British Romans and Irish Carthaginians: Anticolonial Metaphor in Heaney, Friel, and McGuinness

PMLA ◽  
1996 ◽  
Vol 111 (2) ◽  
pp. 222-239 ◽  
Author(s):  
Elizabeth Butler Cullingford
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
James Joyce ◽  
Colonial Rule ◽  
Matthew Arnold ◽  
The North ◽  
British Colonial ◽  
Historical Relation ◽  
Early English ◽  
Origin Myth

Frank McGuinness's Carthaginians (1988) uses the historical relation between Rome and Carthage as a metaphor for the contemporary struggles between Britain and the nationalist community in the North of Ireland. The play, an elegy for thirteen Irish civilians murdered by British paratroopers on Bloody Sunday (30 Jan. 1972) in Derry, draws subversive power from a trope that since the eighteenth century has focused imaginative Irish resistance to British colonial rule. I first explore the history and the gendering of the trope, from early English myths of Trojan descent and medieval Irish genealogies through eighteenth-century antiquarians and philologists, nineteenth-century novelists, Matthew Arnold, and James Joyce. I then examine poems from Seamus Heaney's North, Brian Friel's play Translations, and McGuinness's Carthaginians to show how the pressure of history has revitalized the Rome-Carthage trope, which functions as origin myth, colonial parable, and site of intersection between nationalism and sexuality.

Aspects of Turkana Leadership during the Era of Primary Resistance

1976 ◽  
Vol 17 (2) ◽  
pp. 225-243 ◽  
Author(s):  
John Lamphear
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Colonial Rule ◽  
Military Leader ◽  
Military Leaders ◽  
Primary Resistance ◽  
The North ◽  
British Colonial ◽  
The Military ◽  
Considerable Period

After a considerable period of conflict with nineteenth-century traders, hunters and ‘explorers’, the Turkana of northwestern Kenya actively resisted the occupation of their country by the Imperial forces of British East Africa and Uganda during the second and third decades of the twentieth century. At first, this primary resistance was largely in the hands of war-leaders, notably Ebei, the most important military leader of the southern sections. Bitterness engendered by Hut Taxes and other unpopular British policies led to the brief ascendancy of Koletiang, an influential southern diviner, until he was imprisoned in 1911. Again the resistance leadership fell to the military until especially brutal ‘punitive actions’ in 1915 had the effect of consolidating resistance in the north. At this point, Lowalel, another powerful diviner, became the spiritual patron of the war-leaders and their followers, reaffirming the close co-operation which traditionally had existed between religious and military leaders in Turkana society. So charismatic and innovative was Lowalel's leadership that he amassed armies several thousand strong and was joined by other peoples including the Merille and Dongiro, as well as by the forces of the Ethiopian Empire, in resisting the extension of British colonial rule.

Romantic Heroes and Colonial Bandits

2015 ◽  
Author(s):  
Máire ní Fhlathúin
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Literary Representations ◽  
Colonial State ◽  
Indian Context ◽  
British Colonial

This chapter argues that British literary representations of Indian practices (such as banditry) criminalized by the colonial state had the effect of transforming the eighteenth-century stereotype of the ‘mild Hindoo’ into a predatory Indian masculinity formed in opposition to a weak and victimized femininity. It presents an analysis of a series of representations of India developed through the appropriation of British metropolitan forms and texts, in which the potential for threat to the British colonial state implicit in depictions of Indian agency is disabled or negated by the distancing or alienation of Indian figures from British readers. The chapter examines British Indian adaptations of the most important of these nineteenth-century metropolitan models – the works of Byron and Scott – and the ways in which their depiction of the criminal bandit / hero is appropriated and transformed in the Indian context.

Mine the Ruins

2019 ◽  
Vol 23 (3) ◽  
pp. 178-184
Author(s):  
Petal Samuel
Keyword(s):  
Nineteenth Century ◽  
Review Essay ◽  
West Indies ◽  
West Indian ◽  
Colonial Rule ◽  
The West ◽  
British Caribbean ◽  
British Colonial

This review essay explores the extent to which the phenomenon of imperial “neglect” proposed in Christopher Taylor’s Empire of Neglect: The West Indies in the Wake of British Liberalism (2018) maintains saliency in the wake of national independence throughout the British Caribbean. Through a reading of Jamaica Kincaid’s A Small Place, the essay highlights how the market logics of mid-nineteenth-century imperial liberalization continued to animate new forms of West Indian erasure well into the twentieth and twenty-first centuries. While Kincaid deploys arguments of imperial neglect, she refuses the aspirations for repair that neglect implies. By stressing the impossibility of repairing the violence of British colonial rule, her work instead asks, What new forms of thought become possible beyond argumentative frames of repair?

