Eksperyment i awangarda. O „Różach w betonie” Mariana Promińskiego
Summary This article begins with an examination of the experimental handling of the characters’ speech and Promiński’s narrative voice in the title story of the collection Roses in Concrete. The analysis draws on some elements of constructivism - as it can be found in the early poems by Tadeusz Peiper and in the constructivist prose written by Jan Brzękowski - with the 3M catchphrase (“City - Mass - Machine”) from Peiper’s famous manifesto lurking in the background. In his short story Promiński creates a situation which enables him to lampoon the projects and visions formulated by Peiper and the Cracow Avant-garde; the total effect of “Roses in Concrete” is that of demolishing Peiper’s utopia of a new civilization. The analysis of “A specialist, Almost”, another story from the collection, focuses an its autothematic structure, as well as Promiński’s use of new, experimental narrative techniques (eg. simultaneous description, stream of consciousness). The discussion of the stream of consciousness technique reaches out to “Cracks”, a story where it marks the main character’s speech. The last of the stories taken up for discussion is “Timbert, the Traveller”, a story concerned with a case of mental illness. Here the article draws on the work of R. D. Laing, Michel Foucault and Thomas S. Sasz to argue that Timbert’s problem is not really medical, but the product of socio-cultural stereotyping and stigmatization.