Economic Changes in South African Native Life

Africa ◽  
1928 ◽  
Vol 1 (2) ◽  
pp. 170-188 ◽  
Author(s):  
I. Schapera
Keyword(s):  
South Africa ◽  
South African ◽  
Social Life ◽  
Political System ◽  
Close Contact ◽  
The Other ◽  
Economic Changes ◽  
European Culture ◽  
The Social ◽  
Social And Economic Development

The native problem as it exists to-day in South Africa is not a phenomenon of recent growth. The issues which confront the country are the product of many decades of inter-racial contact and adjustment, during which Europeans and Natives have exercised a steadily growing influence upon each others' lives. Under the influence of European culture many of the Natives have abandoned their original tribal customs, and their social life is being reorganized on a new basis by the adoption of European habits and ideas. On the other hand, the presence of the Natives has so profoundly affected the social and economic development of the Europeans as to have become almost an integral part of the whole structure of civilization in South Africa. It is no longer possible for the two races to develop apart from each other. The future welfare of the country now depends upon the finding of some social and political system in which both may live together in close contact, without that increasing unrest and disturbance that seems to develop as the inevitable result of the lack of stability and unity in any society.

scholarly journals The Constitutional Court’s contribution to sustainable development in South Africa

2017 ◽  
Vol 6 (2) ◽  
pp. 80
Author(s):  
Irma J Kroeze
Keyword(s):  
South Africa ◽  
South African ◽  
Social Life ◽  
The Other ◽  
Political Freedom ◽  
Personal Freedom ◽  
Government Power ◽  
Self Rule ◽  
South African Constitution ◽  
The Right

 Freedom is central to most constitutions.  In the constitutional context, freedom usually means both personal freedom and political freedom.  Personal freedom can be described as the right to decide for oneself the terms of one's life, both individually and communally.  It is what Frank Michelman calls self-rule: it "demands the people's determination for themselves of the norms that are to govern their social life".3  Political freedom, on the other hand, implies the protection against arbitrary government power.  This is what Michelman calls law-rule.  In most constitutional dispensations both these types of freedom are implicated and the South African constitution is no exception.4  But, it is ironic that in most constitutional democracies these two types of freedom are also frequently in conflict with one another.  In fact, it is not far-fetched to suggest that they are conceptually contradictory.

scholarly journals On South African Violence Through Giorgio Agamben’s Biopolitical Framework: A Comparative Study Of J.M. Coetzee’s Disgrace And Z. Mda’s Ways Of Dying

2014 ◽  
Vol 49 (4) ◽  
pp. 21-36
Author(s):  
Ryszard Bartnik
Keyword(s):  
South Africa ◽  
Comparative Study ◽  
South African ◽  
The Other ◽  
Mental Maps ◽  
The Past ◽  
The Social ◽  
Democratic Rule

Abstract In this article I argue that the developments of countries going through transition from authoritarian to democratic rule are always stamped by numerous references to formerly sanctioned and fully operational institutionalized violence. A perfect exemplification of this phenomenon is [post-] apartheid South Africa and its writing. In the context of the above, both the social and the literary realm of the 1990s might be perceived as resonant with Giorgio Agamben’s ‘concentrationary’, deeply divisive imaginary. Escaping from, and concurrently remembering, past fears, anxieties, yet seeking hope and consolation, the innocent but also the formerly outlawed and victimized along [interestingly enough] with [ex]perpetrators exemplify, as discussed in J. M. Coetzee’s and Z. Mda’s novels, the necessity of an exposure of the mechanism of South African ‘biopoliticization’ of life. Their stories prove how difficult the uprooting of the mentality of segregation, hatred and the policy of bracketing the other’s life as insubstantial, thus vulnerable to instrumental violence, in [post-] apartheid society was. In view of the above what is to be highlighted here is the authorial perception of various attempts at disavowing past and present violence as detrimental to South African habitat. In the end, coming to terms with the past, with the belligerent nature of local mental maps, must inevitably lead to the acknowledgement of guilt and traumatic suffering. Individual and collective amnesia conditioned by deeply-entrenched personal culpability or personal anguish is then construed as damaging, and as such is subject do deconstructive analysis.

