scholarly journals Struktur Naratif Cerita Rakyat Sumbawa Barat

ATAVISME ◽  
2014 ◽  
Vol 17 (2) ◽  
pp. 240-253
Author(s):  
Nining Nur Alaini

Oral literature will always change according to the dynamic of their community. Some oral literary works in Indonesia are extinct already due to not yet documented. Oral literature is, actually, a cultural treasure of Indonesia able to show the rich variety of cultures and values and the incredible creativity of their community. Change and the loss of a variety of oral literature mean the extinction or change of property contained in them. One form of Indonesian oral literature still enjoyed today is folklores of West Sumbawa. Therefore, this study aims to document the oral literature of West Sumbawa in the form of folklores. Furthermore, the folklores collected will be analyzed by using Vladimir Propp’s theory of narrative structure. The result shows that the folklores of West Sumbawa have fourteen actor functions. The fourteen functions can be distributed into five environmental actions. Oral literatures will always change according to the dynamic of their community. Some oral literary works in Indonesia are extinct already due to not yet documented. Oral literature is, actually, a cultural treasure of Indonesia able to show the rich variety of cultures and values and the incredible creativity of their community. Change and the loss of a variety of oral literature mean the extinction or change of property contained in them. One form of Indonesian oral literature still enjoyed today is folklores of West Sumbawa. Therefore, this study aims to document the oral literature of West Sumbawa in the form of folklores. Furthermore, the folklores collected will be analyzed by using Vladimir Propp’s theory of narrative structure. The result shows that the folklores of West Sumbawa have fourteen actor functions. The fourteen functions can be distributed into five environmental actions. Key Words: oral literature; folklore; narrative structure Abstrak: Kehidupan sastra lisan akan selalu berubah sesuai dengan dinamika komunitas pemiliknya. Ada beberapa sastra lisan di Indonesia, yang telah hilang karena belum didokumentasikan, sedangkan sastra lisan adalah kekayaan budaya Indonesia yang kaya akan khazanah kearifan lokal dan merupakan kreativitas yang luar biasa dari komunitas pemiliknya. Perubahan dan hilangnya sastra lisan berarti punahnya kearifan lokal dan khazanah budaya yang terkandung di dalamnya. Salah satu bentuk sastra lisan Nusantara yang masih hidup hingga saat ini adalah cerita rakyat Sumbawa Barat. Cerita rakyat yang berhasil didokumentasikan dikaji struktur naratifnya berdasarkan pada struktur naratif yang dikemukakan oleh Vladimir Propp. Penelitian ini akan mendokumentasikan sastra lisandari Sumbawa Barat yang berwujud cerita rakyat. Dari hasil kajian yang telah dilakukan, dapat disimpulkan bahwa cerita rakyat Sumbawa Barat memiliki empat belas fungsi pelaku. Keempat belas fungsi pelaku tersebut dapat didistribusikan ke dalam lima lingkungan tindakan

