scholarly journals Pandangan Hindu terhadap Pemikiran Kefilsafatan Pythagoras

2020 ◽  
Vol 10 (2) ◽  
pp. 101
Author(s):  
I Putu Agus Aryatnaya Giri
Keyword(s):  
The Body ◽  
The Other ◽  
Philosophical Thinking ◽  
Other Hand ◽  
The World ◽  
To Come ◽  
Vegetables And Fruits

There is a similarity to the concept of philosophical thinking between Pythagoras and Hinduism. just call the first that Pythagoras believed in the existence of the Soul and the transfer of souls from the present being to the creatures to come. When someone dies, his soul returns to the world, enters the body of one animal. Hindus themselves know these teachings as <em>Punarbhawa </em>or <em>Samsara </em>which are part of <em>Panca Sraddha</em>. On the other hand, Pythagoras also stated that in order to achieve a pure life, one must eat meat and beans. With his belief, Pythagoras became an advocate of <em>vegetarianism</em>, which only ate vegetables and fruits, which in Hinduism were included in the teachings of <em>ahimsa</em>.

scholarly journals THE PUSH FOR THE DIGITALIZATION OF THE COURTS IN THE INDIAN CONSTITUTION, IN THE WAKE OF COVID 19 AND ITS SOCIAL IMPACT

2022 ◽  
pp. 70-72
Author(s):  
Dr. N Jayarama Reddy
Keyword(s):  
Social Impact ◽  
The State ◽  
The Body ◽  
The Other ◽  
Indian Constitution ◽  
Human Conduct ◽  
Administration Of Justice ◽  
The World ◽  
Court Proceedings ◽  
To Come

According to Salmond ‘Law may be defined as the body of principles Recognized and applied by the state in the administration of justice. We cannot Imagine our life without the law as it also governs the human conduct in day to day life, In a young democracy like that of democracy the Importance of Judiciary is Magnified, although it has its flaws, the Indian judiciary, especially the higher judiciary, has come through for the citizens more often than not, Things changed when the pandemic that struck the world in 2019 made its presence in India as well. It brought the life to standstill, like everything and everyone the judiciary was also affected by the deadly virus too, there was delay in justice, when the most foundational mandate of an institution is not being fulfilled, and its credibility will be called into question. On the other hand the Pandemic has blessed the judiciary in many ways, Indian judiciary has always lacked behind when it came to digital access, and digitalization was limited only to those people who wanted to access individual cases. The court proceedings were still based on old aged approach, however like it forced everyone hand to embrace a new way of living , the Pandemic forced the Indian judiciary to come out of its shell.

Plotinus and Posidonius

1930 ◽  
Vol 24 (3-4) ◽  
pp. 198-207 ◽  
Author(s):  
R. E. Witt
Keyword(s):  
The Body ◽  
The Other ◽  
History Of Thought ◽  
Other Hand ◽  
Theory Of Ideas ◽  
The World ◽  
History Of ◽  
The One ◽  
Platonic Theory

Probably no philosopher of antiquity has occasioned more daring speculations and the expression of graver doubts than Posidonius. On the one hand it has been argued that he was purely a man of science and hardly a Stoic philosopher at all. On the other hand he has been called the first and greatest Stoic mystic who under Oriental influence spurned the body as vile and earthly. Reinhardt has of late years resolutely maintained that the importance of Posidonius in the history of thought lies in his having originated a completely new Vitalism, and that his conception of the world is one in which ‘Subjekt und Objekt, Geist und Wissen, Mensch und Gott, νος und ζω durch eine im Bewusstsein neu erwachte Kraft sich einen und durchdringen: durch die “Sympathie.”’ Among other German scholars Geffcken holds that Plotinus borrowed much from Posidonius, and Jaeger roundly declares that if Posidonius had but found a place for the Platonic Ideas, there would have been nothing left for Plotinus to find. Schmekel and Bréhier have both stated that modifying the Platonic Theory of Ideas Posidonius established an identification between the Ideas and the Spermatic Logoi of Stoicism.

