Imitation: Simple, Stretto, Canonical (On the Difficulties of Absolute Differentiation in the Polyphony of Strict Style)

2020 ◽  
pp. 26-39
Author(s):  
Т.В. Франтова
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
Theory And Practice ◽  
Text Line ◽  
Theoretical Literature ◽  
The One ◽  
Different Sources ◽  
Stable Connection ◽  
Polyphonic Music ◽  
Musical Forms

Статья посвящена проблемам изучения теории и практики имитационной техники в полифонии строгого письма. Три типа имитации — простая, стреттная, каноническая — постоянно фигурируют в современной музыкально-теоретической литературе. Трактовки сути простой и канонической имитации в разных источниках совпадают, хотя формулировки в деталях разнятся. При этом значительны расхождения в понимании стретты. По традиции, заложенной учениями XVIII века, в теоретическом музыкознании стретту рассматривают в контексте формы фуги. Одновременно ряд исследователей считает возможным использовать понятие стретты по отношению к имитационному многоголосию Ренессанса. При этом термин употребляется в разных значениях. Материал исследования — начальные имитационные секции четырех-шестиголосных мотетов Палестрины без c. f. Тематическая организация рассматривается с учетом тексто-музыкальной формы мотета, в соответствии с которой функцию темы выполняет тексто-музыкальная строка, построенная на относительно стабильном соединении текстовой строки и развернутого мелодического soggetto. Ее неоднократные повторения позволяют обнаружить сходства и различия канонов и стретт в строгостильном многоголосии. The article is devoted to the problems of studying the theory and practice of imitation technique in polyphonic music of strict writing. Three types of imitation — simple, stretto and canonical — appear as relevant in modern musical theoretical literature. An analysis of the existing concepts showed that the interpretations of the essence of simple and canonical imitation in different sources coincide, although the formulations in details, as a rule, differ. Against this background, significant differences in the understanding of stretto (narrow, tight) imitation are especially noticeable. Many authors, foreign and domestic, starting from the teachings of the 18th century, consider the stretto in the context of the fugue form. At the same time, a number of researchers of the 20th century (domestic and foreign) have formed a different position. They believe that it is possible to expand the musical and historical boundaries of the use of the concept of stretto, its use in relation to the imitative polyphony of the Renaissance. The authors talk about the stretto in at least three different cases: the effect of a compressed temporary introduction of imitation voices (S. Skrebkov, T. Dubravskaya), narrow introduction of voices with their subsequent non-imitation promotion (N. Simakova), the tight entry of the rispost before the end of the theme in the propost, which does not fit into the canon (K. Eppessen, S. Skrebkov). The analysis of the musical material showed that the broadly understood stretto (the conciseness of the timing of the introduction of voices) is very typical of the polyphony of strict writing and manifests itself in many and different methods. The musical material of the study was the one-theme initial imitation sections of the four-six-part Palestrina motets, the compositional foundation of which lacks cantus firmus. The thematic organization was considered taking into account the genre of the motet, which belongs to the class of text-musical forms. In accordance with the nature of the genre, the function of the theme in the imitation section is performed by a text-musical line built on a relatively stable connection of a text line and an expanded melodic soggetto.

THE OTTOMAN ALGERIAN ELITE AND ITS IDEOLOGY

2000 ◽  
Vol 32 (3) ◽  
pp. 323-344 ◽  
Author(s):  
Tal Shuval
Keyword(s):  
Seventeenth Century ◽  
Ottoman Empire ◽  
20Th Century ◽  
North Africa ◽  
18Th Century ◽  
The Sublime ◽  
Nation States ◽  
The One

By the late seventeenth century, Algeria and Tunisia had established regimes that were largely independent of Ottoman sovereignty in almost every regard, although the Porte continued, in strictly legal terms, to exert minimal rights of sovereignty.        Michel Le Gall1But, let there be no mistake: the more a regency of Barbary has become fearsome to the Christian princes, the more the Sultan is its absolute master. He had only to utter a word to end an unjust war and fix even the terms for peace.        Jean-Michel Venture de Paradis2Separated by two centuries, these two quotations describe the role of the Ottoman Empire in North Africa in very different—indeed, contradictory—terms. On the one hand, Ottoman North Africa is depicted as a region where independent political entities emerged out of a century of Ottoman rule, ready as it were for the eventual emergence of nation-states in the 20th century. Venture de Paradis's earlier description, however, is devoid of the hindsight gained by our knowledge of the “end of the story.” It tells us that by the end of the 18th century, contrary to the contemporary accepted view of the remoteness of the Maghribi “regencies” from the imperial center in Istanbul, the three Ottoman provinces of North Africa were indeed an integral part of the Ottoman Empire, and the rulers of these provinces were obedient subjects of the Sublime Porte.

