scholarly journals KOREOGRAFI TARI PIRIANG BAKENCAK DI SANGGAR TARI TUAH SAKATO KECAMATAN PAUAH KOTA PADANG

2019 ◽  
Vol 8 (2) ◽  
pp. 48
Author(s):  
Rafi Rafi ◽  
Herlinda Mansyur
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Design Process ◽  
Secondary Data ◽  
Primary Data ◽  
Process Equipment ◽  
Data Types ◽  
Data Presentation ◽  
Library Studies ◽  
Collection Data

Abstract This article aims to reveal and describe the choreography of Piriang Bakencak dance at Sanggar Tuah Sakato in Kecamatan Pauh Kota Padang. This type of research is qualitative research using descriptive methods. This research instrument is self-research and assisted by supporting instruments such as stationery and cameras. Data types use primary data and secondary data. Data collection techniques are conducted by way of library studies, observations, interviews and documentation. The steps for analyzing data are data collection, data reduction, data presentation and withdrawal of conclusions. The results showed that Piriang Bakencak dance was a group-shaped creation that used the composition of the group, and was directed by a lift in the Koto Anau tradition. This Bakencak dish dance is a development of tradition with a choreography approach. In Piriang Bakencak dance There are elements of dance composition consisting of theme, motion, top design, floor design, dramatic design, music design, process, equipment and choreography group. It was concluded that Piriang Bakencak dance was directed by planning choreography by the fact. Because Piriang Bakencak dance in the start of an idea that is present from the tradition, and was directed in a form of a clear, then directed again with more new movements. Keywords:    choreography, Piriang Bakencak Dance, Sakato Classes Workshops Dance

scholarly journals KEBERADAAN TARI TAREA-READI KENAGARIAN KOTO GADANG GUGUK KECAMATAN GUNUNG TALANG KABUPATEN SOLOK

2019 ◽  
Vol 8 (2) ◽  
pp. 25
Author(s):  
Sri Wahyuni ◽  
Herlinda Mansyur
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Performing Arts ◽  
Secondary Data ◽  
Primary Data ◽  
Data Types ◽  
Traditional System ◽  
Library Studies ◽  
Main Instrument ◽  
Descriptive Method

Abstract This article aims to reveal and describe the existence of Tarea-rea dance in Kenagarian Koto Gadang Guguk Kecamatan Gunung Talang  Kabupaten Solok. This type of research is qualitative research with a descriptive method. The main instrument of this research is its own research and assisted with supporting instruments such as stationery, cameras and Handycam.  Data types use primary data and secondary data. Data collection techniques are conducted by way of library studies, observations and interviews. The steps for analyzing data are data collection, analyzing data, describing data and making conclusions. The results showed that Tarea-rea dance is a art carried by the ancestors of the Guguk people who inherited hereditary with the traditional system. Tarea-rea dance was originally used as a dance at the time of the decline ceremony of rice harvesting. Since 2015 This dance is increasingly popular in the Kenagarian Koto Gadang Guguk as the performing arts. The existence of Tarea-rea dance is still recognized and cultivated by the community and local people also have recognized the existence of the dance in the Kenagarian Koto Gadang Guguk. Keywords: existence, Tarea-Rea dance

scholarly journals ANALISIS GARAPAN TARI SANGGAR SENI SARAI SARUMPUN DI KOTA PADANG

2020 ◽  
Vol 10 (1) ◽  
pp. 13
Author(s):  
Nur Na’afi Putri ◽  
Darmawati Darmawati
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Mobile Phones ◽  
Data Reduction ◽  
Secondary Data ◽  
Primary Data ◽  
Data Presentation ◽  
Library Studies ◽  
Medium Time ◽  
Line Patterns