2019 ◽  
Vol 8 (1) ◽  
pp. 50
Author(s):  
Luthfita Nur Rosyidah

ABSTRAKPembahasan penelitian ini akan difokuskan pada tindakan plastisitas spiritualitas dalam serial novel Supernova karya Dee dengan judul Kesatria, Putri, dan Bintang Jatuh; Akar; Petir; Partikel; Gelombang; dan Intelegensi Embun Pagi. Penelitian ini memanfaatkan teori struktur naratif Vladimir Propp, yang terdiri dari dua tahap analisis. Pertama, analisis mengenai identifikasi motif spiritualitas dalam enam novel serial Supernova secara tekstual. Kedua, hasil identifikasi tersebut menunjukkan adanya unsur yang berulang terkait dengan motif spiritualitas yang disebut sebagai fungsi. Fungsi-fungsi tersebut kemudian dirumuskan sesuai dengan urutan kemunculannya dalam setiap novel. Melalui kedua tahap analisis tersebut dapat diperoleh makna dari adanya motif spiritualitas dalam keenam novel serial Supernova. Berdasarkan tahap analisis, ditemukan konsistensi motif spiritulitas dalam keenam novel merupakan sebuah proses pencarian dalam suatu kehidupan, serta merupakan usaha pemenuhan kekosongan diri untuk menemukan makna kehidupan. Plastisitas spiritualitas dalam keenam novel lebih menitikberatkan pada posisi sains sebagai unsur pembangun kesadaran setiap individu. Kata-kata kunci: Propp, fungsi, spiritualitas, plastisitas ABSTRACTThe research will be focused on the act of spirituality plasticity in Dee's Supernova novel series titled Kesatria, Putri, dan Bintang Jatuh; Akar; Petir; Partikel; Gelombang; dan Intelegensi Embun Pagi. This research utilizes the theory of narrative structure Vladimir Propp, which consists of two stages of analysis. First, an analysis of the identification of spirituality motif in six Supernova novel series. Second, the results of the identification indicate a recurring element related to the spirituality motif called function. These functions are then formulated according to the order in which they appear in each novel. Through these two stages of analysis can be obtained the meaning of the existence of a spirituality motif in the six serial Supernova novels. Based on the analysis phase, consistency of spirituality motifs can be found in the six novels as a process searching in life, and it is an attempt to fulfill the self-emptiness to find the meaning of life. Spirituality plasticity in the six novels is more focused on the role of science as an element of building awareness of each individual. Key words: Propp, function, spirituality, plasticity


2014 ◽  
Vol 16 (1) ◽  
Author(s):  
Judith J. Batin

In 2001, UNESCO proclaimed the Ifugao epic hudhud as one of the 19 masterpieces of the oral and intangible heritage of humanity. This study aims to promote greater understanding and of appreciation, and interest in the epics, highest form of oral literature. The analysis is anchored on E. Arsenio Manuel’s theory of the Philippine ethno-epic. A descriptive-qualitative method was used in this study. Immersion, observation and random informal interviews in Ifugao (Kiangan, Asipulo and Lagawe) were employed in gathering and validating data. The narrative structure and characterization of the epic heroes were determined through textual analysis. A contextualist approach in the analysis of the text was utilized to validate the identified Ifugao culture that is still practiced today. The epic reveals the beauty and legacy of the great ancestors of the highland that need to be protected and preserved. This study helps in the preservation of the sacredness of the tradition. Likewise, it also proves that the hudhud is not just used as mere tourist attraction of the local government units and Department of Tourism for economic growth in the hudhud areas. It will also attract more scholars, local and international, to understand and preserve the rich and dying tradition. Keywords – Literature, hudhud, Ifugao socio-political culture, descriptive-qualitative method/textual analysis, Philippines


ATAVISME ◽  
2014 ◽  
Vol 17 (2) ◽  
pp. 218-231
Author(s):  
Trisna Kumala Satya Dewi

Rara Mendut, whose theme is about love, government, and power, results in a text enjoyed by the society. This matter is proved by the existence of the response in various shapes, such as literary works, wayang orang (Javanese dance drama), cinemas, and the others. The novels Rara Mendut, Genduk Duku, and Lusi Lindri written by Y.B. Mangunwijaya have gained inspirations, either from oral or written literature (Pranacitra-Rara Mendut tale). Based on the structure of its tale, it could be said that there is an intertextual relation between Pranacita Rara Mendut tale and the trilogy of Rara Mendut, Genduk Duku, and Lusi Lindri novels. The existence of Y.B Mangunwijaya’s novel trilogy has a position essential enough as the proof of cultural relation or continuation, namely between ancient culture (Pranacitra tale) and present culture (Rara Mendut, Genduk Duku, and Lusi Lindri trilogy), that can be enjoyed by present generations. Key Words: Rara Mendut; resistance; power; oral literature; written literature Abstrak: Tulisan ini bertujuan membahas dan mendeskripsikan teks Rara Mendut dari sastra lisan ke sastra tulis dan Rara Mendut sebagai potret perlawanan terhadap kekuasaan dengan teori resepsi intertekstual dan teori kekuasaan. Sumber data tulisan ini adalah cerita lisan Rara Mendut; serat Pranacitra­‐Rara Mendut; dan novel trilogi Rara Mendut; Genduk Duku; dan Lusi Lindri karya Y.B. Mangunwijaya. Penelitian ini menghasilkan temuan bahwa Rara Mendut yang bertemakan percintaan; pemerintahan; dan kekuasaan merupakan teks yang digemari oleh masyarakat; temuan tersebut dibuktikan oleh adanya sambutan dalam berbagai bentuk. Penciptaan novel trilogi Rara Mendut karya Y.B. Mangunwijaya diilhami oleh cerita Rara Mendut dalam sastra lisan dan sastra tulis. Berdasarkan struktur ceritanya; dapat dikatakan bahwa terdapat hubungan intertekstualitas antara serat Pranacitra Rara Mendut dan trilogi novel Rara Mendut; Genduk Duku; dan Lusi Lindri. Baik dalam sastra lisan maupun sastra tulis; Rara mendut menggambarkan perlawanan rakyat kecil terhadap kekuasaan.


