The Early Years of the Mombasa Club: A Home Away From Home for European-Christians

2001 ◽  
Vol 28 ◽  
pp. 71-81 ◽  
Author(s):  
P.J.L. Frankl

The word “club” as employed in “Mombasa Club” derives from the late eighteenth century and signifies “an association of people formed mainly for social purposes and having premises, providing meals, temporary accommodation, etc., for the use of members.” The early nineteenth century saw a spate of new London clubs such as the Travellers in 1819 (for gentlemen who had traveled abroad), and in 1824 both the Athenaeum (the most intellectually elite of all the London clubs), and the Oriental (founded by officers in the service of the East India Company who were not eligible for the military clubs of Pall Mall). One purpose of these clubs was to give gentlemen living space from which their womenfolk were excluded. The expansion of a new British empire, from the beginning of Queen Victoria's long reign, saw the establishment of “English” clubs in Asia (especially in the Indian subcontinent) and in Africa (especially from Cape Town to Cairo). A major purpose of these “English” clubs abroad was to give members living space from which natives were excluded. The Mombasa Club, dating from the end of Queen Victoria's reign, fits into this pattern.

2013 ◽  
Vol 48 (3) ◽  
pp. 826-843
Author(s):  
JAMES LEES

AbstractThe histories of Asian peoples penned by British East India Company officials during the early years of colonial rule—rightly—have long been considered to be doubtful source material within the historiography of South Asia. Their credibility was suspect well before the middle of the twentieth century, when Bernard Cohn's work began to present the British colonial state as one that relentlessly sought to categorize Indian society, and to use the distorted information thus gained to impose its government.However, the histories of these administrator-scholars still retain value—not as accurate studies of their subjects, perhaps, but as barometers of the times in which they were written and also in the unexpected ways in which some continue to resonate in the present. To illustrate that point, this paper will review three recent monographs which deal with the writings and historical legacies of some of the Company's most prominent early nineteenth-century administrator-scholars. These are: Jason Freitag's Serving Empire, Serving Nation: James Tod and the Rajputs of Rajasthan; Jack Harrington's Sir John Malcolm and the Creation of British India; and Rama Mantena's work centred around the antiquarian pursuits of Colin Mackenzie, The Origins of Modern Historiography in India: Antiquarianism and Philology, 1780–1880.1


2021 ◽  
Vol 30 (3) ◽  
pp. 303-322
Author(s):  
Viccy Coltman

Focusing on John Bacon the younger’s monument to Jane Russell, this article illuminates death and memorialization in early nineteenth-century British India, with a social history focus regarding issues of gender and family. The monument in its first iteration was lost at sea in a shipwreck, and a later replacement is still in situ in St Mary’s Church at Fort St George, in the former Madras Presidency. The narrative arc traces the life cycle of a memorial to a young woman whose husband and father were leading English East India Company employees, including its commission by correspondence, execution in the metropolis and transport to the Indian subcontinent. Russell’s death and its commemoration in visual and material culture were, it is argued, a family affair on various interpretative strata, including but by no means limited to the iconography of her marmoreal ‘deathscape’.


1986 ◽  
Vol 20 (4) ◽  
pp. 625-660 ◽  
Author(s):  
Marika Vicziany

Buchanan arrived in India in 1794 and left in 1815. He was employed by the East India Company for these twenty years in a number of capacities but he is chiefly remembered today for two surveys he conducted: the first of Mysore in 1800 and the second of Bengal in 1807–14. These surveys have long been used by historians, anthropologists and Indian politicians to depict the nature of Indian society in the early years of British rule. Recently economic historians, Bagchi in particular, have used the ‘statistical’ tables compiled by Buchanan as a data base against which later statistical evidence about the Indian economy is measured. Bagchi believes that by doing this he can furnish firm proof of the extent to which British rule was detrimental to the people of India in the nineteenth century.


1990 ◽  
Vol 24 (3) ◽  
pp. 459-492 ◽  
Author(s):  
Edward S. Haynes

As the British Empire extended its power across the Indian subcontinent, the military and political pressures which it could bring to bear had proved to be its most significant assets. However, both to establish and to maintain an English political paramountcy which could guarantee economic dominance came over time to be revealed as two separate tasks, demanding very distinct skills. To maintain and secure this newfound power in India, the British were forced to come to know more about India. They had to grasp the ‘rules’ of India's preexisting political ‘game’ and, more frequently, to confront their need to rewrite these rules into a form which they could comprehend, in which they could compete, and where their dominance could be virtually assured.This process suggests the ‘gathering in of the threads of legitimacy’ towhich D. A. Low has to eloquently drawn our attention.


