scholarly journals Terbentuknya Identitas Fans Sepak Bola sebagai Budaya Massa dalam Industri Media

INFORMASI ◽  
2016 ◽  
Vol 46 (2) ◽  
pp. 205
Author(s):  
Iswandi Syahputra

Nowadays football is not merely sport. It has become industry, even popular culture. This happen because on the same time mass media grows into mass culture industry. The union of football and mass media as industry has melted few social and culture boundaries. Socially—through mass media—football had joined many social background into football fans identity, and it even connect all over the world. Football had transformed into popular culture that always moves in instability that drain its fans’s emotion. The football fans emotion in turn polarised into fans club which was created based on imaginary bound. Fans is the most visible part from text society and pop culture practice that could become fanatic. This fans fanatism phenomena could happen because the fans are pasif and patologic victim of mass media. This phenomena also mark the indication of transition from agricultural society into industrial and urban society.

2018 ◽  
Vol 2 (1) ◽  
pp. 28-33
Author(s):  
Ewa Dryglas-Komorowska

Abstract The article shows the actuality of Tadeusz Różewicz’s poetic confession: “I’m looking for a teacher and a master” in the postmodern world, dominated by mass media and multimedia, the world not guided by authorities. A young man is surrounded by chaos of mass culture, popular culture and cyberculture and he needs a tutor – master, he needs a tutor – guide, who will carry him through the world of cultural values specific for 21st century, emphasizing educational chances and dangers. The tutor should also inform his pupil about the importance of tradition for shaping one’s personality. From this perspective the tutoring is one of the most important challenge standing before the contemporary cultural education.


2013 ◽  
Vol 2 (1) ◽  
Author(s):  
Dwi Ratna Aprilia

Abstract: Mass media is not only a channel to deliver messages but also is a channel to build a special image about the world, such as the beauty image of women. Advertisements create it in their messages. Most of them show women with white skin, slim and have long black hair. These cases are a part of popular culture or mass culture because it could be a homogen-standard value. Advertising is related with popular culture. Advertising is a reflection of popular culture and it is an inventor of popular culture.


Author(s):  
Randall Stephens

Pentecostalism is now the second largest subgrouping of global Christianity. It’s charted tremendous growth, even in deeply post-Christian countries like Sweden. This chapter compares British and American pentecostalism and looks at how disciples related to or rejected pop culture. Believers had an interesting, hot and cold, relationship with mass entertainment, music, and mass media. They were eager to borrow much for evangelistic purposes, and quick to shun all that they thought to be sinful. British pentecostalism never grew at the pace and never achieved the astounding success of their co-religionists across the Atlantic. Some of this had directly to do with access to mass culture and a willingness or ability to adjust the faith to pop culture. This chapter ends by detailing and analysing the major differences and similarities of the faith as it developed in both regions.


2013 ◽  
Vol 6 (2) ◽  
Author(s):  
Inda Fitryarini

Abstract: Mass media is not only a channel to deliver messages but also is a channel to build a special image about the world, such as the beauty image of women. Advertisements create it in their messages. Most of them show women with white skin, slim and have long black hair. These cases are a part of popular culture or mass culture because it could be a homogen-standard value. Advertising is related with popular culture. Advertising is a reflection of popular culture and it is an inventor of popular culture.


Author(s):  
Jarosław Macała

A large portion of geopolitical research of the last decades, especially geopolitical criticism, undertakes the concept of the importance of culture, value and identity in explaining the relation between the space and politics, which was an aspect underappreciated by classical and neoclassical geopolitics. It might be assumed that the currently growing role of popculture and mass-media in our lives lead to the establishment of a kind of a “cultural order”, a particular filter that decides on the perception of the world and, consequently, geopolitics. This article relates to this issue as it deals with the meaning of popular culture in contemporary geopolitical research, mostly accentuated by popular geopolitics. This review briefly analyses what popular geopolitics is, how to sketch its research area, stages of development, applied definitions and research methods. The starting point is the assumption that the hegemonic structure of geographical/geopolitical thinking that the elites are trying to impose on the society by using popcultural artifacts may, in fact, be reconstructed thanks to popular geopolitics studies. It shows the scale and reach of resistance towards such imaginations as displayed by the non-elites, who also reach for symbols, texts and images from popular culture. Such circumstances allow to observe either legitimizing or debunking a particular view of the world and geopolitics.


