scholarly journals Tatapan Medusa dan Okularsentrisme: Budaya Visual dan Persoalan Sinema Kontemporer

MELINTAS ◽  
2021 ◽  
Vol 36 (1) ◽  
pp. 67-97
Author(s):  
Haryo Tejo Bawono

This article presents some fundamental matters in visual culture. Philosophy has been grappling with important issues of image and ocularcentrism. These matters have shaped and brought impacts on the world’s visual culture. On the one hand, an image with all its possible interpretations today tends to be captured as an object and not so much as something that is at the same time plural and moving. On the other hand, people’s way of seeing tends to be blurred by the ocularcentrism. This might be a crucial problem that brings significant implications on one of the most important aspects of human life, that is, art activity, and particularly on cinema. The author of this article invites the readers to be aware of the negative inclinations around the issues of image and ocularcentrism. Some of the important challenges in the cinematic world are how people continually reformulate their experience of an image and how the ocularcentrism character in our visual culture can be positioned in the heart of the matter. In an effort to respond to these challenges, one can approach philosophy in a different way in order to refresh his or her way of seeing that might have been tiresome and cloudy.

2021 ◽  
pp. 98-116
Author(s):  
Alicia Walker

Focusing on Early and Middle Byzantine (fourth-to-twelfth-century) objects, images, and texts, this essay explores the tension between, on the one hand, efforts of the Byzantine church and state to discourage and control bodily adornment and modification and, on the other hand, the extensive evidence of widespread and immoderate engagement with these practices. The enhancement and manipulation of Byzantine bodies is considered as both a real and a metaphoric phenomenon. Evidence culled from secular and sacred, written and material sources demonstrates the importance of bodily adornment and modification to our understanding of Byzantine material and visual culture.


REFLEXE ◽  
2021 ◽  
Vol 2021 (60) ◽  
pp. 29-63
Author(s):  
Martin Rabas

The present article has two objectives. One is to elucidate the philosophical approach presented in the so-called Strahov Systematic Manuscripts of Jan Patočka in terms of consciousness and nature. The other is to compare this philosophical approach with Maurice Merleau-Ponty’s theses on nature, as elaborated in 1956–1961, and to point out some advantages and limitations of both approaches. In our opinion, Patočka’s philosophical approach consists, on the one hand, in a descriptive analysis of human experience, which he understands as a pre-reflective self-relationship pointing towards the consciousness of the world. On the other hand, on the basis of this descriptive analysis Patočka consequently explicates all non-human life, inorganic matter, and finally the whole of nature as life in its own right, the essence of which is also a certain self-relation with a tendency towards consciousness. The article then briefly presents Merleau-Ponty’s theses on nature, and finally compares them with Patočka’s overall theses on nature. The advantage of Patočka’s notion of nature as against Merleau-Ponty’s is that, in Patočka’s view, nature encompasses both the principle of unity and individuality. On the other hand, the advantage of Merleau-Ponty’s understanding of nature as against Patočka’s lies in the consistent interconnectedness of the infinite life of nature and the finite life of individual beings.


2019 ◽  
Vol 9 ◽  
pp. 165-180
Author(s):  
Agnieszka Morawiak

Innovation in creating consumer values as an important factor in socio-economic selection making  Consumption concerns many aspects of human life in both material and non-material dimensions. It shapes the attitude towards the family, spare time management, religion or culture. It sets the shape of our dreams, desires and life aspirations. On the one hand, it affects the system of our values, on the other hand, it is inspired by this system. Opponents of consumption, treating it as a secondary value and value in itself, accuse it of leading to the development of such phenomena as: mass entertainment, commercialization of culture or devel­opment of quite unnecessary, apparent needs. Instead, it removes the values generally respected in so­ciety, such as: interest in the fate of others, solidarity, care for the environment or the future of next gen­erations. Today’s consumer is not a mindless human being subject to the rules of the market, they are increasingly educated, aware and responsible. They make choices based not only on their own needs but based on values existing in a given society. They purchase wisely and respectfully, remembering that today’s choices will be the legacy for future generations, thus the consumer’s interest must be synchronized with these generations. Nowadays, it is the consumer who creates the image of the company, forcing it to take ethical and moral actions, and also heading for conscious consumption. Such an attitude creates the opportunity to include the consumer in the processes of companies’ activities and their innovations, as well as treating them personally and more like a partner. In the realities of the new economic, political, and social system, new values of individuals, as well as of entire social groups associated with the behaviour of consumers of the modern world are developing. Consumption, on the one hand, determines the shape of dreams, desires and the way of life. On the other hand, based on an innovative approach to it, it performs a symbolic function that gives a deeper and wider perspective to existing products, emphasizing them as exceeding their useful functions. Consumers becoming more aware of their choices take into account not only the system of their own values but also the values existing in a given society. This innovative approach to consumption creates new quality, a new lifestyle, it shapes new roles, it draws attention to the environment around us, and it cares about the sensible use of its resources and its means. Following values in the selection of products reveals responsibility connected to decision making, its impact on the environment and on entire social groups. They allow the individual to real­ize themselves in the group and the human community, they enable human development, achieving customer satisfaction, and avoiding the plundering economy. 


