical Narrative ◽  
Theoretical Problem ◽  
Historical Novels ◽  
Critical Heritage ◽  
The 19Th Century ◽  
The Relationship ◽  
The Revolution

This article examines the literary and critical heritage of Vladimir Sharov (1952-2018), a contemporary writer and historian. When analyzing his texts in the postmodern paradigm, the authors focus on the urgent literary-theoretical problem of the relationship between genre and discursive traditions. The methodological basis of this research includes M. M. Bakhtin’s idea of separating compositional and architectonic forms in a literary work that opens a new correlation of diachronic and synchronous approaches. The research is based on the book “Temptation by the Revolution” (2009) by Vladimir Sharov, as well as on some metatexts of the 19th century. (P. Ya. Chaadaev, N. I. Nadezhdin, V. G. Belinsky). The research subject is Sharov’s historical narrative and its discursive characteristics. The authors show that substantive-semantic, lexical-grammatical, and stylistic features of V. Sharov’s book revealed by the analysis indicate its affinity to the discourse of the “dispute on Russia” that developed in the 19th century (discussions around the “First Philosophical Letter” by P. Ya. Chaadaev). A comparative analysis results in the main conclusion: at the level of external, compositional forms of text, V. Sharov’s discourse is formed as a part of the historical novel tradition, and at the level of architectonics, implicitly, refers to the discourse of the “dispute on Russia” and is built as its continuation, as a polylogue. It follows that the genre tradition and the discourse tradition interact in the book of V. Sharov ambivalently, and this is fixed in the structure of the narrative itself: the discourse organizes architectonics, the genre organizes the compositional unity of the text. The authors believe that the form of the classical heritage reception presented in the book “Temptation by the Revolution” by Vladimir Sharov, outlines additional opportunities for the study of his historical novels. This is a new and creative actualization form of Russian classics, produced by the writer and constituting a distinctive feature of his discourse.

Revolutionary England, 1642-1702

2010 ◽  
Author(s):  
Sarah Covington
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
17Th Century ◽  
Historical Narrative ◽  
National Myth ◽  
British Identity ◽  
History Of ◽  
The 19Th Century ◽  
The Revolution

The 17th century is one of the most important periods in England’s history, eliciting highly charged and often ideologically driven debates among scholars. The story of England, as it was told during the 19th century, was central in defining British identity and creating a national myth, known as Whig history, of triumphant progress toward liberty. Not surprisingly, the 20th century revised this history in accordance with contemporary ideologies that included communism, while the 1970s witnessed a further revisionist turn when Conrad Russell, most notably, asserted the contingent nature of the causes leading to the war, in response to the traditional position that emphasized long-term events originating in a division between the crown and an oppositional parliament. This position has, unsurprisingly, been amended in recent years. Meanwhile, another shift has extended the midcentury upheavals to include the “Three Kingdoms” approach, which decenters England in its readings and incorporates Scotland and Ireland into the larger turmoil. But the 17th century was not simply about the Civil War and Interregnum dominated by Cromwell; the Restoration itself was also determined by the events that preceded it, with continuities as well as the more obvious cultural and political shifts blurring the demarcating historical line. And in some respects, the revolution of 1688 served as a culminating answer to the questions raised but never fully resolved by issues earlier in the century. Whether the revolution of 1688 was truly significant or not—and it was certainly once thought to be the crowning achievement of liberty and rights—has itself provoked debate, with James II’s “absolutism” or William III’s victory convincingly modified by historians. So many debates abound, and so many figures are subject to different readings, that it is difficult to fix this period into any stable meaning without lending it heavy qualifications. As a result, it is revealing that an increasingly common subgenre in the field consists of books solely devoted not to the history of these revolutionary years, but to the debates about it—just as the names of historians such as Gardiner, Hill, Stone, or Russell have become inextricably a part of the historical narrative as well. Such debates will continue as long as the 17th century resists clear interpretation—a testament to the dramatic complexity of the time, and to the historians who continue to interpret it.

Epistolography (Ancient letters)

2013 ◽  
Author(s):  
Runar M. Thorsteinsson
Keyword(s):  
19Th Century ◽  
Social Relations ◽  
Literary Work ◽  
Biblical Studies ◽  
Systematic Research ◽  
Early Christian ◽  
Mediterranean World ◽  
Specific Setting ◽  
The 19Th Century ◽  
The Relationship

