Oxidization Is a Feminist Issue: Acidity, Canonicity, and Popular Victorian Female Authors

1996 ◽  
Vol 58 (3) ◽  
pp. 287 ◽  
Author(s):  
Carol Poster
2018 ◽  
Author(s):  
Colleen Etman

The Hogarth Shakespeare Project presents a way to view Shakespeare’s plays through a different lens. These books allow for a feminist reading of Shakespeare, looking at some of Shakespeare’s ill-treated female characters to construct a new idea of female characterization. Three of the plays adapted, The Winter’s Tale, The Tempest, and The Taming of the Shrew, were adapted by female authors. By investigating how these plays are being adapted for a more contemporary audience, with modern conceptions of feminism and gender roles, we can gain insight as to how these concepts have changed since Shakespeare’s time. By looking at these modern adaptations, we can interrogate how modern audiences as a whole conceptualize and, potentially, idealize Shakespeare, as well as understanding the progression of treatment of women in contemporary culture since Shakespeare’s time. The novels addressed in this project are The Gap of Time by Jeannette Winterson, Hag-Seed by Margaret Atwood, and Vinegar Girl by Anne Tyler. The project concludes that, of the three, Vinegar Girl does the most effective job addressing the problematic aspects of its adapted play in a new way, distinguishing it from previous adaptations of The Taming of the Shrew. This project also investigates the role that adaptation theory plays in addressing Shakespeare adaptations, particularly the Hogarth Shakespeare Project.


Author(s):  
Sumeer Gul ◽  
Sangita Gupta ◽  
Sumaira Jan ◽  
Sabha Ali

The study endeavors to highlight the contribution of women in the field of Political research globally. The study is based on the data gathered from journal, Political Analysis which comprises a list of articles published by authors for the period, 2004-2014. The proportion of the male and female authors listed in the publication was ascertained. There exists a colossal difference among male and female researchers in the field of Political Science research, which is evident from the fact that 88.30% of publications are being contributed by male authors while as just 11.70 % of publications are contributed by female authors. Furthermore, citation analysis reveals that highest number of citations is for the male contributions. In addition, the collaborative pattern indicates that largest share of the collaboration is between male-male authors. This evidently signifies that female researchers are still lagging behind in the field of Political Science research in terms of research productivity (publications)and thus, accordingly, need to excel in that particular field to overcome the gender difference. The study highlights status of women contribution in the Journal of Political Analysis from the period 2004-2014. The study provides a wider perspective of female research-contribution based on select parameters. However, the study can be further be enriched by taking into consideration various other criteria like what obstacles are faced by female researchers impeding their research, what are the effects of age and marital status on the research-productivity of female authors, etc.


2021 ◽  
pp. 0739456X2110019
Author(s):  
Adam Millard-Ball ◽  
Garima Desai ◽  
Jessica Fahrney

We investigate diversity in urban planning education by analyzing the gender and race/ethnicity of authors who are assigned on reading lists for urban sustainability courses. Using a sample of 772 readings from thirty-two syllabi, we find that assigned authors are even less diverse than planning faculty. Female authors account for 28 percent of assigned readings on the syllabi, and authors of color for 20 percent. Wide variation between courses suggests that a paucity of potential readings is not the main constraint. We urge instructors to revisit or “decolonize” their course syllabi and think critically about whose voices students are taught to hear.


2017 ◽  
Vol 28 (1) ◽  
pp. 52-71
Author(s):  
Lorna Hill

Abstract This study will explore the role of female authors in contemporary Scottish crime fiction. Over the past thirty years, women writers have overhauled the traditionally male dominated genre of crime fiction by writing about strong female characters who drive the plot and solve the crimes. Authors including Val McDermid, Denise Mina and Lin Anderson are just a few of the women who have challenged the expectation of gender and genre. By setting their novels in contemporary society they reflect a range of social and political issues through the lens of a female protagonist. By closely examining the female characters, both journalists, in Val McDermid’s Lindsay Gordon series and Denise Mina’s Paddy Meehan series, I wish to explore the issue of gender through these writers’ perspectives. This essay documents the influence of these writers on my own practice-based research which involves writing a crime novel set in a post referendum Scotland. I examine a progressive and contemporary Scottish society, where women hold many senior positions in public life, and investigate whether this has an effect on the outcome of crimes. Through this narrative, my main character will focus on the current and largely hidden crimes of human trafficking and domestic abuse. By doing this I examine the ways in which the modern crime novel has evolved to cross genre boundaries. In addition to focusing on a crime, the victims and witnesses, today’s crime novels are tackling social issues to reflect society’s changing attitudes and values.