Artifex Novus ◽  
2020 ◽  
pp. 80-97
Author(s):  
Bartłomiej Gutowski

Można wskazać wiele czynników determinujących formy grobowców wznoszonych na cmentarzach w drugiej połowie XX w. Po pierwsze, jest to specyfika miejsca silnie nacechowanego religijnym i duchowym kontekstem a zarazem świeckimi wpływami i ideami.  Po drugie, są nimi kulturowe i – dość często – historyczne uwarunkowania. W przypadku kaplic grobowych dominującą tendencją jest neomodernizm. Charakterystyczne jest poszukiwanie wzajemnych relacji pomiędzy przestrzenią, światłem, materiałem – współoddziaływania kształtów i symboliki, sprzyjającego indywidualnej kontemplacji. Wyraźnie czytelne jest dążenie do dematerializacji i podwójnego kodowania. Z jednej strony, zewnętrzny, fizyczny blok; z drugiej – jego wnętrze nakierowane na pozazmysłowe doświadczenie. Otwarcie na czysto zmysłowe bodźce, które wzmacniają odczuwanie doświadczenia „innego”. Przywołane w artykule obiekty odznaczają się oryginalnością form i – w pewnym stopniu – różnorodnością materiałów. Jednakże, o ile formalne rozwiązania odbiegają od siebie nawzajem, o tyle w zasadzie zauważamy wspólne dążenie do kreowania form, które pomagają nadać doświadczeniu śmierci indywidualny charakter. Tomb-Chapel and Contemporary Visual Culture Undoubtedly, there are numerous factors determining the forms of located at cementeries tombs built in the second half of the 20th century. Firstly, it is the specificity of the place strongly affected by the religious and spiritual context but also by atheistic concepts. Secondly, we encounter cultural – and quite often – historical conditions. In the case of tombs, the dominant tendencies are close to neomodernism. What is characteristic is the search for the interplay of space, lighting, materials and reflections – the interplay fostering individual contemplation with its shape and symbolic. The striving for dematerialization and double-coding is very clear. On the one hand, an external, physical block; on the other hand – its interior directed towards the transcendent experience. Open to purely sensory stimuli which strengthen the feeling of experiencing “the other”. The mentioned examples are characterized by originality of the form and – to some extend – diversity of materials. Insofar as, however, the formal solutions considerably differ from each other, we principally observe the pursuit of creating forms that help individualize the experience of death.


