scholarly journals KOMPOSITUM IDIOMATIS DALAM BAHASA MANDAR (Idiomatic Compound in Mandarese Language)

Kandai ◽  
2020 ◽  
Vol 16 (2) ◽  
pp. 205
Author(s):  
Jerniati Indra

Tulisan ini bertujuan mendeskripsikan kompositum idiomatis bahasa Mandar. Tulisan ini menggunakan teori morfologi struktural dengan metode deskriptif kualitatif dengan teknik pengumpulan data: observasi,pencatatan, dan retrospeksi. Hasil kajian menunjukkan bahwa konstruksi kompositum idiomatis bahasa Mandar dapat dibentuk dari beberapa pola, yaitu pola (kata dasar+kata dasar), (kata berimbuhan+kata dasar), (kata dasar+ kata berimbuhan), (kata ulang+kata dasar), dan (kata dasar+kata ulang). Konstruksi unik ditemukan pada pola (kata berimbuhan+kata dasar), komponen kedua kompositum ini semuanya diisi oleh nama binatang yang menjadi analogi bagi bentuk, keadaan, dan sifat manusia. Muatan makna kompositum adalah solidaritas dan pendidikan di samping muatan yang bersifat positif dan negatif. Kompositum idiomatis bahasa Mandar dapat menduduki fungsi subjek, predikat, objek, dan keterangan dalam konstruksi kalimat.The writing aims at uncovering idiomatic compounds in Mandarese language. It applies structural morphology theory using descriptive qualitative through technique of collecting data such as: observation, taking note, and retrospection. Result of research shows that the construction of idiomatic compound in Mandarese language could be formed based on some patterns, namely (base form+base form), (affixes word+base form), (base form+affixes word), (repetition+base form), and (base form+repetition) patterns. Unique construction is found in (affixes word+base form) pattern, the component of both compounds consists of animal names that become analogy of form, situation and nature of human being. The meaning of compound is solidarity and education but also implies positive and negative meaning. Idiomatic compound of Mandarese language places the function of subject, predicate, object, and adverb in construction of sentence.

2021 ◽  
Vol 4 (1) ◽  
pp. 26-34
Author(s):  
Dedi Efendi ◽  
Dodi Oktariza ◽  
Azmita Yakub

This research is analyzes about the struggle of Malala’s in He Named Me Malala film. The purposes of this research are to explain the great efforts of young girl named Malala for gender equality on education and politic and to explain the positive and negative impact after defying gender in equality in He Named Me Malala film. In analyzing the research, the writer uses feminism approach and some supporting theories. The method used in the research is descriptive qualitative. The data are formed in words, phrases and sentences. The data are analyzed through four procedures: identifying, classifying, analyzing, and making conclusions of the data.  Result of this research are the writer found some great efforts of Malala’s struggle on gender equality on education and politic. The last, the writer found the positive impact of the Malala’s effort on education and politic. Malala has given chance for the other women to get education and the right of politic which is the basic right of human being as seen on He Named Me Malala film.


2016 ◽  
Vol 1 (1) ◽  
pp. 9-16
Author(s):  
Ikke Dewi Pratama

The study of stylistics has grown wider in literatures and in linguistics. Stylistics provides linguistic features that support the interpretation of certain text so that the investigation becomes comprehensive. This research aims at finding stylistic features of the narrations of the prologue and epilogue of Mata Najwa talk show in an episode entitled Pejabat Pemburu Rente. Using ear-catching word arrangements, the prologue and epilogue successfully attract the audiences’ attention and, thus, the talk show becomes one of the most popular TV show in Indonesia. The stylistic features observed in this research are based on deviation and parallelism. This is a descriptive qualitative research. The data source is Mata Najwa show with the sub-title Pejabat Pemburu Rente, while the data are the prologue and the epilogue of the show. The analysis shows three features in the prologue as well as in the epilogue: figurative language, sound repetition and word repetition.


