Bookplate design by Stanisław Wyspiański for Lucjan Rydel, kept at the Jagiellonian Library

Res Gestae ◽  
2020 ◽  
Vol 9 ◽  
pp. 123-138
Author(s):  
Katarzyna Podniesińska

The subject of the article is Stanisław Wyspiański’s bookplate design for Lucjan Rydel, drawn by watercolour on grey paper (23,8 x 16,9 cm). As a standing rectangle, it shows symmetrically arranged twigs with flower buds, which resemble magnolias and freesias. e signs that appear next to the twigs, which are painted emerald green and light violet, are Z Księgozbioru (“From the book collection”) as well as Dr (?) LRydla [“Dr (?) LRydel’s”], the latter being the facsimile of a signature. It can be assumed that this drawing was Wyspiański’s present for his friend, gifted sometime in the years 1894–1899. Rydel never made a decision to have it printed, which undoubtedly contributed to its status of being unknown among experts and absent from the topic literature, either printed, handwritten or epistolary. The piece is nevertheless particularly important for the history of Polish bookplates. is seemingly ordinary drawing appears revolutionary when one considers that it shows an emblem shield deprived of the actual emblem, lacks an epic theme, does not have any text, and features art nouveau embellishments as well as a handwritten signature of the owner. It can be compared to the works created already in the first decade of the twentieth century by artists such as Jan Bukowski, Antoni Procajłowicz and Kazimierz Sichulski.

Author(s):  
Brent A. R. Hege

AbstractAs dialectical theology rose to prominence in the years following World War I, the new theologians sought to distance themselves from liberalism in a number of ways, an important one being a rejection of Schleiermacher’s methods and conclusions. In reading the history of Weimar-era theology as it has been written in the twentieth century one would be forgiven for assuming that Schleiermacher found no defenders during this time, as liberal theology quietly faded into the twilight. However, a closer examination of this period reveals a different story. The last generation of liberal theologians consistently appealed to Schleiermacher for support and inspiration, perhaps none more so than Georg Wobbermin, whom B. A. Gerrish has called a “captain of the liberal rearguard.” Wobbermin sought to construct a religio-psychological method on the basis of Schleiermacher’s definition of religion and on his “Copernican turn” toward the subject and resolutely defended such a method against the new dialectical theology long after liberal theology’s supposed demise. A consideration of Wobbermin’s appeals to Schleiermacher in his defense of the liberal program reveals a more complex picture of the state of theology in the Weimar period and of Schleiermacher’s legacy in German Protestant thought.


2021 ◽  
Vol 13 (3-1) ◽  
pp. 11-34
Author(s):  
Svetlana Neretina ◽  

The purpose of this paper is to show how the thought and speech of people holding and defending directly opposite positions affect the change in the thought and speech of people of their own and subsequent generations, with different life orientations, and to find ways of this influence. The author describes the situation that arose at the end of the sixties of the twentieth century, known as the ideological dispersal of philosophical, historical and sociological trends that ran counter to the policy of the CPSU, which became especially fierce in the fight against opponents after the USSR’s invasion of Czechoslovakia in August, 1968. One of the results of such an ideological battle was the defeat of the sector of the methodology of history of the Institute of General History of the USSR Academy of Sciences, headed by M. Ya. Gefter, who published a series of books in which the so-called laws of historical development (formational approach) were questioned and the fundamental provisions of the classics of Marxism-Leninism were criticized. The subject of analysis is Gefter’s article “A Page from the History of Marxism in the Early 20th Century”, published in the book “Historical Science and Some Problems of the Modernity”, dedicated to the analysis of Lenin’s tactics and strategy development which changed the views of many, especially young, historians on the historical process, and most importantly - on the methods of seeking and expressing the truth. The differences were expressed primarily in the fact that the proponents and defenders of the Soviet regime, which was based on their own established norms of Marxism-Leninism, fearlessly used all means of pressure on unwanted opponents. Professionals, however, who tried to understand the true sense of the historical process, the sense of judgments about it, especially the sense of the revolutionary struggle against the autocracy, unfolding at the beginning of the twentieth century, were forced to use the Aesopian language, which also provoked a distortion of this sense in many ways: due to the nebulous and veiled expressions, which give the impression of theoretical blackmail, causing such consequences as speech irresponsibility.


