scholarly journals Representasi Kearifan Lokal Budaya Timur Tengah dalam Film “Aladdin (2019)” Produksi Walt Disney Pictures

Koneksi ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 7
Author(s):  
Nada Salsabila ◽  
Diah Ayu Candraningrum
Keyword(s):  
Middle East ◽  
Middle Eastern ◽  
Musical Instrument ◽  
Semiotic Analysis ◽  
Cultural Symbols ◽  
Eastern Culture ◽  
Walt Disney ◽  
The People ◽  
The Right ◽  
The City

This research examines the representation of Middle Eastern culture local wisdom contained in the film "Aladdin 2019" produced by Walt Disney Pictures. This study aims to examine the cultural symbols of the Middle East. The research method used in this study is a qualitative method with Charles Sanders Peirce's semiotic analysis which divides the sign into three elements namely sign, object and interpretant. Semiotics is the science that discusses or examines the meaning of a sign. The results showed that Middle Eastern cultural symbols in the film "Aladdin 2019" were displayed through 10 scenes selected in the film. Cultural symbols of the Middle East are shown through the habits of the people kissing the right and left cheeks every time they meet relatives, riding camels to travel, livelihoods of people who trade, princess clothes Jasmine and Sultan, building architecture made of bricks and domes as decoration and art that displays traditional Middle Eastern musical instrument namely Gambus. Some interesting facts in the film one of which is the making of the city "Agrabah" as a shooting setting which is a fictitious city in England and property made of authentic jewelry.  Penelitian ini mengkaji mengenai representasi kearifan lokal budaya Timur Tengah yang terdapat dalam Film “Aladdin 2019” Produksi Walt Disney Pictures. Penelitian ini bertujuan untuk mengkaji simbol-simbol budaya Timur Tengah. Metode penelitian yang digunakan dalam penelitian ini adalah metode kualitatif dengan analisis semiotika Charles Sanders Peirce yang membagi tanda menjadi tiga elemen yaitu tanda, objek dan interpretan. Semiotika adalah ilmu yang membahas atau mengkaji mengenai pemaknaan dari sebuah tanda. Hasil penelitian menunjukkan bahwa simbol-simbol budaya Timur Tengah dalam Film “Aladdin 2019” ditampilkan melalui 10 scene yang dipilih dalam film tersebut. Simbol-simbol Budaya Timur Tengah ditunjukkan melalui kebiasaan masyarakat cium pipi kanan dan kiri setiap bertemu kerabat, menunggangi unta untuk bepergian, mata pencaharian masyarakat yang berdagang, pakaian putri Jasmine dan Sultan, arsitektur bangunan berasal dari batu bata dan kubah sebagai hiasan serta kesenian yang menampilkan alat musik tradisional Timur Tengah yaitu Gambus. Beberapa fakta menarik dalam film tersebut salah satunya adalah pembuatan kota “Agrabah” sebagai latar syuting yang merupakan kota fiktif di Inggris dan properti yang terbuat dari perhiasan asli.

Interrupting planetary urbanization: A view from Middle Eastern cities

2018 ◽  
Vol 36 (3) ◽  
pp. 439-455 ◽  
Author(s):  
Azam Khatam ◽  
Oded Haas
Keyword(s):  
Middle East ◽  
Urban Development ◽  
Case Studies ◽  
Middle Eastern ◽  
The Poor ◽  
Political Citizenship ◽  
New City ◽  
The Right ◽  
The City

This paper argues that the ‘city’ as a political entity is significant in struggles over the ‘urban’, by identifying two moments of ‘differential urbanization’ in the Middle East. Our study in Iran and Palestine/Israel shows that the vision of the ‘city’ as a legitimizing space for political citizenship is at the heart of conflicting imaginaries: in Iran, ‘cities of revolution’ built through housing the poor around Tehran, and redistributive politics that stand on filling the ‘rural/urban gap’, and in Palestine, the new city of Rawabi as a city of Palestinian independence, where privatized urban development contrasts colonial spatialities with anti-colonial potentials. Thus, the right to the ‘urban’ involves claims for the ‘city’ that go beyond the capitalist logic of urbanization. This theorization points to a troubling gap in the planetary urbanization thesis, which moves from collapsing the ‘urban/non-urban’ divide into ‘concentrated’, extended’ and ‘differential’ urbanization to diminishing the role of distinct sociospatial configurations in claims over the ‘urban’. Our case studies show that examining the reconfiguration of inherited spatialities in the context of particular political regimes is imperative for epistemology of the ‘urban’ in its planetary stage. Urbanization otherwise remains an uninterrupted process towards a non-spatial ‘urban condition’.

