scholarly journals Acerca de las ciudades: la mirada de ayer y de hoy

2016 ◽  
Vol 3 ◽  
pp. 10-23
Author(s):  
Alberto Saldarriaga Roa
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Seventeenth Century ◽  
Latin American ◽  
First Century ◽  
Starting Point ◽  
The Look ◽  
Good And Evil ◽  
Siglo Xx ◽  
The City

Resumen: En el título del artículo: “Acerca de las ciudades: la mirada de ayer y hoy” se intenta describir su contenido y el plano de observación de distintos planteamientos acerca de aquello que se ha entendido y juzgado como ciudad desde la segunda mitad del siglo XVIII hasta el presente. Se asume, como punto de partida, un artículo del historiador austríaco Carl Schorske, en el que se plantea como, desde las últimas décadas del siglo XVII hasta las primeras décadas de siglo XX, se advierten tres modos de mirar las ciudades, bien sea como espacios de virtud, de vicio o de algo “más allá del bien y del mal”. En el texto se afirma que estos tres modos de mirar y juzgar las ciudades han perdurado a todo lo largo del siglo XX y aún en los inicios del siglo XXI. Para ello, se recorren las aproximaciones más significativas a los fenómenos urbanos, en especial a los conceptos de “metrópolis”, “megalópolis” y su secuela, “ecumenópolis” que calificaron las ciudades en razón a su extensión y complejidad. A renglón seguido se da una lectura rápida a los planteamientos del grupo Team X en los que hay crítica a la ciudad funcional y propuestas dirigidas más hacia la experiencia de la ciudad que a unos esquemas abstractos. Se detallan dos propuestas “futuristas”: la del Urbanismo Espacial” de Yona Friedmann y la de la “Arcología” de Paolo Soleri. Y, en una sección aparte, se estudian aproximaciones contemporáneas a las ciudades como espacios de “complejidad, multiculturalidad e información”. Una breve sección propone interrogantes sobre la mirada a la ciudad latinoamericana, a partir de autores como José Luís Romero y Jacques Aprile Gniset. En la bibliografía se da cuenta de los textos consultados. ___Palabras clave: Historia urbana, ciudades, metrópolis, megalópolis, ecumenópolis. ___Abstract: In the title of the article: “About the cities: the look of yesterday and today” is intended to describe its content and the plan of observation of different approaches about what has been understood and judged as a city since the second half of the eighteenth century until the present. As a starting point, an article by the Austrian historian Carl Schorske argues that, from the last decades of the seventeenth century to the first decades of the twentieth century, three ways of looking at cities are seen, either as spaces of virtue, vice or something “beyond good and evil”. The text states that these three ways of looking at and judging cities have lasted throughout the twentieth century and even at the beginning of the twenty-first century. The most significant approaches to urban phenomena, especially the concepts of “metropolis”, “megalopolis” and its sequel, “ecumenopolis”, which cities have been called, are considered because of their extension and complexity. The following section gives a quick reading of the Team X proposals in which there is criticism of the functional city and proposals directed more towards the experience of the city than to abstract schemes. Two “futuristic” proposals are described: “Spatial Urbanism”, by Yona Friedmann and “Arcología”, by Paolo Soleri. In a separate section, contemporary approaches to cities are studied as spaces of “complexity, multiculturality and information”. A brief section proposes questions about the look at the Latin American city, based on authors such as José Luís Romero and Jacques Aprile Gniset. In the bibliography, the texts consulted are reported. ___Keywords: Urban history, cities, metropolis, megalopolis, ecumenopolis. ___Recibido: 13 de julio 2016. Aceptado: 7 de septiembre de 2016.

scholarly journals La noción de cultura popular: Interés de los debates entre los 80 y 90 del siglo XX para reflexionar sobre la contemporaneidad

2017 ◽  
Vol 12 (2) ◽  
pp. 112
Author(s):  
Manuel Kingman
Keyword(s):  
Public Space ◽  
Political Action ◽  
Collective Work ◽  
Starting Point ◽  
The Social ◽  
Cultura Popular ◽  
The Status ◽  
Siglo Xx ◽  
The City ◽  
Arte Contemporáneo

