The article dwells on the notion of the language personality of the politician-as-actor interpreted within the framework of the politainment theory: the term used in the paper does not indicate the previous profession of a politician but rather describes one of the peculiarities of the political discourse, viz. its theatricality. The paper argues that when political communication is being transformed into politainment, theatricality becomes its key component. Politainment is interpreted here as a hybrid type of political discourse including elements of mass-media and everyday spheres of communication, allowing to orient them at entertainment. Since the language of politainment performs a ludic function, it has often recourse to language game. For the communicative approach of the politician-as-actor it is typical to avoid serious consideration of political topics, to make use of communicative techniques which allow to simplify political problems. It is normal for him to recourse to vulgar language, offensive or otherwise insulting devices such as hyperboles, exaggerations, grotesque. The politician using techniques of politainement is a resourceful individual who can easily give metalinguistic comments, employ puns, euphemisms, dysphemisms, similes, hyperboles and other rhetoric means. Just like a traditional politician, the ‘actor’ is manipulative: he plays out different roles but, first and foremost, he is a star, a celebrity and a glamorous person. In this sense, the politician-as-actor has something in common with musicians and professional sportsmen. It is not unusual for the politainment to borrow their vocabulary: sports, musical instruments, names of musical groups and performers may be mentioned. Such a political actor “sets records”, “competes” with his political opponents, “knocks them out”, etc. To conclude, we may say that ‘actors’ take initiative to dominate on the contemporary political scene and to set a new trend in political communication. In this sense, politainment is not a phenomenon which is represented by orations of only several “linguistically creative” politicians; it is much wider, it influences the whole standard of political communication.
LANGUAGE GAME AS AN ELEMENT OF BRITISH AND GERMAN POLITICAL POSTERS