2019 ◽  
Vol 7 (1) ◽  
pp. 28
Author(s):  
Fazriyani S Mahmud

Love is something that everyone may have. Even love is the right of every human being in the world so that everyone has the right to love and be loved by others. Generally love is a form of emotion that contains attraction, sexual desire, and attention to someone. This shows that love has several components in it including intimacy, passion, and commitment. This research is focused on analyzing love experiences by using the triangular theory of love by Sternberg on some of the characters in the novel Breaking Dawn by Stephenie Meyer. This research used a descriptive qualitative method and used Sternberg's theory to analyze the experience of love in the breaking dawn novel. The result of this research has three components in love including intimacy, passion, and commitment.Keywords: Love, Triangular of Love, Intimacy, Passion, Commitment


Author(s):  
Jetri Ramasyahri ◽  
Sumiharti Sumiharti ◽  
Erlina Zahar

This research is aimed at describing the use of semiotic in Ketika Jarum Jam Leleh dan Lelah Berdetak anthology by Dimas Arika Mihardja. This research identifies the signs of meaning and interpretations towards hermeneutics approach. This research is descriptive qualitative. The population of the research is the verses in Ketika Jarum Jam Leleh dan Lelah Berdetak anthology by Dimas Arika Mihardja. In collecting the data, purposive sampling is used. The primary data is taken from verbal data in a form of words in Ketika Jarum Jam Leleh dan Lelah Berdetak anthology by Dimas Arika Mihardja, while secondary data is taken from semiotic theory and some literary books. Based on the result and discussion, it can be concluded that there are signs in Ketika Jarum Jam Leleh dan Lelah Berdetak by Dimas Arika Mihardja, they are Penikmat kehidupan anthology, they are; human being who lives in this world. Human being who are full of story, human being who wants to live happily by having the freedom whithout thinking about the consequences are ended up being despicable. Being despicable with what they have done is useless that leads them to feel regret.Key Words: semiotic, hermeneutic, anthology


2019 ◽  
Vol 10 (2) ◽  
pp. 219
Author(s):  
Didimus Estanto Turuk

This research aims to rewrite the paradigm of a superior invader and the inferior colonized using Derridian deconstruction in The Track to Bralgu, a novel by Streten Bozig Wongar. It examines the depictions of the Aborigine to identify the superiority paradigm that is represented on the characters’ description and reveals how the depiction of the characters in the story brings the idea of the superiority of the colonized toward the colonizer by deconstructing the White’s paradigm. A descriptive qualitative method is a method used and a postcolonial approach is applied to conduct the research. The results of the study show that (1) the qualities of the Aborigine people which show themselves not being inferior are tracking and living in the bush, taking care of human being, transforming from human form into an animal form, and honoring the corpse; (2) the qualities of the Aborigine which deconstruct White’s constructed paradigm are skillfulness, humanity, and faith; and (3) the Aborigine people have no intentions to be better than the White people, they just live the way they believe. By living the life the way they believe, it is proven that the Aborigine people do gain the paradigm of superiority in the period of colonization. Penelitian ini bertujuan untuk mengkaji ulang paham superioritas penjajah dan inferioritas masyarakat terjajah dalam The Track to Bralgu menggunakan konsep dekonstruksi dari Derrida. Penelitian ini menilik penggambaran karakter Aborigin untuk mengidentifikasi paradigma superioritas penjajah dalam penggambaran karakter dan menunjukkan bagaimana penggambaran karakter tersebut menuntun paradigma superiotas dari masyarakat terjajah dengan mendekonstruksi paradigma kulit putih. Metode deskriptif kualitatif adalah metode penelitian yang digunakan dan pendekatan poskolonial diterapkan untuk melakukan penelitian ini. Hasil penelitian ini menunjukkan bahwa (1) karakteristik orang Aborigin yang tidak merepresentasikan inferioritas mereka adalah melacak dan hidup di alam liar, peduli terhadap sesama manusia, bertransformasi dari wujud manusia menjadi hewan, dan menghormati jenazah; (2) karakteristik orang Aborigin yang mendekonstruksi paradigma penjajah ialah kepiawaian, kemanusiawian, dan kepercayaan; dan (3) orang Aborigin tidak memiliki intensi untuk menjadi lebih baik daripada penjajah, mereka hanya hidup dengan cara yang mereka yakini dan mereka menjadi superior dengan hidup dalam kebudayaan tersebut pada masa kolonial.  