The Bakungu Chiefs of Buganda under British Colonial Rule, 1900–1930

1969 ◽  
Vol 10 (2) ◽  
pp. 309-322 ◽  
Author(s):  
Michael Twaddle
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Institutional Changes ◽  
Colonial Rule ◽  
Secondary Sources ◽  
Political Relationships ◽  
Imperial Power ◽  
British Colonial ◽  
New Situation ◽  
Primary Materials

In 1959 C. C. Wrigley published ‘The Christian revolution in Buganda’. an important essay summarizing a decade of intensive research into Buganda politics during the nineteenth century. There he demonstrated how ‘Ganda society had undergone, immediately before the advent of British imperial power, a genuine revolution, which had brought about drastic changes in ideology and in the structure as well as the personnel of government and that as a result of these [and other] changes it was uniquely fitted to cope with the new situation which confronted it in the last years of the nineteenth century’. This essay seeks to reconstruct an intriguing attempt made by the Bakungu client-chiefs who triumphed in that ‘Christian revolution’ to perpetuate their power in the Buganda kingdom by making further institutional changes during the second decade of the twentieth century. But first it is necessary to discuss the general factors shaping political relationships between these client-chiefs and their European rulers during the first and third decades of this century. In this it is possible to take account not only of several secondary sources published since the appearance of Wrigley's article nearly ten years ago, but also of certain primary materials which have recently come to light.

scholarly journals Memory and the written testimony: the actresses of the public theatre in Calcutta in the 19th & 20th century

Letrônica ◽  
2018 ◽  
Vol 11 (3) ◽  
pp. 113
Author(s):  
Sarvani Gooptu
Keyword(s):  
Nineteenth Century ◽  
20Th Century ◽  
Women Performers ◽  
Colonial Rule ◽  
The Public ◽  
Primary Material ◽  
Theatrical Performances ◽  
British Colonial ◽  
Bengali Language ◽  
Indian Theatre

Modern theatrical performances in Bengali language in Calcutta, the capital of British colonial rule, thrived from the mid-nineteenth century though they did not include women performers till 1874. The story of the early actresses is difficult to trace due to a lack of evidence in contemporary sources. So though a researcher is vaguely aware of their significance and contribution to Indian theatre, they have remained shadowy figures – nameless except for those few who have left a written testimony of their lives and activities. It is my intention through the study of this primary material and the scattered references to these legendary actresses in vernacular journals and memoirs, to recreate the stories of some of these divas and draw a connection between testimony and lasting memory. ***Memória e testemunho escrito: as atrizes do teatro público em Calcutá nos séculos XIX e XX***As representações teatrais modernas na língua bengali em Calcutá, a capital do governo colonial britânico, prosperaram a partir de meados do século XIX, embora não incluíssem mulheres até 1874. É difícil traçar a história das primeiras atrizes devido à falta de evidências em fontes contemporâneas. Dessa forma, embora o pesquisador tenha uma vaga consciência de sua contribuição e importância para o teatro indiano, elas permaneceram obscuras – anônimas, com exceção daquelas que deixaram um testemunho escrito de suas vidas e atividades. Por meio do estudo desse material primário e das referências esparsas a essas lendárias atrizes em diários e memórias na língua vernácula, pretendo recriar as histórias de algumas dessas divas e estabelecer uma conexão entre testemunho e memória duradouraPalavras-chave: Atrizes; Teatro bengali; Párias sociais; Representação e produção criativa; Memória e testemunho escrito.

From Caesarea to Athens: Greek Revival Edinburgh and the Question of Scottish Identity within the Unionist State

2001 ◽  
Vol 60 (2) ◽  
pp. 136-157 ◽  
Author(s):  
John Lowrey
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Sir Walter Scott ◽  
Capital City ◽  
Early Nineteenth Century ◽  
New Town ◽  
The North ◽  
Greek Revival ◽  
Greek Architecture ◽  
The City

In the early nineteenth century, the city of Edinburgh cultivated a reputation as "the Athens of the North." The paper explores the architectural aspects of this in relation to the city's sense of its own identity. It traces the idea of Edinburgh as a "modern Athens" back to the eighteenth century, when the connotations were cultural, intellectual, and topographical rather than architectural. With the emergence of the Greek revival, however, Edinburgh began actively to construct an image of classical Greece on the hilltops and in the streets of the expanding city. It is argued that the Athenian identity of Edinburgh should be viewed as the culmination of a series of developments dating back to the Act of Union between the Scottish and English Parliaments in 1707. As a result, Edinburgh lost its status as a capital city and struggled to reassert itself against the stronger economy of the south. Almost inevitably, the northern capital had to redefine itself in relation to London, the English and British capital. The major developments of Edinburgh in the eighteenth and early nineteenth centuries, including the New Town and the urban proposals of Robert Adam, are interpreted in this light. As the eighteenth century progressed, the city grew more confident and by the early nineteenth century had settled upon its role within the Union and within the empire, which was that of cultural capital as a counterbalance to London, the political capital. The architectural culmination of the process of the redefinition of Edinburgh, however, coincided with the emergence of another mythology of Scottish identity, as seen through the Romantic vision of Sir Walter Scott. It implied a quite different, indigenous architecture that later found its expression in the Scots Baronial style. It is argued here, however, that duality does not contradict the idea of Edinburgh as Athens, nor, more generally, does it sit uneasily with the Scottish predilection for Greek architecture, but rather that it encapsulates the very essence of Scottish national identity: both proudly Scots and British.