This research aims to find out the dance work of Sarai Sarumpun Art workshops in Padang City. This type of research is qualitative research, and the method used is a description of the analysis. The instruments in this study are the researchers themselves and assisted with supporting instruments such as stationery and mobile phones. The data type uses primary data and secondary data. Data collection techniques are carried out by library studies, observations, interviews, recording and shooting. The steps for analyzing the data are data reduction, data presentation and withdrawal of conclusions. The results showed that the dance work of Sarai Sarumpun Art workshops seen in his three dances is Hoyak Badarai Plate dance, Indang Sarumpun dance, Rampak Nuri Shawl dance. Of these three dances found the wiggle room is dominated by large wiggle room, and the time of movement implementation is dominated by medium time, as well as the use of energy in motion dominated by medium-sized energy. More dance moves are used in curved zig-zag line patterns that produce emotional touches full of feeling (joy). Thus the supporting elements such as the joyous sense of music presented by the variety of sounds and costumes with colorful and varied floor patterns that all reinforce the joyous atmosphere that is presented in the dance of entertainment.Keywords: Analysis, Dance Work, Sarai Sarumpun Art Workshops

scholarly journals PRESTASI SANGGAR RUMAH GADANG SEBAGAI SEBUAH ORGANISASI SENI PERTUNJUKAN DI NAGARI CUPAK KABUPATEN SOLOK: KAJIAN TERHADAP TATA KELOLA ORGANISASI

2020 ◽  
Vol 9 (2) ◽  
pp. 47
Author(s):  
Della Natasia Gunita Piska ◽  
Indrayuda Indrayuda
Keyword(s):  
Qualitative Research ◽  
Performing Arts ◽  
Secondary Data ◽  
Primary Data ◽  
Data Types ◽  
Data Presentation ◽  
Video Cameras ◽  
Library Studies ◽  
Main Instrument ◽  
Descriptive Method

This research aims to describe and explain the governance of the organization of Rumah Gadang Dance Art in managing the order well to be able to achieve achievement both national and international so that it remains exist and survive to date. This type of research is qualitative research with a descriptive method. The main instrument in this research is its own researchers and assisted with supporting instruments such as notebooks, note taking tools, video cameras, photo cameras, and tape recorders. The data types in this study are primary data and secondary data. Data collection techniques are conducted by way of library studies, observation, interviews, documentation. The steps for analyzing data are data reduction, data presentation and withdrawal of conclusions. The results showed that the governance of the organization run by Sanggar Rumah Gadang can run well so that it produces good achievements. The research is included in a line organization (a form of organization where direct authority delegation is vertically and completely from leadership to its subordinates). The advantage of the line organization, all decisions can be resolved directly because in a particular situation the leader becomes one of the main targets in problem solving. Disadvantages of the line organization, if there is an issue or problem can not be resolved quickly because the leader is not in place. Thus the governance of the line Oganisasi to solve the problem or problems in the workshop, the head of the workshop became the first person to complete and resolve the issue.Keywords: achievement, Rumah Gadang, performing Arts

scholarly journals PEWARISAN SILEK PAUH DI PERGURUAN SILATURAHMI DI KELURAHAN KALUMBUK KECAMATAN KURANJI KOTA PADANG

2020 ◽  
Vol 9 (1) ◽  
pp. 57
Author(s):  
Uchi Isra Windy ◽  
Nerosti Nerosti
Keyword(s):  
Data Collection ◽  
Performance Art ◽  
Martial Arts ◽  
Secondary Data ◽  
Primary Data ◽  
Data Types ◽  
Library Studies ◽  
And Performance ◽  
The University ◽  
The Village

Abstract This research aims to describe and discuss the inheritance of Silek Pauh at the University of Kalumbuk subdistrict, Kuranji, Padang. The method used in this study is a qualitative deskritif method. Research instruments are self-researcher and assisted by supporting instruments such as stationary cameras. The data types in this study are primary data and secondary data. Data collection techniques are conducted by way of library studies, observation, interviews, documentation.  The steps for analyzing data are data collection, describing data and making inferences. The results showed that the inheritance of Silaturahmi in this college was an open devolution system. But still rigid due to some things, among them the trainer currently has not found a candidate who is intact and able to learn the Silek Pauh.  The function of Silek Pauh in addition to martial arts and performance art, Silek Pauh is also used as a means of communication and associating among Pauh people. This seems to be seen in the practice activities Pauh Silek Many students come to Pauh Silaturahmi in this college from several villages outside the village Kalumbuk. Currently, the college has remained a sociable event between youth Kalumbuak. The process of student rektrument at the college is very easy, by coming directly and convey the goodwill to be a student in the College of Hospitality, and will be able to follow every process that is at the time of practice. Keywords: devolution, Silek Pauh, silaturahmi College

