scholarly journals Konstruksi Identitas Niqabis melalui Selfie Instagram

2020 ◽  
Vol 10 (2) ◽  
pp. 159
Author(s):  
Diana Safinda Asran ◽  
Wening Udasmoro

The media has long been used by certain religious communities to introduce their culture in society. Like the veiled Muslim group on Instagram which is called the niqabis. Automatically the existence of the niqabis is getting closer to society and is reaping significant popularity. Now the niqab is not only an attribute of religion, but also as part of an identity to a commodity of political economy. In this research, we will study further how niqabis use posts, especially selfies to construct their identity through Instagram, as done by @diananurliana and @wardahmaulina_. Diana Nurliana and Wardah Maulina are influencers and have consistently built their identity as niqabis. The analysis carried out on the two accounts shows that identity is formed through selfies with information. Both Diana and Wardah take advantage of eye gaze, frame size to corner to be prepared with the viewer. While the caption is used to provide information on photos and also as a space for expression and opinion. On the other hand, what is uploaded also aims to form subjectivity to create branding. Keywords: Identity; Instagram; Niqab; Niqabis; Selfie. 

Author(s):  
Hikari Hori

It is impossible to understand the media-scape of Japan from the 1920s through 1945 without analyzing the implications of representations of the emperor as well as the effects of state-led- and voluntary self-censorship on their production and reception. The emperor’s portrait photograph (goshin’ei) was too sacred to gaze upon, and citizens and soldiers even died to protect it. It was preserved with extreme care in public institutions and battleships. On the other hand, paradoxically, Hirohito was the first emperor whose public appearances were covered by multiple mass media, ranging from personalized collectible postcards to newsreels, which were readily available for viewers’ scrutiny. These contradictory viewing practices, one prohibited and another accessible, disrupted the visual culture of emperor-centered disciplined and nationalized imperial citizenship. (122 words)


Author(s):  
M. Nur Erdem

Violence has been a part of daily life in both traditional and digital media. Consequently, neither the existence of violence in the media nor the debates on this subject are new. On the other hand, the presentation of violence in fictional content should be viewed from a different point of view, especially in the context of aesthetization. Within this context, in this chapter, the serial of Penny Dreadful is analyzed. As analyzing method, Tahsin Yücel's model of the “space/time coordinates of narrative” is used. And the subject of “aestheticization of violence” is analyzed through a serial with the elements of person, space, and time. Thus, the role of not only physical beauty but also different components in the aestheticization of violence is examined.


2011 ◽  
Vol 19 (4) ◽  
pp. 337-355
Author(s):  
Annik Dubied Losa ◽  
Claudine Burton-Jeangros

AbstractNowadays, relationships between nonhuman animals and humans are debated, often in relation to issues associated with the risks they represent for each other. On the one hand, new diseases and accidents indicate that animals are not as innocuous as they were long thought; on the other hand, the now questioned human impact on the natural environment is considered a risk for animals. This research analyzed these contrasting images of animals in the Swiss information media. Of the five main animal figures identified over the last 30 years, this paper focuses on the Undesirable Animal and the Victim Animal. These two figures have existed throughout the observed period; in contrast to Victim Animals, however, who appear fairly infrequently, Undesirable Animals have become more and more common in the last decade, usually in relation to a specific issue (such as the avian flu). This suggests that the media more often convey the dominant anthropocentric relationship to animals, reflecting a preoccupation with the protection of humans against dangerous animals, whereas the protection of animals from humans is considered less important. Recent controversies demonstrate, however, that the frontier between “us” and “them” is regularly renegotiated.


Conciencia ◽  
2019 ◽  
Vol 19 (1) ◽  
pp. 1-9
Author(s):  
Ahmad Zainuri

Society (society) is a group of people who form a semi-closed (or semi-open) system, where most interactions are between individuals in the group. The variety of education received by students in this community is very much. These include the formation of habits, formation of knowledge, attitudes and interests, as well as moral and religious formation. Education in community education can be said to be indirect education, education carried out unconsciously by the community. And the students themselves consciously or not, they have educated themselves, strengthening their faith and self-confidence in the values ​​of morality and religion in society. That is, the community environment influences the development of students. The influence given by the environment is intentional and accidental. That is, the environment has no specific intentions in influencing the development of students. And the community environment is very influential for children's character development. If the child is in a good community environment, it will also have a good influence on the development of the child's character. Likewise, on the other hand a bad environment can also have a bad influence on children's character development. As parents, they must be smart and smart to choose a good environment for their children, because it will determine the child's character development. Character education as an effort to develop character is an effort made by the world of education to help students understand, care and act in accordance with ethical values. The purpose of character education is to form characters that are implemented in the subject's essential values ​​with the behaviors and attitudes they have. In this case the formation of character, there must be educational networks. Especially in information technology and telecommunications today, one of the factors that have a huge influence on development or vice versa is the destruction of the character of society or the nation is mass media, especially electronic media, with the main actors being television. Actually the magnitude of the role of the media, especially print and radio media, is in the development of national character. The mass media plays a dual role. On the one hand, playing public service advertisements or touching advertisements, on the other hand broadcasts programs/soap operas which actually show negative things, which ultimately are not shunned, instead imitated by the audience. The media must be controlled by the state. The state has an obligation to control all media activities, so that they are in accordance with the goals of the country itself. The legal instruments must be clear and fair. Indonesia itself has a Depkominfo, but only regulates frequency policies, broadcasting rights, and so on. More specifically, there is the Indonesian Broadcasting Commission (KPI), which was formed more independently, but recognized by the government. KPI is expected to be able to filter media activities (especially television) to suit the country's goals, norms, culture, customs, and of course religion. However, until now, the KPI is considered to be still quite weak in acting (filtering), and so than that, it is very necessary (strength) of the participation of the community in controlling these media.


