scholarly journals Russian Philosophy on the National Identity of National Science

Author(s):  
Saberova Marina Shamilyevna ◽  
Andrei Nikolayevich Osyanin ◽  
Pavel Yuryevich Shkapov

The paper discusses the issues of preserving the identity of national culture in the context of globali-zation. The authors emphasize that the maintenance of national identity means the formation and preser-vation of the national and cultural identity of socie-ty, which in turn is the key to social unity, a condi-tion for overcoming the most difficult problems. This research is based on the positions of Russian and foreign scientists in the field of history and phi-losophy of science, social philosophy, philosophy of culture, and philosophical anthropology. This study attempts to study the features of the national scientific culture, the manifestations of national and international elements in it. It becomes obvious that modern domestic science is a kind of collaboration of world science and certain reactions of the domes-tic scientific community, due to the heritage of the national scientific culture. Today, it is especially important to preserve the best traditions of Russian scientific culture and develop them using the achievements of world science.

2021 ◽  
Vol 31 (2) ◽  
pp. 247-261
Author(s):  
Elena Tashlinskaya ◽  

The article reveals the main specific features of Russian philosophy of the Enlightenment. The activity of the outstanding scientist Mikhail V. Lomonosov, his contribution to the development of domestic and world science and philosophy come to the forth. Russian Enlightenment is distinguished by the originality of the intellectual tradition. Knowledge of Western ideas leads to the emergence of domestic science, philosophy, literature. The desire for freedom, autonomy and progress in science during the century of Enlightenment was combined with adherence to spiritual traditions, and openness to foreign-language culture did not abolish patriotism and reverence for the state.


2020 ◽  
Vol 14 (3) ◽  
pp. 459-464
Author(s):  
Alevtina Vasilevna Kamitova ◽  
Tatyana Ivanovna Zaitseva

The paper reflects the specificity of the fundamental ideas of the artistic world of M. G. Atamanov, which includes a wide range of literary facts from the content level of the text of the works to their poetics. A particularly important role in the works of M. G. Atamanov is played by cross-cutting themes and images that reflect the author's individual style and his idea of national-ethnic identity. The subject of the research is the book of essays “Mon - Udmurt. Maly mynym vös’?” (“I am Udmurt. Why does it hurt?”), which most vividly reflected the main spiritual and artistic searches of M. G. Atamanov, associated with his ideas about the Udmurt people. The main motives and plots of the works included in the book under consideration are accumulated around the concept of “Udmurtness”. The comprehension of “Udmurtness” is modeled in his essays through specific leit themes: native language, Udmurt people, national culture, mentality, geographic and topographic features of the Udmurt people’ places of residence, the Orthodox idea. The “Udmurt theme” is recognized and comprehended by the writer through the prism of national identity.


Author(s):  
Boris I. Pruzhinin ◽  
◽  
Aleksandr V. Antoshchenko ◽  
Tanya N. Galcheva ◽  
Inna V. Golubovich ◽  
...  

On August 26, 2021, with the support of “Voprosy filosofii” was held a “round table”, the participants of which considered it meaningful and relevant to address the legacy of experiencing and philosophical reflection of critical epochs by peo­ple who have fully endured the “breakdown” of being and an anthropological crisis – for comprehending the disturbing changes taking place in modern soci­ety. In this regard, the intellectual biographies of thinkers who felt a colossal shock in the 1920s and who tried to comprehend their local experience as a global are exceptional. In the authors’ focus are ideas and arguments of the philosophers of the Russian Abroad about the crisis of their contemporary culture (Fedotov – Weidle – Landau – Bicilli). The “round table” is an attempt to correlate their experience with the modern reality of the anthropological crisis. The studying intellectuals underlined the death of culture as the main threat to the life of the social organism. The salvation of culture, first of all, depends on the spiritual efforts of people. From this point of view, philosophy has to com­prehend the principles that make it possible to resist the processes of cultural de­struction. And in this regard, the personality of the philosopher is of exceptional importance, his willingness to live and work “as if history would never end, and at the same time, as if it ended today” (G.P. Fedotov). The philosophy of culture forms the ideal of personal choice as a free submission to universal human goals. The relevance of the intellectual and spiritual search of the “Russian Abroad” thinkers can't be overestimated since this crisis continues today, entering ever new, previously unpredictable phases. The struggle for culture continues. There­fore, the intellectual searches of the "Russian Abroad" thinkers are essential to­day. The core of the discussions was three actual topics in the context of their comprehension by the philosophers: 1. The crisis of religious consciousness; 2. The crisis of scientific rationality; 3. Crisis of cultural identity.


