A Study on Literary History Education Using the Poetic Speaker - Based on the Critical Review of the "Feminine Speaker" in Classical Poetry and Modern Poetry

2021 ◽  
Vol 39 ◽  
pp. 5-28
Author(s):  
Min-Ji Kim
Keyword(s):  
Critical Review ◽  
Literary History ◽  
History Education ◽  
Modern Poetry ◽  
The Feminine ◽  
Classical Poetry

براہوئی ادب ‘ ادبی ادارہ او نوشتوک آتا کڑد

Al-Burz ◽  
2018 ◽  
Vol 10 (1) ◽  
pp. 132-142
Author(s):  
Nilofer Usman ◽  
Dr.Liaquat Ali Sani ◽  
Yousaf Rodeni
Keyword(s):  
Literary History ◽  
Research Method ◽  
Research Paper ◽  
Vital Role ◽  
Modern Poetry ◽  
Descriptive Research ◽  
Research Article ◽  
Language Literature ◽  
Literary Circles

This research article describes the role of Brahui literary circles, which have played a vital role for the preservation and promotion of Brahui Language, Literature and build a literary tendency. This paper also shows how the internal disagreement between learned established new literary circles. Few prominent personalities like  Noor Muhammad Parwana, Nawab Ghaus Bakhsh Raisani, Babo Abudl Rehman Kurd, Abdul Rehman Brahui, Syed Kamal al-Qadri and others have initiated this work in Brahui literary history. Now more the two dozen registered and non-registered Brahui literary originations working for betterment of Brahui literature. Every origination has set their separate Moto and vision, few of them promote Brahui Modern poetry few have introduced new literary tendencies, few have urged that criticism is better for new thoughts and new trend in Brahui literature. This research paper helps to understand the different periods in Brahui literature in context of Brahui originations. A descriptive research method will have been adopted to conclude this paper.

Breaking fresh ground: New Impulses in Australian Poetry, an anthology

2016 ◽  
Vol 23 (2) ◽  
pp. 246-257
Author(s):  
Jim Berryman
Keyword(s):  
Literary History ◽  
Market Potential ◽  
Modern Poetry ◽  
Literary Publishing ◽  
New Type ◽  
The 1960S

AbstractNew Impulses in Australian Poetry was an anthology of contemporary Australian poetry published in Brisbane in 1968. The book was the idea of two Queensland poets, Rodney Hall and Thomas Shapcott. New Impulses was modelled on international modern poetry anthologies. At the time, this type of anthology was unfamiliar in Australia. Hall and Shapcott declared their intentions in modernist terms: to challenge the literary establishment and to promote the new poetry of the 1960s. It was a new type of anthology for a new type of poetry. This article explores the anthology's Queensland origins and examines its modern themes and influences. It concludes with a discussion of the anthology's impact and legacy from the perspective of Australian literary history, especially the ‘New Australian Poetry’, which it prefigured. In addition to its literary significance, New Impulses was an Australian publishing milestone. The book was the first poetry anthology published by University of Queensland Press. Its success demonstrated the market potential for literary publishing in Australia.

scholarly journals SUBLIME LOVE AND THE ETHICS OF EQUALITY IN A HOMOEROTIC NOVEL OF THE NINETEENTH CENTURY: PRECIOUS MIRROR OF BOY ACTRESSES

NAN Nü ◽  
2002 ◽  
Vol 4 (1) ◽  
pp. 70-109 ◽  
Author(s):  
Keith McMahon
Keyword(s):  
Nineteenth Century ◽  
Literary History ◽  
The Novel ◽  
Historical Significance ◽  
Late Ming ◽  
The Social ◽  
The Feminine ◽  
Lower Status ◽  
Political Turmoil

AbstractPrecious Mirror of Boy Actresses is the most serious piece of fiction about male love since the late Ming and the lengthiest of all in Chinese literary history. It is remarkable in its extension of the egalitarian implications of the qing aesthetic that it inherits from the late Ming and from earlier Qing literature such as Dream of the Red Chamber. In the homoerotic relationship it idealizes, lovers who are rigidly separated in terms of status nevertheless experience a sublime love which necessarily results in the liberation of the man of lower status. The novel makes unique use of the qing aesthetic's idealization of the feminine to arrive at this ethically pragmatic conclusion whereby liberation is achieved. The foregrounding of this sublime love and the qing-perfected characters who embody it, moreover, link the novel with other works of the period which portray a China that is ultimately a stable and invulnerable entity. Thus Precious Mirror's interpretation of qing carries a historical significance in spite of the novel's obliviousness of the social and political turmoil of China in the mid-nineteenth century.

scholarly journals Rubén Darío en el debate sobre la literatura nacional nicaragüense

(an)ecdótica ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 61-82
Author(s):  
Diana Moro ◽  
Keyword(s):  
Cultural Capital ◽  
Critical Review ◽  
Literary History ◽  
Ruben Dario ◽  
Avant Garde ◽  
The 1960S ◽  
Made In

The debate on literature in Nicaragua, at various moments in the country’s history, is elaborated on the figure, aesthetics, and work of Rubén Darío. Not only the birth and death of the poet on vernacular soil are central aspects in the appropriation made, but above all, the international cultural capital built through his wandering life and cosmopolitanism in his work. The appropriation of his aesthetics, as well as the distancing and debates about his contribution, persist in various moments of Nicaraguan literary history. We will explore some interventions by Nicaraguan intellectuals who are members of the Avant-garde Group, above all, their subsequent critical review and the contribution that Ventana magazine made in the 1960s. Finally, it will be observed that during the revolutionary decade, 1979-1989, the figure of Darío concentrates, at least, two simultaneous appropriations, the “anti-imperialist” and the “half-blood”. Both perspectives coincide in the conviction that, in Nicaragua, there would be no literature without the magisterium of Darío.

scholarly journals Two letters from V. Bryusov to P. Bartenev

Literary Fact ◽  
2020 ◽  
pp. 343-349
Author(s):  
Monika V. Orlova ◽  
Alexander V. Lavrov
Keyword(s):  
Literary History ◽  
Additional Data ◽  
Early 20Th Century ◽  
Classical Literature ◽  
State Archive ◽  
Historical Materials ◽  
Russian State ◽  
Classical Poetry ◽  
Literary Heritage ◽  
Shed Light

The publication complements the materials collected in the book Valery Bryusov as a literary historian (Moscow, 2019, series “Literary Heritage Library”, edited by N.A. Bogomolov and A.V. Lavrov) that contains Bryusov’s correspondence with P.I. Bartenev and N.O. Lerner. The correspondence of Valery Bryusov and Petr Bartenev includes, among others, 39 Bryusov’s letters of 1898–1909, preserved in the Russian State Archive of Literature and Arts. The corpus of Bryusov–Bartenev correspondence reflects the poet’s work as a secretary, contributor, reviewer in the journal of history and literary history Russkiy Arkhiv (Russian Archive) edited by Bartenev (Bryusov has become an outstanding Russian classical poetry expert of his time). Two more Bryusov’s letters relating to Bartenev’s last years have been recently discovered. They are preserved in the State Literary Museum Manuscript Department and shed light on some details of Bryusov’s relations with Bartenev, as well as their shared interest in classical literature, and provide some additional data for the biographies of Bryusov and his correspondent — a contemporary of Tyutchev, Pogodin, the Aksakovs, an “archive-digger”, described by Bryusov as “a committed publisher of historical materials” and viewed by the poet as a person not at all alien to literature and culture of the early 20th century.

Sign in / Sign up

Export Citation Format

Share Document