The Effect of the Political Situation in the City of Jerusalem on the Rights of the Jerusalem Women

1970 ◽  
pp. 36-47
Author(s):  
Fadwa Al-Labadi
Keyword(s):  
Middle East ◽  
Middle Eastern ◽  
Colonial Period ◽  
Sexual Life ◽  
Family Status ◽  
Colonial Legacy ◽  
Legal Principle ◽  
The Social ◽  
The City ◽  
Legislative Processes

The concept of citizenship was introduced to the Arab and Islamic region duringthe colonial period. The law of citizenship, like all other laws and regulations inthe Middle East, was influenced by the colonial legacy that impacted the tribal and paternalistic systems in all aspects of life. In addition to the colonial legacy, most constitutions in the Middle East draw on the Islamic shari’a (law) as a major source of legislation, which in turn enhances the paternalistic system in the social sector in all its dimensions, as manifested in many individual laws and the legislative processes with respect to family status issues. Family is considered the nucleus of society in most Middle Eastern countries, and this is specifically reflected in the personal status codes. In the name of this legal principle, women’s submission is being entrenched, along with censorship over her body, control of her reproductive role, sexual life, and fertility.

Akulturasi Budaya pada Ornamen Eksterior Masjid Agung Jawa Tengah: Analisis Semiotik

Metahumaniora ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 40
Author(s):  
Panji Maulani
Keyword(s):  
Middle East ◽  
Middle Eastern ◽  
Field Research ◽  
Research Process ◽  
Analytic Method ◽  
Important Thing ◽  
Eastern Culture ◽  
Observational Measures ◽  
Central Java ◽  
Library Research

ABSTRAKProses penelitian ini dilakukan dengan melakukan penelitian lapangan danpenelitian kepustakaan. Analisis mendalam terkait akulturasi budaya pada arsitektur MasjidAgung Jawa Tengah didapat melalui penggunaan metode deskriptif-analitik dengan langkahlangkahobservatif. Langkah-langkah tersebut disesuaikan dengan sumber terkait, sehinggadata pada objek penelitian dapat dideskripsikan serta dianalisis dengan pendekatan budayadan arsitektur. Penelitian ini menjadi penting untuk dilakukan karena Masjid Agung JawaTengah memiliki ornamen eksterior yang sangat khas, berbeda dengan ornamen masjidraya-masjid raya lain di Indonesia, yang umumnya memiliki ornamen eksterior yang hanyaberakulturasi dengan budaya Timur Tengah. Pada Masjid Agung Jawa Tengah kita dapatmerasakan suasana seperti di masjid Nabawi dan suasana Colloseum di zaman Romawi.Terdapat 6 buah payung hidrolik seperti di masjid Nabawi dan gerbang Al-Qanathir yangmenyerupai Colloseum pada pelataran masjid akibat pembangunan Masjid Agung JawaTengah menggunakan paduan tiga unsur budaya: Jawa, Timur Tengah, dan Romawi.Kata kunci: akulturasi, ornamen, masjid agung, Jawa TengahABTRACTThe research process was conducted by field research and library research. Depthanalysis related to acculturation on the architecture of the Central Java Great Mosque obtainedusing descriptive-analytic method with observational measures. The steps are adapted to thecorresponding source, so that data on the research object can be described and analyzed withcultural and architectural approach. This research becomes important thing to do because ofthe Great Mosque of Central Java has a very distinctive exterior ornament, in contrast to theother great mosques in Indonesia, whose the exterior ornament is generally only acculturatedwith Middle Eastern culture. In Central Java Great Mosque we can feel the atmosphere likeat the Nabawi Mosque and the atmosphere of the Colosseum in Roman times. There are sixpieces of hydraulic umbrella like in Nabawi Mosque and Al-Qanathir gate that resembles theColosseum in the courtyard of the mosque as the result of the construction of the Central JavaGreat Mosque using a combination of three elements of culture: Java, Middle East, and Roman.Keywords: acculturation, ornament, grand mosque, Central Java