ResumenEl presente artículo referencia teorías sobre la cultura popular ubicadas en las décadas del 80 y el 90 del siglo pasado, un período de reflexión pertinente y profunda en torno al término. Se visibiliza la complejidad de la noción de cultura popular, así como las distintas significaciones y sentidos que ha tenido el concepto. También se estudian ciertas entradas teóricas que son útiles para analizar la cultura popular. Se piensa en estos insumos teóricos como herramientas para reflexionar sobre las representaciones, diálogos y tensiones entre el arte contemporáneo y las manifestaciones estéticas populares.Palabras clavesCultura popular; arte contemporáneo; teoría cultural; antropologíaWork, Dialogue, Occupation and Cooperativism at Casa TomadaVictoria Rodríguez do CampoAbstractThe interdisciplinary art project Casa Tomada operates as a trigger for addressing issues of the social and artistic contemporary juncture. The fiction created by the National House of the Bicentennial, cultural space of the City of Buenos Aires, opens the way to consider alternative forms of creation in which the status of the artist's work is put in check and renewed interstices are glimpsed through the action of the multiple actors that surround the project. With illegal political action as a starting point – the forced occupation of a public space, Casa Tomada is committed to showing a multiplicity of conflicts, tensions, questions as well as possible answers, which are always contingent and applicable both to the social and the artistic spheres.KeywordsContemporary art; occupation, politics; collective work; interdisciplinarity La noción de lectura popular  interés debatekunape entre 80 y 90 siglo XX iuiarengapa contemporaniedadmandaManuel kiingman Maillallachiska:Kai articulok referenciame teoriakuna cultura kaska decadape posagchunga y  iskun chunga ialiska siglomanda, sug suma iuiarei entorno  terminomanda. Kauarenme complejidad nocionpe cultura popularpe chasallata sug rigcha significación y sentido iukarka chi concepto. Chasallata analizare sug entradakuna  teóricas valenkuna analizangapa cultura popular. Iuairenme  kai insumo teóricos herramientasina iuiarengapa representacionkunamanda, rimai tensiones arte contemporaneanope y manifestación estéticas populares. Rimangapa Ministidukuna:Cultura popular; arte contemporáneo; teoría cultural; antropologíaLa notion de culture populaire : intérêts des débats entre les années 80 et 90 du XXe siècle pour réfléchir sur la contemporanéitéManuel KingmanRésuméCet article se réfère à des théories sur la culture populaire dans les années 80 et 90 du siècle dernier, une période de réflexion pertinente et profonde sur le terme. Il présente la complexité de la notion de culture populaire, ainsi que les différentes significations et usage du concept. Il étudie également certains éléments théoriques utiles à l'analyse de la culture populaire. Nous pensons à ces apports théoriques comme outils pour réfléchir sur les représentations, les dialogues et les tensions entre l'art contemporain et les manifestations esthétiques populaires.Mots clésCulture populaire; art contemporain; théorie culturelle; anthropologie

scholarly journals Nueva York 1916. La ciudad sin límites | New York 1916. Unlimited city

ZARCH ◽  
2017 ◽  
pp. 90
Author(s):  
José Durán Fernández
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
Urban Planning ◽  
20Th Century ◽  
Urban Space ◽  
York City ◽  
Planning System ◽  
Siglo Xx ◽  
The City

