scholarly journals THE “NATIVE LAND” CONCEPT IN THE REGIONAL LANGUAGE CONSCIOUSNESS IN THE CONTEXT OF THE TRANS-BAIKAL BORDER

2021 ◽  
Vol 16 (4) ◽  
pp. 72-82
Author(s):  
Yu.V. Shchurina ◽  
◽  
M.V. Vyrupaeva ◽  

The article presents the results of a linguistic associative chain experiment to identify the associative field of the basic concept of Russian culture – “Native Land”. Residents of the Trans-Baikal Territory participated in the experiment. The study is of interest because of the border location of the region, its polyenticity, and polyconfessional nature. In addition to general cognitive meanings and their proportions, the results of the experiment allow us to identify language representatives and reactions to them, certain regional peculiarities of the world modeling.

1962 ◽  
Vol 1 (2) ◽  
pp. 91-114 ◽  
Author(s):  
Michael Kraus

In ancient Greece the priests of Apollo asserted that freedom of movement was one of the essentials of human freedom. Many hundreds of years later, toward the end of the eighteenth century, people in the Atlantic world again talked of emigration as one of man's natural rights. It was in northern and western Europe that easier mobility was first achieved within the various states. The next step was to use that mobility to leap local boundaries to reach the lands across the western sea. From the “unsettlement of Europe” (Lewis Mumford's phrase) came the settlement of America.Americans and those who wished to become Americans felt at home in the geographical realm conceived by Oscar Wilde. “A map of the world that does not include Utopia,” he said, “is not even worth glancing at, for it leaves out the one country at which Humanity is always landing. Progress is the realization of Utopias.” It was the belief that Utopias were being realized in America that caused millions to leave Europe for homes overseas.IA Scottish observer, Alexander Irvine, inquiring into the causes and effects of emigration from his native land (1802), remarked that there were “few emigrations from despotic countries,” as “their inhabitants bore their chains in tranquility”; “despotism has made them afraid to think.” Nevertheless, though proud of the freedom his countrymen enjoyed, Irvine was critical of their irrational expectations in setting forth to America. There were few individuals or none in the Highlands, he said, “who have not some expectation of being some time great or affluent.


1967 ◽  
Vol 36 (2) ◽  
pp. 170-188
Author(s):  
Alexander Lipski

It is generally accepted that even though rationalism was predominant during the eighteenth century, a significant mystical trend was simultaneously present. Thus it was not only the Age of Voltaire, Diderot, and Holbach, but also the Age of St. Martin, Eckartshausen and Madame Guyon. With increased Western influence on Russia, it was natural that Russia too would be affected by these contrary currents. The reforms of Peter the Great, animated by a utilitarian spirit, had brought about a secularization of Russian culture. Father Florovsky aptly summed up the state of mind of the Russian nobility as a result of the Petrine Revolution: “The consciousness of these new people had been extroverted to an extreme degree.” Some of the “new people,” indifferent to their previous Weltanschauung, Orthodoxy, adopted the philosophy of the Enlightenment, “Volter'ianstvo” (Voltairism). But “Volter'ianstvo” with its cult of reason and belief in a remote creator of the “world machine,“ did not permanently satisfy those with deeper religious longings. While conventional Orthodoxy, with its emphasis on external rites, could not fill the spiritual vacuum, Western mysticism, entering Russia chiefly through freemasonry, provided a satisfactory alternative to “Volter'ianstvo.”


Tempo ◽  
1967 ◽  
pp. 5-9
Author(s):  
Pierre Souvtchinsky ◽  
John Warrack

What can one say, with what words should one address Igor Feodorovich Stravinsky on his eighty-fifth birthday, a day for the greatest rejoicing both in his personal life and in his life as an artist? We must express infinite gratitude to him (but can it be expressed in words?), for it is essential that he should know that notwithstanding his world-wide recognition, he is, and always will be, both as a man and as a composer, one of the great mysteries of world culture, and in particular of Russian culture, a mystery that will live forever, that will always be subject to fresh interpretations and that will always be needed. His secret—which cannot really be explained—is first and foremost the secret of his genius, the mysterious unexpectedness and the marvel of his appearance in the music of Russia and the world. As Tolstoy said: “Genius is that which cannot be called anything else but genius!” Its basic characteristics, moreover, are unpredictability and self-evidence.


