scholarly journals BENTUK PENYAJIAN DAN FUNGSI MUSIK DALAM UPACARA THAU CHIT PADA AGAMA KHONGHUCU DI YAYASAN BUDI MULIA KECAMATAN LUBUK PAKAM KABUPATEN DELI SERDANG

2018 ◽  
Vol 6 (2) ◽  
pp. 96
Author(s):  
KRISTIAN SINAGA

Presentation Form And Function In Ceremony Thau Music Chit On Confucian Religion inYayasan Budi Mulia Lubuk Pakam District of Deli Serdang. Faculty of Language and Art. StateUniversity of Medan. This study aims to determine rites Chit Thau, the usefulness of theinstrument, the form of presentation and function of music in Chit Thau ceremony at the Confucianreligion in Yayasan Budi Mulia Lubuk Pakam District of Deli Serdang. This study is based on atheoretical foundation that explains the sense of form, sense of presentation, understanding thefunction, understanding music, understanding, Thau ceremony Chit, and understanding ofConfucianism. This research was conducted at Yayasan Budi Mulia Lubuk pakam District of DeliSerdang in June to August 2015. The method in this research use descriptive qualitative researchmethods. The population in this study is saikong (prayer leaders), community, and musicians atthe ceremony Thau Chit Confucian Religion in Yayasan Budi Mulia Lubuk Pakam District of DeliSerdang, while samples totaling 28 people. Data collected through observation, interviews,documentation, and strudi literature. These results indicate that the rites Thau Chit divided intoeight parts, namely Huat Piau is cleaning the altar and sending letters to the god of hell. WangPai is a tribute to the gods of heaven. Old Phou is the process invites the god of the earth. TiauHun is the process of summoning spirits. Mong Ek is the process of bathing spirit. Iok Pai Wang isa tribute to the god of medicine. Sio Ui house burning spirit. And Koei Kio is the return of thespirit of the gods .. Uses istrument music at the ceremony Thau Confucianism is Choei Chit Khinand Er Hu as a carrier melody, as rithem drums, bells and la Bua carrier tempo. Form ofpresentation of the music at the ceremony Thau Chit Confucianism is divided into three parts,namely musical homage to the gods, notification to the spirit, and the spirit returns to music.There are three functions of the music at the ceremony Thau Chit Confucianism, which is afunction of aesthetic pleasure and emotional expression, communication function and endorsementof religious rituals and functions contributes to the continuity and stability of culture.

2020 ◽  
Vol 10 (1) ◽  
pp. 89-106
Author(s):  
Karina Sofiananda Armaza-Faraba ◽  
Sumarlam Sumarlam ◽  
Dwi Purnanto

This article discusses the form and function of pro-selytizing phatic communication on the Instagram account vi-deo @caknunquotes. By using descriptive qualitative methods through the techniques of listening and note taking, the study found that most of the categories in da’wa on the Instagram video @caknunquotes carried a lot of regional elements or re-gional dialects in the form of particle fat, fatic words, and fatic phrases. With regard to phatic communication function, it expresses courtesy to the congregation, convinces the congre-gation, confirms the contents of the da'wah, asks for approval, greetings to familiarize themselves, as a form of proof of the intent or contents of the preaching, Javanese expression, as emphasis on the sentence sentence, and as a form of clarifying the contents again propaganda. In addition, flabby communi-cation with dialect or local language style makes the speech partner more deeply the contents of his da'wah.


2020 ◽  
Vol 20 (2) ◽  
pp. 195-204
Author(s):  
Imelda Tri Andari ◽  
Suharto Suharto

This study aims to describe the form and function of the solo guitar performance of Batang Hari Sembilan in Batu Urip hamlet, Batu Urip Taba village, Lubuklinggau city, South Sumatra. This study used a qualitative de-scriptive approach. Data collection techniques using observation, interviews, and documentation. The collected data were then analyzed using analytical and interactive techniques with data reduction, data presentation, and conclusion drawing. Based on the discussion that has been done, this study found that the Single Batang Hari Sembilan Guitar is a rhythm of guitar strings containing rhymes. Pantun is an identity and plays a very important role in the life of the community. The function of the pantun in the solo guitar performance of Batang Hari Sembilan was originally used as a communication function. Currently, this art performance has developed, namely as a ritual function, a function of preserving culture, a function of entertainment, a function of cultural continuity, a function of means of communication, and a function of emotional expression.


