scholarly journals AN ANALYSIS OF SPEECH ACT OF OMAR MUKHTAR'S UTTERANCES IN LION OF THE DESERT MOVIE

2020 ◽  
Vol 7 (2) ◽  
pp. 210
Author(s):  
Syukri Rizki ◽  
Jelena Golubović

Movies are brilliant choices to be subjects of discourse analysis since they bear a resemblance to real-life phenomena. Lion of The Desert is one of the movies that actualizes the use of the English language as the dialogue and presents Islamic historical values as its content. Among a myriad of sub-disciplines of discourse analysis, this paper attempts to investigate speech act phenomena in the utterances of Omar Mukhtar, the main character of the movie. The discourse analysis is conducted on his utterances in order to extract the types of speech acts he employs. Primary data sources include the movie video file and its script. We execute several procedural steps of extracting the data, commencing with watching the movie while reading its script; re-watching it to identify the aspects like voice, intonation, and mimics; interpreting, and classifying the types of speech acts in accordance with the classification procedure of John R. Searle's speech act theory. The findings revealed four types of speech acts, namely, representative, directive, commissive, and expressive, being identified and classified in Mukhtar's utterances. The most frequently used type of speech act was representative, which is performed in 56 utterances, followed by a directive act which appears in 53 utterances. Commissive and expressive speech acts emerge in 9 and 7 utterances, respectively.

2021 ◽  
Vol 4 (1) ◽  
pp. 153-158
Author(s):  
Fadhilah Fadhilah ◽  
Didin Nuruddin Hidayat ◽  
Alek Alek

A movie is one of the famous media that is interesting in conveying messages to the people. Tilik movie is a short movie produced by Ravacana Films collaborating with the Culture Department of Special Region of Yogyakarta (DIY). This is viral in 2020 because it shows the culture and relates to the condition and real life of people in our society. Speech act is action carried out through language. Through speech act, people can make command, request, etc.  The aim of this research to analyze the speech act used by Bu Tejo as one of the main characters in the Tilik movie. The primary sources of data were Bu Tejo’s utterances in Tilik movie. This research also used its movie script as a secondary source. In speech act, there are three types of speech acts; a) locutionary acts, b) illocutionary acts, and c) perlocutionary acts. In this research, the researcher concerns to the illocutionary acts used by Bu Tejo as the main character in the Tilik. The researchers employed the descriptive qualitative method to analyze and describe the script. The script of the Tilik movie as the data of speech acts were taken and classified according to the John R. Searle's Concept of types of illocutionary acts and supported by Austin's concept. There are two research questions, 1) what kind of illocutionary acts and 2) how many frequency distributions are used by Bu Tejo as the main character in Tilik Movie.  This research results in 70 illocutionary acts found in Bu Tejo’s utterances, consisting of 41 representatives, 18 directives, and 11 expressives.


Author(s):  
Tri Lestari ◽  
Elysa Hartati

This research analyzed speech act which were expressed by Thor as the main character in Thor movie. That movie showed a candidate of king who was banished by his father because of his arrogant characteristic, so, there were many speech act which represented real life. Considering there are problems in English language learning focusing on speech act, so this study was conducted used pragmatics analysis. The purposes of this study were to classify speech act based on Searle’s theory and analyze speech act which has relation between the form and the function of the sentence.This research used descriptive qualitative method. The data which were used in this research were the utterances that were performed by the main character in the movie. The data analysis used pragmatics approach with theory by Searle. From the theory, there are 5 classifications of speech act, representative, directive, commissive, expressive, and declarative. There are 2 types of speech act which is discussed by Searle, direct and indirect.Based on the analysis, the researcher found that from the 5 classifications only 4 of them which were expressed by the main character, representative, directive, commissive, and expressive. Representative and directive were expressed 56 times each of them. Commissive appeared 20 times and expressive appeared 29 times. All types of speech act were expressed by the main character in the movie. Direct speech act were expressed 140 times, and indirect speech act were expressed 11 times.