Las primeras propuestas de ‘Selección de Norma’ para el gallego

1997 ◽  
Vol 24 (1-2) ◽  
pp. 139-157
Author(s):  
Mauro Fernández
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
Writing System ◽  
Mountainous Regions ◽  
15Th Century ◽  
The People ◽  
Written Form ◽  
Actual Speech ◽  
The One

Summary Linguistic sttudies of Galician began in the last third of the 18th century with Father Martín Sarmiento (1695–1772). Since the tradition of writing in this language had been interrupted towards the end of the 15th century, its later recovery required certain decisions on what the model for ‘good Galician’ would be as well as on the norm for the writing system. In this article, I will explore the various destinies of the available options: (1) the adherence to actual speech; (2) the adherence to an archaic available norm; and (3) the approach to the Portuguese norm, which in its extreme formulation, assumes the adoption of this language as the high variant and the written form of Galician. A close examination of prefaces and introductions to grammars, dictionaries, and other relevant texts shows a clear preference for the first solution. ‘Good Galician’ would thus be the one spoken by the people, in all its diversity, with some exclusions which varied according to the author: In some cases, important towns and urban variants were excluded; in others, the mountainous regions and the areas bordering with Castile; and in certain cases, the ‘people’ only meant ‘the best’ in each town. Options 2 and 3 made a timid appearance towards the end of 19th century even though 3 gained acceptance throughout the 20th century, specially in the last twenty years.

The Influence of the Rules of Succession on the Structure of Hungarian and German Families of Southern Transdanubia in the Early 20th Century

2019 ◽  
Vol 80 ◽  
pp. 99-117
Author(s):  
Dóra Frey
Keyword(s):  
20Th Century ◽  
Rural Population ◽  
18Th Century ◽  
German Population ◽  
Family Structures ◽  
Child Policy ◽  
The Family ◽  
Hungarian Population ◽  
Single Child ◽  
The One

The topic of the article is the influence of the rules and customs of succession on the family structures and life strategies in Southern Transdanubia. At the beginning of the 20th century, scientists and the local administration observed significant differences between the demographical structures of the Hungarian and German inhabitants in both Tolna and Baranya counties. While a significant part of the Hungarian rural population followed the “single-child-policy” (“egyke” in Hungarian), German families in the same area did not have this concept. It was observed, that the villages with families following the singlechild-policy kept losing population and were endangered by a demographical collapse. Seeking the reasons behind the single-child-policy, the rules of succession were identified as the main difference between the Hungarian and German population. The German population practiced the so-called primogeniture (Anerbenrecht), probably brought along from the early 18th century Southern Germany, meaning that one single successor inherits the entire land asset of the family. In contrast, the custom of the Hungarian population was a proportional succession. As all heirs inherited part of the land asset, it fragmented from generation to generation. To avoid this, the rural population developed the singlechild-policy, which, on the one hand, was very effective in preventing the fragmentation of family assets and became an unwritten law in several villages, but on the other hand it caused radical demographical changes. Different measures to prevent the single-child policy didn’t have a markable effect.

scholarly journals The 18th-Century Udmurt Women’s Outfits Depicted in J.P. Falk’s Book: Interpretation and Attribution

2019 ◽  
Vol 47 (1) ◽  
pp. 119-126
Author(s):  
E. E. Nechvaloda
Keyword(s):  
Social Status ◽  
20Th Century ◽  
18Th Century ◽  
Married Women ◽  
Early 20Th Century ◽  
Russian Academy Of Sciences ◽  
Ethnographic Data ◽  
The One ◽  
Academy Of Sciences ◽  
Source Of Information

