Russian Spiritual Experience of M.P. Mussorgsky

2020 ◽  
pp. 149-151
Author(s):  
Tatyana Ivanovna Chupakhina
Keyword(s):  
20Th Century ◽  
National Culture ◽  
Spiritual Experience ◽  
Early 20Th Century ◽  
Close Attention ◽  
Philosophical Thought ◽  
Spiritual World ◽  
The World ◽  
The 19Th Century ◽  
The Universe

The paper emphasizes that the processes of globali-zation, including in the field of culture, require close attention and analysis of the philosophical basis of national culture. Russian musical art of the second half of the 19th to early 20th century is a carrier of the axiological content of the cultural system. Music as a model of the Universe, as an important component of the spiritual world of the Russian people, is a specific way of seeing the world, through which they know themselves and the world as a whole. The author not only carries out a philosophical and cul-tural analysis of ideas of M.P. Mussorgsky as a rep-resentative of the Russian musical philosophical thought of the 19th century, but also shows the man-ifestations of these ideas in his works. It is conclud-ed that the composer’s worldview clearly indicates his kinship with Russian socio-philosophical thought.

scholarly journals The Transformation of a Music Festival in St. Petersburg “The World of Art. Contrasts”

ICONI ◽  
2019 ◽  
pp. 159-171
Author(s):  
Anton А. Rovner ◽  
Keyword(s):  
20Th Century ◽  
Arnold Schoenberg ◽  
Early 20Th Century ◽  
Music Festival ◽  
Early 21St Century ◽  
Avant Garde ◽  
The World ◽  
History Of ◽  
Italian Music ◽  
The 19Th Century

The article presents the history of an extraordinary music festival organized in St. Petersburg by two composers Igor Rogalev and Igor Vorobyev. The festival was fi rst called “From the Avant-garde to the Present Day,” subsequently “From the Avant-garde to the Present Day. Continuation,” and during the last three years — “The World of Art. Contrasts.” This festival was founded in 1992, and its aim was to create a venue for performance of music by contemporary composers and representatives of the “forgotten generation” of the early 20th century Russian avant-garde movement, such as Nikolai Roslavetz, Alexander Mosolov, Arthur Lourie, etc. Many premieres of these and other composers were performed at this festival, as well as well-known works by such early 20th century established masters as Arnold Schoenberg, Alexander von Zemlinsky, Igor Stravinsky, Bela Bartok, etc. Some of the leading contemporary composers of the late 20th and early 21st century were invited to participate in the festival, as were numerous outstanding performances, ensembles and orchestras up to the St. Petersburg Mariinsky Theater, artists, poets and writers. At the present time the artistic goal of the festival is to connect the strata of music by contemporary composers with the masterpieces of the great classics of the previous centuries — from the Renaissance era to the 19th century. Each year the festival has a certain particularthemes, such as, for instance, Italian music or Japanese music, around which the program is built endowed with a broad stylistic and genre-related pallette.

Book Reviews: Robert A. Stafford, Scientist of empire: Sir Roderick Murchison, scientific exploration and Victorian imperialism

1992 ◽  
Vol 46 (1) ◽  
pp. 191-193
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Early 20Th Century ◽  
Cambridge University ◽  
General Consensus ◽  
Scientific Exploration ◽  
Indirect Control ◽  
The World ◽  
The 19Th Century

Robert A. Stafford, Scientist of empire: Sir Roderick Murchison, scientific exploration and Victorian imperialism . Cambridge University Press, 1989. Pp xi + 293, £30.00. ISBN 0-521-33537-x European imperialism in the second half of the 19th century has been of great interest to historians for many decades. Even its definition has been a matter of brisk controversy, though now there is a general consensus that imperialism was the deliberate act or advocacy of extending or maintaining a state’s direct or indirect control over any other inhabited territory. From the early 20th century imperialism, especially as made manifest in the scramble for Africa, has often been seen as an aberrant phenomenon. Rarely has it been viewed as a natural and expected development in the relation between Europe and the rest of the world: its nature, its scope, and its timing were problematic.

scholarly journals The Metrics of Landscape. Stereo fieldwork by Francisco Afonso Chaves and other Portuguese Explorers

Artnodes ◽  
2018 ◽  
Author(s):  
Victor Flores
Keyword(s):  
Visual Perception ◽  
20Th Century ◽  
19Th Century ◽  
Scientific Instrument ◽  
Early 20Th Century ◽  
Scientific Practices ◽  
The World ◽  
The Mind ◽  
The 19Th Century