Cyborgs, Agents, and Transhumanists: Crossing Traditional Borders of Body and Identity in the Context of New Technology

Leonardo ◽  
2000 ◽  
Vol 33 (5) ◽  
pp. 361-365 ◽  
Author(s):  
Barbara Becker
Keyword(s):  
New Technologies ◽  
New Technology ◽  
The Body ◽  
Human Existence ◽  
The Other ◽  
Other Hand ◽  
The World ◽  
The One

In current discourses of technoscience, body, nature, and even life are often described as code, text, or information. On the one hand, classical dichotomies (body/mind, subject/object, man/machine) and their restrictions are dissolving; on the other hand, this discourse often reveals a hidden desire to ignore both the fragility and the sense-giving capacity of materiality. In this paper, the proper dynamic of materiality is explored by looking in particular at what it means to be in a permanent touch with the world with the body. Against this background, efforts at denying or transforming the body in the context of new technologies can be interpreted as the wish to control or avoid the unpredictable and unconscious dimensions of human existence.

The Interpretation of Picturesque Elements in Wolf's Songs

Tempo ◽  
1958 ◽  
pp. 9-15
Author(s):  
Paul Hamburger
Keyword(s):  
Vocal Music ◽  
The Other ◽  
Indirect Speech ◽  
Other Hand ◽  
The World ◽  
Bird Call ◽  
To Come ◽  
The Way

An opera singer, except on those rare occasions when he relates the speech of others, maintains the identity of the character in which he is cast. The performer of epical and lyrical music, on the other hand, i.e., the oratorio and Lieder singer, can be a protagonist, i.e., claim his identity with the “acting subject”, only when and as long as the poet and composer demand it. One can almost recognise a good Evangelist by the way he sings the colon after the words “and he said unto them”. But apart from the singer's awareness of direct and indirect speech—a condensation, as it were, of dramatic explicitness into epical stylization—he has to come to terms with the world of inanimate objects, or rather their sensuous perception by poet and composer, that crowds the pages of concerted vocal music. One would think that a bird-call, heard or recollected by the poet, would find its exact, that is, stylistically truthful, representation in the poem; would be taken over and transplanted into the medium of sound by the composer without loss or change of meaning, and would, furthermore, find its exact equivalent when related by the acting subject. That this is at best an over-schematic view of things forms the glory of lyrical music and the despair of its interpreters.

scholarly journals Poetry and philosophy

2021 ◽  
pp. 163-184
Author(s):  
Viktor Vizgin
Keyword(s):  
Paul Ricoeur ◽  
The State ◽  
The Other ◽  
Common Source ◽  
Philosophical Thinking ◽  
Gabriel Marcel ◽  
Other Hand ◽  
The World ◽  
The Common ◽  
The One

The article is devoted to the analysis of relations between the poetry and philosophy. The author based his argumentation on the brilliant Vladimir Veidle`s essay «The Embryology of Poetry», on the one hand, and the Paul Ricoeur`s article «Entre Gabriel Marcel et Jean Wahl», on the other hand. According to Veidle`s conception an embryo of poetry is a union of the onomatopoeie and the oximoron. The author of this article concludes that oximoron in the large sense occurs in the philosophical thinking but in the case of the onomatopoeie in is not possible. The common source of poetry and philosophy, according to Aristotle in his «Metaphysics», is an astonishment in front of the mystery of the world. The author argues the thesis that Platonism makes concordance between poetry and philosophy inevitable in spite of the furious attacks against the poets and poetry in the Plato`s dialogue «On the State».

Evangelicalism and worldliness 1770–1870

1972 ◽  
Vol 8 ◽  
pp. 229-236
Author(s):  
Michael Hennell
Keyword(s):  
Sixteenth Century ◽  
The Other ◽  
Other Hand ◽  
The World ◽  
Different Ages ◽  
To Come ◽  
The Devil

‘Pure religion and undefiled before God and the Father is this, To visit the fatherless and widows in their affliction, and to keep himself unspotted from the world.’ The carrying out of this injunction has been interpreted differently in different ages. Professor Rupp reminded us in an early book that sixteenth-century Puritans and Protestants were not Victorian Christians in period costume. Calvin and Knox would have been hounded by the Lord’s Day Observance Society if their views on Sunday games had been known to Victorian evangelicals. During the years 1770–1870 there was an increasing strictness and rigidity with regard to ‘the world’. First of all there was the question did the world belong to God or the devil. Most evangelicals in 1770 would have said that it belonged to God, but by Victorian times they were not so certain. Abner Brown, speaking of one parson’s wife, says: ‘When her fine manly boys came home for the holidays, she would not allow them to stand at the window of their father’s parsonage without making them turn their backs so as not to look at the romantic views by which the house was encircled, lest the loveliness of “ Satan’s earth” should alienate their affections from the better world to come.’ On the other hand Lord Mount Temple when censured by friends for attending the Queen’s fancy-dress ball replied: ‘This is God’s world by right, and not the devil’s. Our business is to subdue it to its lawful king, and not to abandon it to the enemy.’ With regard to pleasures and amusements there was a growing strictness; I was able to give an example of this with regard to the Venn family in John Venn and the Clapham Sect.

