scholarly journals Graphic Reminders: Confronting Colonialism in Canada through Betty: The Helen Betty Osborne Story

Author(s):  
Raven Lovering

David Alexander Robertson’s 2015 graphic novel Betty: The Helen Betty Osborne Story connects non-Indigenous Canadians to the racial realities of Canada’s intentionally forgotten past. Robertson translates Helen Betty Osborne’s biography into the accessible format of the graphic novel which allows for a wide range of readers to connect present day racial injustices to the past, generating new understandings surrounding violence against Indigenous peoples in Canada. Helen Betty Osborne, a young female Cree student was abducted and murdered in 1971, targeted for her race and gender. The horrors Betty experienced reveal the connection between her story and the contemporary narrative of Missing and Murdered Indigenous Women in Canada. Betty: The Helen Betty Osborne Story deconstructs Betty’s life from the violence she is subjected to, personifying a historical figure. The graphic novel allows for a visual collision of past and present to express the cycle of colonial violence in Canada ignored by non-Indigenous Canadians despite its continued socio-economic and political impact on Indigenous peoples. As an Indigenous author, Robertson preserves the integrity of Indigenous voice and revives an integral gendered and racialized historical perspective that is necessary to teach. This close reading of Betty: The Helen Betty Osborne Story explores how Robertson uses the graphic novel to revive history and in doing so, demonstrates connections between past and present patterns of racial injustice against Indigenous women in Canada today. 

Author(s):  
Michelle Johnson

In 1995, Disney Studios released Pocahontas, its first animated feature based on a historical figure and featuring Indigenous characters. Amongst mixed reviews, the film provoked criticism regarding historical inaccuracy, cultural disrespect, and the sexualization of the titular Pocahontas as a Native American woman. Over the following years the studio has released a handful of films centered around Indigenous cultures, rooted in varying degrees of reality and fantasy. The metanarrative of these films suggests the company’s struggle with how to approach Indigenous storylines, with attempts that often read as appropriation more than representation. In response to overt and frequently hostile criticism, Disney over-compensates by creating fictional hybridized cultures that cannot definitively be attributed to any one people, so as to avoid backlash that tarnishes their reputation. Focusing on Pocahontas but also considering other Disney representations of Indigenous peoples, this paper incorporates Laban Movement Analysis to explore how the characters in these films serve as palimpsests for Disney ideologies of race and gender. The studio inscribes meanings onto animated bodies and movement, erasing and rewriting (or drawing) history to create a story with just enough Disney “sparkle.” Spanning the fields of popular culture, visual anthropology, and dance studies, this paper examines how Pocahontas and other characters are animated to absorb and embody popular understandings and misunderstandings of Indigeneity, native history, and transcultural exchange, and how subsequent films continue to add new layers to Disney’s attempts at negotiating diversity.


2021 ◽  
Author(s):  
◽  
Zanele Theodorah Ndaba

<p><b>This thesis examines the interactions between issues of race and gender as they affect top-management positions. Specifically, it asks how these issues affect access to top jobs and experiences in those positions for ethnic „minority‟ women. In response to this question, I conducted empirical research with Māori and Black indigenous women in two former British settler States, New Zealand and the Republic of South Africa. I investigated issues, lessons and strategies for indigenous women entering top-management roles. I investigated the experiences and perceptions of these women within their own historical and political contexts to interpret my findings.</b></p> <p>I drew on the management literature which theorises issues of race and gender for women in top-management positions. In the broad context of theorising the interactions of race and gender in top-management, I focused in particular on studies which developed the metaphor of the „concrete ceiling‟ to explore the issues facing ethnic „minority‟ women trying to reach top-management roles and to succeed in them. To carry out this research in a way that was culturally appropriate, I developed a combination of methodologies, which drew on Māori and African cultural protocols, as well as western paradigms. I explored the experiences of 15 Māori women (10 in the public sector and 5 in the private sector) in New Zealand, and 12 Black women in the private sector in South Africa through qualitative interviews.</p> <p>My findings added new perspectives to the „concrete-ceiling‟ literature, while also confirming some familiar themes. The „concrete-ceiling‟ theory focuses on barriers to accessing top positions, but, by contrast, the women in my study were actively recruited. In my findings I discuss how my participants used strategies, such as mentoring, which are familiar in the literature, from new perspectives based on their cultural and political backgrounds. The lives of the women I interviewed were part of a historical and political moment of change in both countries, where political struggles led to new opportunities for indigenous women. These changes included the post-apartheid Broad-Based Economic Programmes (BEE) in South Africa and the ratification of the Treaty of Waitangi as well as Government sponsored Equal Employment Opportunities (EEO) programmes in New Zealand. The effects of these policies were that my participants were „head-hunted‟ in South Africa and „shoulder-tapped‟ in New Zealand without actively seeking new roles. My participants entered their initial top-management roles through these initiatives and they believed that they were perceived as tokens by their organisations, upon initial entry. They encountered familiar „concrete-ceiling‟ challenges based on negative stereotyping in terms of „racialised-gender‟. But in most cases my participants were able to go beyond token positions to become genuinely influential as top managers.</p> <p>My project contributes primarily to studies focusing on ethnic „minority‟ women in top-management. The existing literature is based mainly on studies conducted in the United States of America and Europe. These studies therefore embed historical and political contexts of issues such as slavery and migration, present in these countries. In contrast, by studying indigenous women in Settler States, my project provides different perspectives and also highlights the importance of local context for any such research.</p>


