scholarly journals Georgian men’s dress of XVII century

2021 ◽  
Vol 5 (S4) ◽  
pp. 1161-1175
Author(s):  
Irina Ugrekhelidze

The article raises the issue of the importance of the work of Cristoforo de Castelli, an Italian missionary, Patrice of the Order of Theatine, in the study of Georgian historical costume. The sketches made by the author during his work in Georgia are analyzed, according to which it is possible to identify the types of clothes. According to the drawings, the clothes of different strata of the population are compared with the clothes of historical figures depicted in the monumental paintings of Georgian monuments of the same period and the clothes of the characters depicted in the illustrations of literary works. It emphasizes the identity of the costume depicted in Castelli's paintings and the miniatures of Georgian artist Mamuka Tavakarashvili and the similarity of some of the paintings. Finally, it is concluded that the visual material created over the years by Castelli as an eyewitness is still relevant today.

2021 ◽  
Vol 11 (22) ◽  
pp. 53-72
Author(s):  
László András Magyar

Even in the early twentieth century, northern Italian children were intimidated by the Bloodsucker Ezerino. We find Ezerino or Ezzelino Da Romano (1194-1259) also in the seventh circle of Dante's Hell, but the horror tale of the cruel tyrant has been mentioned in several romantic literary works as well. The reign of the Ghibellin Ezerino could only be terminated by the alliance of the Pope, the Lombard League and the Venetian Republic through a crusade against the tyrant, but its terror and the hatred of his opponents left their mark on later narratives as well. Later analysts pointed out that most of the horrors detailed here may only have been exaggerations or fictions with which the victors tried to defeat the former deadly enemy – as we have already seen by a few examples. But also the history of the 20th century demonstrates clearly that there is no unimaginable horror committed by man over time. Our presented text is the 13th chapter of an early 15th century Venetian chronicle. The first half of the story is a slightly confusing story of petty family quarrels, wealth-seeking tricks, minor skirmishes, but later there are unfolding terrible events before our very eyes that remember the tragedy of Richard the III. We can see how an average nobleman became an almost unearthly evil, paranoid tyrant by the end of his life. The narrative is slowly rising from the middle of the text to literary niveau and deepens into an impressive tyrannical biography framed by the completely meaningless Guelf-Ghibelline wars. Its pages are populated by historical and supra-historical figures: ruthless mercenaries, cruel hangmen keeping the account of their victims, family members whistleblowing each order, self-whipping flagellants, diligent denunciators and humiliated truncated children liberated from their prison as living sceletons.


Author(s):  
Abigail Williams

This chapter considers how books about history, science, or religion were shared. Library catalogues and diaries show that the borrowing, selling, and reading of sermons, histories, and travel writing dwarfed that of literary works. Records of books sold in parts show that the largest genre available in this form was history, followed by geography, topography, and travel, then biblical commentary, church history, and treatises on morality. The expanding print market created newly accessible formats across many areas of intellectual enquiry, and the display of generalist knowledge about historical figures, botany, or astronomy was a prominent part of polite accomplishment for both men and women. Eighteenth-century readers consumed nonfiction works together at home—for piety, self-improvement, and entertainment.


Litera ◽  
2021 ◽  
pp. 63-77
Author(s):  
Svetlana Vorobyova ◽  
Elena Oganova

The goal of this research lies in the analysis of romantic motifs and corresponding poetic images in the works of the prominent Turkish ashik of the XVII century Karacaoğlan, as well as in determination of the nature of interaction of the folklore and his original tradition therein. The article employs literary text analysis, as well as the method of description and comparison. Using the specific examples, the author examines the key motifs of Karacaoğlan’s romantic lyrics (praise and admiration of the beauty of the beloved; infidelity of the beloved; separation; doubting the feelings of the beloved, etc.), and the imagery system associated with these motifs: a nightingale, rose, grus, a “burning heart”, a “wounded soul”, landscape sketches (snowcapped mountains, light breeze, etc.). Analysis is also conducted on the artistic means of creating the portrait of a beauty: her face, eyes, eyebrows, hair, manner of walking, clothes, and accessories. Literary works of the Turkish ashik Karacaoğlan have not previously become the object of separate research within the Russian science, which detfines the novelty of this article. The conclusion is made that the traditions of folklore and Diwan (Sufi) poetry are organically intertwined in the works by Karacaoğlan, which determines the specificity of poetics of ashik literature not only of the XVII century, but also the entire time continuum. This study contributes to clarification of the typology and poetics of ashik poetry, as well as the nature of interaction of the folklore and the author’s individual tradition within a single work.