Author(s):  
Travis D. Stimeling

This chapter offers a historiographic survey of country music scholarship from the publication of Bill C. Malone’s “A History of Commercial Country Music in the United States, 1920–1964” (1965) to the leading publications of the today. Very little of substance has been written on country music recorded since the 1970s, especially when compared to the wealth of available literature on early country recording artists. Ethnographic studies of country music and country music culture are rare, and including ethnographic methods in country music studies offers new insights into the rich variety of ways in which people make, consume, and engage with country music as a genre. The chapter traces the influence of folklore studies, sociology, cultural studies, and musicology on the development of country music studies and proposes some directions for future research in the field.


2019 ◽  
Vol 26 (2) ◽  
pp. 211-233
Author(s):  
Jiaxing Jiang ◽  
Jingyuan Zhang

Emotion, as a classic topic in psychological studies, has been intensively investigated by scholars across disciplines. In discursive psychology, emotion discourse refers to the rich variety and situated uses of emotion words and metaphors. Many studies of emotion in discursive psychology focus on the rhetorical contrasts of emotion. Conceptual analysis is another significant part of emotion discourse, and one that requires further investigation. To reveal how people describe and evoke emotions in discourse, this article starts with a reinterpretation of emotion in discursive psychology, followed by setting up an emotion system from a systemic functional perspective to illustrate how conceptual analysis may be conducted and rhetorical contrasts explored. During the process of establishing the emotion system, the paper elaborates upon the emotion concept and rhetorical contrasts on the basis of four illustrative examples taken from authentic extracts (including news and testimonies). The paper discusses the purpose behind the construction of the emotion system in terms of (1) the constituents in conceptual analysis and rhetorical contrasts of discursive psychology from a functional perspective, (2) the collaboration between conceptual analysis and rhetorical contrasts, (3) the traits of the emotion system as a method of discursive psychology analysis.


Though the existence of Jewish regional cultures is widely known, the origins of the most prominent groups, Ashkenaz and Sepharad, are poorly understood, and the rich variety of other regional Jewish identities is often overlooked. Yet all these subcultures emerged in the Middle Ages. Scholars contributing to the present study were invited to consider how such regional identities were fashioned, propagated, reinforced, contested, and reshaped — and to reflect on the developments, events, or encounters that made these identities manifest. They were asked to identify how subcultural identities proved to be useful, and the circumstances in which they were deployed. The resulting volume spans the ninth to sixteenth centuries, and explores Jewish cultural developments in western Europe, the Balkans, North Africa, and Asia Minor. In its own way, each chapter considers factors — demographic, geographical, historical, economic, political, institutional, legal, intellectual, theological, cultural, and even biological — that led medieval Jews to conceive of themselves, or to be perceived by others, as bearers of a discrete Jewish regional identity. Notwithstanding the singularity of each chapter, they collectively attest to the inherent dynamism of Jewish regional identities.