Author(s):  
Erin C. Cassese

Intersectionality is an analytic framework used to study social and political inequality across a wide range of academic disciplines. This framework draws attention to the intersections between various social categories, including race, gender, sexuality, class, and (dis)ability. Scholarship in this area notes that groups at these intersections are often overlooked, and in overlooking them, we fail to see the ways that the power dynamics associated with these categories reinforce one another to create interlocking systems of advantage and disadvantage that extend to social, economic, and political institutions. Representational intersectionality is a specific application of intersectionality concerned with the role that widely shared depictions of groups in popular media and culture play in producing and reinforcing social hierarchy. These representations are the basis for widely held group stereotypes that influence public opinion and voter decision-making. Intersectional stereotypes are the set of stereotypes that occur at the nexus between multiple group categories. Rather than considering stereotypes associated with individual social groups in isolation (e.g., racial stereotypes vs. gender stereotypes), this perspective acknowledges that group-based characteristics must be considered conjointly as mutually constructing categories. What are typically considered “basic” categories, like race and gender, operate jointly in social perception to create distinct compound categories, with stereotype profiles that are not merely additive collections of overlapping stereotypes from each individual category, but rather a specific set of stereotypes that are unique to the compound social group. Intersectional stereotypes in political contexts including campaigns and policy debates have important implications for descriptive representation and material policy outcomes. In this respect, they engage with fundamental themes linked to political and structural inequality.


2020 ◽  
pp. 104-117
Author(s):  
Ilana Redstone

Knowledge production happens mainly through research, but a primary mechanism for knowledge dissemination to students occurs in the classroom. The classroom experience plays a central role in one of the key goals of a college education: to teach students how to engage thoughtfully and creatively with complex, nuanced topics. In the current climate, the learning experience for students, particularly in courses that address potentially controversial topics such as race and gender, is constrained. An instructor’s belief that there is open conversation admitting a wide range of perspectives in the classroom does not mean that is occurring. To the contrary, it is possible to have a robust debate within the confines of the three core beliefs we have articulated and to as a result think that the discussion has been truly open, while in reality it may only have been open within a very limited aperture.


2020 ◽  
pp. 019372352091981
Author(s):  
MacIntosh Ross ◽  
Janice Forsyth

This article examines the experiences of select Indigenous female boxers from Canada and the United States to explore and appreciate the diverse meanings they attach to amateur and professional boxing and to write these athletes into history by constructing short case studies of fighters active from the 1970s through the 2010s. We augment each fighter’s story with context from scholarly and secondary source materials, such as newspapers, to round out each woman’s story and to illustrate the multiple overlapping conditions that shaped their boxing experiences. We embrace the work of van Ingen on the importance of understanding female boxers at the intersection of race and gender. In doing so, our work emphasizes the ideological foundations embedded in narratives, so that each narrative presents a certain point of view that results in real practical effects, whether it be supporting White liberal feminism or Indigenous self-determination. Following van Ingen, this article views all writing, whether by journalists or professional historians, as ideological acts, capable of exalting select athletes while marginalizing others.


2015 ◽  
Author(s):  
◽  
N. Danilo Leon

This dissertation is a study of literary and cinematographic works of the contemporary period that depict the complex experiences that the recent immigration phenomenon in Spain has brought along not only for the new arrivals to Spain (outsiders) but also for the Spaniards themselves. Through an interdisciplinary approach, my study analyzes a wide range of narratives of two of the largest migratory groups in Spain: Latin Americans and sub-Saharan Africans. To do so, I examine the work of a variety of film makers and writers - Isabel de Ocampo's film Evelyn (2012), Helena Taberna's documentary Extranjeras (2003), Fernando León de Aranoa's film Princesas (2005), Montxo Armendariz's film Las cartas de Alou (1990), Imanol Uribe's film Bwana (1996), and Inongo-vi-Makomé's novel Nativas (2008). Other shorter texts have also been included and studied. My entire research project pays close attention to the ways in which race and gender intersect and shape the immigration experience of Latin Americans and sub-Saharan Africans. Whereas there are commonalities among these two groups, especially if we analyze those commonalities through a postcolonial lens, I aim to shed light on the ways in which each migratory group deals with its own post-colonial, racial and gender-related dilemmas. At the same time, Spaniards seem to struggle with the construction of a new Spanish identity which sharply challenges the traditional image of an ethno-culturally homogeneous Spain, an image that the long Franco regime aggressively reinforced. Finally, my analysis pays close attention the role of the western subject in the depiction of the migratory experience, which, in some cases reveals a strong tendency to represent all immigrants as problematic "Others." All the narratives that are part of this ambitious project will reveal pervasive racial discourses and also the ways in which gender roles are deconstructed and reconstructed once the immigrant subject sets foot in a new host society.