2020 ◽  
pp. 9-22
Author(s):  
Katarzyna Gajlewicz-Korab

The media in France in the context of the Fourth Industrial Revolution by Klaus Schwab. Selected issues The article describes transformation of the French media in the context of Fourth Industrial Revolution by Klaus Schwab. The focus of the article is on technological, social and cultural issues. Analyzed changes have an impact on evolution of the media system on an unprecedented scale. They determine not only the media market landscape, but also the entire mindset of the French. On the other hand, social and cultural factors can slow down the progress in the media sector.


1996 ◽  
Vol 3 (24) ◽  
Author(s):  
Henrik Ejersbo Jensen ◽  
Kim G. Larsen ◽  
Arne Skou

This paper compares the tools SPIN and UPPAAL by modelling and verifying a Collision Avoidance Protocol for an Ethernet-like medium. We find that SPIN is well suited for modelling the untimed aspects of the protocol processes and for expressing the relevant (untimed) properties.<br />However, the modelling of the media becomes awkward due to the lack of broadcast communication in the PROMELA language. On the other hand we find it easy to model the timed aspects using the UPPAAL tool. Especially, the notion of committed locations supports the modelling of broadcast communication. However, the property language of UPPAAL<br />lacks some expressivity for verification of bounded liveness properties, and we indicate how timed testing automata may be constructed for such properties, inspired by the (untimed) checking automata of SPIN.


1999 ◽  
Vol 4 (4) ◽  
pp. 233-239 ◽  
Author(s):  
Pieter J.D. Drenth

The Chained Prometheus is introduced as a metaphor for the behavioral scientist. Science (including psychology and pedagogy) is no longer taken for granted. Society, politics, and the media pose critical questions and not infrequently demand censorship or at least control of science. An analysis is given of the types of criticism and skepticism with respect to science, and to psychology in particular. The (behavioral) scientist faces a dilemma: On the one hand, science cannot exist and develop without freedom; on the other hand, this does not mean the freedom to amass knowledge at any price and without any restrictions. Thus, we balance ourselves between freedom and ethical/social responsibility. This presentation reflects on the question of the social and ethical limitations of (behavioral) science: Who should control what and on which criteria?


Author(s):  
Seth Brodsky

In the quarter century since the collapse of East Germany, the uncountable reflections that flower the media landscape inevitably turn to music. And when they do, they waffle. There is something untimely, and uncanny, about this waffling. It is as if the tensions structuring music's role in the heady days of the late 1960s were being therapeutically replayed twenty years later: 1968 yet again as the fetish object. On the one hand, music here is the fantasmatic sound of revolution itself, of truth speaking to power, and power falling to pieces under the weight of truth's irrefutable audibility, equal parts libido and righteousness. On the other hand, it is the traumatic reminder of failure, and the disenchanting premise that this “society of the spectacle” was not so powerful after all—that the revolution, in merely appearing, failed to show up. Judging from the examples of Hasselhoff, Rostropovich, and Bernstein, this chapter argues that music seems woven perfectly into a master's discourse: a process of shoring up a sovereign, of suturing itself to an empty signifier, producing a split subject, and precipitating an excessive enjoyment in the form of an object of desire.


2004 ◽  
Vol 2 (4) ◽  
pp. 24
Author(s):  
William Monfredo, PhD

After a slow start to the 2002 tornado season, a tornado impacted the western and extreme southern sections of Happy, Texas. A damage survey was conducted within 24 hours. This article explores how the context in which a tornado occurs influences how the media portrays the event. Broadcasters covering the Happy, Texas storm included images of what appeared to be total destruction. However, most of the structures performed remarkably well during this fundamentally weak tornado. On the other hand, the complete destruction of a few mobile homes resulted in two deaths and an F2 rating on the Fujita scale. This raises issues concerning tornado intensity forecasts as well as the use of automobiles as shelters for residents of mobile homes located in the path of weak tornadoes.


Religions ◽  
2020 ◽  
Vol 11 (7) ◽  
pp. 370
Author(s):  
Lucien van Liere

This article studies the intersection of religion, materiality and violence. I will argue that pictures of violated bodies can contribute substantially to imageries of religious bonding. By directing attention towards the relation between pictures of violence, religious imagery and materiality, this article contributes to current research on religion-related violence and on material religion, two disciplinary fields that have not yet been clearly related. By focusing on the picturing of (violated) bodies as both sacred and communal objects, I will make clear how pictures of violence relate to social imageries of (religious) communities. Two short case-studies show how pictures of violence are recreated in the imagery of communities, causing new episodes of violence against anonymous representatives of the perpetrators. This article develops a perspective on the role pictures play in framing religious conflicts, which is often neglected in studies of religion-related violence. The study of religious matter, on the other hand, could explore more deeply the possibilities of studying the medialization of contentious pictures of human bodies in the understanding of conflicts as ‘religious’.


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