scholarly journals “An Actor Is a Priest in Buffoon’s Clothes”

2019 ◽  
Vol 16 (3) ◽  
pp. 278-289
Author(s):  
Marina S. Krutova
Keyword(s):  
20Th Century ◽  
Political Life ◽  
Historical Period ◽  
Russian History ◽  
Russian State ◽  
History Of ◽  
State Library ◽  
Different Levels

The article raises the actual questions: if the theater can be Christian and who in that case the actor is — “a priest” or “a buffoon”. The purpose of this article is to consider the issue of “Christian theater” at different levels: historical, psychological, social. The article analyzes the issues of actors’ personalities formation and their religious sear­ches. There are considered the conditions of Christian upbringing in families and faith preservation in the complex historical period of the Russian history of the late 19th — mid-20th century. The no­velty of this study lies in the fact that it introduces into scientific circulation little-known manuscript materials stored in the Manuscripts Department of the Russian State Library: 44 autobiographies of recognized actors, which were published in 1928 in edited form by the writer V.G. Lidin; as well as some other unpublished documents. The sources show that actors brought up on Christian ideals followed them in their work, despite the difficult conditions of socio-political life in the country. Among them are well-known actors of the Moscow Art Theater, Moscow Art Academic Theater, State Academic Maly Thea­ter, Vsevolod Meyerhold State Theater, Bolshoi Drama Theater, Vakhtangov State Academic Theater (and others): V. Kachalov, I. Ilyinsky, R. Apollonsky, L. Vivyen, G. Ge, A Koonen, A. Orochko, G. Martynova and other masters. The article also uses some little-known writings of the actors, their questionnaires on the psychology of acting, photographs, as well as manuscripts and published memoirs of their contemporaries (E.D. Golovinskaya, E.A. Korotneva, V.D. Markov, Yu. Panich), allowing to consider the issue of “Christian theater” from different sides.

Historian of the Russian State Library. In Memory of L.M. Koval (1933—2020)

2020 ◽  
Vol 69 (2) ◽  
pp. 167-172
Author(s):  
Margarita Y. Dvorkina
Keyword(s):  
20Th Century ◽  
Foreign Languages ◽  
Library History ◽  
Russian State ◽  
Great Patriotic War ◽  
History Of ◽  
Publishing Houses ◽  
October 17 ◽  
State Library ◽  
The 19Th Century

The article is devoted to the memory of Lyudmila Mikhailovna Koval (October 17, 1933 – February 15, 2020), historian, Head of the History sector of the Russian State Library (RSL) and the Museum of Library history. The author presents brief biographical information about L.M. Koval, the author of more than 350 scientific and popular scientific works in Russian and in 9 foreign languages. She published 29 books in Publishing houses “Nauka”, “Kniga”, “Letniy Sad”, ”Pashkov Dom”, most of the works are dedicated to the Library. Special place in the work of L.M. Koval is given to the Great Patriotic War theme. The article considers the works devoted to the activities of Library staff during the War period. L.M. Koval paid much attention to the study of activities of the Library’s Directors. She prepared books and articles about the Directors of the Moscow Public and Rumyantsev Museums and Library from the end of the 19th century and almost to the end of the 20th century: N.V. Isakov, D.S. Levshin, V.A. Dashkov, M.A. Venevitinov, I.V. Tsvetaev, V.D. Golitsyn, A.K. Vinogradov, V.I. Nevsky, N.M. Sikorsky. The author notes contribution of L.M. Koval to the study of the Library’s history. Specialists in the history of librarianship widely use bibliography of L.M. Koval in their research. The list of sources contains the main works of L.M. Koval, and the Appendix includes reviews of publications by L.M. Koval and the works about her.

Manuscript about the claims of the Onomatodoxists to Pitsunda skete of the New Athos Monastery

2021 ◽  
pp. 295-320
Author(s):  
Marina S. Krutova ◽  
Keyword(s):  
20Th Century ◽  
Religious Movement ◽  
Early 20Th Century ◽  
The Caucasus ◽  
Russian State ◽  
History Of ◽  
Caucasus Mountains ◽  
State Library

The Department of Manuscripts of the Russian State Library contains materials of different genres about the claims of the Onomatodoxists to Pitsunda skete of the New Athos Monastery, named after Simon the Canaanean — letters, reports, petitions. The reason for the Onomatodoxists disputes is believed to be the book “On the Caucasus Mountains” by Schemamonk Ilarion (worldly Ivan Domrachyov), who was assigned to the New Athos monastery after he had left Old Athos. The originals of the published documents are kept in the Department of Manuscripts of the Russian State Library in the fund of Bishop Nikon (worldly Nikolay Rozhdestvenskiy); the former was a member of the Most Holy Synod, actively opposed the religious movement which arose on Old Athos in the early 20th century. The value of the published documents lies in the fact that they tell about a little-known page in the history of the New Athos Monastery.