scholarly journals PELAKSANAAN KEGIATAN PENGEMBANGAN DIRI SENI TARI DI SMP-SDI SILUNGKANG

2019 ◽  
Vol 8 (3) ◽  
pp. 71
Author(s):  
Deliziani Deliziani ◽  
Fuji Astuti ◽  
Nerosti Nerosti
Keyword(s):  
Qualitative Research ◽  
Information Technology ◽  
Data Collection ◽  
Secondary Data ◽  
Primary Data ◽  
Self Development ◽  
Library Studies ◽  
Communication And Information Technology

AbstractThis study aims to describe the implementation of dance development activities in SMP-SDI Silungkang. The type of research is qualitative research by usingdescriptive method of analysis. The objects in this study were 23 students consisting of grade VII and grade VIII at SMP-SDI Silungkang. The instrument used in this study was the researchers themselves and supported by observation, documentation and interviews. The types of data in this researcher were primary data and secondary data. In data collection used secondary techniques. The technique of data collection was done by means of library studies, observation, interviews and documentation. The results of the study showed that the implementation of the dance development activities in SMP-SDI Silungkang ran well. Although, self-development activities in coaching were assisted by the teachers of Communication and Information Technology (ICT). However, the results  can be achievedwell. This was also supported by thestudents’ interest to improve their self-development of dance in the school.Keywords: Implementation, Self Development, Dance

scholarly journals Pembelajaran Seni Kaligrafi Berbasis Eksperimen Kimia di Sekolah Dasar Negeri 8 Kawunglarang Rancah Kabupaten Ciamis

2021 ◽  
Vol 15 (1) ◽  
pp. 69
Author(s):  
Siti Sopiah
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Data Collection ◽  
Secondary Data ◽  
Data Sources ◽  
Primary Data ◽  
Data Presentation ◽  
Analysis Techniques ◽  
Three Stages ◽  
Secondary Data Sources

Learning the art of calligraphy based on chemical experiments is an activity of learning the art of calligraphy in developing the potential of students to foster creativity, instill value, and develop productive abilities by using harmless materials, namely using colored plants. The purpose of this research was to determine the process and to obtain calligraphy work in learning the art of calligraphy based on chemical experiments. The type of method used in this research is field qualitative research. The data sources in this study were divided into two: first, primary data sources consisting of the principal, educators, and students of SDN 8 Kawunglarang Rancah; second, secondary data sources obtained through tracing of various references. Furthermore, the data collection instruments used were observation, interviews, and documentation, as well as the data analysis techniques used, namely through three stages including data reduction, data presentation, and drawing conclusions. The results of this study indicate that the process of learning the art of calligraphy based on chemical experiments includes the planning, implementation, and evaluation stages. The work of SDN 8 Kawunglarang students is still in the basic stages so there are several mistakes in its making.

scholarly journals BENTUK PENYAJIAN SILEK KAPAK SEBAGAI BUDAYA TRADISI MASYARAKAT DI KANAGARIAN PADANG LAWEH KECAMATAN KOTO TUJUAH KABUPATEN SIJUNJUNG

2020 ◽  
Vol 10 (1) ◽  
pp. 148
Author(s):  
Chelina Dewi ◽  
Indrayuda Indrayuda
Keyword(s):  
Data Collection ◽  
Secondary Data ◽  
Primary Data ◽  
Cultural Tradition ◽  
Horizontal Line ◽  
Line Pattern ◽  
Data Presentation ◽  
Straight Line ◽  
Collection Data ◽  
Analyze Data