The term “epistolography” refers to the practice and art of writing letters or epistles, derived from the Greek words epistolē (a letter) and graphein (to write). The term applies to letter writing in general, but this article is concerned with epistolography in the ancient Mediterranean world and, in particular, early Christian epistolography. Letters were of great importance as communicative tools in the ancient world, whether for private, administrative, legal, diplomatic, didactic, dogmatic, or propaganda purposes. Basically, the letter constituted a written communication between two or more individuals who were separated by distance or by social status. Its primary function was to make or maintain contact, provide information, give instructions, or make requests. A letter could also be used as part of a literary work. Ultimately, the purpose of the letter depended on the nature of the relationship between sender(s) and recipient(s). While extant letters from Antiquity show considerable formal flexibility, as a rule, epistolographers followed certain standard conventions for writing letters, including dividing the text into the three parts of opening, body, and closing. They could also apply formulaic expressions that were designed and known to be appropriate for certain occasions and social relations. The fact that most of these formulaic expressions were optional, or existed in several versions depending on the occasion and relation concerned, gives modern interpreters the opportunity better to understand the specific setting and situation in which the letter was written, and hence its content. Systematic research into ancient epistolography started at the end of the 19th century, and it is very much alive today, in classical as well as in biblical studies. In both cases, it was mostly thanks to the pioneering work of the German scholar Adolf Deissmann that the interest in the discipline came about.

Porto, Gaia, and the Sant'Ana Arch

2022 ◽  
pp. 139-162
Author(s):  
Isabel Vaz de Freitas ◽  
Helena Albuquerque
Keyword(s):  
Information System ◽  
Geographical Information System ◽  
19Th Century ◽  
Historical Novel ◽  
New Product ◽  
Literary Work ◽  
Geographical Information ◽  
The Novel ◽  
Intangible Heritage ◽  
The 19Th Century

This study aims to analyse the novel O Arco de Sant'Ana, by Almeida Garrett, one of the most important Portuguese writers of the 19th century. O Arco de Sant'Ana is a historical novel that describes a medieval narrative that is used as a context and emphasis for the presentation of the author's liberal ideas of his time. Using geographical information system as a methodological tool, a literary cartographic analysis will be conducted by identifying places, streets as well as tangible and intangible heritage, described in the novel. Several analyses will be performed to pinpoint the places where the medieval narrative occurs, transposing them to the current urban map. In this way, it should be possible to overlay the literary landscape onto the present map of Porto to offer the tourist a new product based on a journey through time based on the writer's literary work.

scholarly journals Max Havelaar Dan Citra Antikolonial: Sebuah Tinjauan Poskolonial

ATAVISME ◽  
2008 ◽  
Vol 11 (1) ◽  
pp. 23-38
Author(s):  
Christina Dewi
Keyword(s):  
19Th Century ◽  
Literary Work ◽  
The Other ◽  
Forced Labor ◽  
Neutral Position ◽  
The Novel ◽  
Middle Position ◽  
Other Hand ◽  
The 19Th Century ◽  
The Relationship

Max Havelaar is a literary work by Multatuli, a.k.a. E.E. Douwes Dekker. This novel is usually known as a novel with an anti-colonial image. While in the other hand, this novel never suggests to stop colonialism done by Dutch in Hindia Belanda. This research aims at revealing the relationship between colonialism's views with its innovation of narrative technique in this novel. The first analysis is trying to do a focalization on MH. The writer wants to do it because MH presents an argument about the essence of colonialism in Hindia Belanda through opinions and views from three focalizations. MH uniquely uses three focalizers and its uniqueness is shown by Stern as a narrator-fokalizer in the Lebak Episode. Although Stern is one of the characters in the novel, it gives the impression that Stern is in a neutral position. He takes place in the middle-position between the two other character-focalizers. However, since he is one of the characters in this novel, his focalization is not perfectly neutral in the manner of inviting the readers to support the attitude of Multatuli, Readers are confronted to make a choice between the war of anticolonial or procolonial interests and to support either one of the two character-fokulizers : Multatuli or Droogstoppcl. The orientalism theory has been applied to conduct focalization in the novel as the research object.. The novel characterizes Multatuli and Stern as opposing figures against the forced labor while Droogstoppcl, on the other hand, as a figure who is supporting forced labor of the coffee trade. MH strove for labors to earn proper wages so that the issue about the procedures of cultuur-stelsel has a special place in MH. Anti-colonial traits are shown by a rejection of low wages, oppression, robbery, injustice, mistreating, and discrimination. This novel is influencing the colonial hegemony of the competition of industrial products among colonized countries in Europe in the 19th century. That is why liberation values in MH restricted only to the liberation of the labor class from capitalists and people from low-classes from tyrants. This novel does not discuss political liberation

The Germans and their Jewish Neighbors on the Ukrainian Areas at the Second Half of the 19th Century

2020 ◽  
pp. 17-27
Author(s):  
D. Meshkov
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
Russian Empire ◽  
Early Years ◽  
Criminal Cases ◽  
South West ◽  
Multiethnic Population ◽  
The Russian Empire ◽  
The 19Th Century ◽  
The Relationship