‘Fugitive Mullahs and Outlawed Fanatics’: Indian Muslims in nineteenth century trans-Asiatic Imperial Rivalries

2011 ◽  
Vol 45 (6) ◽  
pp. 1337-1382 ◽  
Author(s):  
SEEMA ALAVI
Keyword(s):  
Nineteenth Century ◽  
Ottoman Empire ◽  
World Order ◽  
Oral Traditions ◽  
Colonial Rule ◽  
Political Space ◽  
British India ◽  
British Colonial ◽  
Muslim Politics ◽  
Kinship Ties

AbstractThis paper follows the careers of ‘outlawed’ Indian Muslim subjects who moved outside the geographical and political space of British India and located themselves at the intersection of nineteenth century trans-Asiatic politics: Hijaz, Istanbul and the Arab provinces of the Ottoman Empire, and Burma and Acheh in the East. These areas were sites where ‘modern’ Empires (British, Dutch, Ottoman and Russian) coalesced to lay out a trans-Asiatic imperial assemblage. The paper shows how Muslim ‘outlaws’ made careers and carved out their transnational networks by moving across the imperial assemblages of the nineteenth century. British colonial rule, being an important spoke in the imperial wheel, enabled much of this transnationalism to weld together. Webs of connections derived from older forms of Islamic connectivity as well: diplomacy, kinship ties, the writing of commentaries on Islam and its sacred texts in unique ways, oral traditions, madrasa and student contacts. These networks were inclusive and impacted by the tanzimat-inspired scriptural reformist thought in the Arab provinces of the Ottoman Empire. They were not narrowly anti-colonial in tone as they derived from a complex inter-play of imperial rivalries in the region. Rather, they were geared towards the triumph of reformist Islam that would unite the umma (community) and engage with the European world order. The paper shows how this imperially-embedded and individual-driven Muslim transnational network linked with Muslim politics rooted within India.

New Light on Venda Traditions: Mahumane's Account of 1730

1977 ◽  
Vol 4 ◽  
pp. 163-181 ◽  
Author(s):  
Gerhard Liesegang
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
The South ◽  
The North ◽  
Project Groups ◽  
Early Eighteenth Century

In the early eighteenth century a Venda kingdom stretched from the Limpopo in the north to the Olifants or even Ngwenya (Crocodile) in the south and included the much smaller area now inhabited by the Venda. The main evidence for the existence of this polity comes from data on the Venda gathered between 1723 and 1730 by the Dutch at Delagoa Bay. The most substantial of these sources, part of which has been transcribed and translated here, is the so called ‘report of Mahumane’, an African from the chiefdom of Mpfumo near the Dutch trading factory who had visited the Venda king in 1727/28 and who named a number of rivers which can still be identified. Mahumane's account supports Venda traditions of an earlier and larger state, a tradition whose validity has sometimes been questioned in the last decades. The report shows that from the early eighteenth to the second half of the nineteenth centuries cultural and political changes occurred which influenced the identification of groups by outsiders and to some extent also their own self-identification. In turn this suggests that it is not always safe to project groups and polities as they existed in the second half of the nineteenth century into the remoter past.The report also contains some information on the Lemba and on the northern and eastern neighbors of the Venda. In order not to raise false hopes I might add that Mahumane's account contains no information on the identity of the royal lineage of the Venda in the 1720's and earlier.

Conclusion

2020 ◽  
pp. 163-172
Author(s):  
Nurfadzilah Yahaya
Keyword(s):  
Nineteenth Century ◽  
Southeast Asia ◽  
Islamic Law ◽  
Advisory Board ◽  
Colonial Rule ◽  
Muslim Population ◽  
British Colonial ◽  
Colonial Government ◽  
Sepoy Mutiny ◽  
Legal Arbitrage

This chapter recounts how the members of the Arab diaspora attempted legal arbitrage under colonial rule. It analyses the members' expansion and modification of Islamic law, while at other times they policed the boundaries of Islamic law even as mere translators. The chapter tells the story of the surprising involvement of the outsider — the Arab diaspora — in aiding colonialists to accumulate legislative power. The pace of change from the mid-nineteenth century onward was brisk, and the Arab diaspora capitalized on it while attempting to navigate uncertainty and risk. This chapter also investigates how Arab diaspora in Southeast Asia were able to influence the shape of law to a great extent. It takes a look on how concessions to Arabs in the Straits Settlements, in the form of the Mohamedan Marriage Ordinance, and their appointments as members of the Mohamedan Advisory Board after the Sepoy Mutiny subsequently tied them more closely to the British colonial government, along with the rest of the Muslim population in the colony.

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