Author(s):  
Renita Wati

This study focuses on the form and function of code-switching and code-mixing used in the Fashion  Program "I LOOK " on NET TV. This study is aimed to answer the following problem: 1.What is the forms of code-switching and code-mixing used in the Fashion  Program "I LOOK" on NET TV, and What are the functions of code-switching and code-mixing in Fashion Program "I LOOK" on NET TV. To answer the problem, the writer used descriptive qualitative research through theoretical triangulation the total data 72 unit of analysis of code-switching found that  22 data used tag switching, 18 data used inter-sentential switching, and  32 used intra-sentential switching. It showed that intra-sentential switching is commonly used by  Kimmy  Jayanti in the fashion program "I LOOK" on NET TV. Furthermore, 127 unit data analysis of code-mixing performed 74 insertions of words, 48 insertions of phrases, 2 insertions of hybrids, and 3 insertions of reduplications. Meanwhile, there is 250 function of code-switching and code-mixing used by Kimmy  Jayanti in the fashin program "I LOOK" in  NET TV. They are quotation  1, addressee specification  24, repetition  1, interjection 31, message qualification 12, personalization and objectivization  15, and facility of expression  121.


Author(s):  
Charlotte R. Potts

Religious buildings, altars, and cult statues are often conceived of as complementary, if not indivisible, elements of Roman republican and imperial cult sites. The design and function of religious architecture have been ascribed to their interaction, with the result that it is not uncommon for one to be used to explain the presence of the others: buildings were constructed to shelter cult statues, which were aligned with external altars to provide sightlines between the gods and their worshippers. Together the three components shaped ritual space and made communication with the divine intelligible and tangible. Yet these three elements were not inherent parts of all ancient religious rituals and venues. There is no evidence of dedicated religious buildings, altars, or cult statues at the water sources that received some of the earliest votive deposits in central Italy, such as the spring at Campoverde, and the arrangement of accumulated votive offerings and statuettes in caves such as the closed deposit of the Caverna della Stipe similarly suggests that no image was accorded particular prominence or accompanied by a permanent altar. Proposals that some Iron Age residences hosted ritual meals do not theorize the complementary presence of cult statues and open-air altars, nor do suggestions that Greco- Roman temples developed from aristocratic banqueting halls. If the resulting impression of an era without cult statues and prominent altars is correct, then histories of religious architecture should consider the evidence for the introduction of such features and their influence on the form and function of relevant cult buildings. This chapter will accordingly examine the archaeological evidence for pre-republican altars and cult statues in Latium and Etruria. It will explore the problematic identification of these religious accessories, and identify the quantity and nature of those that can be connected with cult buildings. The significance of altars and cult statues as religious markers, or potential means of distinguishing cult buildings from other structures, will also be considered. Finally, it will evaluate the theory that the introduction of altars and anthropomorphic cult statues stimulated the construction of monumental temples.


2020 ◽  
Vol 5 (2) ◽  
pp. 123-134
Author(s):  
Hendri Pitrio Putra ◽  
Pratomo Widodo

This research aimed at describing the forms and functions of euphemism in the Presidential and Vice-Presidential Debate of the Republic of Indonesia in 2019. This research also explained the form and function of euphemism that was most dominantlyused and whose speech containing most elements of euphemism. The method used in the research was descriptive qualitative method and content analysis approach. The data sources in this research were videos and transcripts of the Presidential and Vice-Presidential Debate in the first and fifth rounds in 2019. The results of this study revealednine forms of euphemism, namely figurative expression, metaphor, flippancy, circumlocutions, clipping, acronym, abbreviation, one for one substitution, borrowing, and hyperbole. The most dominant euphemism form used was one for One Substitution with the total of 164 or 61.4%. Furthermore, the speech that had the most euphemism was Joko Widodo with the total of 113 euphemisms or 42.3%. Finally, this research also showedfour functions of euphemismas a form of positive imaging, criticizing or insinuating opponents, refining speech, and as a tool for diplomacy.