wisdom ◽  
2021 ◽  
Vol 17 (1) ◽  
pp. 146-161
Author(s):  
Tetiana URYS ◽  
Tetiana KOZAK ◽  
Svitlana BARABASH

National culture, especially literature, contains invaluable nation-building potential and is an effective factor in influencing the development of the national identity of the individual and the ethnic group as a whole. In the process of forming literary works, the author’s consciousness and subconscious play an im­portant role, so they are not only one of the best ways of expressing a creative personality and a form of its reaction to events occurring in the outside world, but also one of the most important means of forming the national identity of the recipients. Therefore, such a literary work contains a modus of national identity. The main content of this concept in the literature is revealed in the article. Its theoretical components and their functional aspects in the text are defined and analysed. The modus of national identity is formulated as a way of realising the identity of one with his nation through certain aesthetic elements and structures at all levels of literary work as an artistic system. Such element-dominants are motives, artistic imagery, lyrical character as the main expression of the author’s thoughts, as well as archetypes, symbols and place names.


Author(s):  
Natalia Kovalchuk ◽  
Liudmyla Ovsiankina

The article analyzes the philosophical heritage of the outstanding Ukrainian philosopher S. B. Krymsky, who acutely felt the sacredness and spiritual power of the beauty, goodness and truth of this world and all the efforts of his whole life focused on the establishment of these great values. In his philosophical explorations, the scientist gradually moved from the development of problems of logic and methodology of science to the development of problems of epistemology and philosophy of culture, as well as Ukrainian philosophy and national culture, using the method of archetypes and universals. Special attention of S. B. Krymsky devoted himself to the study of the phenomenon of sophianism and the problem of the second spiritual birth of man, as his involvement in certain existentials, among which the main ones are freedom, love and creativity. The scientist emphasized the special role of Ukraine in the modern civilization process. Having the most powerful cultural potential, it must use it for the future construction of civilization on the basis of solidarity, consensus and partnership.


Author(s):  
Dmytro Dzvinchuk ◽  
Iryna Ozminska

The article investigates the concept of “political nation”. The analysis of research studies and the generalization of domestic and foreign experience in the formation of political nation prove the relevance of the issues raised. The study of peculiarities of the political nation formation in the coordinates of the Modernist period enhances the understanding of processes in the socio-humanitarian sphere, makes it possible to outline the ambiguity of interpretations of the conceptual foundations of the political nation, and also helps to develop the effective state policy in this area. It should be noted that there are few studies that systematically analyze the domestic and foreign experience of forming the political nation and they need modernization. It has been determined that the identification of the sense of national identity is the result of the appropriate mental work, and external challenges greatly optimize this process. Different approaches to the content characteristics of the notion “political nation” have been considered and summarized. A number of factors (the need to preserve the integrity of state and its consolidation, the formation of civil society, hybrid aggression, etc.) have been outlined, which stipulate the necessity of developing the adequate policy on dealing with crisis phenomena, existing in the Ukrainian national identity. It has been established that the political nation forms a corresponding type of national culture, which creates a more systematic understanding of the genesis, ritual and strategy of national development.


Keruen ◽  
2020 ◽  
Vol 4 (69) ◽  
Author(s):  
A.S. Jumadilov ◽  

Following the collapse of the Soviet Union, the post-Soviet state of post-Soviet autonomous republics turned out to be the ideology for which cinematographers and screenwriters have to make a film epic of epoch - national cinema. In this article, the author can only use the ever-present cinematography, the unmerciful nationalistic culture, the ideological orientation of the film industry, the uniqueness or national identity. It's a good idea to have a world-renowned artisan who is doing all the same, seeking internationalization and gloss? Another - cinematic and astrophysical art of Shaken Aimanov, whose works live in volumes or polls, and others. For many years, many changes have taken place in the national cinema, such as national culture, a national emblem of national culture. For the first time in the history of national cinema, national cinema and the world of cinema, the future and future films have been transformed into a lot of changes. The Concept of distinguished singer Shaken Aimanova is embodied in the volume, which, unlike the researchers and artists all over the world of cinema Shaken Aimnayev, the director of which, as long as he is a filmmaker, creates a film studio as part of national culture.


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