scholarly journals The moral dimension in the management of money and prophetic works: البعد الأخلاقي في إدارة المال والأعمال النبوية

2019 ◽  
Vol 3 (9) ◽  
Author(s):  
Hayel abd al mawla tashtoush
Keyword(s):  
Business Management ◽  
The Body ◽  
Moral Dimension ◽  
The World ◽  
Moral Aspect ◽  
Effective Role ◽  
The City ◽  
Shed Light ◽  
Science Of Management

This study aims to clarify and explain the role of the Prophet in establishing and consolidating the rules and foundations of the science of management in general and business administration in particular, and the reason is the belief of many researchers throughout the world that the establishment of the State of the city and the management of the Prophet peace be upon him was random and Based on the basis of knowledge or scientific, so this study came to clarify the matter and revelation; and focuses on the moral aspect of business management, because of the importance of ethics and its necessity in dealing with people and events and this is the body of the Holy Prophet during the various stages of building and NH Medina. The importance of this study stems from the fact that it will shed light on the importance of ethics and its effective role in the success and progress of the science of management in general and the management of business in particular.  

Comedy and the Athenian Ideal

2018 ◽  
Author(s):  
David Konstan
Keyword(s):  
American Democracy ◽  
Intended Audience ◽  
The World ◽  
Hollywood Movies ◽  
Hellenistic World ◽  
City State ◽  
The City ◽  
New Comedy ◽  
A Performance

New Comedy was a Panhellenic phenomenon. It may be that a performance in Athens was still the acme of a comic playwright’s career, but Athens was no longer the exclusive venue of the genre. Yet Athens, or an idealized version of Athens, remained the setting or backdrop for New Comedy, whatever its provenance or intended audience. New Comedy was thus an important vehicle for the dissemination of the Athenian polis model throughout the Hellenistic world, and it was a factor in what has been termed ‘the great convergence’. The role of New Comedy in projecting an idealized image of the city-state may be compared to that of Hollywood movies in conveying a similarly romanticized, but not altogether false, conception of American democracy to populations around the world.

scholarly journals Veterinarians and Public Health: Food Control in the Professionalization of Veterinarians

2017 ◽  
Vol 7 (2) ◽  
pp. e1806 ◽  
Author(s):  
Kari Tove Elvbakken
Keyword(s):  
Public Health ◽  
The State ◽  
Food Control ◽  
Health Food ◽  
Food Inspection ◽  
Core Practice ◽  
The City ◽  
Shed Light

This article explores the role of food control in the professionalization of veterinarians in Norway. Veterinarians became engaged in public health through food control and market inspection, which were the responsibility of Norway’s city boards of health from the 1860s. Food inspection served a double purpose: to ensure honest trade and to maintain the safety of food. I argue that food control, which was associated with cities’ efforts to secure public health and order, was important to the legitimacy of the veterinarian profession. This activity is not what one today sees as a core practice of veterinarians, which is the prevention and curing of animal sickness. Exploring boundary activities at the fringes of a profession, and especially activity connected to the city and the state, may shed light on the more general sources of professional influence and legitimacy in the Norwegian profession state.

scholarly journals Built Heritage Attractions in Cultural Tourism: the case of Al - Mustansiriya Madrassa, Baghdad

2019 ◽  
Vol 22 (1) ◽  
pp. 37-43
Author(s):  
Huda Adil Abdulhameed Al-Obaidi ◽  
Osamah AbdulMunem Al-Tameemi
Keyword(s):  
Investment Project ◽  
Cultural Tourism ◽  
Tourism Industry ◽  
Historical Building ◽  
Economic Resource ◽  
Built Heritage ◽  
The Subject ◽  
The City ◽  
Shed Light

This research deals with the subject of Built heritage attractions in Muslim historical building, for what it represents, as an element dealing with Cultural tourism, in the process of developing tourism industry of the city. The location of Mustansiriya Madrassa in Baghdad’s commercial district could make it a profitable investment project to revive a cultural, artistic and tourist centre that could make it a cultural Tourism haven. The problem emerges through, how the role of built heritage to attract tourists in order to give vitality and liveability to the cultural tourism destination such as Al - Mustansiriya Madrassa which is one of the most popular heritage destinations, a historic school building situated in the ancient Abbasid district of Rusafa in the very heart of Baghdad. Therefore, the research's aim is to shed light on the heritage attraction as a mean to clarify the meaning of Cultural Tourism and specifying its definition. This research explains how the built heritage plays an important role in tourism in general and in the cultural tourism in particular because they attract tourists and provides a sustainable economic resource through its inclusion of values that make it distinct from other sources of attraction.

scholarly journals The Sister Village Program: Promoting Community Resilience after Merapi Eruption

2018 ◽  
Vol 3 (1) ◽  
pp. 32
Author(s):  
Vita Elysia ◽  
Ake Wihadanto
Keyword(s):  
Local Government ◽  
Volcanic Eruption ◽  
Disaster Recovery ◽  
Local Level ◽  
Community Resilience ◽  
The World ◽  
Evacuation Routes ◽  
Post Disaster ◽  
Shed Light