2021 ◽  
Vol 48 (2) ◽  
pp. 368-376
Author(s):  
D. A. Lowther

Throughout the late eighteenth and early nineteenth centuries, British East India Company officials, based in the Indian subcontinent, amassed huge collections of natural history images. One of the largest collections, consisting of many thousands of individual paintings commissioned mainly from Indian artists between 1790 and 1823, was formed by Major-General Thomas Hardwicke. Some of these later formed the basis of John Edward Gray’s Illustrations of Indian zoology, but the vast majority remained unpublished. This paper focuses on one of these images, a detailed watercolour of the red panda ( Ailurus fulgens), painted to accompany a scientific description of the species which Hardwicke sent from Bengal to the Linnean Society of London in 1820. The painting pre-dates Frédéric Cuvier’s description of the animal by four years, and is almost certainly the first image of the red panda to have arrived in Europe. This paper sets the painting in the context of Hardwicke’s career as a naturalist and private patron of Indian artists, highlighting both his role as an early investigator of Indian zoology and the importance of “Company Art” in the accrual of scientific information.


Author(s):  
Alison Games

This book explains how a conspiracy trial featuring English, Japanese, and Indo-Portuguese co-conspirators who allegedly plotted against the Dutch East India Company in the Indian Ocean in 1623 produced a diplomatic crisis in Europe and became known for four centuries in British culture as the Amboyna Massacre. The story of the transformation of this conspiracy into a massacre is a story of Anglo-Dutch relations in the seventeenth century and of a new word in the English language, massacre. The English East India Company drew on this new word to craft an enduring story of cruelty, violence, and ingratitude. Printed works—both pamphlets and images—were central to the East India Company’s creation of the massacre and to the story’s tenacity over four centuries as the texts and images were reproduced during conflicts with the Dutch and internal political disputes in England. By the eighteenth century, the story emerged as a familiar and shared cultural touchstone. By the nineteenth century, the Amboyna Massacre became the linchpin of the British Empire, an event that historians argued well into the twentieth century had changed the course of history and explained why the British had a stronghold in India. The broad familiarity with the incident and the Amboyna Massacre’s position as an early and formative violent event turned the episode into the first English massacre. It shaped the meaning of subsequent acts of violence, and placed intimacy, treachery, and cruelty at the center of massacres in ways that endure to the present day.


Author(s):  
Douglas E. Delaney

How did British authorities manage to secure the commitment of large dominion and Indian armies that could plan, fight, shoot, communicate, and sustain themselves, in concert with the British Army and with each other, during the era of the two world wars? This is the primary line of inquiry for this study, which begs a couple of supporting questions. What did the British want from the dominion and Indian armies and how did they go about trying to get it? How successful were they in the end? Answering these questions requires a long-term perspective—one that begins with efforts to fix the armies of the British Empire in the aftermath of their desultory performance in South Africa (1899–1903) and follows through to the high point of imperial military cooperation during the Second World War. Based on multi-archival research conducted in six different countries on four continents, Douglas E. Delaney argues that the military compatibility of the British Empire armies was the product of a deliberate and enduring imperial army project, one that aimed at ‘Lego-piecing’ the armies of the empire, while, at the same time, accommodating the burgeoning autonomy of the dominions and even India. At its core, this book is really about how a military coalition worked.


Author(s):  
Adrastos Omissi

This chapter begins by considering what made the late Roman state distinctive from the early Empire, exploring the political developments of the later third century, in particular the military, administrative, and economic reforms undertaken by the tetrarchs. It then explores the presentation of the war between the tetrarchy and the British Empire of Carausius and Allectus (286‒96), taking as its core sources Pan. Lat. X, XI, and VIII. These speeches are unique in the panegyrical corpus, in that two of them (X and XI) were delivered while the usurpation they describe was still under way, the third (VIII) after it was defeated. In this chapter, we see how the British Empire was ‘othered’ as piratical and barbarian, and how conflict with it helped to create the distinctive ideology of the tetrarchy.


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