The City-Logic of Resistance: Subverting Urbicide in the Middle East City

2017 ◽  
Vol 12 (3) ◽  
pp. 10-24 ◽  
Author(s):  
Bruce Stanley
Keyword(s):  
Middle East ◽  
Armed Conflict ◽  
Right To The City ◽  
Urban Theory ◽  
Civil Resistance ◽  
Extreme Variant ◽  
Urban Terrain ◽  
Critical Urban Theory ◽  
The Right ◽  
The City

Most armed conflict today takes place within urban terrain or within an urbanised context. An extreme variant of such armed conflict is violence perpetrated by external state and non-state forces within the city, known as urbicide. Urbicidal violence deliberately strives to kill, discipline or deny the city to its inhabitants by targeting and then reordering the sociomaterial urban assemblage. Civil resistance within urbicidal violence seeks to subvert the emerging alternative sovereign order sought by such forces. It does so by using the inherent logic of the city in order to maintain/restore the community's social cohesion, mitigate the violence, affirm humanity, and claim the right to the city. This paper investigates the city-logic of civil resistance through examples drawn from the recent urbicidal experiences of Middle East cities such as Gaza, Aleppo, Mosul, and Sana'a. Theoretical insights from the conflict resolution literature, critical urban theory, and assemblage thinking inform the argument.

Toward a Semiotics of Middle Eastern Cultures

1980 ◽  
Vol 12 (3) ◽  
pp. 319-329 ◽  
Author(s):  
Roger Joseph
Keyword(s):  
Middle East ◽  
Middle Eastern ◽  
Complementary Method ◽  
Sign Systems ◽  
The People ◽  
Symbolic Life ◽  
Growing Body ◽  
Fresh Perspective ◽  
Eastern Cultures ◽  
Semiotic Theory

There exists a growing body of literature which either explicitly or implicitly utilizes semiotic theory to discuss various sign systems in the Middle East. I believe that by exploring these works and linking them to similar studies, we can acquire a fresh perspective on the symbolic life of the people of the Middle East. I do not argue that semiotics can or should replace other paradigmatic approaches to out analysis of culture, but rather that semiotics can serve as a complementary method for interpreting sign systems.

Book Review of Middle Eastern Tourism: A Macro and Micro Perspective

2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Alf H. Walle ◽  
Nader Asgary
Keyword(s):  
Middle East ◽  
Middle Eastern ◽  
Local Communities ◽  
Active Engagement ◽  
The People ◽  
Cultural Empowerment ◽  
Excellent Method ◽  
Thoughtful Discussion ◽  
Ecological Preservation

The Middle East needs a thoughtful discussion regarding tourism and how to involve local communities and ethnic enclaves within this industry with an eye towards economic development, ecological preservation, and cultural empowerment. The proposed project will help the people of the Middle East to choose and implement appropriate tourism strategies that are sustainable and equitable. The focus is upon active engagement of local peoples to control their destinies in ways that simultaneously mesh with and reinforce national strategies in an equitable manner. Doing so will advance bottom-up development and is an excellent method of defusing potentially adversarial relationships while encouraging cooperation.

