XX. The Term. “Communal”

PMLA ◽  
1924 ◽  
Vol 39 (2) ◽  
pp. 440-454
Author(s):  
Louise Pound
Keyword(s):  
Nineteenth Century ◽  
Human Nature ◽  
French Revolution ◽  
Folk Song ◽  
The People ◽  
Hegelian Philosophy ◽  
Language Literature ◽  
The French Revolution

The period following the French Revolution was deeply interested in “the people” as a mass conception, in all that belonged to them and all that they created. It was in this period that theorists on the origin of law, customs, religion, language, literature—particularly the folk-song and the folktale—liked to advocate the doctrine of spontaneous, unconscious growth “from the heart of the people,” as the phrase went. Such conceptions of origin had their critics from the first; but they remained more or less orthodox throughout the nineteenth century, and they still have foothold in both England and America. They have, however, receded in the wake of more reserved second-thoughts about human nature, along with the recession of the “romantic” vehemence, and of the Hegelian philosophy of the “over-soul,” and of our own demagogic admiration of the undifferentiated demos.

George's Hive and the Georgian Hinge

1986 ◽  
Vol 14 ◽  
pp. 37-69
Author(s):  
Robert L. Patten
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Social Thought ◽  
The State ◽  
The People ◽  
Stable Class ◽  
Parliamentary Reform ◽  
Class Hierarchies ◽  
Second Wave ◽  
The French Revolution

Victorian political and social thought was shaped to some extent in response to the French Revolution and the Regency. One widely circulated mid-nineteenth-century emblem of the State is George Cruikshank's The British Bee Hive, which he designed in 1840 during a second wave of Chartist agitation whose origins and program extend backward into the first decades of the century (Fig. I). The Bee Hive was not published, however, until twenty-seven years later, on the eve of the second Reform Bill, when Cruikshank's “Penny Political Picture for the People” gave him an opportunity to address his public one more time “with a few words upon Parliamentary Reform” and the constitutional subjects that had preoccupied him “for upwards of fifty years.” As an expression of populous enterprise and the stable class hierarchies of the British bourgeois monarchy, George Cruikshank's beehive embodies in its design and accompanying letterpress not only his notions about the second Reform Bill, but also ideas growing out of earlier political, social, and graphic controversies.

The Glut of Doctors in Mid-Nineteenth-Century France

1977 ◽  
Vol 19 (3) ◽  
pp. 287-304 ◽  
Author(s):  
George D. Sussman
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Professional Services ◽  
Success Story ◽  
The West ◽  
Professional Careers ◽  
Nineteenth Century France ◽  
History Of ◽  
Great Attraction ◽  
The French Revolution

The history of the professions in the West since the French Revolution is a success story, a triumph, but not always an easy one. From the beginning of the nineteenth century in continental Europe the professions had a great attraction as careers presumably open to talent, but the demand for professional services developed more slowly than interest in professional careers and more slowly than the schools that supplied the market. Lenore O'Boyle has drawn attention to this discrepancy and the revolutionary potential of the frustrated careerists produced by it.

Moderation and the “Intertwining of Powers”

2012 ◽  
Author(s):  
Aurelian Craiutu
Keyword(s):  
French Revolution ◽  
Separation Of Powers ◽  
Political Agenda ◽  
Old Regime ◽  
Arbitrary Power ◽  
Special Place ◽  
The People ◽  
History Of ◽  
Constitutional Monarchy ◽  
The French Revolution

This chapter examines political moderation in the writings of Jacques Necker, with particular emphasis on his views on constitutionalism. Necker occupies a special place in the history of political moderation. He defended the principles of constitutional monarchy successively against the king, the nobility, and the representatives of the people. Necker's works, composed at different stages of the French Revolution, articulated a political agenda revolving around the idea of moderation in opposition to arbitrary power and violence. The chapter first provides an overview of Necker's ideas before discussing his theoretical statements on reforming the Old Regime. It then explains Necker's trimming agenda and the consequences of immoderation before turning to the French constitution of 1791 and Necker's critique of the constitutions of 1795 and 1799. It also explores Necker's arguments regarding complex sovereignty, equality, and separation of powers.

Nothing Personal

2016 ◽  
Author(s):  
Daniel M. Stout
Keyword(s):  
Political Philosophy ◽  
French Revolution ◽  
Logical Consequence ◽  
The Novel ◽  
The People ◽  
Two Cities ◽  
The Right ◽  
The French Revolution

Chapter four looks at Charles Dickens’s 1859 novel, A Tale of Two Cities. By examining parallels between the novel and Robespierre’s political philosophy, this chapter argues that Dickens’s novel understands the French Revolution not as an event that gave individuals the right of self-governance but as the event that formalized a conception of citizenship in which individual persons stand as avatars for the national will. The Revolutionary Terror and the guillotine are thus seen as the logical consequence of a theory of the nation that prioritized the People over individual persons.

Contravention and Creation of Law during the French Revolution

2021 ◽  
pp. 481-495
Author(s):  
Edward Kolla
Keyword(s):  
International Law ◽  
French Revolution ◽  
Unintended Consequence ◽  
Military Force ◽  
Central Feature ◽  
The People ◽  
History Of ◽  
The Will ◽  
History Of International Law ◽  
The French Revolution

Moments of infraction of international law can generate new law. These can also be important examples of contingency in the history of international law, if the process occurs as an unintended consequence of actors’ aims. The French Revolution was just such an instance. The transmission of sovereignty from the person of the king to the collective populace of France was a central feature of the Revolution. Unplanned by revolutionaries, the principle of popular sovereignty bled into international law and became a new justification for claims to territory—a precept which, by the twentieth century, came to be called national self-determination. This chapter explores how the will of the people became a force in international law, inadvertently from the perspective of revolutionaries, as a result of changing public opinion, claims of jurisprudential and moral legitimacy, and military force.

