scholarly journals Ontological Motives of Home-Antihome in the Novel Demons by F.M. Dostoevsky

2021 ◽  
Vol 26 (3) ◽  
pp. 424-441
Author(s):  
Sheker A. Kulieva
Keyword(s):  
Point Of View ◽  
The Novel ◽  
Ontological Status ◽  
Intimate Connection ◽  
Destructive Analysis ◽  
Initial Idea ◽  
The Relationship

Dostoevsky realizes the motive of home in an inseparable antinomical connection with the motive of homelessness, which is opposite to it, artistically embodied in the idea of familylessness, wandering, Chaos, and Entropy. The relevance of the study of the motives of home and homelessness lies in the gradual reconstruction of the author's concept of the saving future. In this article, the motives of home and homelessness are considered in several aspects, including toponymic, functional, archetypal and ontological. We tried to demonstrate the implementation of the stated motives at the level of such categories as faith-unbelief, Heaven and Hell, brotherhood and isolation. In the novel Demons , the idea of national soil and separation from it, the possible salvation of a person and the consequences that await society in the event of the dominance of demons and the loss of the primordial brotherhood - the intimate connection between people, is consistently developed. From this point of view, the motives of home and homelessness become significant for the novel space. The archetype of home contains the idea of a saving own circle, which is opposed to the outside world with its hostility, spontaneity, and disaster. Everything that is located outside this circle are elements belonging to the anti-world, and therefore their effect on the microcosm of home is destructive. Analysis of the text confirms that the archetype of Dostoevsky's home is destabilized. Its tightness is broken; the boundaries protecting the interior are permeable. The motive of the home is typically supplanted by the motive of homelessness, and therefore it is natural to consider this motive couple in its antinomical continuity. In the above study, the motives of home and homelessness are considered as ontological: they are associated with the existential level of the work, due to which it is possible to establish the ontological status of the actants and determine the relationship with the so-called initial idea.

The eye/I upon the event: a study of narrative voice in Robert Penn Warren's All the King's Men

1987 ◽  
Vol 8 (1) ◽  
pp. 53
Author(s):  
Maria Lúcia Barbosa de Vasconcellos
Keyword(s):  
Point Of View ◽  
Narrative Discourse ◽  
The Other ◽  
Major Theme ◽  
The Novel ◽  
Temporal Perspective ◽  
Narrative Prose ◽  
Linguistic Level ◽  
King's Men ◽  
The Relationship

This thesis is a study of the relationship between the narrating self and its enunciation in Robert Penn Warren's All the king's men. The concept of point of view is surveyed and discussed and the poetics of narrative is opposed to the poetics of drama, since All the king's men is a novelization of a play by the same author. It is argued that narrative prose allows for a temporal perspective and is thus the adequate genre for the portrayal of man trapped in the complex tensions of time, a major theme of the novel. The narrative discourse is then analyzed through the categories of time, mode and voice, with the narrator's hesitation being examined in terms of function at the linguistic level. Finally, the fragmented and specular pattern of the enunciation is investigated by examining the insertion of the Cass Mastern episode in the narrative. A concluding reflexion focuses on the other voices which permeate the narrator's discourse and confirm the fragmented configuration of the text.

scholarly journals L’influence du genre à la transmission de la mémoire : Cas de Dora Bruder de Patrick Modiano

2019 ◽  
Vol 3 ◽  
pp. 00022
Author(s):  
Fauzan Hanif
Keyword(s):  
Point Of View ◽  
First Person ◽  
The Novel ◽  
Patrick Modiano ◽  
Cultural Experiences ◽  
The Moment ◽  
The Relationship

<p class="Abstract">Such cultural experiences have a possibility to be embedded in a memory of one generation. But there are mostly in form of traumatic experiences. And then, we learn that these memories could be transferred onto their children, or we could say it as “post generation”. In the novel <i>Dora Bruder</i>, such things happen when the author, Patrick Modiano, plays his attribute in composing genres to arrange and transfer his message. The story mainly concerns as the narrator try to find a missing girl named Dora Bruder. She was gone in 1941, or in the moment when Nazi was occupying France. This research aims to discover the relationship between the role of genre on emerging the message, particularly the traumatic ones by using the concept of genre and postmemory. From the analysis we conclude that Modiano use genres to transfer his message traumatic. It exists in form of the impression of absence. From the sensation of absence, he continues to transmit consecutively another impression of hollow, doubt, and also hope. For transferring his message and memory, Modiano mixes real documents and his fiction. He manifest them by constructing a story of another person and narrating it from the first-person point of view. He uses this technique to identify himself, because the “shared idea” of one’s could be related with another’s.</p>

scholarly journals Future and immortality in the religious philosophy of F.M. Dostoyevsky (from the novel «Crime And Punishment»)

