Ideas of Structure and the Structure of Ideas: Le Corbusier's Pavillon Suisse, 1930-1931
1981 ◽
Vol 40
(4)
◽
pp. 295-310
Keyword(s):
New Era
◽
Le Corbusier was obsessed with creating the prototypes of a new era of harmony for the industrial city. His solutions to individual commissions were often laden with urbanistic principles which he sometimes demonstrated at the expense of a more immediate practicality. By digging into the design process of Pavillon Suisse, we may sense how Le Corbusier translated the given program and site into the terminology of his own dream, how he coped with compromises and attacks on his ideal intentions, and how he adjusted and extended an architectural language that was already mature. In particular we are better able to gauge the way standard elements, such as the pilotis, were "re-thought" to embody new levels of meaning.