2018 ◽  
Vol 8 (1) ◽  
Author(s):  
Constantinos Constantinou ◽  
Zenonas Tziarras

This article examines the ways in which (pop or) popular culture may fall within the context of foreign policy. More specifically, it situates our analysis against such backdrop by delving into how Turkey effectively exports pop culture, propaganda and positive images of itself via the use of television (TV) shows. To that end, notable Turkish soap operas market its ancient glorious past. Admittedly, these telenovelas form a salient cultural product export for Turkey as they reach diverse and far-away audiences – from Latin America to Russia, Central Asia, North Africa, the Middle East, and the Balkans, to merely name a few. Paradoxically, the frenzy has even reached places like Greece. Not to mention, Serbia or Israel, with the latter’s phenomenal success accompanied also with some backlash. Therefore, the current study seeks to better understand the magnitude alongside the impact of Turkey’s achievement given how it comprises a multi-million-dollar industry, by partially unearthing what makes Turkish TV series so powerful the world over. Further, this research firstly presents an analysis of the hegemonic efforts before presenting the limitations to its success by thoroughly covering the empirical data while, theoretically framing it.  


2021 ◽  
Vol 3 (4) ◽  
pp. 91-108
Author(s):  
Zhou Lixia

The increasing interest of people around the world towards the popular cultures of China, Korea and Japan leads researchers to question how these countries influence the socio-cultural spaces of other countries through the export of their mass culture products. This study focuses on the analysis of Chinese doramas in the Russian sociocultural space. The increasing number of online fan communities, the activity of translators and dubbers of Chinese TV series, and the widespread use of the Internet in Russia make Chinese dramas easily accessible to a wide audience. Using quantitative methods, the author of the study came to the conclusion that people in Russia are very interested in Asian cultures, and audiences of Asian TV series are growing at a tremendous rate every year. While Korean dramas remain the most popular in Russia, Chinese serials have great competitive potential against their Korean and Japanese counterparts. This article may be useful to all researchers of mass and popular culture and television series.


2021 ◽  
Vol 12 (1) ◽  
pp. 130-140
Author(s):  
S. V. Storozhuk ◽  
◽  
I. M. Hoian ◽  

The article shows that the modern mass interest in the occult is conditioned, on the one hand, by the world crisis, the lack of stable and reliable foundations for self-determination and human orientation in the world, and on the other – by the formation of impersonal man and the establishment of mass society. The lack of a stable worldview, universal values, ideals and social standards, and, at the same time, unwillingness to pose and solve complex socio-cultural problems, is the main reason why modern (postmodern) people choose occult ideals and norms that do not require deep reflection, however, they provide them with a sense of belonging to the universe. Most of them are offered by the modern mass culture industry. Although its products are of great concern to traditional Christian values and virtues, we have no reason to give them an unequivocally negative assessment at the moment, at least given that they offer models of The article shows that the modern mass interest in the occult is conditioned, on the one hand, by the world crisis, the lack of stable and reliable foundations for self-determination and human orientation in the world, and on the other – by the formation of impersonal man and the establishment of mass society. The lack of a stable worldview, universal values, ideals and social standards, and, at the same time, unwillingness to pose and solve complex socio-cultural problems, is the main reason why modern (postmodern) people choose occult ideals and norms that do not require deep reflection, however, they provide them with a sense of belonging to the universe. Most of them are offered by the modern mass culture industry. Although its products are of great concern to traditional Christian values and virtues, we have no reason to give them an unequivocally negative assessment at the moment, at least given that they offer models of The article shows that the modern mass interest in the occult is conditioned, on the one hand, by the world crisis, the lack of stable and reliable foundations for self-determination and human orientation in the world, and on the other – by the formation of impersonal man and the establishment of mass society. The lack of a stable worldview, universal values, ideals and social standards, and, at the same time, unwillingness to pose and solve complex socio-cultural problems, is the main reason why modern (postmodern) people choose occult ideals and norms that do not require deep reflection, however, they provide them with a sense of belonging to the universe. Most of them are offered by the modern mass culture industry. Although its products are of great concern to traditional Christian values and virtues, we have no reason to give them an unequivocally negative assessment at the moment, at least given that they offer models of social relations that due to testing by various occult organizations, may receive a public request, or be rejected.