2020 ◽  
pp. 137-149
Author(s):  
Li Tianyun
Keyword(s):  
Religious Faith ◽  
Point Of View ◽  
The Novel ◽  
Main Character ◽  
Religious Philosophy ◽  
Crime And Punishment ◽  
Fundamental Point ◽  
Unusual Combination ◽  
The Relationship

This article attempts to establish the relationship between the concept of immortality and the future of mankind and the religious faith of the characters of F.M. Dostoevsky's works. This problem is considered with reference to the example of a detailed analysis of the views of the main character of Dostoevsky’s novel «Crime and Punishment» (Rodion Raskolnikov). The characterization of the hero is given in terms of his religiosity. The features of Raskolnikov's worldview are noted; they consist in a combination of faith in God and lack of faith in immortality. It is suggested that the source of such an unusual combination of religious ideas is the historical concept of I.G. Fichte. On the basis of the comparison of the views of other heroes of the novel, the article concludes that the most fundamental point is their idea of immortality as a continuation of the existence of a person in earthly reality. It demonstrates that this point of view corresponds to the religious faith of Dostoevsky himself.

scholarly journals Motives of Story “Queen of Spades” by Alexan der Pushkin in Novel “Bad Weather” by Alexander Ivanov

2021 ◽  
pp. 240-250
Author(s):  
O. S. Sukhikh ◽  
I. S. Yukhnova
Keyword(s):  
Women Characters ◽  
Point Of View ◽  
The Novel ◽  
Similar Comparison ◽  
The Past ◽  
Motivational Structure ◽  
Queen Of Spades ◽  
Bad Weather ◽  
The Relationship

The novel by A. Pushkin “The   Queen  of Spades” and the novel by A. V. Ivanov “Bad weather” from the point of view of literary relationships is examined in the article, the method of intertextual analysis is used. The aim of the study is to identify parallels   in the problematic, motivational structure and systems of images of these works. The article analyzes the relationship between the work of  A. Ivanov and  directly  with  the  text   of “The Queen of Spades”, and with the epigraph to it. The results of the research allow us to conclude that the image of bad weather as a background for the development of action connects the Pushkin story and the novel by A. V. Ivanov. It is noted that in both works the theme of the change of epochs is artistically realized, and the past is interpreted as    a time much brighter and more meaningful than the present. The studied works are also united by the plot-forming motive of playing with fate, which, in turn, is associated with the theme of passion for money. In addi tion, commonality can be noted in the nature of the characters and the principles of their representation; to a certain extent, the fates and nature of women characters of the works are similar. Comparison with Pushkin's story helps to see deep philosophical problems in A. Ivanov’s novel “Bad Weather”.

De mulheres e casas: O espaço romanesco e patriarcal em Rachel de Queiroz

2021 ◽  
Author(s):  
Wilma dos Santos Coqueiro
Keyword(s):  
Cultural Anthropology ◽  
Point Of View ◽  
The Novel ◽  
Social Critic ◽  
Female Protagonists ◽  
Patriarchal Society ◽  
Symbolic Value ◽  
First Moment ◽  
Xix Century ◽  
The Relationship