Author(s):  
Абыканова Гульмира

Аннотация. Статья посвящена экстралингвистическому исследованию обрядов, связанных с водой в русской и кыргызской культурах. Обряды сопутствуют многим событиям жизни человека, отражают национальный характер, являются частью культуры народа. Лингвокультурологический анализ обрядовой лексики показал, что в русской и кыргызской культурах существует двойственное отношение к воде: с одной стороны, вода жизненно необходима, а с другой, вода как стихия - разрушительна. В статье отмечается, что обряды и традиции народа отражают все этапы жизни человека: от рождения и до кончины. Подчеркивается, что обрядовая лексика, репрезентирующая концепт «вода», широко представлена как в русском, так и в кыргызском языках. Ключевые слова: обряд, традиция, лингвокультура, концепт, ритуал, текст, концептосфера, менталитет, ментальность, Аннотация. Макалада орус жана кыргыз маданиятындагы суу менен байланышкан ырым-жырымдар экстралингвистикалык өӊүттөн изилдөөгө алынат. Ырым- жырымдар адамды өмүр бою коштоп жүрөт, улуттук мүнөзүн чагылдырып элдин маданиятынын орчундуу бөлүгүн түзүп турат. Ырым-жырымдык лексикага лингво-маданияттык талдоо жүргүзүүнүн натыйжасында орус жана кыргыз маданиятында сууга эки тараптуу мамиле бар экени анык болду: биринчиси − суусуз өмүр жок, экинчиси – суу кыйратуучу элемент. Элдин ырым-жырымдары жана үрп-адаттары адамдын бүтүндөй өмүрүн чагылдырып турат. "Суу" концептисин чагылдырган ырым-жырымдык лексика кыргыз тилинде да, орус тилинде да кеӊири колдонулат. Түйүндүү сөздөр: ырым-жырымдар, каада-салт, лингвомаданият, концепт, жөрөлгө, текст, концепттик чөйрө, менталитет, менталдык. Annotation. The article is dedicated to extralinguistic research. Rites associated with water in the Russian and Kyrgyz cultures. Ceremonies accompany many events of human life, reflect the national character, are part of the culture of the people. Linguo- cultural analysis of ritual vocabulary showed that in Russian and Kyrgyz cultures there is a dual relation to water: on the one hand, water is vital necessary, but on the other hand, water as an element is destructive. In the article it is noted that the rites and traditions of the people reflect all stages of life person: from birth to death. It is emphasized that ritual vocabulary representing the concept of "water" is widely represented as in Russian and Kyrgyz languages. Key words: rite, tradition, linguistic culture, concept, ritual, text, concept sphere, mentality, mentality.


2020 ◽  
Vol 1 (3) ◽  
pp. 56-63
Author(s):  
Santiago Sevilla-Vallejo
Keyword(s):  

As it has been previously studied, Philip K. Dick's work raises existential questions that do not have a clear answer, but theyinvite us to seek the truth. One of the essential themes in his writings is that our perception about reality is false (IdiosKosmos) In this sense, Philip K. Dick's statements and novels consider that human life is a constant struggle with obstacles.This paper analyses how his biography and readings led him to form a philosophical attitude that was essential in hiswritings. Then, the motives that distort the experience and the process of searching for the true reality are compared in threenovels. On the one hand, Do Androids Dream of Electric Sheep? and Ubik show different futuristic dystopias where humanvalues are endangered. On the other hand, VALIS is about the search of transcendence from a more realistic andautobiographical approach. The aim of this article is to reflect about the search of the koinos kosmos contained in these threenovels.


2017 ◽  
Vol 163 ◽  
pp. 701-709
Author(s):  
Dorota Gołek-Sepetliewa

The experience of passing and old agein the works of Victor Paskov and Stanislav StratievThe literary works of famous Bulgarian authors Stanislav Stratiev 1941–2000 and Victor Paskov 1949–2009 may be viewed in terms of athorough study of the human being and the multidimensionality of its existence. Their reflections about existential problems also involve the experience of passing and old age that have ontological, social, cultural, symbolic and metaphorical dimension. The novel A Ballad for George Henig 1987 by Paskov and the drama On the Other Side 1994 by Stratiev include clear and ambiguous images of the end of the human life. The experience of passing and old age affects aparticular person as apersonality and its relationship with the other people. This subject reveals, on the one hand, the crisis of human relations and values in contemporary Bulgarian society, on the other hand it emphasizes the fragility of the human condition, expressed in the experience of pain, illness, passing, old age and death.Опитът на преходност и старост в творчествотона Виктор Пасков и Станислав СтратиевТворчествотo на известнитe български автори Станислав Стратиев 1941–2000 и Виктор Пасков 1949–2009 можe да бъдe разгледанo кaто по-задълбочено изучаване на човешкото същество и на множествотo измерения на неговия живот. Интересът към екзистенциалните проблеми включва и описание на опита на преходност и старост, който притежава онтологично, социалнo, културнo, символично и метафорично измерение. Романът на Пасков Балада за Георг Хених 1987 и драмата на Стратиев От другатa страна 1994 представят изразителни и нееднозначни картини зa крайния етап от човешкия живот. Опитът на преходност и старост засяга човешкия индивид като личност и отношенията мy с близкитe и по-далечнaтa социална среда. Тeматa разкрива, от една страна, кризата на човешките отношения и на ценноститe в съвременното българското общество, от друга страна — подчертава крехкостта на човешкото съществуване, което се изразява в опита на страдание, заболяване, преходност, старост и смърт.