La Ciudad de Nueva York fue pionera en la aplicación de un sistema de planificación de control urbano que pusiera orden y concierto a una ciudad que rebasa los 5 millones de habitantes a principios del siglo XX. Tal complejo organismo urbano, inédito hasta ese momento, fue objeto del más ambicioso plan urbano sobre una ciudad construida.Este artículo se destina al estudio de este originario plan urbano de 1916, el cual sentaría las bases, unas ciertamente visionarias otras excesivas, de la construcción de la Ciudad de Nueva York en todo el siglo XX. La Building Zone Resolution se creó con dos fines: resolver los problemas de congestión humana en un espacio reducido, la ciudad del presente, y proponer una visión del espacio urbano en las décadas venideras, la ciudad del futuro.El artículo es un compendio de diez textos cortos y un epílogo, que junto a sus respectivos diez documentos gráficos, construyen el corpus de la investigación. El lector pues se enfrenta a un ensayo gráfico formado por pequeños capítulos que le sumergirán en los orígenes de la primera ciudad vertical de la historia.PALABRAS CLAVE: Nueva York; Planeamiento; Visión urbana.The city of New York was a pioneer in the implementation of an urban control planning system that set in order a city that exceeds five million people in the early twentieth century. Such complex urban organism – invaluable until that moment – was the target for the most ambitious urban planning on a built city.This paper focuses on the study of this initial urban planning from 1916, which would set the basis, certainly some visionary yet others excessive, for the building of New York City throughout the 20th century. The Building Zone Resolution was created with two purposes: to solve the issues related to the human bundle in a limited space, the city of the present, and to aim a vision of the urban space in the forthcoming decades, the city of the future.The article is a compendium of ten short texts and one epilogue, which in combination with ten graphic documents, frame the corpus of this investigation. Thus, the reader will face a graphic essay composed by a series of brief chapters that highlight the beginning of the first vertical city in history.KEYWORDS: New York; Planning; Urban vision.

scholarly journals El discurso del civismo en Pereira o la "sacralidad" de lo público durante el siglo XX

2009 ◽  
Vol 1 (2) ◽  
pp. 7-31 ◽  
Author(s):  
John Jaime Correa Ramírez
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Public Spaces ◽  
Moral Values ◽  
Local History ◽  
Civic Discourse ◽  
History Of ◽  
Rotary Club ◽  
Siglo Xx ◽  
The City

La referencia constante al civismo es uno de los rasgos más distintivos de la historia urbana de Pereira. Al igual que en muchas ciudades colombianas, la ideología del civismo asume la necesidad de establecer una especie de simbiosis entre la ciudad, sus espacios públicos y sus ciudadanos, tanto en lo material como en lo espiritual. En el caso de Pereira se busca identificar los aspectos más relevantes del discurso cívico que desarrollaron entidades como la Sociedad de Mejoras y el Club Rotario a través de diferentes medios escritos, poniendo especial énfasis en los valores morales que debían exhibir los ciudadanos cívicos o los "ciudadanos de bien" de la ciudad, en el proceso de transformación y modernización vivido a lo largo del siglo XX.Palabras clave: discurso, civismo, prensa, clubes y sociedades, historia local, siglo XX.The discourse of civism in Pereira, or The “sacredness” of public matters during the 20th century AbstractThe constant reference to civism is one of the most distinct characteristics of the urban history of Pereira. Similar to many Colombian cities, the ideology of civism assumes that there is a need to establish a kind of symbiosis between the city, its public spaces, and its citizens, in material as well as spiritual matters. In the case of Pereira, the author seeks to identify the most relevant aspects of the civic discourse which developed entities like the Improvement Society and the Rotary Club, through different written means, putting special emphasis on the moral values which the civic citizens (or ciudadanos de bien) must have exhibited in the process of transformation and modernization experienced throughout the 20th century. Keywords: discourse, civism, press, clubs and societies, local history, twentieth century.