This books, oriented towards a social critic perspective, analyses two novels by Rachel de Queiroz – Dôra, Doralina e Memorial de Maria Moura – in which the relationship between the female protagonists within the space is loaded with a symbolic value – land and house – which reveals and interprets women paradoxical evolution in patriarchal society rooted vigorously in the rural Brazil, mainly in the northeast of part of the country. In a first moment, it aimed to draw considerations in relation to the function of space in the novel both in the point of view of relevant analysis of Literary Theory as well as analysis yielded from Sociology and Cultural Anthropology. In a second moment, it aimed to characterize the rural patriarchal society in Brazil during the first half of XIX and XX century, showing land and house’s symbolical importance in this society as well as women’s relationship with those spaces. In a third moment, the novel Memorial de Maria Moura, in which the XIX century patriarchal society is reported, the relationship between the female protagonist and the spaces encompassing the land and house. And, last of all, it aimed to compare the aforementioned novel with Dôra, Doralina, in which the action unfolds in the same space, cearense and rural, one century later, in the first half of XX century, in order to verify a possible women evolution and their relationship in relation to those spaces. Rachel de Queiroz, in her novels here in analyzed, discusses the problematic of female protagonists confronting a patriarchal world, showing the female evolution, in this type of society, was slow, gradual and contradictory, seeming at many times even impossible to occur.

scholarly journals As voces dos recordos: memoria oral, pasado traumático e novela na Galiza actual

2020 ◽  
Vol 27 ◽  
pp. 129-140
Author(s):  
Diego Rivadulla Costa
Keyword(s):  
Cultural Memory ◽  
Spanish Civil War ◽  
Interdisciplinary Approach ◽  
Point Of View ◽  
Literary Representations ◽  
The Novel ◽  
History And Memory ◽  
The Past ◽  
The Relationship ◽  
Formal Point

Voices of memories: Oral memory, traumatic past and the novel in contemporary GaliciaThe fictionalisation of the Spanish Civil War and Francoism in the Galician novel has experienced a significant evolution from a thematic and formal point of view. This evolution has been greatly influenced by the memory boom since the beginning of the 21st century, both in Galicia and the rest of Spain. Therefore, exploring the contemporary Galician narrative corpus requires an interdisciplinary approach to address not only the literary representations of history and memory, but also the functions acquired by those narratives in connection with the context as well as the cultural memory of the Galician people. This paper focuses on the relationship between memory and orality in some of these texts in order to analyse how oral memory emerges in the novel as a form of persistence of the past in current times. This oral memory becomes a key element in many of these narratives and faces a deliberate collective amnesia and the reluctance to remember, acting as a space for resistance that connects the past and present in the texts.

scholarly journals The Pilgrimage as Inner and Outer Journey in Paulo Coelho’s The Pilgrimage

2015 ◽  
Vol 7 (1) ◽  
pp. 73-81
Author(s):  
Vilma-Irén Mihály
Keyword(s):  
Middle Ages ◽  
Point Of View ◽  
Human Condition ◽  
Literary Analysis ◽  
Theoretical Point ◽  
The Novel ◽  
Spiritual Journey ◽  
The Core ◽  
Introductory Part ◽  
The Relationship

Abstract The present paper aims at analyzing the significance and occurrence of pilgrimages as inner and outer journeys, focusing on their form(s) and role(s] in today’s postmodern society. The introductory part presents the phenomenon from a theoretical point of view, that is taking into consideration its possible definitions (e.g. as a religious phenomenon in pre-Christian and Christian cultures from the Middle Ages to the present: and pilgrimages in literature). The core of the paper then discusses Paulo Coelho’s novel entitled The Pilgrimage. A Contemporary Quest for Ancient Wisdom, which, though extremely popular, has not yet undergone any significant literary analysis. We shall examine the protagonist’s spiritual journey from the perspective of the postmodern human condition. The questions that the paper tries to answer also refer to the relationship between the novel and different religions such as Christianity and New Age. respectively neo-pagan movements that are the product and proof of postmodern pluralism at the same time.

scholarly journals PRINCIPLES OF DEPICTING REALITY IN MIKHAIL KONOVALOV's NOVELS

2021 ◽  
Vol 15 (2) ◽  
pp. 284-293
Author(s):  
Svetlana Timofeevna Arekeeva ◽  
Victor Leonidovich Shibanov
Keyword(s):  
Fairy Tale ◽  
Living Organism ◽  
Point Of View ◽  
Historical Background ◽  
The Novel ◽  
Main Character ◽  
Industrial City ◽  
Factory Of The Future ◽  
The Relationship ◽  
Spatial Continuum

