Bloody Hope
This concluding chapter returns to Palestinian Hebrew writing with a poem by Salman Masalha and its intertextual invocation of a sonnet corona by the canonical early twentieth-century Hebrew poet Saul Tchernichowsky. Masalha's poem, provocatively titled “Ha-tikva” (“The Hope”), appropriates the name of Israel's national anthem while depicting the aftermath of a violent event, presumably a terror attack. The chapter unravels the layers of meaning ensconced within the poem, which is read as a political and aesthetic intervention, to arrive at the fundamental questions implied by its act of bearing witness: How do we define the political agency of witnessing? How can the outsider, the Other, bear witness to violence and disaster; how can she or he be heard? The book concludes with these broader questions about the epistemological limits of representation in the no-man's-land of language.