The Archaeology of the French Revolution

2007 ◽  
Author(s):  
Margarita Diaz-Andreu
Keyword(s):  
Eighteenth Century ◽  
French Revolution ◽  
Early Years ◽  
Political Scientist ◽  
Professional Discipline ◽  
The People ◽  
Nineteenth And Twentieth Centuries ◽  
The Common ◽  
The Relationship ◽  
The French Revolution

The nineteenth century saw the emergence of both nationalism and archaeology as a professional discipline. The aim of this chapter is to show how this apparent coincidence was not accidental. This discussion will take us into uncharted territory. Despite the growing literature on archaeology and nationalism (Atkinson et al. 1996; Díaz-Andreu & Champion 1996a; Kohl & Fawcett 1995; Meskell 1998), the relationship between the two during the late eighteenth and early nineteenth centuries has yet to be explored. The analysis of how the past was appropriated during this era of the revolutions, which marked the dawn of nationalism, is not helped by the specialized literature available on nationalism, as little attention has been paid to these early years. Most authors dealing with nationalism focus their research on the mid to late nineteenth and twentieth centuries, when the ideas that emerged during the era of the revolutions bore fruit and the balance between civic and ethnic nationalism (i.e. between a nationalism based on individual rights and the sovereignty of the people within the nation and another built on the common history and culture of the members of the nation) definitively shifted towards the latter. The reluctance to scrutinize the first years of nationalism by experts in the field may be a result of unease in dealing with a phenomenon which some simply label as patriotism. The term nationalism was not often used at the time. The political scientist Tom Nairn (1975: 6) traced it back to the late 1790s in France (it was employed by Abbé Baruel in 1798). However, its use seems to have been far from common, to the extent that other scholars believed it appeared in 1812. In other European countries, such as England, ‘nationalism’ was first employed in 1836 (Huizinga 1972: 14). Despite this disregard for the term itself until several decades later, specialists in the Weld of nationalism consider the most common date of origin as the end of the eighteenth century with the French Revolution as the key event in its definition.

James Mill's ‘The History of British India’ and Utilitarianism as a Rhetoric of Reform

1990 ◽  
Vol 24 (2) ◽  
pp. 209-224 ◽  
Author(s):  
J. Majeed
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Cultural Identities ◽  
Jeremy Bentham ◽  
British India ◽  
Early Nineteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
The French Revolution

This paper is about the emergence of new political idioms in the late eighteenth and early nineteenth centuries in Britain, and how this was closely involved with the complexities of British imperial experience in India. In particular, I shall concentrate on the radical rhetoric of Utilitarianism expressed by Jeremy Bentham, and especially by James Mill. This rhetoric was an attack on the revitalized conservatism of the early nineteenth century, which had emerged in response to the threat of the French revolution; but the arena for the struggle between this conservatism and Utilitarianism increasingly became defined in relation to a set of conflicting attitudes towards British involvement in India. These new political languages also involved the formulation of aesthetic attitudes, which were an important component of British views on India. I shall try to show how these attitudes, or what we might call the politics of the imagination, had a lot to do with the defining of cultural identities, with which both political languages were preoccupied.

Symbols of Power: Statues in Nineteenth-Century Provincial France

1989 ◽  
Vol 31 (3) ◽  
pp. 491-513 ◽  
Author(s):  
William Cohen
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Historical Study ◽  
North Americans ◽  
The Republic ◽  
Political Iconography ◽  
The Many ◽  
The French Revolution

Maurice Agulhon, in his classic French historical study, revealed how the changing political fortunes of Republicanism were reflected in the many metamorphoses that statues of the Republic had undergone in the century after the French Revolution. This study and a number of important works by North Americans, like those of James Leith and Lynn Hunt, are also important in making us understand French political iconography.

“Children of Liberty”: Idealist Historiography in Staël, Shelley, and Sand

PMLA ◽  
2003 ◽  
Vol 118 (3) ◽  
pp. 502-520 ◽  
Author(s):  
Kari Lokke
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Mary Shelley ◽  
George Sand ◽  
The Past ◽  
The Future ◽  
Spirit World ◽  
Historical Agency ◽  
The French Revolution

This essay explores the contributions of a tradition of nineteenth-century Künstlerromane by Germaine de Staël, Mary Shelley, and George Sand to European idealist historiography as exemplified in Kant's writings on perfectibility. Corinne, Valperga, and Consuelo represent the historical agency of the intellectual and artist as communication with a spirit world inhabited by ghosts of the past so that their secrets and wisdom can be transmitted to the future. In canonical Romanticism, contact with these phantasms provokes crippling guilt over the failure of past projects of perfectibility like the French Revolution (doomed by violence and bloodshed), guilt that is figured in the interdependent tropes of the titanic hero and Romantic melancholy. The novels discussed here perform an explicit critique of masculinist individualism in the name of women and humanity as a whole, replacing melancholy with enthusiasm and deploying spirits aesthetically, as sublime signs of future historical potentiality.

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