scholarly journals Byen, magten og netværket: en ny bysociologis læsninger af de urbane interventioners repræsentationelle logik

2006 ◽  
Vol 15 (3) ◽  
pp. 49-65
Author(s):  
Ole B. Jensen

Ole B. Jensen: The city: power and network. A new urban sociology’s reading of the representational logic of urban interventions This article presents an analytical framework for revitalising the field of urban sociology. It draws on two forms of discussion within sociology. On the one hand, there is the contemporary discussion among sociologists such as Sassen and Castells. On the other hand, the framework involves an understanding of social practices as spatial and material, as well as being embedded in cultural and normative contexts of meaning. Thus by applying a general frame for understanding social action as both spatial and symbolic practices, the article suggests that we can gain a better understanding of how particular interventions in urban space are embedded in a network of representations, institutions and agents, as well as how they reflect a particular power and rationality configuration. The analytical framework is tentatively applied on the empirical case of the urban harbour front development in Aalborg, Denmark.

Author(s):  
Jeffrey N. Cox

We normally associate writing about the city with a line of continental writers from Baudelaire to Benjamin and beyond. However, there was an earlier account of the city in the writers identified with the Cockney School and in particular Leigh Hunt. Hunt’s Wishing Cap Papers are a striking instance of an attempt to write about the city from the perspective of someone who is, on the one hand, below the circles that control the city, and, on the other hand, capable of imagining a world beyond the city as it exists in the present. While our image of Hunt in the city might begin and end with Dickens’ Skimpole, we can recover behind that savage portrait an engaged city-dweller trying to imagine the urban space remade by pleasure. This is part of the Cockney attempt to create a cosmopolitanism that moves from the local to the global in order to bypass the nation.


2018 ◽  
pp. 33-35
Author(s):  
N. O. Anisimov

The article examines the semiotic field of the city and its influence on the formation of a specific socio-cultural space. The author considers the city as a historically and culturally developed space, continuously producing cultural information. According to the author, urban space is a special subject-object environment, where an individual, a citizen, is in the role of an actively cognizing subject, and the city is in the status of an object, on the one hand, passively cognizable, on the other hand, actively giving itself to identify, reveal with the help of specific techniques, called us semantic-semiological practices. Semiotic meanings of urban space appear before us in the form of a cultural code that a person is able to read.


Author(s):  
Fátima Valenzuela ◽  
Fernando Pozzaglio

En este artículo nos proponemos explorar el fondo judicial del Archivo General de la Provincia de Corrientes. Por un lado, desarrollaremos un catálogo de las causas judicializadas entre 1612 y 1680, es decir, un instrumento descriptivo que puede ser utilizado por historiadores y/usuarios del archivo. Por otro lado, caracterizaremos los pleitos que corresponden a los albores de la configuración de la ciudad de San Juan de Vera. En ese contexto, presentaremos  una primera lectura en torno al funcionamiento de la justicia ordinaria y el accionar de otros funcionarios reales en el espacio colonial. De ese modo, lograremos una aproximación a los discursos y experiencias por medio de las causas judiciales. In this article we propose to explore the judicial fund of the General Archive of the Province of Corrientes. On the one hand, we will develop a catalog of judicial cases between 1612 and 1680, that is, a descriptive instrument that can be used by other historians and users of the archive. On the other hand, we characterize the lawsuits that took place at the dawn of the configuration of the city of San Juan de Vera. In this context, we will develop a first reading about the operation of ordinary justice and the action of other royal officials in the colonial space. In this way, we get an approximation to discourses and experiences through judicial cases.


2020 ◽  
Author(s):  
Luis Lopes

<p>The city of Évora, a World Heritage Site recognized by UNESCO in 1986, also owes this recognition to the stones that built its monuments and preserve them until today.</p><p>This work brings together the contributions that we have gathered over the past three decades and allow us to have a very complete idea, not only about the materials used in the hundreds of monuments and historic buildings but also about their provenance. If some materials are so emblematic that they allow an immediate identification with the naked eye, others needed more sophisticated and precise techniques so that there was no doubt about their origin.</p><p>The igneous rocks and gneisses of granite composition are part of the “Massif of Évora” on which the city is built. Thus, and quite naturally they are by far the most represented group in monuments from all historical periods. Its function is essentially structural, but there are also functional, ornamental and decorative objects. For example, the oldest megalithic structures found in the vicinity of the city are made up of large granite blocks that often had to be transported to their locations.</p><p>On the other hand, many gargoyles and statues that decorate the churches are also made up of these granite rocks. On these, the natural erosion of centuries of exposure to the environment has led to a state of alteration, sometimes very accentuated, which would justify its replacement by replicas sculpted in similar rocks. Provenance studies have made it possible to identify old quarries in the vicinity of the city where, on the one hand, the ancient rock extraction techniques can be observed and on the other hand, they allow the obtaining of the raw material necessary for these restoration and conservation works. In any case, they are places that need to be inventoried and protected, with the municipality already aware of their existence.</p><p>As well as the monuments of the Roman Period, also the structures of the Medieval Period, such as the city walls, the Cathedral (started to be built in 1186 AD) and all the great churches, were also built with these granitoids.</p><p>In addition to these rocks, many others of multiple varieties and origins are present. The marbles, especially the Estremoz Marbles (Global Heritage Stone Resource), are ubiquitous in the city, but there are also emblematic marbles from other places, some easily identifiable (ie Viana do Alentejo, Escoural, Trigaches, Serpa and Vila Verde de Ficalho, for presenting mineralogy, textures, colors and patterns which, together with more recent analytical techniques, have confirmed its provenance.</p><p>Sedimentary rocks, with emphasis on Portuguese Mesozoic limestones, ie Lioz - GHSR and Brecha da Arrábida - GHSR candidate, among others more rare and with very specific use in ornamental details, are also present and contribute to enrich a heritage in stone that makes this city so special and very popular with tourists of all nationalities.</p><p>Acknowledgments: the authors thank to FCT for funding the ICT (UID/GEO/04683/2019), as well as COMPETE POCI-01-0145-FEDER-007690.</p>