Although the invention of the stereoscope in 1832 shed new light on the anomalies of vision and on the constructive role of the mind in visual perception, this became no obstacle to its scientific uses throughout the 19th and 20th centuries. On the contrary, combined with photography, the stereoscope embodied both the imperialist politics of the 19th century and its scientific ideology. These pairs of twin images perfected photography as an accurate and credible scientific instrument and gave explorers the chance to map, calculate and “grab the world in an image”. The use of stereo photography in geodesic and topographic fieldworks is one of the best evidences of such scientific practices, largely overlooked by stereo photography studies. Here, we introduce the stereoviews by Portuguese explorers such as Francisco Afonso Chaves, an early-20th-century Azorean naturalist, and analyse a particular series of Verascope glass plates which represent theodolites photographed during his fieldwork. The identification of common uses of theodolites in the stereo collections of other explorers suggests the advantage of expanding fieldwork to the laboratory, a fact David Brewster (1856) would naturally recognise as a “rational pleasure”.

The Ismaili Tradition in Iran: 13th Century to the Present

2021 ◽  
Author(s):  
Daniel Beben
Keyword(s):  
20Th Century ◽  
Future Research ◽  
Early 20Th Century ◽  
13Th Century ◽  
Complete Understanding ◽  
Northern Iran ◽  
Minority Community ◽  
History Of ◽  
The 19Th Century ◽  
To Receive

The Ismailis are a minority community of Shiʿi Muslims that first emerged in the 8th century. Iran has hosted one of the largest Ismaili communities since the earliest years of the movement and from 1095 to 1841 it served as the home of the Nizārī Ismaili imams. In 1256 the Ismaili headquarters at the fortress of Alamūt in northern Iran was captured by the Mongols and the Imam Rukn al-Dīn Khūrshāh was arrested and executed, opening a perilous new chapter in the history of the Ismailis in Iran. Generations of observers believed that the Ismailis had perished entirely in the course of the Mongol conquests. Beginning in the 19th century, research on the Ismailis began to slowly reveal the myriad ways in which they survived and even flourished in Iran and elsewhere into the post-Mongol era. However, scholarship on the Iranian Ismailis down to the early 20th century remained almost entirely dependent on non-Ismaili sources that were generally quite hostile toward their subject. The discovery of many previously unknown Ismaili texts beginning in the early 20th century offered prospects for a richer and more complete understanding of the tradition’s historical development. Yet despite this, the Ismaili tradition in the post-Mongol era continues to receive only a fraction of the scholarly attention given to earlier periods, and a number of sources produced by Ismaili communities in this period remain unexplored, offering valuable opportunities for future research.

scholarly journals The Theme of Death and Eternity in Emily Dickenson’s Poetry

2008 ◽  
Vol 4 (1-2 (5)) ◽  
pp. 112-119
Author(s):  
Gayane Petrosyan
Keyword(s):  
Human Brain ◽  
19Th Century ◽  
American Poetry ◽  
Dark Side ◽  
Surrounding World ◽  
The People ◽  
The World ◽  
The 19Th Century ◽  
The Universe

The poetry of the world-renowned poetess Emily Dickenson received general acclaim in the fifties of the previous century, 70 years after her death. This country-dwelling lady who had locked herself from the surrounding world, created one of the most precious examples of the 19th century American poetry and became one of the most celebrated poets of all time without leaving her own garden.Her soul was her universe and the mission of Dickenson’s sole was to open the universe to let the people see it. Interestingly, most of her poems lack a title, are short and symbolic. The poetess managed to disclose the dark side of the human brain which symbolizes death and eternity.

scholarly journals Confessional conversions on the territory of Belarus in the second half of the 19th – early 20th century: overview of historiography

2021 ◽  
pp. 82-89
Author(s):  
Marharyta M. Karol
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
State Policy ◽  
Early 20Th Century ◽  
General State ◽  
Present Stage ◽  
Religious Issues ◽  
Points Of View ◽  
The 19Th Century

The article examines the stages of the formation of historiography devoted to the problems of confessional conversions in the second half of the 19th century on the territory of the Belarusian provinces. The historiographic trends that formed from the end of the 19th century to the beginning of the 21st century were identified and analysed. The authour studies the peculiarities of Belarusian and foreign historiography at the present stage, when a large number of works on religious issues has appeared, including confessional conversions. It is argued that in Soviet times, the issue of transitions from Catholicism to Orthodoxy was practically not touched upon. In their approaches and assessments, some researchers continue the traditions of pre-revolutionary historiography, but the majority of modern scientists strive to give an objective picture of religious processes on the Belarusian lands, to show them in the context of general state policy. The relevance of the article is due to the coverage of various points of view on the problem of confessional conversions. It is noted that pre-revolutionary researchers, first of all, sought to prove the voluntariness of conversions to Orthodoxy, but during this period, works were also created in which this thesis was questioned.