The Final ‘Thank You’

Derrida Today ◽  
2010 ◽  
Vol 3 (1) ◽  
pp. 21-36
Author(s):  
Grant Farred
Keyword(s):  
South Africa ◽  
South African ◽  
Jacques Derrida ◽  
Political Transition ◽  
The Other ◽  
World Cup ◽  
The Core ◽  
Nelson Mandela ◽  
Black President ◽  
The Moment

‘The Final “Thank You”’ uses the work of Jacques Derrida and Friedrich Nietzsche to think the occasion of the 1995 rugby World Cup, hosted by the newly democratic South Africa. This paper deploys Nietzsche's Zarathustra to critique how a figure such as Nelson Mandela is understood as a ‘Superman’ or an ‘Overhuman’ in the moment of political transition. The philosophical focus of the paper, however, turns on the ‘thank yous’ exchanged by the white South African rugby captain, François Pienaar, and the black president at the event of the Springbok victory. It is the value, and the proximity and negation, of the ‘thank yous’ – the relation of one to the other – that constitutes the core of the article. 1

Apartheid Aesthetics and Insignificant Art

2016 ◽  
Vol 33 (1) ◽  
pp. 45-69
Author(s):  
Stephanus Muller
Keyword(s):  
South Africa ◽  
Secondary School ◽  
South African ◽  
Cultural Production ◽  
Art Songs ◽  
Cultural Significance ◽  
European Culture ◽  
Small House ◽  
The Rich ◽  
Selection Of

Stephanus Le Roux Marais (1896−1979) lived in Graaff-Reinet, South Africa, for nearly a quarter of a century. He taught music at the local secondary school, composed most of his extended output of Afrikaans art songs, and painted a number of small landscapes in the garden of his small house, nestled in the bend of the Sunday’s River. Marais’s music earned him a position of cultural significance in the decades of Afrikaner dominance of South Africa. His best-known songs (“Heimwee,” “Kom dans, Klaradyn,” and “Oktobermaand”) earned him the local appellation of “the Afrikaans Schubert” and were famously sung all over the world by the soprano Mimi Coertse. The role his ouevre played in the construction of a so-called European culture in Africa is uncontested. Yet surprisingly little attention has been paid to the rich evocations of landscape encountered in Marais’s work. Contextualized by a selection of Marais’s paintings, this article glosses the index of landscape in this body of cultural production. The prevalence of landscape in Marais’s work and the range of its expression contribute novel perspectives to understanding colonial constructions of the twentieth-century South African landscape. Like the vast, empty, and ancient landscape of the Karoo, where Marais lived during the last decades of his life, his music assumes specificity not through efforts to prioritize individual expression, but through the distinct absence of such efforts. Listening for landscape in Marais’s songs, one encounters the embrace of generic musical conventions as a condition for the construction of a particular national identity. Colonial white landscape, Marais’s work seems to suggest, is deprived of a compelling musical aesthetic by its very embrace and desired possession of that landscape.

Stability and Governability the Benign Effects of Party Dominance in South Africa

2020 ◽  
Vol 13 (1) ◽  
pp. 56-75
Author(s):  
Ainara Mancebo
Keyword(s):  
South Africa ◽  
South African ◽  
Trade Unions ◽  
African National Congress ◽  
The Other ◽  
Democratic Transitions ◽  
African Countries ◽  
National Congress ◽  
Independence Era ◽  
Party Dominance

A tripartite alliance formed by the African National Congress, the South African Communist Party and the Congress of South African Trade Unions has been ruling the country with wide parliamentarian majorities. The country remains more consensual and politically inclusive than any of the other African countries in the post-independence era. This article examines three performance’s aspects of the party dominance systems: legitimacy, stability and violence. As we are living in a period in which an unprecedented number of countries have completed democratic transitions, it is politically and conceptually important that we understand the specific tasks of crafting democratic consolidation.