Local Government of Magelang Regency initiates the Sister Village Program after Mount Merapi Eruption in 2010. The idea of this program is to connect villages at risk from Merapi eruption to partner villages with less risk in the surrounding regions. This program is part of post-disaster recovery initiatives at the local level which includes planned evacuation routes, shelters, provision of food and other daily essentials. This paper aims to shed light on the role of sister village program in promoting community resilience after the volcanic eruption of Merapi. It is found that the system of sister village program can fulfill many aspects of community resilience components. Considering Indonesia is one of the most disaster-prone countries in the world, this program should be regarded as a good example to be replicated in other prone areas in the country.

scholarly journals Performing in Crisis Mode: the Munich National Theater, the Great Exhibition and the Cholera Epidemic in 1854

2020 ◽  
Vol 69 (4) ◽  
pp. 39-61
Author(s):  
Meike Wagner
Keyword(s):  
German Industry ◽  
Cholera Epidemic ◽  
Global Pandemic ◽  
National Theater ◽  
The World ◽  
Final Count ◽  
Risk Zones ◽  
The City ◽  
Great Exhibition

In 1854, the city of Munich had arranged for the “First General German Industrial Exhibition” to promote German industry to the world and invited a global audience to the event. At the same time, Franz Dingelstedt, director of the National Theater, organized a festival displaying the finest actors from Germany. Right after the opening of the festival, cholera started raging in the city and leaving 3,000 deaths in the final count. The author sketches out the role of the theatre in this crisis, when Dingelstedt was ordered by the king to keep the theatre open at any cost. This appears awkward, in regard to the current global pandemic crisis where theaters have been identified as risk zones for infection and consequently closed down. Why was the theatre at the time considered a safe and appropriate place even helping to counter the disease?

scholarly journals City Literature in Abdu al-Aziz al-Makkali’s Poetry

2021 ◽  
Vol 9 (3) ◽  
pp. 22
Author(s):  
Mujahid Ahmed Mohammed Alwaqaa
Keyword(s):  
Personal Experience ◽  
World Literature ◽  
Theoretical Framework ◽  
Beautiful Woman ◽  
The World ◽  
The City ◽  
Poetic Work ◽  
Shed Light ◽  
Historical Theory ◽  
City Literature

World literature teems with the portrayal of famous cities throughout the world. This kind of literature is unanimously known as city literature. It does not merely describe and portray places, objects, and landscapes for their own sake, it, however, gives readers a revisionist perspective to look afresh and introspectively into self, history, and culture. This paper aims to shed light on a city that witnessed great changes throughout its history. It is called Sana’a, the capital of Yemen, and it is one of such world-famous and ancient cities about which interesting and rich literature has been written. Sana’a has been immortalized in the prose and poetry of local and international prolific and intelligent writers such as Abdu al-Aziz al-Makkali, a famous contemporary Yemeni poet. Sana’a is magnificently portrayed in different exotic images in al-Makkali’s collection of poetry entitled Book of Sana’a. The poet engages in a kind of dialogue with the city in a personal experience and unique particularity, but in the process, this particularity becomes cosmopolitan. Each poem is located in a particular space which gives the poet and reader alike a sense of the place, history, and culture, and an intense feeling of wider identification and empathy. Sana’a is anthropomorphically portrayed as a beautiful woman, sad woman, beloved lady, spirit, and city of heaven. It is fantastically depicted as a unique piece of artifact molded and designed by the hands of God. So, this piece of research attempts to analyze social and political imports and the different images of the city employed by al-Makkali in his poetic work: Book of Sana’a. As a theoretical framework, the paper adopts both historical theory of criticism as well as the formalist theory, so the analysis is focused on both context and text of the selected poems.

scholarly journals The Flâneuse in the Virtual City: Exploring "Lost Angeles"

1969 ◽  
Vol 2 (1) ◽  
Author(s):  
Zena Bibler
Keyword(s):  
Virtual World ◽  
The Body ◽  
Virtual Space ◽  
Primary Mode ◽  
Virtual City ◽  
Kinesthetic Information ◽  
The City

In this essay, I contemplate the role of video gamer as flâneur in Lost Angeles, a three-hour video work by Lee Tusman that captures the wanderings of gamer Derm McGuigan within the virtual world of Los Santos. With the help of Lena Hammergren’s “The re-turn of the flâneuse” I will consider how the video, originally conceived of as a project of “virtual flânerie,” might fall more accurately under the domain of the flâneuse, who uses the kinesthetic as a way to enter previously inaccessible spaces. As McGuigan moves his avatar through Los Santos, he integrates stimuli from the game with his own physical memories, indexing a series of other places and times as he goes. Lost Angeles also complicates the concept of the flâneuse through the presence of the avatar, who serves as the primary mode of navigation, but also offers kinesthetic information to the player. These relationships become more intricately entangled with the entrance of an additional set of spectators that watch McGuigan and his avatar via a live stream. Through this aggregation of wanderers, the flâneuse becomes unstable and multiplies, producing numerous other embodied relationships with the city of Los Santos and the body of the avatar [Which begs the question: Who and where is the flâneuse?] In this essay, I hope to demonstrate how, the proposal of Lost Angeles (to broadcast the wanderings of an expert gamer in a virtual space) collides with the structure of Grand Theft Auto (which invites the player into an ambiguous inside-and-outside location within Los Santos) and produces not one flâneur, but numerous flâneuses who traverse the virtual city via kinesthetic association with the avatar’s movements.