scholarly journals Orthography of books and their authors at the end of the 19th and the beginning of the 20th century

2020 ◽  
pp. 1-15
Author(s):  
Jurgita Venckienė
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Early 20Th Century ◽  
Standard Language ◽  
The Press ◽  
Prayer Books ◽  
The 19Th Century ◽  
Research Period

During development of the Standard Lithuanian language at the end of the 19th century, the dialectal basis was chosen first, and the orthography varied yet for another twenty years. This article analyses the dual orthography – of books and personal orthography of their authors. The study is designed to find out whether the books published during that period reflect the orthographic model chosen by their authors; what factors, in addition to the author’s choice, may have influenced the orthography of the books.The influence of printers on the orthography of books during that period was smaller than before, as many authors did the proofreading themselves. Thus, printers were able to change the orthography in cases where books were printed without the author’s knowledge or consent, such as prayer books. If the author chose unusual, rare, or even self-invented characters, a limited inventory of prints could be a serious obstacle to keep their orthography in the book. As the case of Jonas Basanavičius shows, even when the author offered to finance the acquisition of the necessary prints, this was not necessarily done.At the end of the 19th century, books were published as supplements to periodicals. The editors of newspapers Ūkininkas and Tėvynės sargas adapted the orthography of such books to their periodicals. Under the terms of the press ban, it was often important for authors just to print a book, and the spelling model was chosen by the publisher. However, authors such as Basanavičius, who considered themselves the creators of the standard language, took care to present their chosen or created model of orthography in their books as well.As the cases of Liudvika Didžiulienė, Dominykas Tumėnas and Basanavičius show, two orthographic standards emerged during the research period: correspondence was written one way and books were printed another. Hence, it is not always possible to judge the orthographic model chosen by the authors in books published at the end of the 19th century and the early 20th century. 

scholarly journals Panorámica historiográfica de los estudios sobre el Mitra védico, avéstico y romano

2018 ◽  
Vol 29 ◽  
pp. 297
Author(s):  
Israel Campos Méndez
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Early 20Th Century ◽  
Global Understanding ◽  
Scientific Nature ◽  
The 19Th Century ◽  
Accidental Discovery

Resumen: El interés que ha suscitado la figura del dios Mitra ha dejado como reflejo estudios que se remontan al periodo romano. Sin embargo, a partir del Renaci­miento el descubrimiento casual de piezas escul­tóricas de asunto mitraico, atrajo el interés de in­vestigadores que indagaron en sus escritos sobre la identidad de la divinidad que aparecía matando un toro. Durante los siglos XVI al XVIII, la temática solar y la identificación del Mitraísmo se convirtió en el contenido de estos estudios. A partir del s. XIX, empieza a tomar forma una investigación de carácter más científico sobre la cuestión mitraica, que encontrará su nacimiento formal con los tra­bajos de F. Cumont a principios del s. XX. Este si­glo pasado ha sido el que ha visto florecer el mayor y más profundo volumen de estudios desentrañan­do los misterios vinculados al dios Mitra, tanto en su vertiente de divinidad de los panteones védicos y avésticos, como en el ámbito del culto mistérico desarrollado en el marco del Imperio Romano. En los comienzos del siglo XXI, todavía permanecen abiertas algunas hipótesis iniciales, pero sí se cons­tata una vitalidad en los estudios para la compren­sión global del Mitraísmo.Palabras clave: Mitra, Mitraísmo, Avesta, Veda, Cumont.Abstract: One mark of the interest attached to the god Mithra is the line of studies dating back to the Ro­man period. It was, however, during the Renais­sance that the accidental discovery of sculptural pieces of a Mithraic subject attracted the interest of researchers, who sought to identify the bull-ki­lling divinity. Between the 16th and 18th centuries, this field of research re-oriented itself to the solar theme and the identification of Mithraism. In the 19th century, it took on a scientific nature, and the landmark the studies of F. Cumont saw the light of day in early 20th century. As the century progres­sed ambitious in-depth studies flourished, unra­velling the mysteries linked to the cult of the god Mithra, both in terms of the divinity of the Vedic and Avestan pantheons and of the sphere of the mystery cult established in the context of the Ro­man Empire. At the beginning of the 21st century, some initial hypotheses remain open, but the vi­tality of studies pursuing a global understanding of Mithraism remains unchallenged.Key words: Mithra, Mithraism, Avesta, Veda, Cumont.

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