Two new species ofSyllis(Polychaeta: Syllidae) from South Africa, one of them viviparous, with remarks on larval development and vivipary

2014 ◽  
Vol 94 (4) ◽  
pp. 729-746 ◽  
Author(s):  
Carol Simon ◽  
Guillermo San Martín ◽  
Georgina Robinson
Keyword(s):  
South Africa ◽  
New Species ◽  
South African ◽  
The Other ◽  
Coralline Algae ◽  
Colour Pattern ◽  
The Family ◽  
Two New Species ◽  
Haliotis Midae ◽  
Characteristic Colour

Two new species of South African Syllidae of the genusSyllisLamarck, 1818 are described.Syllis unzimasp. nov. is characterized by having unidentate compound chaetae with long spines on margin, a characteristic colour pattern and its reproduction by vivipary. Vivipary is not common among the polychaetes, but most representatives occur in the family Syllidae Grube, 1850 (in five otherSyllisspecies, two species ofDentatisyllisPerkins, 1981 and two species ofParexogoneMesnil & Caullery, 1818).Syllis unzimasp. nov. differs from the other viviparous species in having large broods (>44 juveniles) which develop synchronously. Development of the juveniles is similar to that of free-spawningSyllisspecies, but the appearance of the first pair of eyespots and the differentiation of the pharynx and proventricle occur later inS. unzima.Syllis amicarmillarissp. nov., is characterized by having an elongated body with relatively short, fusiform dorsal cirri and the presence of one or two pseudosimple chaeta on midbody parapodia by loss of blade and enlargement of shaft.Syllis unzimasp. nov. was found in high densities on culturedHolothuria scabraJaeger, 1833 with single specimens found on a culturedCrassostrea gigasThunberg, 1793 and on coralline algae, respectively, whileS. amicarmillariswas found mainly in sediment outside an abalone farm and less frequently on culturedHaliotis midaeLinnaeus, 1758. We discuss the possible benefits of the association withH. scabratoS. unzimasp. nov.

From the Madrasah to the Museum: The Social Life of the “Kietaabs” of Cape Town

2011 ◽  
Vol 38 ◽  
pp. 369-399 ◽  
Author(s):  
Saarah Jappie
Keyword(s):  
South Africa ◽  
Social Life ◽  
Living Room ◽  
Family Tree ◽  
Personal Journey ◽  
The Social ◽  
Arabic Script ◽  
Two Generations ◽  
Place Of Origin ◽  
First Time

Ebrahiem Manuel sits opposite me, about to embark upon his story. His living room is filled with material manifestations of his research: boxes overflowing with books and papers cover his entire sofa, newspapers and articles line the floor, and collages of images and texts hang on the walls and sit in the cabinets. It is clear that he is consumed by his passion for heritage, and his personal journey of discovery. He speaks in an animated, almost theatrical tone, raising and lowering his voice, stressing certain syllables, alive as he tells his story of “the ancient kietaabs.”The journey began in 1997, when Ebrahiem returned to South Africa after years at sea, working as a cook on shipping vessels. Upon his return, he began a quest to learn about his personal heritage, inspired by a dream he had had about his grandfather. This search led him to an oldkietaab, given to him by an elderly aunt. This was not the first time he had come across the old book; he remembered seeing it as a child, amongst other kietaabs, stored out of reach of the children, on top of his grandfather's wardrobe. It was inside this book that a possible key to his ancestors was to be found.This significant find was a range of hand-written inscriptions inside the book, in Arabic, English, and an unknown script. The Arabic script and its corresponding English transliteration read “Imaam Abdul Karriem, son of Imaam Abdul Jaliel, son of Imaam Ismail of Sumbawa.” Here was his family tree, starting from his great-grandfather and leading to two generations before him and, it seemed, their place of origin, the island of Sumbawa in eastern Indonesia. Ebrahiem then decided to go to Indonesia to solve what had become the mystery of “the ancient kietaab.”