The article presents some of the author’s research results that has got while elaboration of the theme “Everyday life in the mirror of conflicts: Germans and their neighbors on the Southern and South-West periphery of the Russian Empire 1861–1914”. The relationship between Germans and Jews is studied in the context of the growing confrontation in Southern cities that resulted in a wave of pogroms. Sources are information provided by the police and court archival funds. The German colonists Ludwig Koenig and Alexandra Kirchner (the resident of Odessa) were involved into Odessa pogrom (1871), in particular. While Koenig with other rioters was arrested by the police, Kirchner led a crowd of rioters to the shop of her Jewish neighbor, whom she had a conflict with. The second part of the article is devoted to the analyses of unty-Jewish violence causes and history in Ak-Kerman at the second half of the 19th and early years of 20th centuries. Akkerman was one of the southern Bessarabia cities, where multiethnic population, including the Jews, grew rapidly. It was one of the reasons of the pogroms in 1865 and 1905. The author uses criminal cases` papers to analyze the reasons of the Germans participation in the civilian squads that had been organized to protect the population and their property in Ackerman and Shabo in 1905.

Byelorussian Nationalism and Western Russianism: the Problem of Confrontation

2020 ◽  
Vol 58 ◽  
pp. 161-168
Author(s):  
Alexander D. Gronsky
Keyword(s):  
19Th Century ◽  
Political Representation ◽  
National Policy ◽  
Negative Attitude ◽  
Great Patriotic War ◽  
The Government ◽  
The 19Th Century ◽  
The Relationship

The article examines the relationship between Western Russianism (Zapadnorusizm) and Byelorussian nationalism. Byelorussian nationalism is much younger than Western Russianism, finally shaping only in the end of the 19th century. Before 1917 revolution Byelorussian nationalism could not compete with Western Russianism. The national policy of the Bolsheviks contributed to the decline of Western Russianism and helped Byelorussian nationalism to gain stronger positions. However, Byelorussian nationalists actively cooperated with the occupation authorities during the Great Patriotic war. That caused distinctly negative attitude of Byelorussians towards the movement and collaborators. Currently, Byelorussian nationalism is supported both by the opposition and by the government. Western Russianism has no political representation, but is supported by the majority of Byelorussian population.

Contraste, Dissonanzen, Missklänge: Zum Verhältnis von Idylle und Tourismus in literarischen Schweiz-Reisen des 19. Jahrhunderts (Ida Hahn-Hahn, Hans Christian Andersen)

2021 ◽  
Vol 50 (1) ◽  
pp. 34-56
Author(s):  
Christian Schmitt
Keyword(s):  
19Th Century ◽  
The Other ◽  
Hans Christian Andersen ◽  
The Aesthetic ◽  
The One ◽  
The 19Th Century ◽  
The Relationship

Abstract The discrepancy between common temporary expectations of Switzerland as idyll on the one hand, and the reality of its industrially organized tourism on the other, imposes irritations upon the touristic gaze. This article, then, traces the origins of this discrepancy and examines the relationship between Swiss idyll and tourism in the 19th century. The analyses of Ida Hahn-Hahn’s Eine Idylle and Hans Christian Andersen’s Iisjomfruen showcase different ways of relating idyll and tourism to one another as well as the aesthetic merit produced by this constellation.

Tenses in 19th-century Dutch sentence-grammar

1988 ◽  
Vol 15 (1-2) ◽  
pp. 187-205
Author(s):  
J. A. Le Loux-Schuringa
Keyword(s):  
The Netherlands ◽  
19Th Century ◽  
Morphological Form ◽  
Other Information ◽  
Dutch Language ◽  
One To One ◽  
The 19Th Century ◽  
The Relationship

Summary In this paper some theories on tenses are described. These theories appeared in the Netherlands in the first half of the 19th century. The purpose is not just describing the different tense-systems of P. Weiland (1805), W. Bilderdijk (1826), W. G. Brill (1846) and L. A. te Winkel (1866). In the first half of the 19th century some fundamental changes took place. It is shown that these changes are based upon continuity of research of time and tense in the Dutch tradition. This continuity is found on three levels: (a) The research was concentrated on the verbal forms, no other information from the sentence was used. (b) The grammarians took the relationship between linguistic forms and logical categories as a one-to-one relation. (c) The morphological form of the Dutch language determined the grammatical representation of the tense-systems more and more.

The Relationship between Trade and Foreign Direct Investment: Testing Ahmed Midhat Efendi's Hypothesis

2008 ◽  
Vol 40 (4) ◽  
pp. 547-549
Author(s):  
V. Necla Geyikdagi
Keyword(s):  
Foreign Direct Investment ◽  
Ottoman Empire ◽  
19Th Century ◽  
Subject Matter ◽  
Direct Investment ◽  
The West ◽  
Normative Framework ◽  
The 19Th Century ◽  
The Relationship ◽  
Independent Thinking

“Jack of all trades” Ahmed Midhat Efendi, one of the most famous and popular Ottoman writers of the 19th century, ranged widely in his subject matter, which included economics. Although he was criticized for not having a proper education in the field, his independent thinking made him the most important critic of the laissez-faire system that prevailed in the Ottoman Empire. He disapproved of the liberalism transferred from the West in a normative framework.

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