2020 ◽  
Vol 65 ◽  
pp. 323-334
Author(s):  
Inga V. Zheltikova

The concept of O. Spengler suggests that the history of any culture goes through certain stages of development, the last of which is civilization. During this period creative activity in culture is replaced by mechanical imitation and lost connection with the culture formed by the «pra-phenomenon». The author correlates Spengler’s postulates with the processes of actual social reality and comes to the conclusion that contemporary Russia is going through the stage of civilization. The article raises the question of how the future is seen in this situation. The author uses the term “image of the future”, introduced by F. Polak to understand the disinterest of modern post-war Europe in its future. Thus, the lack of interest in the future can be recognized as another characteristic of the state of civilization. The existence in contemporary Russia of distinct images of the future is an open question. Using the methods of content analysis, the author comes to the conclusion that in Russian contemporary society there exists a retrospective image of the future, focused on conservative values, hierarchy of society and its closed nature to the world. Thus, it is concluded that it is wrong to talk about complete absence of images of the future in contemporary Russia. But the nature and content of these images demonstrate the low level of interest in the future, which also indicates the transition of Russian culture to civilization.


2014 ◽  
Vol 3 ◽  
pp. 4-12
Author(s):  
Bhawani Prasad Mainali

This article has attempted to present an overview of basic concept, rationale and trends of decentralization in education planning and to identity the major policy issues and challenges relating to educational quality in Nepalese context. Decentralization in education around the world has based on the assumption that the quality of education will improve by shifting a decision making and accountability closer to schools, class rooms and learners.Academic Voices, Vol. 3, No. 1, 2013, Pages 4-12 DOI: http://dx.doi.org/10.3126/av.v3i1.9979 


Author(s):  
Vladimir S. Luzan ◽  
Alexandra A. Sitnikova ◽  
Anastasia V. Kistova ◽  
Antonina I. Fil’ko ◽  
Julia S. Zamaraeva ◽  
...  

The article is devoted to the study of the concept of the mammoth in regulatory documents and cultural practices. The analysis of both Russian and international experience allowed to generalise the existing legal provisions regarding the regulation of mammoths, as well as to determine the role of mammoths in the world and Russian culture, including the culture of the indigenous peoples of the North, Siberia and the Far East. The methodological basis of the study is represented by the comparative analysis of sources and materials, historical-comparative and chronological methods, the historiographic method, as well as methods of philosophical and art history analysis. The study revealed the fact that in the field of legislation and legal regulation of extraction and sale of mammoth ivory in the world, the issue of the status of mammoths is raised only in connection with a discussion of the survival of rare species of elephants. Measures to prevent extermination of elephant population, encompassing a ban on trade, including trade of mammoth ivory, cause heated discussions and are controversial for craftsmen, antique dealers and art collectors. The issue of legal regulation in this area is particularly acute for the Russian Federation, due to the lack of a finalised legal and regulatory framework, both at the federal, regional and municipal levels. The image of the mammoth in the world and Russian culture is embodied in a number of visual practices. These are heraldry, animation, book graphics, sculpture and fine art. Sign and symbolic forms of the mammoth embody religious and mythological characteristics of the animal, demonstrating its significance in people’s worldview, as well as indicating of the “living” memory of it in the modern world


2021 ◽  
pp. 191-212
Author(s):  
M. A. Dubova ◽  
N. A. Larina

The question of ways of creating a spatial continuum in the early stories of I. A. Bunin “On the wrong side”, “On the farm” and “On the Donets”, united by a single principle of nomination and included in the first book of the writer’s prose “To the end of the world” (1897) is considered in the article. The semantics of the title actualizes the spatial component of the author’s linguistic picture of the world, which determined the path of linguistic and stylistic analysis of the linguistic material of stories. The authors pay special attention to the means of lexical representation of space as one of the basic linguo-cognitive categories. The novelty of the research lies in the fact that the language material has been identified, systematized and described, which makes it possible to determine the individual author's characteristics in the creation of the spatial continuum of I. A. Bunin’s early stories. The relevance of the study is due to the appeal to the problems of cognitive linguistics. On the basis of statistical, descriptive and linguo-cognitive methods of analysis, the authors identify and describe the means of lexical representation of the spatial model created in the stories of I. A. Bunin, which is characterized by a clear structuredness and individuality of the author’s approach. In the course of the study, the authors come to conclusions that make it possible to characterize the features of the construction of space in the early stories of the writer, taking into account the individual characteristics of the author's world modeling, and also to analyze the linguistic parameters of the idiostyle of I. A. Bunin.


2020 ◽  
Vol 58 ◽  
pp. 13-17
Author(s):  
Victor V. Aksyuchits

According to the author of the article, N.Ya. Danilevsky anticipated a lot of ideas of the 20th century, in particular those of O. Spengler and A. Toynbee, by offering his concept of cultural and historical types in the book “Russia and Europe”. At the same time N.Ya. Danilevsky was in many aspects the follower of Slavophils while interpreting the originality of Russian people and Russian culture. After the turn of the educated society circles to Russian national self-comprehension initiated by Slavophils, N.Ya. Danilevsky not only scientifically formulated the problems brought forth by the Slavophils, but also offered for the first time the resolution of new important questions by analyzing the world history and the history of Slavic peoples. The author especially stresses the role of N.Ya. Danilevsky in creating the historiosophic concept that forestalled the epoch for many decades.


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