Author(s):  
Ka Hong ◽  
Elena Solana ◽  
Mauro Coduri ◽  
Clemens Ritter ◽  
Paul Attfield

Abstract A new CaFe3O5-type phase NiFe3O5 (orthorhombic Cmcm symmetry, cell parameters a = 2.89126(7), b = 9.71988(21) and c = 12.52694(27) Å) has been synthesised under pressures of 12-13 GPa at 1200 °C. NiFe3O5 has an inverse cation site distribution and reveals an interesting evolution from M2+(Fe3+ )2Fe2+O5 to Fe2+(M2+ 0.5Fe3+ 0.5)2Fe3+O5 distributions over three distinct cation sites as M2+ cation size decreases from Ca to Ni. Magnetic susceptibility measurements show successive transitions at 275, ~150, and ~20 K and neutron diffraction data reveal a series of at least three spin-ordered phases with evolving propagation vectors k = [0 0 0] [0 ky 0]  [½ ½ 0] on cooling. The rich variety of magnetically ordered phases in NiFe3O5 likely results from frustration of Goodenough-Kanamori exchange interactions between the three spin sublattices, and further interesting magnetic materials are expected to be accessible within the CaFe3O5-type family.


2014 ◽  
Vol 14 (3) ◽  
Author(s):  
Ni Ketut Supasti

It is likely not easy to categorize IPR as human right. Based on the human right test and positivism approach, can be categorized into three schemes. : First, IPR is not human rights but it is under purely the dimension of law.  Second, some aspects of IPR have potential conflict with human rights. Third, IPR is human rights by emphasizing property rights and individual rights. The relevancy between IPR and the second generation of human rights can be considered based on Article 27.2 UDHR, Article 15 ICESCR and it General Comment No. 17 that  emphases the recognition and protection of art and literary works.  Key words: human right, IPR, relevancy, second generation


ATAVISME ◽  
2013 ◽  
Vol 16 (2) ◽  
pp. 153-167
Author(s):  
Andi Asmara

Artikel ini bertujuan memahami dimensi alam kehidupan dan proses pencapaian manunggaling kawula­Gusti menurut Serat Jatimurti. Terpahaminya dimensi alam kehidupan tersebut diharapkan mampu menuntun pelaku mistik kejawen mencapai tujuan mistiknya. Puncak laku mistik orang kejawen adalah manunggaling kawul ­Gusti. Metode yang digunakan adalah metode analisis wacana dan interprestasi. Teori yang dmanfaatkan ialah teori pragmatik. Teori pragmatik diterapkan karena berkait erat dengan manfaat karya sastra bagi pembaca dan masyarakat. Hasil pengkajian ini adalah terungkapnya berbagai dimensi alam kehidupan dan makna manunggaling kawula­ Gusti, yaitu menyatunya gesang sejati atau urip sejati dengan Kang Maha Gesang atau Kang Maha Urip, Tuhan Yang Maha Esa. Abstract: The aim of this article is to comprehend the dimension of natural life and the achievement process of manunggaling kawula Gusti ‘the unity of human soul and God’ according to Serat Jatimurti. It is expected that comprehending the natural life dimensions can lead the performer of mystic of kejawen to get his mystical goal. The ultimate mystical goal of the kejawen people is manunggaling kawula Gusti. The data was analyzed by using discourse analysis and interpretation method. The pragmatic theory was applied because it was closely related with the benefit of the literary works for the reader and the society. This study has found various dimensions of natural life and the meaning of manunggaling kawula Gusti, which is the unity of true gesang or true urip ‘life’ with God, Kang Maha Gesang or Kang Maha Urip ‘the eternal’. Key Words: natural life dimension, manunggaling kawula­Gusti, Serat Jatimurti


Author(s):  
Vera Boneva

The article systematizes information about the current cultural heritage programs in the Bulgarian higher education area. The data shows that in eleven Bulgarian universities a diploma of cultural heritage can be obtained. 17 master's and 3 bachelor's programs prepare over 500 students a year. Two doctoral programs are also accredited. The rich variety of curricula is an objective result of the complex structure of cultural heritage in itself. However, it is also an indicator for the fragmentation of the higher education system in Bulgaria. The conclusion proposes approaches to overcoming the mentioned fragmentation, as the interdisciplinarity of the scientific field requires pooling of competencies and efforts for better results.


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