scholarly journals National character in the allegorical prose of M. Tarkovsky and A. Bushkovsky

Litera ◽  
2021 ◽  
pp. 120-127
Author(s):  
Nataliya Vladimirovna Naduda
Keyword(s):  
Personal Experience ◽  
Holistic Approach ◽  
National Character ◽  
Literary Texts ◽  
Main Theme ◽  
Semantic Meaning ◽  
Research Material ◽  
The Common ◽  
The Aesthetic ◽  
Literary System

This article analyzes the Russian national character as the main theme in the works of M. Tarkovsky and A. Bushkovsky. The criteria for selecting the research material is the date of publication (2019) and the presence of an allegorical plot, which depicts the traditionalism, spirituality, controversy, and at the same time holism, sense of humor, and depth of national character. The author views national character as the foundation of artistic world in the allegorical prose; as well as gives characteristics to the key motifs, such as faith, labor, challenges, antagonism of the alien, unfamiliar to a Russian person. The article employs the systemic-holistic approach towards revealing the typological features of the modern traditionalist prose by M. Tarkovsky and A. Bushkovsky. The research is based on the comparativism, which allows determining the common trends and uniqueness of both authors. The article identifies the invariant constructions and images (portrait, landscape, detail, language). The elements of biographical method are used for correlating the hero with personal experience and worldview of the author. The structural-semantic method allows focusing on the aesthetic object, revealing the semantic meaning of methods used by the writers to create the image. Hermeneutics characterizes the allegory and symbol as fundamental means of expressing the authorial intentions, which reflect the ideological and aesthetic changes in the literary system. This article is first to analyze the literary texts of modern authors from the perspective of ethnopoetics.

scholarly journals Genres at work: A holistic approach to genres in book publishing

2021 ◽  
pp. 136754942110060
Author(s):  
Karl Berglund
Keyword(s):  
Book Publishing ◽  
Holistic Approach ◽  
Book Trade ◽  
Marketing Strategies ◽  
Literary Texts ◽  
Spatial Understanding ◽  
Crucial Component ◽  
Temporal And Spatial ◽  
Empirical Point ◽  
Point Of Departure

This article presents a holistic approach to the study of genres in book publishing that includes formal aspects of literary texts, marketing strategies and categorisations used by producers, and perspectives on how these labels are perceived by readers and critics, as well as a temporal and spatial understanding of how genres evolve. The empirical point of departure is the recent boom in Nordic Noir, exemplified by the following three Swedish authors successful in the 21st century: Lars Kepler, Jens Lapidus and Camilla Läckberg. The discourses surrounding Nordic Noir and how these authors and their writing relate and get related to it are used as an example of how book-trade genres operate in multiple and complex ways, and how genres produce effects that move back and forth among creators, producers and consumers. It proposes a twofold model, where genres are understood as constituted by all of the relations between these areas together. Through Kepler, Lapidus and Läckberg, the article shows how Nordic Noir has emerged over the years; how it changes with its publishing context; and how the genre’s internal discrepancy between literary content and marketing and reception is a crucial component in understanding Nordic Noir.

The History of Emotions and Nationalism Studies: a Сognitive Turn in Contemporary Historiography

Istoriya ◽  
2021 ◽  
Vol 12 (8 (106)) ◽  
pp. 0
Author(s):  
Olga Vorobieva
Keyword(s):  
Common Ground ◽  
Historical Sociology ◽  
National Character ◽  
History Of Emotions ◽  
Cognitive Studies ◽  
History Of ◽  
Individual Consciousness ◽  
The Common ◽  
Constructivist Approaches ◽  
The Relationship

The article considers the cognitive potential of the history of emotions in the study of nationalism in historiographical discussions of 1990—2000s. The authors analyze the works, which criticize constructivist approaches and problematize the relationship between nationalism, “national character”, “emotional mode” and everyday behavioral practices. Based on P. Bourdieu's concept of ‘habitus’ and its modification in N. Elias's historical sociology, the article highlights the common ground and productive interaction between histories of emotion and nationalism studies. This reciprocal movement is interpreted as a symptom of the search for a common conceptual platform and vocabulary for the mutual translation of their research practices. The authors believe that a productive trend within this dialogue could be a more active address to cognitive studies advocating a rethinking of the relationship between individual consciousness and collective regimes of knowledge-power of sentimental, modern and “post-modern” eras.

