scholarly journals Icons of academic writing in the collection of the State Art Museum of Altai Krai

Author(s):  
Е.В. Школина

В статье рассматривается развитие академической иконы в России с XVII века по настоящее время. Исходя из исторических процессов, автор анализирует собрание академической иконописи в Государственном художественном музее Алтайского края. Делается вывод о том, что для создания иконы имеет большое значение профессиональное мастерство иконописца и выполнение им главной священной миссии – создание литургического образа. The development of the academic icon in Russia from the seventeenth century to the present day is discussed in this article. The author analyses the collection of academic iconography in the State Art Museum of Altai Krai on the basis of historical processes. It is concluded that mastery of the icon painter and the accomplishment of his sacred mission – creation of liturgical image – is very important for creation of the icon.

Author(s):  
Philipp Zehmisch

This chapter considers the history of Andaman migration from the institutionalization of a penal colony in 1858 to the present. It unpicks the dynamic relationship between the state and the population by investigating genealogies of power and knowledge. Apart from elaborating on subaltern domination, the chapter also reconstructs subaltern agency in historical processes by re-reading scholarly literature, administrative publications, and media reports as well as by interpreting fieldwork data and oral history accounts. The first part of the chapter defines migration and shows how it applies to the Andamans. The second part concentrates on colonial policies of subaltern population transfer to the islands and on the effects of social engineering processes. The third part analyses the institutionalization of the postcolonial regime in the islands and elaborates on the various types of migration since Indian Independence. The final section considers contemporary political negotiations of migration in the islands.


Author(s):  
Lesley Ellis Miller

This article explores the surface and substance of elite dress in the baroque period by unpacking printed texts and images that reveal their political and economic significance in the courts of Europe. It does so by considering the nature and sources of garments and fabrics, continuity and change in their production and consumption in Spain and France, and the shaping of the modern fashion system—a system in which changes in textiles and trimmings were promoted seasonally by the state, textile manufacturers, and the nascent fashion press (Le Mercure galant) from the late seventeenth century onward. It thus underlines the local and global networks involved in the production and consumption of dress.


1980 ◽  
Vol 23 (4) ◽  
pp. 773-791 ◽  
Author(s):  
D. C. Coleman

The intention of this paper is to look at some of the problems which arise in attempts to provide ‘explanations’ of mercantilism and especially its English manifestations. By ‘explanations’ I mean the efforts which some writers have made causally to relate the historical appearance of sets of economic notions or general recommendations on economic policy or even acts of economic policy by the state to particular long-term phenomena of, or trends in, economic history. Historians of economic thought have not generally made such attempts. With a few exceptions they have normally concerned themselves with tracing and analysing the contributions to economic theory made by those labelled as mercantilists. The most extreme case of non-explanation is provided by Eli Heckscher's reiterated contention in his two massive volumes that mercantilism was not to be explained by reference to the economic circumstances of the time; mercantilist policy was not to be seen as ‘the outcome of the economic situation’; mercantilist writers did not construct their system ‘out of any knowledge of reality however derived’. So strongly held an antideterminist fortress, however congenial a haven for some historians of ideas, has given no comfort to other historians – economic or political, Marxist or non-Marxist – who obstinately exhibit empiricist tendencies. Some forays against the fortress have been made. Barry Supple's analysis of English commerce in the early seventeenth century and the resulting presentation of mercantilist thought and policy as ‘the economics of depression’ has passed into the textbooks and achieved the status of an orthodoxy.


AJS Review ◽  
1987 ◽  
Vol 12 (2) ◽  
pp. 223-250
Author(s):  
David Malkiel

Ghettoization stimulated sixteenth-century Italian Jewry to develop larger and more complex political structures, because the Jewish community now became responsible for municipal tasks. This development, however, raised theological objections in Catholic circles because Christian doctrine traditionally forbade the Jewish people dominion. It also aroused hostility among the increasingly centralized governments of early modern Europe, who viewed Jewish self-government as an infringement of the sovereignty of the state. The earliest appearance of the term “state within a state,” which has become a shorthand expression for the latter view, was recently located in Venice in 1631.


Author(s):  
Е.И. Дариус
Keyword(s):  

Алексей Николаевич Борисов (1889 1937) один из ведущих художников Алтая, сыгравший большую роль в формировании и становлении профессионального искусства в алтайском регионе и, в частности, в Барнауле, в 1920 1930е гг. В статье, опираясь на документальные материалы и произведения, находящиеся в собрании Государственного художественного музея Алтайского края, рассматривается творческое наследие художника, дается анализ его работ. Aleksey Nikolaevich Borisov (1889 1937) is one of the leading artists in Altai, who played the great role in the formation and development of professional art in Altai region and, inparticular, in Barnaul in 1920 1930. Author explores the creative heritage of the artist, basing on the documentary materials and works that are in the collection of the State Art Museum of Altai Krai. The analysis of his works is given.