The article considers the novels "Vuryso Bum" ("Scarface", 1933) and "Gayan" ("Gayan", 1936) by Udmurt writer Mikhail Konovalov in terms of principles used by the author to create artistic reality. From the point of view of social realism, Mikhail Konovalov is free to experiment; he introduces constructivism, romanticism, naïvism using an arsenal of realistic devices; folklore and mythological origins are realised through a subconscious appeal to the Perm animal style ("Vuryso Bum") and a fairy tale model ("Gayan"). The prose writer reveals a regional spirit (animus loci); in his texts Ural is presented both as a spatial continuum and a living organism that determines characters’ personalities. For example, the novel "Gayan" depicts Izhevsk mining metallurgical settlement in the 1770s, the novel "Vuryso Bum" shows the working routine of Izhstal Plant rolling shop: one of the characters is dreaming about a factory of the future - a glass building immersed in trees, and people flying freely to colonised Mars. In the novel "Vuryso Bum", the main character is the collective "we" which combines many different personalities. The character of Gondyr, a trickster, existing between two worlds and trying to get used to an industrial city, can be considered the writer's artistic success. The "creator vs. destroyer" conflict, traditional for the 1930s, is embodied in the characters of a rational Dubov and a hidden enemy Nushin. An invariant of Beauty and the Beast's plot can be found in the relationship between Nushin and young Lina. The main principle of the novel "Gayan" is the combination of historical-ethnographic elements and elements of adventure. Varieties of fortunes of Gayan, a beautiful Luisa, and an ugly Balyan develop around a historical background of Pugachev's Rebellion; Emelyan Pugachev, Salavat Yulaev, Alymov, the head of Izhevsk Factory, and others play a certain role in their relationship. M. Konovalov creates a vivid and unique picture of ethnic reality in both novels.

scholarly journals The Illusion of Magic Realism as a Stratagem in the Hound of the Baskervilles

2018 ◽  
Vol 9 (3) ◽  
pp. 78
Author(s):  
Moslem Ahmadi ◽  
Mosleh Ahmadi
Keyword(s):  
Detective Fiction ◽  
Point Of View ◽  
Research Approach ◽  
The Novel ◽  
Magic Realism ◽  
Detective Novel ◽  
The Relationship ◽  
Freedom Of Action

The focus of the current research is on the relationship between detective fiction and the art of magic. Such a study is important in order to bring into surface a hidden aspect in one of the most popular novels of detective fiction, i.e., The Hound of the Baskervilles and to reconsider this novel from a new and different point of view. The research approach adopted in this paper includes reconsidering the antagonist of the novel as a professional illusionist rather than a mere villain. The findings from this research provide evidence that adopting an illusionist’s position can provide the antagonist of the novel with concealment and more freedom of action. The main conclusion drawn from this study is that resort to the art of magic on the antagonist’s part can become a great challenge to a detective in a detective novel. This paper recommends that all the antagonists of detective fiction assume hidden roles for achieving their goals not yet known by the readers.

From modal particles to point of view

2010 ◽  
Vol 5 (2) ◽  
pp. 163-185 ◽  
Author(s):  
Marion Winters
Keyword(s):  
Analytical Framework ◽  
Point Of View ◽  
Literary Texts ◽  
English Text ◽  
Main Function ◽  
The Novel ◽  
Source Text ◽  
Original Source ◽  
Modal Particles ◽  
The Relationship

The present paper shows a useful application of corpus methodologies to the genre of literary texts in translation with the aim of discovering attitude in translations and how a translator’s attitude influences her or his translation. The study is based on an English–German parallel corpus consisting of the original source text and two German translations of F. Scott Fitzgerald’s novel The Beautiful and Damned (1922), one by Hans-Christian Oeser (1998) and the other by Renate Orth-Guttmann (also 1998). An analytical framework will be developed that integrates, among other things, narrative point of view, speech and thought presentation and modal particles. Given that the main function of modal particles is to express the attitude of the speaker/writer towards an utterance or the addressee, they can be revealing of the translator’s attitude towards readers, the characters in the novel, etc. Thus, I investigate the attitude that speakers/voices reveal in the translations, how these attitudes are different from those in the original English text, how these differences reveal the translator’s attitude towards the characters and how this in turn influences the relationship between the characters in the novel and the readers of the translations. I conclude that the two translators differ in their views to an extent that affects the macro level of the novel and consequently has the potential to influence the reader’s attitude.

Sign in / Sign up

Export Citation Format

Share Document