scholarly journals Glasnost in Soviet literary criticism: current debates on the Russian national character (1988-1990)

Literator ◽  
1991 ◽  
Vol 12 (3) ◽  
pp. 89-102
Author(s):  
H. Mondry
Keyword(s):  
Cultural Heritage ◽  
Literary Criticism ◽  
National Character ◽  
Literary Texts ◽  
The Past ◽  
Political Reforms ◽  
Leading Role

Re-evaluation of the cultural heritage of the past has been an integral part of Soviet literary criticism. From 1987 up to the present, literary criticism has played a leading role in the promotion of the economic, social and political reforms of perestroika. Literary critics use the methodology of social deconstruction in the interpretation of the literary texts of the past, actualising the problematics of the texts in accordance with their relevance to contemporary Soviet issues.

Working-Class Writing and the Use Value of the Literary

PMLA ◽  
2012 ◽  
Vol 127 (4) ◽  
pp. 932-938 ◽  
Author(s):  
Sonali Perera
Keyword(s):  
Working Class ◽  
World Literature ◽  
Literary Texts ◽  
Second Phase ◽  
Use Value ◽  
Aesthetics And Politics ◽  
Republic Of Letters ◽  
Greenwich Meridian ◽  
Country Culture ◽  
The Aesthetic

Formal preoccupations, which is to say specifically literary concerns, appear in small literatures only in a second phase, when an initial stock of literary resources has been accumulated and the first international artists find themselves in a position to challenge the aesthetic assumptions associated with realism and to exploit the revolutionary advances achieved at the Greenwich meridian.—Pascale Casanova, The World Republic of Letters“In our country culture has become so complex, this complexity is reflected in our literature. It takes a certain level of education to understand our novelists. The ordinary man cannot understand them …” … And she reeled off a list of authors, smiling smugly. It never occurred to her that these authors had ceased to be of any value whatsoever to their society—or was it really true that an extreme height of culture and the incomprehensible went hand in hand?—Bessie Head, A Question of Power (first ellipsis in orig.)ON WHAT BASIS ARE SELECT TRADITIONS OF LITERARY INTERNATIONALISM RECOGNIZED AS WORLD LITERATURE AND OTHERS DEEMED MERELY historical, relics of nostalgic Marxism or of resolved debates on aesthetics and politics? According to recent influential formulations, world literature is writing that in original or translated form circulates outside the author's country of origin. But what of traditions of literary internationalism, like those of working-class writing, that reverse and displace practical, utilitarian propositions to ask, instead, in more abstract terms, what is the use value of the literary? Bessie Head's A Question of Power poses a challenge to practical definitions. What of literary texts that have global currency but aren't of “any value whatsoever to their society”?

scholarly journals Vocal Symphony of Boris Tishchenko

2021 ◽  
pp. 1-11
Author(s):  
Iurii Eduardovich Serov
Keyword(s):  
Personal Experience ◽  
Literary Texts ◽  
Multiple Images ◽  
Russian Music ◽  
History Of ◽  
The Subject ◽  
And Performance

The subject of this research is the monumental vocal-symphonic piece of the prominent Russian composer of the second half of the XX century Boris Tishchenko. His Symphony No.6 s based on the poems by A. Naiman, A. Akhmatova, O. Mandelstam, M. Tsvetaeva and V. Levinzon, completed in 1989, and tribute to Yevgeny Alexandrovich Mravinsky, who passed away a year before. Poetic lines that form the backbone of the symphony contain multiple images resembling death, which imparts a profound meaning, a moment of personal experience in dedication to the prominent conductor. Special attention is given to the symphonic dramaturgy of the Symphony No.6, the problem of interrelation between music and poetry, realization of the complex literary texts in the ultimately modern symphonism of Boris Tishchenko. The conclusion is made that Tishchenko is absolutely seamless in this vocal-symphonic opus and reveres his coauthors. The translates everything into the music, without missing a tiny thing that can reveal its meaning and beauty. At the same time, the circle of poetic images, semantics of the verse were transformed in accordance with his worldview. The novelty is defined by the fact that this article is first in Russian musicology, to comprehensively analyze the Symphony No.6  by Boris Tishchenko, reveal its semantics, and performance difficulties. The author attributes this symphonic composition of Boris Tishchenko to most remarkable in the history of Russian music.