scholarly journals PROFESSIONAL REFLECTION OF THE HISTORIAN AND THE CANON OF SCIENTIFIC AND QUALIFICATION RESEARCH IN CONTEMPORARY RUSSIAN SCIENCE

2020 ◽  
pp. 67-75
Author(s):  
O. B. Leontieva ◽  
Keyword(s):  
Social History ◽  
Soviet Period ◽  
Russian History ◽  
Russian Science ◽  
Social Mission ◽  
Russian State ◽  
History Of ◽  
State Library ◽  
Doctoral Dissertations ◽  
The Impact

The article is devoted to the problem of the impact of the “historiographic revolution” occurred at the turn of the XX–XXI centuries to the dissertation culture of contemporary Russian historians. The study is based on the full-text collection “Electronic library of dissertations of the Russian State Library”, an online resource. On the example of doctoral dissertations on Russian history defended in 2015–2019, the author examines the priorities of Russian historians in choosing problematics and chronological framework of scholarly works, analyzes theoretical and methodological foundations of their studies as well as their ideas about the social mission of history. She proves that most authors of doctoral dissertations choose the post-reform or Soviet period of Russian history for study, and highlights two blocks of priority topics: the history of state policy and governance, and social history. An analysis of the methodology of dissertations (scientific and qualification works) led to the conclusion that the nature of Russian historical science has changed as a result of an anthropological turn, which allows us to take a fresh look at the problems of political, economic and social history. Historians are increasingly setting the task of understanding people of the past in the whole variety of their mental structures, social connections, strategies and practices, both in everyday situations and in extreme conditions. But in practice, writing a dissertation requires not only a high degree of professional reflection, but also the ability to fulfil the formal requirements for scientific and qualification work: original ideas are sometimes difficult to fit into template, clichéd formulations that have become generally accepted in the scholarly community

scholarly journals Economic History in the Topics of Dissertation Research in Russia (1991–2019)

2021 ◽  
Vol 17 (1) ◽  
pp. 85-94
Author(s):  
Sergey A. Bakanov ◽  
Ivan A. Medvedev
Keyword(s):  
Soviet Union ◽  
Economic History ◽  
Research Problem ◽  
Soviet Period ◽  
Historical Period ◽  
The Soviet Union ◽  
Russian State ◽  
The Status ◽  
History Of ◽  
State Library

Introduction. This article deals with the subject of thesis in the direction of “Economic history”, which were prepared and defended in Russia in the post-Soviet period (1991–2019). The dissolution of the Soviet Union is getting rid of research from ideological clichés, which made the topic of economic history relevant and in demand. Materials and Methods. On the basis of the e-catalog of authors’ abstracts of the Russian State Library, the database “Dissertations on economic history of the late XX – early XXI centuries” was formed. The bibliographic information about the authors’ abstracts became the formal attributes of the described database. The analytical units were the attributes of the “geographical range”, “chronological frame” and “research problem”. Results. The analysis of the database showed that during the entire period were formed stable trends scientific subdirectories within the frame of economic history (history of industry, history of agriculture, history of entrepreneurship, history of banks, etc.), and in maintaining the status of leading research centers. The historical period from the second half of the XIX to the first half of the XX centuries attracts the main attention of the authors of thesis on economic history. Discussion and Conclusion. A quantitative analysis of the dynamic of thesis defenses showed a decline in the interest of authors of thesis in the problems of economic history in the 2010s. The key factors of this decline were changes in the requirements to thesis. Nevertheless, the authors believe that the direction of “economic history” has a potential to overcome designated problems.

Educational and Methodical Literature for the Clavier and Piano in the History of Russian Music Publishing of the Second Half of the 18th — Early 20th Century

2021 ◽  
Vol 17 (6) ◽  
pp. 657-668
Author(s):  
Olga V. Radzetskaya
Keyword(s):  
20Th Century ◽  
Early 20Th Century ◽  
Piano Performance ◽  
Music Publishing ◽  
Russian Music ◽  
Russian State ◽  
History Of ◽  
Music Publishers ◽  
Production Output ◽  
State Library