2014 ◽  
Vol 69 (2) ◽  
pp. 151-174
Author(s):  
Caroline Gelmi

Caroline Gelmi, “‘The Pleasures of Merely Circulating’: Sappho and Early American Newspaper Poetry” (pp. 151–174) This essay examines how early national verse cultures Americanized the popular figure of Sappho. Newspaper parodies of fragment 31, which circulated widely in the late eighteenth and early nineteenth centuries, mocked English poet Ambrose Philips’s well-known translation of Sappho’s “Phainetai moi” ode in order to address concerns over the role of Englishness in the United States. The parodies achieved these political effects by allegorizing their own conditions of print circulation and deflating the cultural associations of fragment 31 and Philips’s translation with the lyric. In this way, these poems were able to address a number of political issues, from English imperialism in Ireland to the specter of English aristocracy in the U.S. federal government. This study of Sappho’s role as a figure for American print circulation in the early nineteenth century also offers a pre-history of the more familiar midcentury association of Sappho with the Poetess. As a figure for the Poetess, Sappho came to embody anxieties over female authors in the marketplace, representing concerns that the public circulation of the Poetess’ work and the promiscuous circulation of her body were one and the same. This essay tells the rich backstory to these more familiar concepts, tracing Sappho’s earlier entanglements with print circulation and the political and cultural functions she served.


2015 ◽  
Vol 55 (2) ◽  
pp. 71-89
Author(s):  
Ana Cergol Paradiž

With the help of publications, legislation, memoranda and promotional material, this article shows how various actors in the Slovene-speaking area, during the First World War, addressed their mothers, and if also in their cases, the phenomenon of the "militarization of motherhood" was shown, which was typical of other European countries. In the context of the discourse "militarization of motherhood", it analyzes the ways of how female (national) identity was formed. It tries to answer the question of what (patriotic) duties were imposed to women as mothers, for example, if as a result of declining birth rates in that time, even we encountered pronatalistic initiatives, especially those that were advocating social and health protection of (illegitimate) mothers and children. It also analyzes the views on the educational work of mothers at the time when this was, due to the absence of fathers, irregular lessons and the difficult war situation, even more difficult. At the same time, it studies the representations of women as mourning mothers at the deaths of their sons-soldiers. In this context, it establishes that during the war, the motif of a mourning, but brave and proud mother was frequent also in the Slovene press. A separate chapter presents the views of female authors on the topic of motherhood.


BJPsych Open ◽  
2018 ◽  
Vol 4 (2) ◽  
pp. 39-46 ◽  
Author(s):  
Mattias Strand ◽  
Cynthia M. Bulik

BackgroundThere is a clear gender gap in scientific authorship. Although the proportions of female authors in medicine and psychiatry have increased over the past decades, women are still underrepresented.AimsTo analyse authorship gender trends in eating disorder research.MethodFirst and last author gender in research articles on eating disorders during the period 1997–2016 were assessed in eating disorder specialty journals, high-impact psychiatry journals and high-impact clinical psychology journals.ResultsThe total number of papers on eating disorders increased substantially over the observation period, although a decrease was observed in high-impact psychiatry journals. Female authorship increased in both specialty journals and high-impact psychiatry journals. Authors were significantly less likely to be female in high-impact psychiatry and clinical psychology journals than in speciality journals.ConclusionsEating disorder research has been increasingly allocated to specialty journals over the past 20 years. A consistent gender gap between specialty and high-impact journals exists.Declaration of interestC.M.B is a grant recipient from Shire Pharmaceuticals, Inc. and has participated as a member of their scientific advisory board. These positions are unrelated to the content of this article.


1998 ◽  
Vol 82 (1) ◽  
pp. 247-253
Author(s):  
Melanie Moore ◽  
Richard Trahan

This study examined whether students are more likely to view a female author as biased and as having a political agenda when writing about gender than a male author. In the sample of 338 undergraduate students, the sex-related excerpt was rated as more biased, more subjective, and less scientific than the control reading. Female authors were rated as less objective and more likely to be presenting a personal view than male authors; however, no interaction between content of excerpt and sex of author occurred. The implications of these findings for research on sex and prejudice are discussed.


2021 ◽  
Vol 1 (1) ◽  
Author(s):  
Ida Fábián

This article is about a piece of research started in 2019 which focuses on the literary, cultural and sociological analysis of biographical and family stories by contemporary Jewish female authors from Eastern-Europe writing in German. This study investigates the relationship between the literary and lingual appearance of memories and the age, the Eastern-European origin, the socialization and the identity of the authors. The research also deals with the differences between the literary forms of the various generations of authors and the identifiable irony-fiction-reality correlation in the memories told.


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