scholarly journals Face of the Human and Surface of the World

2011 ◽  
pp. 121-134
Author(s):  
Walid El Khachab
Keyword(s):  
Human Subject ◽  
The Body ◽  
The Other ◽  
Nature And Culture ◽  
Other Hand ◽  
The World ◽  
The Status ◽  
The Face ◽  
The Media ◽  
The Universe

In this article, the surface of the world is envisaged as a face. Cinema as a record of this surface, and as a medium which “re-invented” the face in the close-up shot, makes it possible to reflect on the status of the human subject in the universe, thanks to the concept of cinematic pantheism. Following Elie Faure, the author underscores the pantheistic nature of cinema and claims that cinematic pantheism is the way by which film produces simultaneously transcendence and immanence, and materializes the unity of both, thus confirming Siegfried Kracauer's theory according to which man, nature and culture are part of the same “visible phenomena” in cinema. Cinema transforms all beings into surfaces: it operates by facialization and surfacialization. On the other hand, the article revisits Deleuze and Guattari's concept of faciality and argues that it describes a surface operating as the interface of the body in its interaction with other bodies in the media, the realm of the divine, or the universe. Thus faciality is also landscapity, and activating the camera means “transfiguring” the human (or the landscape) into face and introducing a vis-a-vis: the face of God, as immanent transcendence. In that sense, cinematic mysticism, as in Paradjanov's, Makhmalbaf's and Mikhalkov's films, is pantheistic.

Merleau-Ponty e Cézanne

2020 ◽  
Vol 22 ◽  
pp. 235-248
Author(s):  
Edoardo Fugali ◽  
Keyword(s):  
Visual Perception ◽  
Natural Extension ◽  
The Body ◽  
The Other ◽  
Phenomenological Reduction ◽  
Other Hand ◽  
Reconstructive Process ◽  
Action Painting ◽  
The World

The aim of this article is to demonstrate the intrinsically technical nature of visual perception and pictorial performance through their common anchorage in the corporeity that brings them into existence. As with any other artistic technique, painting reveals itself to be the natural extension of a technological attitude already rooted in the sensorimotor devices of the body in action; painting is led to inhabit a world that is of the same nature as corporeal agents, because the objects that populate it share with it the ontological element of the “flesh”. Through Merleau-Ponty’s analyses of Cezanne’s pictorial works, I demonstrate that the main purpose of painting is, analogically with the descriptive analyses made possible by the phenomenological reduction, to render intersubjectively evident the hidden work of vision before its sedimentation in an accomplished perceptual scene. As the experiments of contemporary neuroscience also demonstrate, perception is by and large a reconstructive process of “image-making” rather than an allegedly accurate reproduction of the spectacle of the world. Painting, on the other hand, both in terms of creation and for the observer, employs the same sensorimotor resources as instruments.

Simone de Beauvoir's Philosophy of Individuation

2017 ◽  
Author(s):  
Laura Hengehold
Keyword(s):  
Lived Experience ◽  
20Th Century ◽  
Sexual Difference ◽  
Gilles Deleuze ◽  
The Other ◽  
Simone De Beauvoir ◽  
Second Sex ◽  
Other Hand ◽  
The World

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.

High Heels sebagai Agensi bagi Tubuh Wanita

2020 ◽  
Vol 5 (2) ◽  
pp. 196
Author(s):  
Sunandar Macpal ◽  
Fathianabilla Azhar
Keyword(s):  
Body Image ◽  
Literature Review ◽  
The Body ◽  
The Other ◽  
Body Image Disturbance ◽  
Other Hand ◽  
High Heels ◽  
Experience Pain ◽  
Woman's Body

The aims of this paper is to explain the use of high heels as an agency for a woman's body. Agency context refers to pain in the body but pain is perceived as something positive. In this paper, the method used is a literature review by reviewing writings related to the use of high heels. The findings in this paper that women experience body image disturbance or anxiety because they feel themselves are not beautiful or not attractive. The use of high heels, makes women more attractive and more confident, on the other hand the use of high heels actually makes women feel pain and discomfort. However, for the achievement of beauty standards, women voluntarily allow their bodies to experience pain. However, the agency's willingness to beauty standards here is meaningless without filtering and directly accepted. Instead women keep negotiating with themselves so as to make a decision why use high heels.

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