This study describes three engravings in the book by Academician Johan Peter Falk, showing Udmurt women in traditional outfi ts. Falk headed one of the most important expeditions of the 18th century, sponsored by the Russian Academy of Sciences. According to the fi gure captions, the women are Votyak, Bashkir, and Mishar, respectively; but ethnographic data suggest that two of these attributions are wrong. On the basis of comparison of the women’s outfi ts to those drawn by members of other 18th-century expeditions and of late 19th to early 20th-century ethnographic sources, relating to the composition of outfi ts, their construction, decoration, and ornaments, all the three women are Udmurt. The “Votyak” outfi t matches that of the southern Udmurt, the allegedly Mishar woman is central Udmurt, and the one said to be Bashkir is northern Udmurt. The accuracy of detail allows us to specify not only the ethnicity of the women, but their social status as well. The so-called “Votyak” and “Bashkir” outfi ts are those worn by married women, and that of the alleged “Mishar” is a girl’s dress. Generally, accurate representations, such as those illustrating the proceedings of the 18th-century expeditions from the Academy of Sciences, are a valuable and underexplored source of information.

scholarly journals The background and research potential of the first Selkup books by N. P. Grigorovskij

2020 ◽  
Vol 11 (2) ◽  
pp. 167-190
Author(s):  
Nadezhda Fedotova
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
The Other ◽  
Preliminary Results ◽  
Other Hand ◽  
Verb Conjugation ◽  
The One ◽  
The 19Th Century ◽  
Different Sources

This article aims to explain why the dialectal identification of the Selkup texts compiled by Nikolaj Grigorovskij in the 19th century is still open. It also provides preliminary results on the isoglosses within the Southern dialectal group and strategies on how to address this problem. In order to advance the research, the first Selkup books of the 19th century (1879) have been converted into a digital annotated corpus of texts. Their analysis has revealed language features which, on the one hand, are accurately verified by Selkup material of the 20th century (on the example of the verb conjugation and the noun declension paradigms and the main Selkup isoglosses identified by Helimski. On the other hand, it has shown that the dialectal phenomena are insufficiently described. The article also gives the combined variant of Grigorovskij’s biography existing as fragments in different sources. Kokkuvõte. Nadežda Fedotova: Esimeste N. P. Grigorovski sölkupi raamatute taust ja teaduslik potentsiaal. Siinse artikli eesmärk on välja selgitada, miks on siiani lahtine 19. sajandil Nikolaj Grigorovski poolt kogutud sölkupi tekstide murdeline määratlus. Ka annab artikkel esmased tulemused isoglosside piiride kohta lõuna-sölkupi murdegrupis ja pakub strateegiaid sellele probleemile lähenemiseks. Uurimisteema arendamiseks on esmalt esimesed 19. sajandi sölkupi raamatud (1879) viidud digitaalse tekstikorpuse kujule. Tekstianalüüs on välja toonud keelelised tunnused, mida ühest küljest kinnitavad ka 20. sajandi sölkupi materjalid (seda verbi pöördeliste ja noomenite käändeliste paradigmade põhjal ning põhiliste sölkupi isoglosside põhjal, mille on välja toonud Helimski 2004). Teisalt aga näitab analüüs, et murdelised nähtused on ebapiisavalt kirjeldatud. Artikkel sisaldab ka erinevates allikates esinevatest fragmentidest kokku kombineeritud varianti Grigorovski bibliograafiast. Аннотация. Надежда Федотова: История и перспектива исследования первых книг на селькупском языке Н. П. Григоровского. Целью статьи является выявление причин, в связи с которыми проблема определения диалектной принадлежности первых селькупских текстов, собранных в XIX веке Николаем Григоровским, остается открытой. В статье даны предварительные варианты изоглосс, позволяющие отличить южную диалектную группу селькупского языка от других диалектных групп. С тем чтобы углубить исследование, первые селькупские книги XIX века (1879) были оцифрованы и преобразованы в аннотированный корпус текстов. Анализ на основе данного корпуса позволил обнаружить языковые явления, которые, с одной стороны, точно совпадают с селькупскими материалами, зафиксированными в XX веке (на примере парадигм спряжения селькупских глаголов и склонения существительных, а также с основными изоглоссами, предложенными Хелимским [Xelimskij 2004]). С другой стороны, они демонстрируют диалектные явления, которые недостаточно подробно описаны в литературе. В статье также предложена наиболее полная версия биографии Григоровского как компиляция из различных источников.