2020 ◽  
Vol 5 (1) ◽  
pp. 27
Author(s):  
Widya Nindi Hardianti ◽  
Rohmani Nur Indah

Difficulties of producing speech sound in stutterers are indicated by the repetition, pause, prolongation, revision, and filled pause on the speaking. However, such difficulties do not hinder the communication as shown in the speech of a stand-up comedian named Drew Lynch. This study aims at exploring the types of fluency disorder identified in Lynch’s utterances on stage. This study uses the descriptive qualitative method employed through the process of observing, transcribing, describing, and analyzing his utterances in American Got Talent videos. The result shows Lynch produces all kinds of disfluency covering filled pause, phrase repetition, revision, multisyllabic whole-word repetition, monosyllabic whole-word repetition, repetition of individual sound or syllable, prolongation of sound, and block. The monosyllabic whole-word repetition is more dominant. The combination happens between revision with monosyllabic whole-word repetition, prolongation, or multisyllabic whole-word repetition. These findings confirm that in the context of stand-up comedy, the disfluencies in stuttering do not hamper the transfer of meaning.


2019 ◽  
Vol 17 (2) ◽  
Author(s):  
Kiki Fatmawati ◽  
Sutarno Haryono

AbstrakPenulisan Skripsi ini bertujuan untuk mengungkap kesenian Kobro Siswo komunitas Sinar Muda dari segi kritik seni holistik untuk mendeskripsikan dan menganalisa tentang : (1) faktor genetik, membahas mengenai latar belakang terbentuknya kesenian Kobro Siswo komunitas Sinar Muda (2) faktor objektif, membahas komponen verbal dan komponen non-verbal, mendeskripsikan menjelaskan hubungan komponen non-verbal dan verbal (3) faktor afektif, menjelaskan respon atau tanggapan penghayat (4) menjelaskan makna kesenian Kobro Siswo komunitas Sinar Muda. Bentuk penelitian adalah penelitian kualitatif deskriptif, dengan menggunakan pendekatan kritik seni holistik. Teori yang digunakan untuk mengakaji kesenian Kobro Siswo komunitas Sinar Muda adalah : (1) Teori pragmatik untuk mengkaji komponen verbal dan koneksitas komponen verbal dan non-verbal, (2) Teori seni pertunjukan untuk mengkaji komponen non-verbal dan verbal. Simpulan didapat berdasarkan analisis koneksitas faktor genetik, objektif, afektif. Kesenian Kobro Siswo komunitas Sinar Muda merupakan kesenian yang berfungsi sebagai hiburan dan media dakwah. Kesenian Kobro Siswo komunitas Sinar Muda memberikan pesan moral yaitu mengajarkan pentingnya menjadi manusia yang memiliki semangat pantang menyerah dan selalu ingat kepada Tuhan Yang Maha Esa.Kata kunci: Kobro Siswo komunitas Sinar Muda, kritik seni holistik, pragmatik.AbstractThe aim of this thesis is to uncover the art of Kobro Siswo in the Sinar Muda community from a holistic art criticism perspective in order to describe and analyze: (1) the genetic factors, including a discussion of the background to the formation of the art of Kobro Siswo in the Sinar Muda community; (2) the objective factors, including a discussion of the verbal and non-verbal components and a description of the relationship between the verbal and non-verbal components; (3) the affective factors, including an explanation of the response or reaction of the audience; and (4) an explanation of the meaning of the art of Kobro Siswo in the Sinar Muda community. The form of the research is descriptive qualitative with a holistic art criticism approach. The theories used to study the art of Kobro Siswo in the Sinar Muda community are: (1) The theory of pragmatics to study the verbal component and the connection between the verbal and non-verbal components. (2) The theory of performing arts to study the verbal and non-verbal components. The conclusion is obtained based on an analysis of the connection between the genetic, objective, and affective factors, and shows that the art of Kobro Siswo in the Sinar Muda community is an art that functions both as entertainment and as a medium for religious proselytization. The art of Kobro Siswo in the Sinar Muda community present moral messages which teach about the importance of becoming a human being with a spirit that never gives up and always remembers Almighty God.Keywords: Kobro Siswo Sinar Muda community, holistic art criticism, pragmatic.