2014 ◽  
Vol 23 (2) ◽  
pp. 167-192 ◽  
Author(s):  
ANNA KRYLOVA

‘Modernity’ has long been a working category of historical analysis in Russian and Soviet studies. Like any established category, it bears a history of its own characterised by founding assumptions, conceptual possibilities and lasting interpretive habits. Stephen Kotkin's work has played a special role in framing the kind of scholarship this category has enabled and the kind of modernity it has assigned to twentieth-century Russia. Kotkin's 1995Magnetic Mountainintroduced the concept of ‘socialist modernity’. His continued work with the concept in his 2001Kritikaarticle ‘Modern Times’ and his 2001Armageddon Avertedmarked crucial moments in the history of the discipline and have positioned the author as a pioneering and dominant voice on the subject for nearly two decades. Given the defining nature of Kotkin's work, a critical discussion of its impact on the way the discipline conceives of Soviet modernisation and presents it to non-Russian fields is perhaps overdue. Here, I approach Kotkin's work on modernity as the field's collective property in need of a critical, deconstructive reading for its underlying assumptions, prescribed master narratives, and resultant paradoxes.


2017 ◽  
Vol 9 (4) ◽  
pp. 467-487 ◽  
Author(s):  
Richard A. Hawkins

Purpose The purpose of this paper is to explore the development of marketing practice in Britain from the ancient to the early twentieth century. It builds upon the author’s chapter in the 2016 Routledge Companion to the History of Marketing. Design/methodology/approach This paper is based on a review of secondary history and archaeology literature supplemented by digitised historic newspaper and magazine advertising. The literature is frameworked using a modified version of Fullerton’s 1988 periodization which has been extended to include the medieval and Roman eras. Findings One of the significant findings of this paper is the key role the state has played in the development of marketing practice in Britain, the construction of pavements being a good example. Originality/value Apart from Nevett’s 1982 history of British advertising and the author’s Routledge Companion to the History of Marketing chapter, this is the first survey of the historical development of British marketing practice. It assembles and presents in a useful way important information. This paper will be of interest to marketing historians, especially students and researchers new to the subject.


2000 ◽  
pp. 7-26
Author(s):  
Susan Schulten

In the early twentieth century, Rand McNally held a large share of the commercial market for maps and atlases in the United States. How the company built its reputation as an American cartographic authority—by both accepting and resisting change—is the subject of this essay. Critical to the company’s success was its ability to design materials that reinforced American notions of how the world ought to appear, an indication that the history of cartography is governed not just by technological and scientific advances, but also by a complex interplay between mapmakers and consumers.


2006 ◽  
Vol 39 (1) ◽  
pp. 107-122
Author(s):  
Thomas A. Brady Jr.

Measured against its subject, German history from the ancient forests to the “Berlin Republic,” A Mighty Fortress: A New History of the German People by Steven Ozment is a very short book. Karl Lamprecht (1856–1915) required some 6,000 pages in twelve volumes to cover the subject, and he had no twentieth century to master. Ozment's book is readable. It moves along in the athletic style and at the brisk pace we expect from him and is largely free of the sarcasms that pepper some of his earlier (though not the earliest) writings. The most surprising thing about A Mighty Fortress is that it was written at all. Why no German historian would tackle the subject today needs no explanation, but it is truly curious that a foreigner would essay the task. Yet Ozment has done just that. The product is a book easy and fun to read, in many respects better entertainment than history. A Mighty Fortress' point of view is so obstinately personal, its attitude toward established scholarship so brusque, and its narrative so broken and at times opaque, that only generous quotations can supply a fair impression of the book.