Colonial Policies, Middle Eastern War, and City Spaces

2014 ◽  
Author(s):  
Maud S. Mandel
Keyword(s):  
Middle East ◽  
Political Participation ◽  
North Africa ◽  
Middle Eastern ◽  
French Government ◽  
Jewish Refugees ◽  
The Holocaust ◽  
Minority Policies ◽  
The City ◽  
Politically Active

Beginning in 1948 when war in the Middle East caused minor unrest in the city of Marseille, this chapter traces the way in which disagreements over Israel became a way to debate inequities in French minority policies at home and in North Africa. In Marseille, the gathering point for Jewish clandestine migration to Palestine, Algerian Muslims' anger toward what they perceived as French complicity in migration schemes was compounded by frustrations that French officials seemed to be favoring Jewish refugees over newly minted French Algerian Muslim citizens. Conflicts around war in the Middle East thus became an opportunity for politically active Muslims and Jews to negotiate their relationship with the French state, as the former established new parameters for political participation in the aftermath of the Holocaust by pushing the French government to support Israel, and the latter tested the limitations on a citizenship that never made good on its promises.

Walk in the history of the city and its environs

10.12737/6572 ◽  
2014 ◽  
Vol 8 (4) ◽  
pp. 20-33
Author(s):  
Наталья Гаршина ◽  
Natalya Garshina
Keyword(s):  
Excursion Theory ◽  
Transmission Of Knowledge ◽  
City Environment ◽  
The Past ◽  
Walking Tour ◽  
The People ◽  
The World ◽  
History Of ◽  
The Right ◽  
The City

Having a look at the tourist space as a cultural specialist, the author drew attention to the fact that the closest to the modern man is a city environment he contacts and sometimes encounters in everyday life and on holidays. And every time whether he wants it or not, it opens in a dif erent way. One way of getting to know the world has long been a walking tour. It’s not just a walk hand in hand with a pleasant man or hasty movement to the right place, but namely the tour, in which a knowledgeable person with a soulful voice will speak about the past and present of the city and its surroundings, as if it is about your life and the people close to you. Turning to the beginning of the twentieth century, the experience of scientists-excursion specialists we today can learn a lot to improve the process of building up a tour, and most importantly the transmission of knowledge about the world in which we live. Well-known names of the excursion theory founders to professionals are I. Grevs, N. Antsiferov, N. Geynike and others. They are given in the context of ref ection on the historical development of walking tours, which haven’t lost their value and attract both creators and consumers of tour services.

Morocco and the near East: Reflections on some basic differences

1969 ◽  
Vol 10 (1) ◽  
pp. 70-94 ◽  
Author(s):  
Edmund Burke
Keyword(s):  
Nineteenth Century ◽  
Middle East ◽  
Middle Eastern ◽  
Critical Examination ◽  
Late Nineteenth Century ◽  
Sociological Study ◽  
Eastern Culture ◽  
Culture Area ◽  
Shed Light ◽  
Different Parts

The comparative sociological study of the countries of the Middle Eastern culture area for the nineteenth century can scarcely be said to have begun. But such studies can do much to help us come to a more precise estimate of the functions which particular institutions might fill, and the weight they could be required to bear in different parts of the Middle East during the critical period of the onset of modernization. It is the purpose of this article to begin to make some of the kinds of distinctions which set off different parts of the Middle East one from another, using the case of late nineteenth century Morocco. It is hoped that the analysis which follows will stimulate the same kind of critical examination of the institutions of other segments of the Middle East culture area. Even if it does not accomplish this objective, such an exercise may be useful if in studying the Moroccan modifications of some of these basic institutions, it can shed light on why Morocco was significantly different and therefore perhaps on the nature of these institutions themselves.

Elsewhere

2018 ◽  
Vol 72 (1) ◽  
pp. 69-72
Author(s):  
Bilal Qureshi
Keyword(s):  
Middle East ◽  
Middle Eastern ◽  
The City

Bilal Qureshi continues to look “elsewhere,” here musing on the contrast in stereotypes and complexities between a marquee movie, Tony Gilroy's Beirut, and an art-house work, Tamer Said's In the Last Days of the City. The overlapping theatrical release of the two films allows Qureshi to juxtapose their very different visions of the Middle East. While Beirut repeats familiar tropes from Hollywood's post-9/11 Arab thrillers, In the Last Days of the City's portrait of pre-revolutionary Cairo presents a welcome alternative to this clichéd gaze, presenting instead a more authentic and genuine representation of Middle Eastern subjectivity.

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