scholarly journals The Relationship between Dramatic Text and Performance with the Centrality of the Body with a Look at Anne Bogart’s Rendition of The Persians

1970 ◽  
Vol 2 (2) ◽  
pp. 25-31
Author(s):  
Samin Gheitasy ◽  
Leila Montazeri ◽  
Simin Dolatkhah
Keyword(s):  
The Body ◽  
Physical Approach ◽  
The World ◽  
Dramatic Text ◽  
And Performance ◽  
Anne Bogart ◽  
The Relationship ◽  
Sociological View

The dramatic text defines, to some extent, the structure of the work but the type of performance and the physical approach to the text can represent different meanings. The body of the actor, as a means of conveying concepts from the text to the audience, can be effective in creating different interpretations and meanings of the text. Since eons ago, directors have used the body of the actor with different approaches, and the application of body on the stage has always been underdoing changes. Anne Bogart is one of the few directors who is less known in the Iranian theater despite possessing the most updated and well-known methods of practice and performance in the world. Using her viewpoint method, she brings live and dynamic bodies to the stage; bodies that are able to convey the hidden meanings of the text to the audience in the most suitable way. The overall purpose of this research is to find the relationship between the dramatic text and the performance with the centrality of the body with a sociological view toward the body. To this end, by presenting Foucault's theories, the researchers defines the role of the body in the society and its extent of effectivity and impressibility. Finally, this study explores the implications of this role in each element of Aeschylus’s The Persians, and it shall show how Bogart beautifully represents them using the bodies of her actors during performance.

The local and global in North African popular music

Popular Music ◽  
1996 ◽  
Vol 15 (3) ◽  
pp. 259-273 ◽  
Author(s):  
Tony Langlois
Keyword(s):  
Popular Music ◽  
Political Party ◽  
North African ◽  
Islamic Movement ◽  
Public Figures ◽  
The World ◽  
East And West ◽  
Victims Of Violence ◽  
The City

On 29 September 1994, Cheb Hasni, the most renowned Rai singer living in Algeria, was gunned down outside his family's house in Gambetta, a quarter of the city of Waharan (Oran). He was one of many public figures (and some 50,000 others) who have been killed since the main opposition political party, the FIS (Islamic Salvation Front) was prevented from assuming power by the annulment of elections that they would have won in 1991. Like the most notable of Algeria's victims of violence, which include journalists, lawyers, doctors, television presenters and top policemen, Hasni represented a version of Algerian identity that some people clearly could not tolerate. Responsibility for his assassination has not been claimed, but the manner of his death was identical to others carried out by the armed faction of the fundamentalist Islamic movement, the GIA (Armed Islamic Group). His death has possibly marked the demise of a genre of North African popular music known as Rai as it was produced in Algeria. Rai has been a particularly problematic idiom for Islamists and secularists alike. Both groups nurture distinct views of the place of Algeria, and Algerians in the world, and the role of Islam and liberal secularism in Algeria. Rai music constructs its own distinct trajectories linking local and global, ‘East’ and ‘West’, and, in this way, constitutes a distinct problem for Algerians, and indeed other North Africans today.

The World-Relatedness of Affectivity: Heidegger and Richir

2021 ◽  
Vol 66 (2 supplement) ◽  
pp. 55-77
Author(s):  
Dominic Nnaemeka Ekweariri
Keyword(s):  
The Body ◽  
Phenomenal Experience ◽  
Affective States ◽  
Personal Experiences ◽  
The World

" My investigation reveals that Heidegger’s account of affectivity – though his programmatical determination included an ontical dimension or otherwise lived, personal experiences – is overshadowed by a dense ontology that cannot enable real phenomenal experience. This is why he could not account for other affective states such as emotions, feel-ings and the role of the body in affectivity. Besides, in that account we are lost when we seek to answer the question of whether moods are “one” or “many”. My aim is to point out how these deficiencies in Heidegger’s account of mood could be overcome in Richir’s account of affectivity, where indeterminate background feelings (affections) could give rise to a deter-minate and occurent emotion (affects). The advantage of this move is a rich ontic account of affectivity where not only the body but also sense/meaning of affective episodes play a robust role in an encounter of world events. If Richir reproached Heidegger for existential solipsism, one could now reproach the former for existentiell/phenomenal solipsism. In the end I suggest that these two core but opposite aspects of affectivity (the ontological and the ontic) belong to the same reality: Dasein is not just in the world (ontology), but also the world is in Dasein (ontic/phenomenological). Keywords: mood, affection, affect, Heidegger’s ontology, Richir’s Leib and sense. "

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