Author(s):  
О.В. Сидорова

Ленинградский художник Павел Иванович Басманов (1906–1993), родившийся на Алтае и воспевший Алтай в десятках сотен своих произведений, известен также как коллекционер русской и советской графики. Более восьмидесяти произведений из коллекции Басманова хранится в Государственном художественном музее Алтайского края. Это отечественная графика XIX–XX веков: акварели Бориса Кустодиева, уникальная графика Елизаветы Кругликовой, литографии Льва Бакста, Павла Кузнецова, Николая Тырсы, Алексея Пахомова, Георгия Верейского, Владимира Конашевича, Павла Митурича и Юрия Васнецова, книжная графика Константина Рудакова и Леонида Хижинского, эстампы Дмитрия Митрохина, Андрея Гончарова, Вадима Фалилеева. Статья рассказывает об отношениях, связывавших Павла Басманова с авторами работ, повествует об истории создания и бытования ряда произведений из музейной коллекции Басманова, воссоздает хронологию поступления работ в фонды ГХМАК. Leningrad painter Pavel Ivanovich Basmanov (1906–1993) was born in the Altai Krai, which was praised by him in tens of thousands paintings. Basmanov is also famous as a collector of Russian and Soviet graphic arts. More than eighty paintings from Basmanov's collection are reposited in the State Art Museum of Altai Krai. There is domestic graphic arts of XIX–XX centuries: watercolors by Boris Kustodiev, unique graphic arts by Elizaveta Kruglikova, lithographies by Lev Bakst, Pavel Kuznetsov, Nikolai Tyrsa, Aleksei Pachomov, Georgiy Vereyskiy, Vladimir Konashevich, Pavel Miturich and Yuriy Vasnetsov, book graphics by Konstantin Rudakov and Leonid Khizhinskiy, prints of Dmitriy Mitrichin, Andrey Goncharov, Vadim Falileev. The article is about relationships, united Pavel Basmanov and creators of works listed above. It also tells us about the history of creation and existence of a number of works from the museum collection of Basmanov and recreates the chronology of receipt of works in the funds of the State Art Museum of Altai Krai.


Author(s):  
Mike Keirsbilck

The Amsterdam Schouwburg festively opened in January 1638 with the performance ofVondel’s Gijsbreght van Aemstel. The play was situated in medieval Amsterdam, butaddressed nonetheless the seventeenth-century audience explicitly. In Gijsbreght vanAemstel political and moral instructions that related to the Amsterdam of Vondel’s agewere given. To approach these political and moral instructions, I will make use of MichelFoucault’s notion of ‘governmentality’. Foucault’s theoretical concept deals with theconstruction of power structures. Governmentality allows me to place Vondel’s text in acontemporary debate about how the state should be ordered, and in this way opens up aninterpretation of the instructions of the play accordingly. I will argue that the play condemned violentstruggles, and that the text presented an opposing stand on how the stateshould be ordered.To indicate how the play voiced an opinion about contemporary political debates, Iwill confront Gijsbreght van Aemstel with Hugo de Groots De Republica Enendanda.This early tract, by one of the most important scholars of the Dutch Republic, also playeda part in Vondel’s play. This way Vondel's text can be read as an exploration of politicalideas in a literary practice, in which the character of Gijsbreght van Aemstel is presentedas an ideal.


2015 ◽  
Vol 3 (3) ◽  
pp. 1-8
Author(s):  
Joris van Eijnatten

The overwhelming popularity in academic writing of such concepts as transnationalism, anti-essentialism and postcolonialism illustrate the impact of the postmodern critique of once-stable entities ranging from the nation and the state to culture and civilization. We no longer believe in the steady orderings of humanity bequeathed by ‘heavy modernity’. But does this mean that concepts like the nation and civilization are obsolete? This article takes issue with the current hype of transnationalism, and suggests a correction to the current focus on interconnectedness, networks and flows by introducing the concept of ‘reference cultures’. It claims that in the history of the world, robust collective mentalities act as a counter-balance to cultures in motion.


2000 ◽  
Vol 33 (1) ◽  
pp. 87-107 ◽  
Author(s):  
Renate Dürr

“All, therefore, who consider themselves Christians may be absolutely certain that we are all equally priests.”1 With this declaration Martin Luther categorically repudiated the Catholic understanding of priesthood as a holy estate with indelible marks bestowed at consecration. According to the reformers all Christians, in principle, have the same authority in word and sacrament, but only those authorized by the respective community of believers may wield it. This assessment not only reflected certain irregularities within the clergy but also signified a completely new definition of the priesthood. It cannot be understood outside the context of existing contemporary criticism—not only from reformatory circles—of the state of numerous parishes who suffered under poorly educated, morally unacceptable (from a contemporary point of view) or indeed absent clergymen. The Catholic Church's answer to this challenge, therefore, had two aims: plans for far-reaching reforms were intended to renew the image of priests and, primarily, to provide effective pastoral care. Polemical theological debates against Protestants and discussions within the Catholic Church were intended not only to strengthen the certainty of the fundamental essence of priestly identity but also to facilitate a differentiation of Catholic from Protestant understanding. The decisions of the Council of Trent also touched both areas. At the 23rd session both the theological basis of the sacrament of consecration and the plans to reform the rules concerning the bishops' obligatory residence in their parishes were debated.2


2015 ◽  
Vol 95 (2-3) ◽  
pp. 245-255
Author(s):  
Tadhg Ó hAnnracháin

This paper contrasts the very different roles played by the Catholic hierarchy in Ireland, on the one hand, and Turkish-occupied Hungary, on the other, in the movement of early modern religious reform. It suggests that the decision of Propaganda Fide to adopt an episcopal model of organisation in Ireland after 1618, despite the obvious difficulties posed by the Protestant nature of the state, was a crucial aspect of the consolidation of a Catholic confessional identity within the island. The importance of the hierarchy in leadership terms was subsequently demonstrated in the short-lived period of de facto independence during the 1640s and after the repression of the Cromwellian period the episcopal model was successfully revived in the later seventeenth century. The paper also offers a parallel examination of the case of Turkish Hungary, where an effective episcopal model of reform could not be adopted, principally because of the jurisdictional jealousy of the Habsburg Kings of Hungary, who continued to claim rights of nomination to Turkish controlled dioceses but whose nominees were unable to reside in their sees. Consequently, the hierarchy of Turkish-occupied Hungary played little or no role in the movement of Catholic reform, prior to the Habsburg reconquest.


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