Conclusion

2020 ◽  
pp. 239-258
Author(s):  
Meredith McNeill Hale
Keyword(s):  
Eighteenth Century ◽  
Latin America ◽  
Seventeenth Century ◽  
The Netherlands ◽  
First Century ◽  
Political Satire ◽  
South Sea ◽  
The Subject ◽  
Battle Scenes ◽  
Intensive Investigation

This concluding chapter focuses on the question of circulation and impact: to what extent did De Hooghe’s satires travel beyond The Netherlands in the seventeenth century and what influence did they have on English political satire of the eighteenth century? The appearance of motifs from De Hooghe’s satires in mezzotints of c.1690 and prints on the subject of the South Sea Bubble of 1720 will be discussed as will instances in which De Hooghe’s satires were reissued in the eighteenth century. However, a comparison of this handful of examples with the liberal use of De Hooghe’s triumphal allegories and battle scenes in such distant locations as Latin America and Russia reveals one of the qualities that epitomizes political satire—its dramatic circumscription by temporal and geographical boundaries. Satire’s embeddedness in a specific political, historical, and cultural moment and its dependence upon text that often channels the idiosyncrasies of spoken language, render it difficult—often impossible without intensive investigation—to understand beyond its immediate context. This is as true for twenty-first-century satires as it was for those produced in the late seventeenth century.

A Tale of Two Missions

2017 ◽  
Vol 39 (3) ◽  
pp. 10-39
Author(s):  
Debora Ryan ◽  
Emily Stokes-Rees
Keyword(s):  
New York ◽  
Twentieth Century ◽  
Seventeenth Century ◽  
Indigenous Knowledge ◽  
First Century ◽  
Historical Narratives ◽  
Living History ◽  
History Museums ◽  
Public Consumption ◽  
Living History Museums

This paper is an examination of the use of Native content in two contrasting sites, Sainte-Marie among the Hurons in Midland, Ontario, and Skä•noñh–Great Law of Peace Center in Syracuse, New York. These two sites share a common history, not only as early French settlements, but also as living history museums established in the twentieth century to memorialize and celebrate seventeenth-century Jesuit missions. Revisiting them today reveals their transformation into two very different museum models, incorporating very different methods of presenting indigenous knowledge. The authors consider how two distinct narratives have evolved in the twenty-first century, and how public memory continues to shape visitor expectations. The paper adds to the conversation about museums’ continuing incorporation of diverse historical narratives into their interpretation and programming as well as a rethinking of the ways in which we produce history for public consumption.

“Bustling Artisans”: Church Patronage at South Leith in the 1740s and 1750s

1994 ◽  
Vol 26 (1) ◽  
pp. 55-77 ◽  
Author(s):  
R. A. Houston
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Political Life ◽  
Ordinary People ◽  
Church Administration ◽  
Presbyterian Church ◽  
The People ◽  
The City ◽  
The Town ◽  
Scottish Politics

Political participation in eighteenth-century Scotland was the preserve of the few. A country of more than one and a half million people had less than 3,000 parliamentary electors in 1788. Scottish politics was orchestrated from Westminster by one or two powerful patrons and their northern clients—a fact summarized in book titles like The People Above and The Management of Scottish Society. The way Edinburgh danced to a London tune is well illustrated in the aftermath of the famous Porteous riots of 1736. After a government official was lynched the Westminster government leaned heavily on the city and its council. And the nation as a whole was kept under tight rein after the Jacobite rising of 1745-46.This does not mean that ordinary people could not participate in political life, broadly defined. Burgesses could influence their day-to-day lives through membership of their incorporations (guilds) and through serving as constables and in other town or “burgh” (borough) offices. Ecclesiastical posts in the presbyterian church administration—elders and deacons of kirk sessions—had also to be filled. Gordon Desbrisay estimates that approximately one in twelve eligible men would be required annually to serve on the town council and kirk session of Aberdeen in the second half of the seventeenth century. With a 60% turnover of personnel each year, distribution of office holding must have been extensive among the middling section of burgh society from which officials were drawn. For burgesses and non-burgesses alike, other avenues of expression were open. In periods when political consensus broke down or when sectional interests sought to prevail townspeople could resort to riot.