2020 ◽  
Vol 5 (3) ◽  
pp. 77-81
Author(s):  
Sayyora Azimova ◽  

This article is devoted to the pragmatic interpretation of the illocutionary action of the speech act “expression of refusals”. The article discusses different ways of reflecting cases of denial. This article was written not only for English language professionals, but also for use in aggressive conflicts and their pragmatic resolution, which naturally occur in the process of communication in all other languages


2020 ◽  
Vol 6 (3) ◽  
pp. 227-231
Author(s):  
Sayyora Azimova ◽  

This article is devoted to the pragmatic interpretation of the illocutionary action of the speech act“expression of refusals”. The article discusses different ways of reflecting cases of denial. This article was written not only for English language professionals, but also for use in aggressive conflicts and their pragmatic resolution, which naturally occur in the process of communication in all other languages


2019 ◽  
Vol 1 (2) ◽  
pp. 23-31
Author(s):  
Veronica Saragi ◽  
Sikin Nuratika ◽  
Fransiska Fransiska ◽  
Maya Yolanda ◽  
Niki Ardiyanti

Before John Searle wrote the book of Speech Acts, he wrote an article about “What is a Speech Act?” (in Philosophy in America, Max Black, ed. (Ithaca, N.Y.: Cornell University Press, 1965), 221–239). He was born in Denver in 1932. He spent some seven years in Oxford, beginning as an undergraduate in the autumn of 1952 with a Rhodes Scholarship, and concluding as a Lecturer in Philosophy at Christ Church. He has spent almost all of his subsequent life as Professor of Philosophy in Berkeley according to Smith (2003). This article aims to review the speech act theories by Searle (1969) to know what the theories of speech acts according to him to aid researchers understand more on how to apply it in real social life. Moreover, this article’s references are accurate (valid) and they well argued. This article is highly recommended for the philosopher, specialists and analysts in the field of pragmatics, discourse analysis, sociolinguistics and conversational analysis, communication studies who have a significant part in this study. Therefore, this paper seen the speech act theories by Searle (1969) will be more effective if we know and understand more about the speech act theories by Searle (1969) to use it in real social life.


1994 ◽  
Vol 2 (1) ◽  
pp. 191-205 ◽  
Author(s):  
Christian Brassac

The question of the use of speech act theory in accounting for conversational sequencing is discussed from the point of view of the explanation of linguistic interaction. On the one hand, this question lies at the heart of the opposition between conversational analysis and discourse analysis. On the other, it dominates the discussion around a text by Searle called "Conversation". After summarizing what is at stake in the debate, I focus on the positions of two authors, Dascal and Van Rees, who favor the idea of a possible (and necessary) combination of illocutionary logic and the analysis of conversational interactions. My own position consists in taking into account the new elements that have recently enriched illocutionary logic (particularly the integration of perlocution through the notion of satisfaction conditions) within the framework of an essentially dialogical position. The proposed approach is in agreement with the theses of these two authors and complements them with elements that satisfy their demands.


Author(s):  
Ima Frafika Sari

Direct and indirect speech acts are the two types of speech acts. This study aims to know how indirect speech acts are employed in the movie "SpongeBob SquarePants." It employs descriptive qualitative research to explain the main character's speech act types. There is currently a scarcity of studies examining speech act types in cartoon or animation films; yet, it is necessary. According to this study, the result of this article is: first, there are seventy-four discussions of indirect speech acts obtained from all characters in the movie SpongeBob SquarePants. Each dialogue in the film SpongeBob SquarePants can be deduced to reveal the meaning of indirect speech acts. Second, The reader can use the domain analysis indirect speech acts summary to help them understand each dialogue in this movie that has a different meaning. This stage permitted the main characters to say literal things to the listener. The main character did not make a difficult-to-understand statement to the listener. This research looks at Yule's theory's utterances of indirect speech activities. As a result, the outcome differed from the prior study, despite the same issue.


2019 ◽  
Vol 23 (4) ◽  
pp. 994-1013
Author(s):  
Gayane Rubenovna Vlasyan ◽  
Irina Vladimirovna Kozhukhova

Invitation is a speech act which is perceived differently across cultures. Understanding the pragmatics of invitation requires knowledge of the notion of politeness and politeness strategies which comprise culture specific elements. Politeness is realized in various discourses, social contexts and speech acts. The purpose of the study is to identify politeness strategies in Russian invitation in formal and informal contexts in three age groups and see how they correspond to the understanding of politeness in Russian communicative culture. The empirical data for the study were obtained through discourse completion tests with 101 participants (issuers of the invitation) of different age and social status as well as through ethnographic observation. The research is based on Discourse Analysis and Politeness Theory (Brown & Levinson 1987; Larina2009, 2015; Locher 2006, 2013; Leech 2014; Mills 2003, 2017; Sifianou 1992; Terkourafi &Kadar 2017; Watts 2003, among others). We used discourse analysis to analyze the impact of the social and cultural context on the performance of invitation, the descriptive method which was used to analyze the pragmatic functions of invitation, as well as contextual interpretation of this speech act and the method of quantitative data processing. The study revealed some differences between a formal and informal invitation concerning politeness strategies and linguistic means of its expression. It also showed that in Russian culture issuing an invitation is not perceived as a face threatening speech act; in the analysed social contexts the preference is given to direct invitation, and the inviter’s imposition, as a rule, is perceived positively. The results contribute to a better understanding of Russian politeness and communicative style and can be implemented in intercultural pragmatics, intercultural communication and SL teaching.