The Russian piano school is a unique phenomenon in the global cultural space, a multifaceted and creative phenomenon, a source of creative insights and vivid interpretations. The history of Russian piano performance is deeply and comprehensively studied and is characterized by a wide semantic range. A special place in it is occupied by educational and methodical literature produced by major music publishers in Moscow and St. Petersburg during their formation and development.The appeal to this topic is connected with the need to create a primary idea of the activities of music publishers for the production of educational materials in the historical dynamics and perspective. This complex process can be perceived as a synthesis of European traditions and Russian experience — a multidimensional multifunctional landscape of the era, illustrative reflection of important events in the cultural life of the country.The specificity of the problem has an impressive demonstration volume. It includes the strategy and tactics of development of Russian music publishing companies, production of educational and scientific-methodical literature by Russian and foreign authors, stages in the development of piano art, increase in the production output, achievements of the Russian piano school and its unique pedagogical experience.“P. Jurgenson” company’s catalogues, stored in the Russian State library, reflect the trends and directions that were dominant in the educational literature for piano. They include well-established, tested methods of piano playing, collections of exercises, and anthologies that enriched the pedagogical repertoire with compositions to develop of the technical base of students and expand the arsenal of its expressive means. The study aims at a primary classification of “P. Jurgenson” publishing house’s educational resources recorded in its catalogues of the late 19th — early 20th century.

scholarly journals The Diary of Lady-in-Waiting Princess S. L. Shakhovskaya: An Unknown Source about the Romanov Family, 1900-1901

2018 ◽  
pp. 936-945
Author(s):  
Sergey M. Ryazanov ◽  
Keyword(s):  
20Th Century ◽  
Small Volume ◽  
Distinguishing Characteristic ◽  
Research Division ◽  
Sign System ◽  
Russian State ◽  
Historical Figures ◽  
History Of ◽  
State Library ◽  
Main Barrier

The review considers the new publication of well-known Perm historian D. M. Sofjin, historian and archaeographer M. V. Sofjina, and translator A. G. Neklyudova. It places their work in the broader archaeographic framework of sources about the Romanov family. The distinguishing characteristic of the diary is its relatively small volume (about 2 author's sheets). The published document has not been introduced into scientific use until now. This is probably due to its unlikely place of storage: in the fond of M. N. Katkov in the Research Division of Manuscripts of the Russian State Library (NIOR RGB). But the main barrier was, certainly, the language: French is unfamiliar to most Russian historians, including specialists in the history of the Romanovs. The diary is dated July 5, 1900 – July 24, 1901. It allows to see the Romanovs (Empress Maria Feodorovna, Grand Duke Sergei Alexandrovich, Grand Duchess Elizabeth Feodorovna, and others) through the eyes a young girl, Princess S. L. Shakhovskaya. The diary can be conditionally divided in two parts: the first outlines events, the second is focused on the girl’s rather gloomy feelings. The publication is prepared at the highest archeographic level. The introduction details all special considerations of text transmission, its translation into fundamentally different sign system. The remarks of the translator are noteworthy; she contends that the young Duchess had poor command of French and ‘thought in Russian.’ Most praiseworthy are the notes, which contain all necessary references and biographical data. Although it does not add anything radically new to the understanding of the period, the publication puts the finishing touches to the portrayal of several key historical figures of the turn of the 20th century (primarily, Grand Duke Sergei Alexandrovich and Grand Duchess Elizabeth Feodorovna, at whose court Princess S. L. Shakhovskaya was in waiting).

scholarly journals The “Non-Euclidean Geometry” of the Manuscript: Mikhail Bulgakov’s Digital Archive

2020 ◽  
pp. 55-60
Author(s):  
Liubov’ V. Khachaturian ◽  
◽  
Keyword(s):  
20Th Century ◽  
World Literature ◽  
Research Work ◽  
Digital Archive ◽  
State Archive ◽  
Mikhail Bulgakov ◽  
Russian State ◽  
Electronic Copy ◽  
History Of ◽  
State Library