MUSIC AND COMMUNICATION PROCESSES IN SOCIETY: MANAGEMENT THEORY

2021 ◽  
Vol 1 (3) ◽  
pp. 41-49
Author(s):  
A. N. Yakoupov ◽  
Keyword(s):  
Social Life ◽  
Modern Society ◽  
Communication Management ◽  
Musical Life ◽  
Economic Changes ◽  
Communication Processes ◽  
Theoretical Statement ◽  
The Social ◽  
The Impact ◽  
Musical Communication

Based on historical and theoretical analysis of the development of social functioning of musical communication, as well as some problems of its management, the author attempts to theoretically justify the ways and means of optimizing music and communication processes that contribute to enhance the social and cultural role of musical art. The article describes fundamental concepts, which should be taken as the basis for the organization of musical life in modern society. The author puts forward such a conceptual theoretical statement as the principle of multi-factor audience differentiation. Consequently, the paper considers important facets of the theory of musical communication management in society, namely the target programming, scientific forecasting and long-term planning. The ways and methods of implementing these principles aimed at the achievement of a certain level of control over the music communication processes in society are also considered. Special attention is paid to the analysis of the impact of current social and economic changes in Russia on the formation of marketing and management in the social life of musical art.

The Everyday in a Time of Transformation: Exploring a Single South African Lifeworld after 20 Years of Democracy

2017 ◽  
Vol 13 (1) ◽  
pp. 32-54
Author(s):  
P. Conrad Kotze ◽  
Jan K. Coetzee
Keyword(s):  
Social Sciences ◽  
South Africa ◽  
South African ◽  
Sociological Research ◽  
Contemporary Debate ◽  
The Social ◽  
The Everyday ◽  
Ontological Turn ◽  
The Individual ◽  
Epistemological Framework

Transformation has come to be a defining characteristic of contemporary societies, while it has rarely been studied in a way that gives acknowledgement to both its societal effects and the experience thereof by the individual. This article discusses a recent study that attempts to do just that. The everyday life of a South African is explored within the context of changes that can be linked, more or less directly, to those that have characterized South Africa as a state since the end of apartheid in 1994. The study strives to avoid the pitfalls associated with either an empirical or solely constructivist appreciation of this phenomenon, but rather represents an integral onto-epistemological framework for the practice of sociological research. The illustrated framework is argued to facilitate an analysis of social reality that encompasses all aspects thereof, from the objectively given to the intersubjectively constructed and subjectively constituted. While not requiring extensive development on the theoretical or methodological level, the possibility of carrying out such an integral study is highlighted as being comfortably within the capabilities of sociology as a discipline. While the article sheds light on the experience of transformation, it is also intended to contribute to the contemporary debate surrounding the current “ontological turn” within the social sciences.

MUSIC AND COMMUNICATION PROCESSES IN SOCIETY: MANAGEMENT THEORY

2021 ◽  
Vol 1 (1) ◽  
pp. 30-40
Author(s):  
A. N. Yakoupov ◽  
Keyword(s):  
Social Life ◽  
Modern Society ◽  
Communication Management ◽  
Musical Life ◽  
Economic Changes ◽  
Communication Processes ◽  
Theoretical Statement ◽  
The Social ◽  
The Impact ◽  
Musical Communication

Based on historical and theoretical analysis of the development of social functioning of musical communication, as well as some problems of its management, the author attempts to theoretically justify the ways and means of optimizing music and communication processes that contribute to enhance the social and cultural role of musical art. The article describes fundamental concepts, which should be taken as the basis for the organization of musical life in modern society. The author puts forward such a conceptual theoretical statement as the principle of multi-factor audience differentiation. Consequently, the paper considers important facets of the theory of musical communication management in society, namely the target programming, scientific forecasting and long-term planning. The ways and methods of implementing these principles aimed at the achievement of a certain level of control over the music communication processes in society are also considered. Special attention is paid to the analysis of the impact of current social and economic changes in Russia on the formation of marketing and management in the social life of musical art.

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