2018 ◽  
Vol 6 (1) ◽  
pp. 89
Author(s):  
Alhamuddin Alhamuddin

<p>This paper is an academic effort to explain some aspects of the concept of Islamic education thought Syaikh Abd al-Samad Palimbani (1714-1782 M). As a descriptive qualitative study, the main data in this study were obtained from a number of his works, especially from <em>kitab</em> <em>Hidayah al-Sālikin</em>. It’s contrast to the others previous scholars’ contemporaries, <em>Hidayah al-Sālikin</em> is unique work of Abd Shamad, especially in his approach. In these works Abd Shamad  attempted to explain jurisprudent aspects using Sufism approach. This research analyses some aspects of Abd Shamad’s concept of Islamic education thoughts. According to him, Islamic education aims are to produce a good human being and to achieve happiness by getting close to God. Based on the conducted research, some recommendations for further researcher, it is suggested to investigate this issue more specifically and comprehensively.</p>


2018 ◽  
Vol 1 (3) ◽  
pp. 381-390
Author(s):  
Sri Wahyuni ◽  
Sudarmin Harun

The purposes of this research were (1) to elaborate the kind of slavery depiction through animal treatment in Sewell’s Black Beauty and (2) to exposure how the human treatment to horses in the novel is considered as a form of slavery in England Victorian age. The data were obtained from Sewell’s Black Beauty through a descriptive qualitative method by applying Sociological Approach. The study concluded that human treatment to horses is considered slavery for violating laws on animal protection. Horses are created to work but also there are rules in using them. There were four animal Anti-Cruelty laws in 1867 existed in the novel. Those laws are penalty for overdriving cruelly treating animal, for impounding animals without giving sufficient food and water, penalty for carrying animals in a cruel manner and penalty for abandoning infirm animals in public place. This study also suggest human being that there is no rights of one creature to judge another creatures.


2020 ◽  
Vol 14 (2) ◽  
pp. 255-260
Author(s):  
Tri Wahyu Setiawan Prasetyoningsih ◽  
Dyah Raina Purwaningsih ◽  
Nadia Gitya Yulianita

The research aimed to analyze the metaphor of animals’ names in Javanese expressions as representing power and authority in its positive and negative sides. The ancient land of Java was ruled by kings. This situation indicated that ancient Javanese were closely related to kingdoms and regulations that were strict rules of politeness rules or authoritarian. It created a situation where direct criticisms, suggestions, and warnings were conveyed to those who had  power, which might cause the problem to the conveyor. Thus, people preferred to express their opinion in the  metaphorical form to preserve the Javanese manners. Since Javanese people also lived as farmers and hunters, they could identify the nature of various animals’ characters. They began to compare some animals’ nature characters to describe  human characters or behaviors in the forms of metaphor known as Javanese expressions. The methods applied were a  descriptive qualitative by choosing the data that contained animal names, classifying them, analyzing the meanings of the  expressions, and providing results of the analysis. These metaphorical forms are hitherto known as proverbs and are  make used them as philosophy of life. They also used proverbs. The data were taken from “Seri Kajian Sastra Klasik 100  Paribasan Jawa Simpul-Simpul Kearifan Lokal Budaya Jawa” by Bambang Husen Al Marie in 2018. There are 26  expressions using animal names found in this dictionary. Macan, gajah, and asu are the three animals that are mostly  used as a metaphor to describe human characters within a sovereignty. Heuristic and hermeneutic approaches are  applied to analyze the data and to find out the real meaning of the classified data.  


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