Emerson and Whitehead

PMLA ◽  
1960 ◽  
Vol 75 (5) ◽  
pp. 577-582
Author(s):  
Harry Modean Campbell
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Eighteenth Century ◽  
Seventeenth Century ◽  
Philosophy Of Religion ◽  
Logical Consequence ◽  
Logical Analysis ◽  
The Other ◽  
Age Of Enlightenment

In his discerning book entitled Emerson's Angle of Vision, Sherman Paul has pointed out two fundamental ways in which Whitehead, in spite of some obvious differences, is like Emerson. Both Emerson and Whitehead, says Paul, exalted the moral, ethical, and imaginative science of the seventeenth century over the analytical rationalism of the eighteenth century, and, as a logical consequence of this emphasis, both condemned Lockean sensationalism in the same way. Following Professor Paul's suggestion, the purpose of this study is to explore in some detail the basic views of Emerson and Whitehead about religion—man's relation to Nature and God. The remarkable similarities between the views of Emerson and those of Whitehead on this subject may not indicate much, if any, indebtedness of the twentieth-century philosopher to his nineteenth-century predecessor, but if these parallels are extensive and important enough, they may well indicate that Whitehead's total achievement in the philosophy of religion is like that of Emerson—that, religiously, Whitehead may be said to be a kind of twentieth-century Emerson, in one important way, as may appear, more of a transcendentalist than Emerson. Indeed, though the obscurity of his style will prevent him from being as popular as his predecessor, Whitehead's influence as a leader in the religious revolt against the “philosophy of logical analysis” and the other philosophies that make ours an “age of analysis” may in time be as great as that of Emerson in the similar romantic-transcendentalist revolt against the analytical rationalism of the age of “Enlightenment.” More of this later, but first let us examine the evidence.

scholarly journals EDITORIAL

2008 ◽  
Vol 5 (2) ◽  
pp. 163-164
Author(s):  
JOHN BUTT
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Eighteenth Century ◽  
Seventeenth Century ◽  
Human Condition ◽  
Musical Traditions ◽  
The Human Condition

I clearly remember that when this journal was first devised there lay some niggling doubt behind my tremendous enthusiasm for this timely initiative. Wasn’t there something problematic about viewing the eighteenth century as a whole? Did I intuit some sort of fundamental divide, perhaps somewhere between the deaths of J. S. Bach and Handel, one that somehow cast this century into two irreconcilable worlds? The seventeenth century was perhaps enough of a mess for its disunity to become a historiographical topic in its own right, its separate threads providing at least some narrative potential, even if these could never convincingly be drawn into a single whole. And the nineteenth century was perhaps sufficiently punctuated with various revolutions and restorations, together with an overriding story of industrial progress, to fall into a coherent (if divisive) family of narratives. Even the twentieth century – that which surely saw the largest number of changes in the human condition and the exponential pluralizing of ‘legitimate’ musical traditions – seems to have a clear enough trajectory, much of the music at its end having a discernible genealogical connection with that of its beginning. So what was it that was worrying me about the eighteenth century?

scholarly journals From Scarlatti to “Guantanamera”: Dual Tonicity in Spanish and Latin American Musics

2002 ◽  
Vol 55 (2) ◽  
pp. 311-336 ◽  
Author(s):  
Peter Manuel
Keyword(s):  
Twentieth Century ◽  
Seventeenth Century ◽  
Latin American ◽  
Folk Music ◽  
American Music ◽  
Caribbean Basin ◽  
Latin American Music ◽  
Music Genres ◽  
Hispanic Caribbean

Abstract This essay explores the sense of dual tonicity evident in a set of interrelated Spanish and Latin American music genres. These genres include seventeenth-century Spanish keyboard and vihuela fandangos, and diverse folk genres of the Hispanic Caribbean Basin, including the Venezuelan galerón and the Cuban punto, zapateo, and guajira. Songs in these genres oscillate between apparent “tonic” and “dominant” chords, yet conclude on the latter chord and bear internal features that render such terminology inapplicable. Rather, such ostinatos should be understood as oscillating in a pendular fashion between two tonal centers of relatively equal stability. The ambiguous tonicity is related to the Moorish-influenced modal harmony of flamenco and Andalusian folk music; it can also be seen to have informed the modern Cuban son and the music of twentieth-century Cuban composer Amadeo Roldán.

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