2016 ◽  
Vol 10 (1) ◽  
pp. 1-4
Author(s):  
Amir Zand-Moghadam ◽  
Arya Golkhandan

The main theme of this volume is to discuss discourse analysis and familiarize the readers, especially undergraduate students of TESOL and Education, with the main topics in discourse studies. According to Flowerdew, one of the features of this book is its focus on a wide range of approaches to discourse and discourse analysis, namely Systemic Functional Linguistics (SFL) and Register, Speech Act Theory, the Cooperative Principle and Politeness, Conversation Analysis, Genre Analysis, Critical Discourse Analysis (CDA), and Corpus Linguistics. However, what distinguishes this book from others books of discourse, and probably from other similar books on discourse and language teaching, is its practical view toward discourse and discourse analysis, i.e., it is clearly shown, by referring to real-life examples, how every discourse topic, issue, or feature can be analyzed and then taught in a language class. In fact, Floweredew’s attempt in this volume is to familiarize the readers with how discourse analysis can inform the practice of English language teaching. Thus, the book utilizes research findings and suggests guidelines, models, and approaches to language teachers as to how discourse studies can be insightful in language teaching methodology, materials development, and evaluation.


Aksara ◽  
2021 ◽  
Vol 33 (1) ◽  
pp. 111-120
Author(s):  
Mia Salfita ◽  
Ngusman Abdul Manaf

AbstrakPenelitian terhadap novel Bidadari-Bidadari Surga karya Tere Liye ini bertujuan untuk menjelaskan kesantunan tindak tutur menyuruh pada tokoh protagonis dalam novel Bidadari-Bidadari Surga karya Tere Liye. Jenis penelitian ini adalah penelitian kualitatif dengan menggunakan metode deskriptif. Sumber data dalam penelitian ini adalah novel Bidadari-Bidadari Surga karya Tere Liye. Data penelitian ini adalah tindak tutur direktif menyuruh pada tokoh protagonis dalam novel tersebut. Data dikumpulkan dengan cara membaca dan memahami novel, mencatat kata, frasa, klausa, dan kalimat tokoh yang dapat dirumuskan sebagai bagian dari tuturan maupun tindak tutur menyuruh, dan menginventarisasikan data berdasarkan masalah-masalah tindak tutur direktif yang terdapat dalam novel Bidadari-Bidadari Surga karya Tere Liye. Data dianalisis dan dibahas berdasarkan teori pragmatik. Dalam penelitian ini ditemukan sembilan tuturan tindak tutur direktif menyuruh, yang menunjukkan bahwa tokoh protagonis dalam novel Bidadari-Bidadari Surga karya Tere Liye cenderung melakukan tindak tutur menyuruh secara santun. Strategi bertutur tokoh utama dalam novel cenderung menggunakan tindak menyuruh kepada adik-adiknya. Kata kunci: tindak tutur direktif menyuruh, pragmatik, novel, Bidadari-Bidadari Surga AbstractThis research on the novel Bidadari-Bidadari Surga by Tere Liye aims to explain the politeness of the speech acts of the protagonist in Tere Liye's novel Bidadari-Bidadari Surga. This type of research is qualitative research using descriptive methods. The data source in this research is the novel Bidadari-Bidadari Surga by Tere Liye. The data of this research are directive speech acts ordered to the protagonist in the novel. Data were collected by understanding the novel, noting down words, phrases, clauses, or sentences that can be formulated as part of speech acts, and making an inventory of the data based on the problems of directive speech acts contained in Tere Liye's novel Bidadari-Bidadari Surga. Data were analyzed and based on pragmatic theory. The results of this study shows nine directive ordered speech act utterances, which indicate that the protagonist in the novel Bidadari-Bidadari Surga by Tere Liye tends to perform speech acts politely. The strategy of telling the main character in the novel tends to use commands to order his younger siblings. Keywords: directive speech act ordered, pragmatic, novel, Bidadari-Bidadari Surga 


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