2018 ◽  
Vol 1 (4) ◽  
pp. 429-440
Author(s):  
Bachriani Bachriani ◽  
Abdul Hakim Yassi ◽  
Fathu Rahman

The research explores the euphemism in English and Buginese. The difference of one language with other languages can be seen from the aspect of using a euphemism. Likewise, what happens to the differences and similarities of the two languages.This research attempts to describe the form and function of euphemism in English and Buginese Descriptive qualitative method is used to reveal the form and function of euphemism by comparative study to find out the similarities and differences of euphemism in English and Buginese. There are 16 forms of euphemism in English based on Allan and Burridge’s theory. While in Buginese there are 18 form of euphemism, According to this theory, there are 3 main points of the function of euphemism in English while the function of euphemism in Buginese consists of 6 main points. This research shown that euphemism form and function of euphemism in Buginese more complex than euphemism form and fuction in English.


2020 ◽  
Vol 9 (3) ◽  
pp. 45
Author(s):  
Jessya Harefa Fortuna ◽  
Wimbrayardi Wimbrayardi

Abstract Aia Manih region is one of the heirs of Gamat which is very existent in preservation. However, in recent years, Gamat is rarely used as an entertainment art for the local community. Thus, the purpose of this research is to find out the use and function of Gamatin the Aia Manih community, Padang City, in the Gamat Kutril Studio. There are several theories used in this study: the existence theory, usage theory, and function theory. This research is a qualitative research in the form of descriptive method. It gives clear explanation about the object studied. The research instrument was the researcher itself and was assisted by cameras, stationery, and interview lists. The data were analyzed through classifying primary data and secondary data then arranging them systematically. The results of this study show that there are several uses and functions of Gamat art in the AiaManih community. It is used at parties, welcoming events, inaugurations, and family gathering. There are also several functions. They functions are emotional expression, aesthetic pleasure, entertainment, communication, and physical reaction.Keywords: usage, gamat function, Sanggar Gamat Kutril


2016 ◽  
Vol 13 (1) ◽  
pp. 49-58
Author(s):  
Ahmad Fadilahtur Rahman

This study aimed to describe the form and function apreciation speech act in the interaction in the classroom. This study used descriptive qualitative approach. From the research found a form of apreciation speech act in the learning interaction in the form of declarative sentences, sentence introgatif, and imperative sentences. While the function of speech act earned praise for smoothing function apreciation, smoothes warning, advise, and provide reinforcement.


2012 ◽  
Vol 35 (2) ◽  
pp. 92-93 ◽  
Author(s):  
Paul Swartwout ◽  
Benjamin Grant Purzycki ◽  
Richard Sosis

AbstractThe evolution of religious traditions may be partially explained by out-group avoidance due to pathogen stress. However, many religious rituals may increase rather than decrease performers' susceptibility to infection. Moreover, religions often spread through proselytizing, which requires out-group interaction; and in other cases, the benefits of economic exchange increase religious pluralism and social interactions with out-groups.


Author(s):  
Patricia G. Arscott ◽  
Gil Lee ◽  
Victor A. Bloomfield ◽  
D. Fennell Evans

STM is one of the most promising techniques available for visualizing the fine details of biomolecular structure. It has been used to map the surface topography of inorganic materials in atomic dimensions, and thus has the resolving power not only to determine the conformation of small molecules but to distinguish site-specific features within a molecule. That level of detail is of critical importance in understanding the relationship between form and function in biological systems. The size, shape, and accessibility of molecular structures can be determined much more accurately by STM than by electron microscopy since no staining, shadowing or labeling with heavy metals is required, and there is no exposure to damaging radiation by electrons. Crystallography and most other physical techniques do not give information about individual molecules.We have obtained striking images of DNA and RNA, using calf thymus DNA and two synthetic polynucleotides, poly(dG-me5dC)·poly(dG-me5dC) and poly(rA)·poly(rU).


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