The research aims to reveal, describe and analyze about the Form of Presentation of Silek Axe as a Culture of Community Tradition in Kanagarian Padang Laweh District Koto Tujuah Sijunjung Regency. This type of research is qualitative research with descriptive methods of analysis. The data type uses primary data and secondary data. The main instruments are the researchers themselves and are assisted with supporting instruments such as stationery and cameras. Data collection techniques are conducted by way of literature, observation, interview and documentation. The steps to analyze data are data collection, data reduction, data presentation, and conclusion drawing. The results of this study show that Silek Kapak is a tradition of Padang Laweh people. Silek Axe was performed by 2 players, which was displayed in the courtyard of Rumah Gadang during the day. The form of presentation of Silek Axe in Kanagarian Padang Laweh Sub-District Koto Tujuah Sijunjung Regency is representative. Elements of Silek Axe Presentation Form as follows: (1) opening greeting motion, amuak kapalo, amuak dado, pata tobu, klotiak and closing greetings. (2) Silek Axe floor pattern uses a straight line pattern or horizontal line. (3) Silek Axe's accompanying music consists of: talempong, drums, gongs. (4) the costume used by the player in Silek Axe taluak balango in black, black pants, asamping and deta. (5) In addition, Silek Axe uses the Original Axe property as supporting silek axe show.Keywords: Form of Presentation, Silek Axe, Cultural Tradition

scholarly journals BENTUK GARAPAN TARI PIRING LAMPU TOGOK KREASI SANGGAR LUBUAK NAN TIGO KOTA SOLOK

2019 ◽  
Vol 8 (1) ◽  
pp. 53
Author(s):  
Rahmi Izaty ◽  
Nerosti Nerosti
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Secondary Data ◽  
Musical Instrument ◽  
Primary Data ◽  
Creative Dance ◽  
Video Cameras ◽  
Dance Movements ◽  
Library Studies ◽  
Male Dancers

Abstract This study aims to describe and analyze the forms of creation of Tari Piring Lampu Togok at Lubuak Nan Tigo Studio. This type of research was qualitative research with descriptive analytical methods. The main instruments in this study were the researchers themselves and assisted with supporting instruments including stationery, photo cameras and video cameras. The type of data used primary data and secondary data. Data collection techniques were carried out by means of library studies, observation, interviews and documentation. The steps in analyzing data were collecting the data, analyzing data, describing data and makingconclusions. The results of the study showed that the Tari Piring Lampu Togok was a creative dance by Lubuak Nan Tigo studio, arranged based on the dance movements of the traditional Tari Lampu Togok. The creation of the dance production resulteda quality form of work, including: (1) Motion, consists of: (a) opening motions are anta lampu,puta duduak, tagak itiak, duduak maagah piriang, pitungguang ayun piriang, then (b) core movements are ramo-ramo bagaluik, tupai bagaluik, tusuak muko balakang, usuak bawah ateh, simpia tagak, ayun rang mudo, tusuak mangayun, tupai bagaluik jantan, lenggok basamo, tusuak baganti, piriang manabeh tagak, piriang manabeh duduak, langkah puta ramo-ramo, tusuak sasampiang, simpia duduak, ayun ampek panjuru, next (c) the closing motion isputa habih. (2) Varied floor patterns, namely diagonal, triangle, letter V, letter W, circle and horizontal. (3) Accompanying music uses a musical instrument called tambua, talempong, canang, tasa, bansi, sarunai. (4) male dancers weartaluak balango, galembong pants, deta wrapped in batik cloth andsongket Silungkang and  the costumes for female dancers wear baju kurung, pants, songketSilungkang, and tanduak wrapped in songket. (5) Female dancers wear beautiful makeup and male dancers wear foundation and powder only. (6) Dancer consists of 6 people;3 female dancers and 3 male dancers.Dancers are able to express their movements by maintaining balance and compactness swiftly so that Lampu Togok stands firmly on the headduring the performance. (7) Property is Lampu Togokitself which used to be a light for the community. The lights are turned on using kerosene. The balance ofTari Piring Lampu Togoksymbolizes caution in facing opponents and living life. The compactness of the Tari Piring Lampu Togok symbolizes the community and togetherness in living life. Keyword: Solok, Lubuak Nan Tigo Studio, Tari Piring Lampu Togok, Form of Creation.