Panggung ◽  
2018 ◽  
Vol 28 (4) ◽  
Author(s):  
Intan Rizkia Futri ◽  
Dade Mahzuni ◽  
Nandang Rahmat

ABSTRACT Music as cultural diplomacy has been a subject of scholarly attention around the world. This research explores the subject within the Asia region. The purpose of this research is to describe the efforts in strengthening international diplomacy of Indonesia through dangdut music, namely Dangdut Academy Asia 2 TV program, throughout Asia specifically. Dangdut music which is originated from Indonesia gains a strong base of enthusiasts. The music genre has also established a niche market in the world of music. Popular culture and cultural diplomacy theories used in the research to explain how dangdut music which is formatted into a television variety show can positively affect the life of the society, nation, and state within Indonesia and throughout Asia. From this research, I found that the TV program has contributed in a very positive way to cultural diplomacy for Indonesia. This cultural diplomacy has been done through various cultural forms, including costumes, songs, foods, tourist attraction information, etc.Keywords: dangdut show, pop culture, cultural diplomacy, Dangdut Acadaemy Asia 2, variety show   ABSTRAK Musik sebagai diplomasi budaya telah menjadi perhatian ilmiah di seluruh dunia. Penelitian ini juga mengeksplorasi subjek di wilayah Asia. Tujuan dari penelitian ini adalah untuk mendeskripsikan upaya Indonesia dalam memperkuat diplomasi internasional melalui musik dangdut, yaitu program TV Dangdut Academy Asia 2, yang ditayangkan khusus di Asia. Musik dangdut berasal dari Indonesia yang memiliki penggemar fanatik. Jenis musik ini telah membentuk pasar khusus di dunia musik. Teori budaya populer dan diplomasi budaya digunakan dalam penelitian ini untuk menjelaskan bagaimana musik dangdut yang dikemas menjadi program variety show  televisi dapat secara positif memengaruhi kehidupan masyarakat, bangsa dan negara di Indonesia dan Asia.Dari penelitianini penulis menemukan bahwa program TV tersebut telah berkontribusi sebagai sarana diplomasi budaya Indonesia. Diplomasi budaya ini dilakukan melalui berbagai bentuk budaya yang tersaji dalam acara tersebut, seperti pakaian, lagu-lagu, makanan, informasi tempat wisata, dan lain-lain.Kata kunci: pertunjukandangdut, budaya pop, diplomasi budaya, Dangdut Academy Asia 2, variety show.


Author(s):  
Inga Tomić-Koludrović ◽  
Anči Leburić ◽  
Antonija Mihaljević

Theories concerning the hegemony of mass culture and the cultural industry as the product of infantile regression and standardization identify popular culture with mass culture and assign to it a negative meaning. However, the appearance of semiotics has enabled a neutral conceptualization of popular culture in the sense of the contents which are being disseminated through the mass media. Insisting on its explanation that objects of culture mean different things to different social groups, the semiotic approach modifies the concept of hegemony as it has been conceived within the critiques of mass culture and enables an analysis of the products of popular culture in relation to people and events in the same manner that objects relate to their content.


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