scholarly journals Fantazmat "Sprawiedliwych" i film "W ciemności" Agnieszki Holland

2012 ◽  
pp. 1-10
Author(s):  
Tomasz Żukowski
Keyword(s):  
National Character ◽  
Documentary Films ◽  
The Holocaust ◽  
The Common ◽  
The Sacrifice

Phantasm of the Righteous and Agnieszka Holland’s film "In Darkness"The text analyses Agnieszka Holland’s film In Darkness against the background of the Polish discourse on the Righteous. The devices of this discourse are reconstructed on the basis of two documentary films: The Righteous by Ryszard Gontarz and Janusz Kidawa (1968) and The Story of the Kowalski by Arkadiusz Gołębiowski and Maciej Pawlicki (2009). The basic devices distinguished in the narrative of the Righteous are the following: 1. a symmetry between the Jewish and Polish suffering 2. lack of Jews’ gratefulness and solidarity (“we demonstrated solidarity as far as the sacrifice of life but they…”); 3. treating the Righteous as pars pro toto of the community (they become the proof of the “national character” of Poles; the motif of “the Righteous-anti-Semite”); 4. a conviction about Polish helplessness; 5. marginalisation of the Polish aggression against Jews (a viewpoint that apparently “the scum is everywhere” and the simultaneously expressed accusations that the victims were involved in the Holocaust themselves).Holland is not aware of the discursive mechanisms accumulating around the undertaken subject or the correlated stakes of the common imagination. Therefore, many fragments of In Darkness easily succumb to being captured by the prevailing, and in fact anti-Semitic, clichés of understanding the history. In effect, the phenomenon of unwanted comeback of phantasms occurs in reference to a narrative developed as an antidote for such.

scholarly journals Duma i uprzedzenie jak historia romantyczna. O adaptacji powieści Jane Austen w reżyserii Joe Wrighta

2019 ◽  
Author(s):  
Roksana Pilawska
Keyword(s):  
Comparative Analysis ◽  
Jane Austen ◽  
Film Adaptation ◽  
Pride And Prejudice ◽  
Feature Film ◽  
Research Material ◽  
New Form ◽  
Similarities And Differences ◽  
The Aesthetic ◽  
Audiovisual Presentation

Pilawska Roksana, Duma i uprzedzenie jak historia romantyczna. O adaptacji powieści Jane Austen w reżyserii Joe Wrighta [Dirty (un)Romantic story. An Analysis of Aesthetic Aspects in the Film Adaptation of Pride and Prejudice Directed by Joe Wright]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 417–431. ISSN 1644-6763. DOI 10.14746/pt.2019.32.23. The aim of my study is to attempt a comparative analysis of the two most famous film adaptations of the bestselling novel by Jane Austen, Pride and Prejudice. As research material, I chose the mini-series produced by the BBC in 1995, which was part of the then popular trend of heritage films (heritage cinema) and the feature film from 2005, directed by Joe Wright, which, in the opinion of film experts, was a completely new form of audiovisual presentation of Austen’s work. In the article, I focus only on interpreting the aesthetic aspects of both productions, which would indicate similarities and differences, thus showing numerous shifts of emphasis in the aesthetic layer of the newer version.

scholarly journals Doing Public Theology in African Christianity: A Reflection on Communiques by Churches in Ghana

2021 ◽  
pp. 190-200
Author(s):  
Kwabena Opuni-Frimpong
Keyword(s):  
Public Space ◽  
Common Good ◽  
Holistic Approach ◽  
Public Theology ◽  
The Public ◽  
African Christianity ◽  
Secondary Sources ◽  
The People ◽  
The Common ◽  
Public Concerns