2020 ◽  
pp. 331-338
Author(s):  
D.A. Osilbekova

The article deals with anthroponymic names of Moscow cafes and restaurants. The reuse of anthroponym as an ergonomic name is one of the cases of transonimization. In addition to the nominative function the names of catering enterprises have informative and influential functions. Titles-antroponyms can carry the following types of information about the institution: 1) national cuisine, 2) origin of the owner, 3) concept of the institution: target audience, room interior, animation, etc. The function is manifested in associations caused by anthroponyms: nostalgic memories of the homeland, iconic historical figures, favorite literary works, films and their characters. Anthroponymic names most often indicate the origin of the cuisine. As the analysis of the material has shown, the most informative are the precedent personal names. As a rule, they belong to famous people of Russia and Western Europe and are used as names of institutions offering dishes of Russian and European cuisine.


2012 ◽  
pp. 152-155
Author(s):  
A. Tulokhonov

The article gives an assessment of P. A. Stolypin's political, economic and social reforms, their significance for the contemporary development of Russia, including the eastern territories. The author believes that the basic principles of the reform system proposed by Stolypin are relevant today and can become fundamental for improving the country's competitiveness.


2013 ◽  
pp. 109-135
Author(s):  
Y. Goland

The article refutes popular belief about the necessity to abolish the New Economic Policy (NEP) of the 1920s for the purpose of industrialization. It is shown that it started successfully under NEP although due to a number of reasons the efficiency of the investments was low. The abolishment of NEP was caused not by the necessity to accelerate the industrialization but by the wrong policy towards the agriculture that stopped the development of farms. The article analyzes the discussion about possible rates of the domestic capital formation. In the course of this discussion, the sensible approach to finding the optimal size of investments depending on their efficiency was offered. This approach is still relevant today.


2014 ◽  
Vol 16 (3) ◽  
pp. 126-104
Author(s):  
M.A.S. Abdel Haleem

With a rich, productive career spanning over 60 years, culminating in the award of the Nobel Prize for Literature in 1988, Naguib Mahfouz's literary works have naturally attracted numerous studies and critiques. These studies have covered a great many aspects of Mahfouz's creative writing, but, perhaps because of the secular, modern education Mahfouz received (both at school and in the Department of Philosophy in Cairo University), and his personal lifestyle, they have concentrated on the socialist, materialist, and structural aspects of his work. Perhaps because of this, one important aspect of his writing has largely escaped attention: his artistic use of the language of the Qur'an. Mahfouz does not signal that a given phrase or reference is Qur'anic, leaving it to blend with the text, and making it easy to miss the fact that the Qur'an played any part in Mahfouz's use of language. However, to a reader who knows the Qur'an by heart the presence of Qur'anic language in his works is obvious, and equally obvious is Mahfouz's artistic talent in using it. Eventually, he himself announced at the end of his life that he had always had an intimate interest in the Qur'an, read it daily, and benefited from it. This article seeks to demonstrate the ubiquitous presence of Qur'anic language in Mahfouz's works, and the skill and subtlety with which he used it.


2014 ◽  
Vol 11 (2-3) ◽  
pp. 378-396 ◽  
Author(s):  
Robert Murphy

Tony Richardson's major contribution to British and international cinema has been obscured by jejune prejudices over his small-town, north of England origins, his parallel career as a theatre director and his eclectic choice of film subjects. This article concentrates on his two most important contributions to the ‘British New Wave’ – A Taste of Honey and The Loneliness of the Long Distance Runner – in order to demonstrate Richardson's ability to recreate dramatic and literary works as dynamic and innovative films.


2018 ◽  
Vol 8 (1) ◽  
pp. 84-99
Author(s):  
Eleonora Sasso

This paper takes as its starting point the conceptual metaphor ‘life is a journey’ as defined by Lakoff and Johnson (1980) in order to advance a new reading of William Michael Rossetti's Democratic Sonnets (1907). These political verses may be defined as cognitive-semantic poems, which attest to the centrality of travel in the creation of literary and artistic meaning. Rossetti's Democratic Sonnets is not only a political manifesto against tyranny and oppression, promoting the struggle for liberalism and democracy as embodied by historical figures such as Napoleon, Mazzini, Cavour, and Garibaldi; but it also reproduces Rossetti's real and imagined journeys throughout Europe in the late nineteenth century. This essay examines these references in light of the issues they raise, especially the poet as a traveller and the journey metaphor in poetry. But its central purpose is to re-read Democratic Sonnets as a cognitive map of Rossetti's mental picture of France and Italy. A cognitive map, first theorised by Edward Tolman in the 1940s, is a very personal representation of the environment that we all experience, serving to navigate unfamiliar territory, give direction, and recall information. In terms of cognitive linguistics, Rossetti is a figure whose path is determined by French and Italian landmarks (Paris, the island of St. Helena, the Alps, the Venice Lagoon, Mount Vesuvius, and so forth), which function as reference points for orientation and are tied to the historical events of the Italian Risorgimento. Through his sonnets, Rossetti attempts to build into his work the kind of poetic revolution and sense of history which may only be achieved through encounters with other cultures.


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