36. Practicing medicine and music II: Ophthalmology and music

2007 ◽  
Vol 30 (4) ◽  
pp. 46
Author(s):  
L. P. Hwi ◽  
J. W. Ting
Keyword(s):  
Chamber Music ◽  
18Th Century ◽  
Johann Sebastian Bach ◽  
Active Member ◽  
Active Researcher ◽  
Silver Medal ◽  
Medical Career ◽  
The One ◽  
The University ◽  
Over 40 Years

Cecil Cameron Ewing (1925-2006) was a lecturer and head of ophthalmology at the University of Saskatchewan. Throughout his Canadian career, he was an active researcher who published several articles on retinoschisis and was the editor of the Canadian Journal of Ophthalmology. For his contributions to Canadian ophthalmology, the Canadian Ophthalmological Society awarded Ewing a silver medal. Throughout his celebrated medical career, Ewing maintained his passion for music. His love for music led him to be an active member in choir, orchestra, opera and chamber music in which he sang and played the piano, violin and viola. He was also the director of the American Liszt Society and a member for over 40 years. The connection between music and ophthalmology exists as early as the 18th Century. John Taylor (1703-1772) was an English surgeon who specialized in eye diseases. On the one hand, Taylor was a scientist who contributed to ophthalmology by publishing books on ocular physiology and diseases, and by advancing theories of strabismus. On the other hand, Taylor was a charlatan who traveled throughout Europe and blinded many patients with his surgeries. Taylor’s connection to music was through his surgeries on two of the most famous Baroque composers: Johann Sebastian Bach (1685-1750) and George Frederick Handel (1685-1759). Bach had a painful eye disorder and after two surgeries by Taylor, Bach was blind. Handel had poor or absent vision prior to Taylor’s surgery, and his vision did not improve after surgery. The connection between ophthalmology and music spans over three centuries from the surgeries of Taylor to the musical passion of Ewing. Ewing E. Cecil Cameron Ewing. BMJ 2006; 332(7552):1278. Jackson DM. Bach, Handel, and the Chevalier Taylor. Med Hist 1968; 12(4):385-93. Zegers RH. The Eyes of Johann Sebastian Bach. Arch Ophthalmol 2005; 123(10):1427-30.

LITERARY ROMANTICISM AS A THEORETICAL ISSUE

2020 ◽  
pp. 19-27
Author(s):  
Vera V. Serdechnaia ◽  
Keyword(s):  
20Th Century ◽  
Conceptual Analysis ◽  
18Th Century ◽  
Theoretical Concept ◽  
Historical Research ◽  
Theoretical Issue ◽  
Main Research ◽  
Literary Process ◽  
History Of ◽  
The Subject

The article is devoted to the analysis of the concept of literary romanticism. The research aims at a refinement of the “romanticism” concept in relation to the history of the literary process. The main research methods include conceptual analysis, textual analysis, comparative historical research. The author analyzes the semantic genesis of the term “romanticism”, various interpretations of the concept, compares the definitions of different periods and cultures. The main results of the study are as follows. The history of the term “romanticism” shows a change in a number of definitions for the same concept in relation to the same literary phenomena. By the end of the 20th century, realizing the existence of significant contradictions in the content of the term “romanticism”, researchers often come to abandon it. At the same time, the steady use of the term “romanticism” testifies to the subject-conceptual component that exists in it, which does not lose its relevance, but just needs a theoretical refinement. Conclusion: one have to revise an approach to romanticism as a theoretical concept, based on the change in the concept of an individual in Europe at the end of the 18th century. It is the newly discovered freedom of an individual predetermines the rethinking for the image of the author as a creator and determines the artistic features of literary romanticism.

"HOW PUISSANT HIS MIRACLES ARE!" CONNECTIONS BETWEEN THE BIBLICAL NARRATIVE AND THE FOLK STORIES ABOUT THE RIBNITZER REBBE

2020 ◽  
pp. 40-67
Author(s):  
Natalya M. Kireeva ◽  
◽  
Maria M. Kaspina ◽  
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
Biblical Narrative ◽  
Jewish Culture ◽  
Folk Stories

The article focuses on legends about miracles in Judaism. Particular attention is paid to miracles in the context of the early Biblical period of the prophets and modern Hasidism; similarities in motives and plots are found between the narratives of different times. The authors analyze in detail two 20th-century plots about miracles related to Chaim Zanvl Abramovich, known as the Ribnitzer Rebbe (1902–1995). The miracles that are told about him have many parallels with the legends about miracles performed by the founder of the Hasidic movement, Israel Baal Shem Tov (BeShT), who lived in the middle of the 18th century. The article reveals a connection between the Biblical and Hasidic miracle stories not only at the level of how the miracle is functioning in Jewish culture in general.

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