Analisis Penerapan Jual Beli Syariah pada Usaha Pedagang Kaki Lima (PKL) di Terminal Leuwiliang Kabupaten Bogor

2021 ◽  
Vol 1 (1) ◽  
pp. 14-28
Author(s):  
Salwa Aini Febrianti ◽  
Dedi Junaedi ◽  
Sukarna Sukarna
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Data Collection ◽  
Secondary Data ◽  
Research Data ◽  
Marketing Strategies ◽  
Data Sources ◽  
Street Vendors ◽  
Data Presentation ◽  
Collection Data

This study aims to determine whether the street vendors at the Leuwiliang terminal know and apply sharia buying and selling in their daily marketing strategies and to find out whether the implementation of sharia buying and selling in their marketing strategies has an effect on the sales of street vendors. at Leuwiliang Terminal. To answer this question, the author uses descriptive qualitative research, namely an analysis of data that is explanatory and informational data that will be associated with theories and concepts that will be discussed in qualitative research and provide conclusions from this research. Data collection techniques used are observation, interviews, and documentation, the data sources used are primary and secondary data. Furthermore, data analysis consists of data collection, data reduction, data presentation, and drawing conclusions. Most of the street vendors in Leuwiliang Terminal Bogor do not know about buying and selling sharia, but when they are explained about buying and selling sharia and being asked again whether they apply sharia buying and selling in their daily buying and selling activities? The traders answered that they applied it in their daily buying and selling activities. And the street vendors at Leuwiliang Terminal are of the opinion that the implementation of sharia buying and selling has little effect on the sales of these street vendors. Keywords: buying and selling sharia, marketing strategy, street vendors

scholarly journals ANALISIS GERAK TARI ULU AMBEK DI NAGARI SINTUK KECAMATAN SINTUK TOBOH GADANG KABUPATEN PADANG PARIAMAN: ASPEK RUANG, WAKTU, DAN TENAGA

2019 ◽  
Vol 8 (1) ◽  
pp. 1
Author(s):  
Nilam Permata Sari ◽  
Darmawati Darmawati
Keyword(s):  
Data Collection ◽  
Motion Analysis ◽  
Secondary Data ◽  
Space Time ◽  
Primary Data ◽  
Digital Cameras ◽  
Data Types ◽  
Collection Data ◽  
Main Instrument ◽  
Time And Energy

Abstract This article aims to reveal and describe the form of motion analysis of Ulu Ambek dance in Nagari Sintuk subdistrict Sintuk Toboh Gadang District Padang Pariaman Judging by aspects of space, time, and energy. This type of research is qualitative research with a descriptive method. The main instrument in this research is its own researchers and assisted with supporting instruments such as mobile stationery and digital cameras. The data types in this study are primary data and secondary data. Data collection techniques are conducted by means of interviews, observations and documentation. The steps in analyzing data are data collection, data reduction, data presentation and withdrawal of conclusions. The results showed that Tari Ulu Ambek is a tradition art that at present is only shown as a form of the sylladance of the community between Nagari in Pariaman. The motion of Tari Ulu Ambek is 1) The motion of the Harvest, (2) The motion of the past (attacking), (3) Motion of Ambek (repelling), (4) The motion of Tigo, (5) The motion of Anggua, (6) Movements of the Tari Ulu Ambek has motion analysis based on space, time, and energy aspects. Although the movement is not structured neatly, but it can still be seen the aspect of space, time, and energy from Ulu Ambek dance.Keywords:              motion analysis, dancing Ulu Ambek, aspect of space, time, and energy

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