Faith in public life can be associated with Christianity in Ghana from the days of the early Western missionaries. Christian faith perspectives on matters of public concerns however, assumed a wider scope with the practice of regular issuance of communiques to governments and the people of Ghana by the churches. Christian ministry is expected to be holistic. A holistic approach in Christian ministry is considered to lead to the holistic development of the nation for the common good and the glory of God. Church leaders subsequently, bring their faith perspectives to matters of public concerns as a ministerial mandate to be in pilgrimage with the people. The study is a reflection on how the churches’ communiques are done and the factors that make the communiques theological in the public space. It further seeks to identify the contribution of the construction of communiques to public theology in Christianity in Ghana. The study as qualitative, examines both available primary and secondary sources. Copies of communiques of some selected churches, ecumenical bodies and joint communiques by ecumenical bodies are examined to appreciate insights of communiques by the churches. The study seeks to make a contribution to the theological construction of public theologies in Ghana and African Christianity. KEYWORDS: Public Theology, African Christianity, Communique, Common Good

scholarly journals HETERO-TEXTUALITY AND CO-SPATIALITY: FROM THE SEMIOTICS OF THE CITY TO THE TRANS-SEMIOTICS OF THE POST-CITY

2021 ◽  
Vol 70 (1) ◽  
pp. 70-79
Author(s):  
Dmitry N. Zamyatin ◽  
◽  
Keyword(s):  
Urban Space ◽  
Urban Spaces ◽  
Literary Texts ◽  
General Context ◽  
Research Material ◽  
Single Text ◽  
Urban Narratives ◽  
Key Features ◽  
The Creation ◽  
The City

Literary texts can be considered as the most attractive research material for analyzing the key features of both the semiotics of the city as a whole and the semiotics of individual cities, to which many works of art are devoted. The urban space of Modernity as a result of the processes of powerful semiotization can be considered as both textual and intertextual. The intertextuality of Modern urban spaces presupposes sets of “floating” topological signifiers corresponding to similar sets of “floating” topological signs. In the traditional semiotics of the city, the existence of two realities is assumed — the “real” reality and the “semiotic” reality, between which clear logical correspondences and/or relations can be observed and analyzed. The appearance of non-classical/post-classical urban narratives focused on the problems of dis-communication at the beginning of the 20th century became one of the important signs of the primary formation of the post-city and post-urbanism phenomena. The post-city is not a text and can not be regarded as a text; at the same time, it can generate separate texts that are not related to each other in any way. Post-urban texts, which are the communicative results of specific co-spatialities, remain local “flashes” that do not form a single text or meta-text (super-text). Hetero-textuality is a phenomenon of post-urban reality, which is characterized by the coexistence, as a rule, of texts that do not correlate with each other, relating to certain stable urban loci. Trans-semiotics in general context is understood as the study of any texts that involve the creation of sign-symbolic breaks or “gaps” with any other potentially possible correlating texts in the process of signification. Trans-semiotics of post-cities are studies of (literary) texts that involve the creation of sign-symbolic breaks or “gaps” with any other potentially possible correlating texts related to a particular urban locus in the process of signifying any urban loci. The post-city heterostructuality can be considered as the co-spatiality of mutually exclusive texts corresponding to “non-seeing” post-city loci. Post-urban trans-semiotics in the course of their development form a kind of “dark zones” that reject or neutralize any attempt at any semiotic interpretation.

scholarly journals BOOK REVIEW : Millenial & Turnover ; The Art of Adapting with New Normal (MILLENNIAL & TURNOVER ; Seni Beradaptasi dengan New Normal)

2021 ◽  
Author(s):  
Diva Ayunindya Fatharani
Keyword(s):  
Personal Experience ◽  
New Normal ◽  
The Common ◽  
Common Problems ◽  
The Impact

All companies feel the impact of the Covid-19 pandemic. In a crisis time like this, the reduction of the employee is unavoidable. The new normal era has arrived. The labor world must be enthusiastic again. The book explains various common problems that exist in the labor world. One of the common problems is Turnover. Everything discussed in this book is based on the author's personal experience.

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