2009 ◽  
pp. 67-84
Author(s):  
Marco Solimene

- The present contribution examines the rootedness of a community of xoraxané romá in the city of Rome; rather than simply the continuity of presence in a specific territory, under consideration is the development and maintenance of social networks with the Roman population, specifically in the territories romá reside and/or work in. Further on, the paper describes how rootedness may be conjugated with some forms of mobility: on the one hand, the continuity in specific areas (of work and in some cases of residence), can be maintained through practices of urban circulation; on the other hand, especially when mobility turns on national and transnational scale, the presence - although mobile and changing - of romá who belong to the same social network, spread among different territories, enables singular domestic units to maintain, despite mobility, a continuity with several non-rom realities.


2019 ◽  
Vol 15 (1) ◽  
pp. 77-94
Author(s):  
Massimo Leone

Abstract The Casa da Nostalgia, or “Nostalgic house,” in the Taipa area of the special administrative region of Macau, is a museum devoted to temporary exhibitions reconstructing everyday life in the city, especially in the epoch of Portuguese ruling. Just opposite the museum, on the other side of a large pond, a giant casino, the Venetian Macau, reproduces Venice both with its external architecture and its interior design. The article analyzes these two urban settings in order to develop a semiotic understanding of as many ways of symbolically reconstructing cities. On the one hand, cities can be reconstructed in a nostalgic form; the essay inquires on the origin and the consequences of urban nostalgia; on the other hand, cities can be reconstructed as ersatz. The article further investigates the dialectics between predominantly temporal or prevailingly spatial urban reconstructions, with reference to the socio-cultural dynamics that have changed Macau in the last decades. The article concludes with the methodological suggestion that the study of urban re-constructions requires the combined efforts of several disciplines, jointly investigating why, how, but also to what effect cities are re-built.


Urban Studies ◽  
2019 ◽  
Vol 57 (10) ◽  
pp. 2031-2046
Author(s):  
Salla Jokela

There have been two types of scholarly discussion on city branding. On the one hand, city branding has been conceptualised as a differentiation strategy of entrepreneurial cities involved in interspatial competition. On the other hand, researchers have recently emphasised the need to pay attention to increasingly pervasive and transformative forms of city branding, including branding as an urban policy and a form of planning. Drawing on a case study carried out in Helsinki, Finland, this article connects these two approaches by analysing Helsinki’s recent city branding endeavour in the context of the qualitative transformation of the entrepreneurial city. The article shows how city branding highlights and constitutes the city as an entrepreneurial platform and enabler bound up by the extended entrepreneurialisation of society.


Urban History ◽  
2017 ◽  
Vol 45 (2) ◽  
pp. 233-252
Author(s):  
MIKKEL THELLE

ABSTRACT:This article investigates the emergence of the Copenhagen slaughterhouse, called the Meat City, during the late nineteenth century. This slaughterhouse was a product of a number of heterogeneous components: industrialization and new infrastructures were important, but hygiene and the significance of Danish bacon exports also played a key role. In the Meat City, this created a distinction between rising production and consumption on the one hand, and the isolation and closure of the slaughtering facility on the other. This friction mirrored an ambivalent attitude towards meat in the urban space: one where consumers demanded more meat than ever before, while animals were being removed from the public eye. These contradictions, it is argued, illustrate and underline the change of the city towards a ‘post-domestic’ culture. The article employs a variety of sources, but primarily the Copenhagen Municipal Archives for regulation of meat provision.


2021 ◽  
Vol 8 (1) ◽  
pp. 36-48
Author(s):  
Ratna Noviani ◽  
Elok Santi Jesica

This article discusses how urban life is represented through the Barsa City, Uttara the Icon, and The Palace apartment advertisements and promotional videos. Applying Guy Debord's idea of spectacle to examine how urban life is transformed into visualization and commodification, also George Ritzer’s idea of re-enchantment of the disenchanted world and the new means of consumption. This article is aimed to analyze the position of apartments in the urban space of Yogyakarta that is discursively constructed through apartment promotional media. The conclusion of this research shows that apartments are functionalized to create the spectacle of the city. Urban space and life are aestheticized and spectacularized, in which apartments are displayed as part of dramatic and extravagant urban arts. Presented as one-stop-serving buildings, the apartments also promote the fusion of living space, urban style experience, and consumption which lead to the difficulty in distinguishing spatial boundaries. The advertisements and promotional videos of the apartment in Yogyakarta also promote temporal paradox. On the one hand, it promotes time compression and speed, meanwhile, on the other hand it promotes prolonged and extended time to foster consumption in the urban space.


2019 ◽  
pp. 55-72
Author(s):  
Marta Ryniejska-Kiełdanowicz ◽  
Magdalena Ratajczak

Cities create a transcultural sphere and a platform for transcultural dialogue.Cities play an important cultural-creative role and they try to become policy player onat the international level. The aim of this study is to evaluate the actions taken in cities from two perspectives. On the one hand how the multicultural (multi-lingual and multi-religious) cityscape is shaped, how the city is governed in order to create a space termed as a ‘meeting place’. On the other hand how these undertakings affect the image of the city on the international stage and how they contribute to the city diplomacy strategy.


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