The article examines the problem of access to archival sources, many of which are currently closed for research due to a number of reasons, including epidemiological ones. The author sees the solution to the problem in creating special unified electronic archives, in which all information about manuscripts is placed on the Internet site or portal, regardless of where they are located geographically. In the author’s opinion, electronic resources of the “second generation” meet the most complete tasks of scientific research: digital archives that allow not only quickly selecting sources, but also working with an electronic copy of the document identical to the original. Regardless of the scientific qualification of the researcher and the state of the original, any Internet user gets direct access to the electronic copy: they can study it, clarify it, quote it in their works and distribute links to the source. On the material of the “Autograph. The 20th-Century. Digital Archive of Russian Literature” portal, the author describes the process of creating a digital archive as a research work that is located at the junction of two Humanities disciplines: source studies and textual studies. In the course of the research, the author turns to the new materials of the portal – the digital archive of Mikhail Bulgakov. The author gives a detailed description of the history of the writer’s archival collections in various organizations (Institute of World Literature, RAS; Russian State Library; Russian State Archive of Literature and Arts), as well as a description of research works of the past decade on Bulgakov’s artistic heritage. During the writer’s lifetime, the archive was kept by Bulgakov himself, then by his widow, Elena Bulgakova, with a full understanding of the value that the collection as a whole represents. As a result, a huge, interconnected and actually commented complex of manuscripts, albums, correspondence, and visual materials was created. Then the archive was divided into two unequal parts (the Bulgakov-prose writer archive and the Bulgakov-playwright archive) and transferred to two different repositories: the Pushkin House (Fund 369) and the Lenin State library (Fund 562). The Bulgakov collection of the Pushkin House is “adjacent” to the Russian State Archive of Literature and Arts funds, which reflect the history of the text based on the materials of organizations (Glavrepertkom, archival funds of theaters, magazines and publishing houses). The author further describes the materials from the Mikhail Bulgakov Fund at the Institute of World Literature, RAS, presented on the “ Autograph. The 20th-Century” portal. The author cites unpublished (or published with notes) sources from the least studied part of the archive – the collection of theater albums. Comparing the theater album devoted to the stage history of the play The Days of the Turbins (The White Guard, The Brothers Turbins) and the text of Theatrical Novel (A Dead Man’s Memoir), the author infers that the album is a kind of a autodocumentary source of the novel, clarifying many controversial points in its interpretation. The genre nature of this type of album requires a separate study. In conclusion, the author emphasizes that the ideal material for such research can be the digital archive of Mikhail Bulgakov.

Economic Views of L. Trotsky

2004 ◽  
pp. 142-157
Author(s):  
M. Voeikov ◽  
S. Dzarasov
Keyword(s):  
Civil War ◽  
20Th Century ◽  
Significant Role ◽  
Historical Perspective ◽  
Russian Revolution ◽  
Russian History ◽  
History Of

The paper written in the light of 125th birth anniversary of L. Trotsky analyzes the life and ideas of one of the most prominent figures in the Russian history of the 20th century. He was one of the leaders of the Russian revolution in its Bolshevik period, worked with V. Lenin and played a significant role in the Civil War. Rejected by the party bureaucracy L. Trotsky led uncompromising struggle against Stalinism, defending his own understanding of the revolutionary ideals. The authors try to explain these events in historical perspective, avoiding biases of both Stalinism and anticommunism.

“History Misappropriation or Compreension?” (Russian Lihuanian Studies in the 19th and the Beginning of the 20th Century)

2020 ◽  
Vol 58 ◽  
pp. 219-236
Author(s):  
Andrey Yu. Dvornichenko
Keyword(s):  
20Th Century ◽  
Russian Empire ◽  
Soviet Period ◽  
Medieval History ◽  
Scientific Paradigm ◽  
Russian State ◽  
History Of ◽  
Grand Duchy Of Lithuania ◽  
Grand Duchy

The abundant Russian historiography of the medieval history of Grand Duchy of Lithuania (Lithuanian-Russian State) has become in the last decades the centre of the discussions and is often subject to groundless criticism. This historiography was not very lucky in the Soviet period of the 20th century either, as it was severely criticized from the Marxist-Leninist position. When discussing Russian historiography the author of this article is consciously committed to the Russian positions. There are no reasons to consider this historiography branch either Byelorussian or Ukrainian one, as that was really Russian historiography, - the phenomenon that formed under the favorable specific conditions of Russian Empire before the beginning of the 20th century. The said phenomenon can be studied in different ways: according to the existing then main trends and schools or according to their affiliation with specific universities of Russian Empire. But according to the author of this article the best way to study the issue is in accordance with the main concepts of history. And then the pre-revolutionary historiography appears as an integral scientific paradigm that turns out to be the most divaricate branch of the Lithuanian studies of the time. It created, in its turn, the most vivid and objective historical picture that can still serve as the basis for the studies of Lithuanian-Russian state.

P.A. Ovchinnikov — Collector of Manuscript Books

2010 ◽  
pp. 70-74
Author(s):  
Andrey S. Usachev
Keyword(s):  
Early History ◽  
Research Department ◽  
Russian State ◽  
History Of ◽  
State Library

The article tells about the collection of manuscript books of collector and Old Believer P. Ovchinnikov (1843—1912), now stored in the Manuscript Research Department of the Russian State Library. The special attention is paid to early history of the collection: to features of work of the collector with manuscripts, and also to their use by other researchers. The research is based on the data of various sources — notes on books, memoirs of contemporaries about P. Ovchinnikov, the unpublished documents.

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