2019 ◽  
Vol 25 (4) ◽  
Author(s):  
Philip Ewell

Universally translated into English as “mode,” the Russian term лад (“lād”) first appeared in 1830 as a translation from German Tonart, which is usually translated into English as “tonality.” To Tchaikovsky a lād was, in fact, a tonality, but by century’s end lād had come to signify its pre-tonal cousin, mode. Boleslav Yavorsky’s work on the subject in the early twentieth century gave lād new post-modal and post-tonal meaning with respect to quasi-tonal and post-tonal music. In this article, I delve deeply into the history of this uniquely Russian concept, from its inception to its highly modified mid-twentieth century form. Rather than trying to find an English equivalent, I leave “lād” in its transliterated form, which disentangles it from inaccurate translations. I examine a 1945 Chopin analysis by Yavorsky’s student, Sergei Protopopov, which outlines new interpretations for Russian lād. Sketches for this analysis, from the Russian National Museum of Music, provide a backdrop for a reexamination of basic tonal constructs such as cadence, phrase, form, harmonic function, and melodic diminution. I then look at a famous 1930 conference on Yavorsky’s theories as an example of the high stakes involved in creating a Marxist musical science, in which lād played a primary role. I also briefly discuss Yavorsky’s theories as a counterweight to Hugo Riemann’s encroaching functionality, which was brought to Russia by Gregori Catoire in the early twentieth century. It is my hope that this work on lād will fill in many gaps for the English-language reader, and possibly spur further studies on this uniquely Russian concept.


Itinerario ◽  
1986 ◽  
Vol 10 (1) ◽  
pp. 145-162
Author(s):  
B.R. Tomlinson

Discussing the issue of foreign investment in colonial economies, such as those of India and Indonesia, in the first half of the twentieth century gives rise to a number of problems. In addition to the obvious difficulties of data collection there are also complex conceptual and definitional issues. The aim of this paper is to set out what we know about the quantities and performance of foreign investment in the two economies, and to use this information to draw more general conclusions about the economic history of the two areas. In analysing the material only those lines which seem to offer a genuinem comparative perspective will be followed. We are interested in those aspects of the history of foreign investment in India which can tell us something about the history of foreign investment in Indonesia, and vice versa. It is convenient to split the subject into two time periods, 1920-38 and 1945-60.


This chapter outlines the history of demography in Britain and examines its links with the development of sociology in the country. There is a particularly strong link in the person of David Glass, a towering figure in British demography and a pioneer in British sociology. Eugene Grebenik is another shaper of the history of demography. Before the start of the twentieth century, demography was mainly the study of mortality. William Farr, who created Britain's system of vital statistics, was primarily interested in mortality. Two very important institutions in the history of British demography are the Population Investigation Committee and the Royal Commission on Population. During the 1950s and 1960s, there was also an upsurge in interest in population history and in the interaction between demographic and economic and social change in the past. This chapter closes with a consideration of the development, since the Royal Commission on Population, of the discipline of economics in relation to the subject areas that overlap with the traditional interests of sociologists and demographers.


1982 ◽  
Vol 141 (3) ◽  
pp. 310-312 ◽  
Author(s):  
Michael Shepherd

To begin with, a few facts. Karl Jaspers' Allgemeine Psychopathologie (General Psychopathology) was first published in 1913 (1). The author was then barely 30 years of age, working as a physician in the psychiatric hospital at Heidelberg. Two years later he moved away from medicine towards first psychology and then philosophy, the field in which he was to emerge as one of the outstanding figures of the twentieth century. He continued, however, to retain an interest in psychopathology, revising and expanding his book in several later editions. Within the German-speaking world it was at once recognized by leading psychiatrists as a unique achievement, a mountainous landmark in the history of the subject. If Jaspers' reputation was to decline in Germany between the two world wars, this is attributable chiefly to his outspoken, uncompromising resistance to national socialism. Philosophy for him was a public as well as a private concern, and it was his courageous political stand which led Hannah Arendt to describe him as a contemporary successor of Immanuel Kant.


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