This book offers a wide range of theoretical tools for conceptualizing the criminal justice system in general and this historical moment in particular, in which mass incarceration, the War on Drugs, police practices, the treatment of juveniles and the mentally ill, glaring racial disparity, and the death penalty (among other aspects) are all facing challenge. Each of the 14 original essays in this volume dismantles and reframes core debates over U.S. criminal justice: What sort of institution is our penal system? What work is done by rules, practice, discretion, and social hierarchy? How specifically do race and gender shape outcomes? What role do the Constitution and the Supreme Court play in constructing and preserving current practice? How does legal change occur? The essays are highly situated and interdisciplinary, bringing together legal theory, sociology, criminology, legal doctrine, and critical theory. The authors—all of them leaders and innovators in their fields—represent a wide array of perspectives, schools, disciplines, and backgrounds. Together, they offer readers the opportunity to develop a more profound understanding of our enormous, complex, and deeply flawed criminal system at this historic moment of opportunity.


Author(s):  
Michelle Ann Abate

Funny Girls: Guffaws, Guts, and Gender in Classic American Comics is the first full-length critical study to examine the important cadre of young female protagonists that permeated US newspapers strips and comics books during the first half of the twentieth century.Many of the earliest, most successful, and most influential titles from this era featured elementary-aged girls as their central characters, such as Little Orphan Annie, Nancy, and Little Lulu. Far from embodying a now-forgotten facet of twentieth century print culture, these figures remain icons ofUS popular and material culture. Recognizing the cadre of Funny Girls who played such a significant role in the popular appeal and commercial success of American comics during the first half of the twentieth century challenges longstanding perceptions about the gender dynamics operating during this era.In addition, they provide information about a wide range of socio-political issues, including the popular perceptions about children, mainstream representations of girlhood, and changing national attitudes regarding youth and youth culture.Finally, but just as importantly, strips like Little Lulu, Little Orphan Annie, and Nancy also shed light on another major phenomenon within comics:branding, licensing, and merchandising. In discussing these are other issues, Funny Girls gives much needed attention to an influential, but long neglected, aspect of comics history in the United States.


2018 ◽  
Vol 169 (1) ◽  
pp. 54-64 ◽  
Author(s):  
Taima Moeke-Pickering ◽  
Sheila Cote-Meek ◽  
Ann Pegoraro

The media plays a large role in facilitating negative racial and gender ideologies about Indigenous women. In Canada, as we struggle with the national crisis of missing and murdered Indigenous women (MMIW), researchers have collected data from social media (SM) and identified that subversive texts about Indigenous women perpetuate a racialized violent discourse. Given that many Indigenous peoples, including Indigenous youth, have smart phones and/or other ways to access SM they too are exposed to the discourse that subjugates, vilifies and dehumanizes Indigenous women, many of whom are family or community members. Our research investigates the messages shared on #MMIW and identifies a reframing by hashtag users. The results assist in understanding how SM plays a role in perpetuating stereotypes about Indigenous peoples but also how SM can be used to mitigate those messages.


Author(s):  
W. Anthony Sheppard

Extreme Exoticism: Japan in the American Musical Imagination offers a detailed and wide-ranging documentation and investigation of the role of music in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life. This book covers over 150 years of American musical history, from the first American encounters with the Japanese in the mid nineteenth-century to today, as it reveals the central role of music in American japonisme. Nearly every musical genre, media, and form is discussed, as parallels between “high” and “low” art and connections between various art forms are explored. Particular emphasis is placed on popular song in both the Tin Pan Alley period and in more recent decades and on representations of the Japanese throughout the history of Hollywood film and Broadway musicals. Manifestations of the “Madame Butterfly” narrative are explored throughout a wide range of popular musical, cinematic, and theatrical genres. Musical representations of Japan were directly connected to efforts to reshape American perceptions of race and gender and for the purposes of political propaganda, particularly during World War II and the Cold War periods. The book also details the extensive influence of Japanese traditional music on modernist American composers and the pursuit of Japanese musical performance by numerous American musicians.


Sign in / Sign up

Export Citation Format

Share Document