2001 ◽  
Vol 52 (1) ◽  
pp. 191-220
Author(s):  
Bent Christensen

Concerning »About Grundtvig's Vidskab«By Bent ChristensenBent Christensen’s contribution presents three texts, viz .firstly his introductory speech at the public defence of the dissertation »About Grundtvi’s Vidskab« An Inquiry into N.F.S. Grundtvig’s »View of the Knowledge Aspect of the Commitment to Life that is a Necessary Part of Christianity« - and, secondly, replies to the two officially appointed critics, as they appear in Grundtvig Studier 1999.In his introductory speech Bent Christensen describes the disciple relationship to Kaj Thaning which has, admittedly, developed into an increasingly critical direction as far as the evaluation of .1832. and the circumstances attached to that year are concerned, but which remains unchanged with respect to the recognition of Kaj Thaning's pioneer work as regards the understanding of the radicalism in Grundtvig’s view of the »intrinsic value«, given in creation, of human life. The divergence is due, more than anything else, to a generational difference in church views. Bent Christensen’s main concern, however, is the question what importance the commitment to life here and now has for the Christian's relation with God and the Christian expectation of the Kingdom of God.The keyword is precisely »importance«. The famous stanza from »The Seven Star of Christendom« really says it all:If our people and our fathers' landTo us are empty words and sounds,If we know not what they signify,Beyond a crowd and soil and strand,Then vain is every word we speakAbout God's Kingdom's mount and vale,About God’s people and His flock.For what is said here, of course, applies to the total involvement in life, of which the scientific activity of understanding is only one particular part. In the most elementary experience of life as well as in science and scholarship on the highest level, we have to do with a consciousness of God - if an indirect one - without which all the words of the history of salvation become »empty«.In his reply to Anders Pontoppidan Thyssen Bent Christensen defends his - in a certain sense - looseness of method, and he denies the implication that his thesis could be seen as a »thesis of vidskab on tottering feet« .I have not from the outset had so much method nor so much thesis that I have been prevented from seeing the hitherto unnoticed, indeed hitherto neglected, aspects of Grundtvig which have been uncovered and interpreted in my dissertation..Bent Christensen refers to the introduction to the thesis, where he has given a detailed account of how it became clear during his work with Grundtvig’s life and writings that .Grundtvig’s view of the knowledge aspect of the commitment to life that is a necessary part of Christianity. must needs be seen precisely as a side or partof an all-embracing totality of life and culture. In the technical terms of a dissertation, the thesis corresponds to what is written on the back of the book’s cover: On one hand it is pointed out that absolutely supreme scholarship (of a humanistic and life-interpreting character) is the upper layer in the all-embracing cultural totality that Grundtvig dreamt about and worked for.But on the other hand it is described in detail how both inner, crucial, factual and positive factors and external, partly highly negative factors cause Grundtvig from around 1835 to concentrate more and more on the preservation, awakening, activities and enlightenment of Danish cultural and national life - with Grundtvig himself in the centre as the great »total poet« of church and people.Responding to Anders Pontoppidan Thyssen’s criticism of the way in which the aspects of church policy and church view are dealt with, Bent Christensen insists that Grundtvig’s 1832-solution assumed its particular form very much as a consequence of the clerical jam that he had to wriggle out of.In the reply to Theodor J.rgensen Bent Christensen denies that his own culturaltheological vision should have put a slant on his work. He is not disappointed that Grundtvig did not attempt to a still larger extent to maintain a Christian unified culture, but on the contrary criticizes Grundtvig, on the one hand, for taking a very exclusive view of the .free congregation of Jesus Christ., but on the other hand for seeking nevertheless, through rather diffuse constructions in church view and »secondary theology«, to preserve an at least kriste-lig (i.e. Christ-like) unity in the Danish society.Bent Christensen goes on to state his reasons why his work has not been more systematically problem-oriented or contextually based on the history of ideas. The decisive fact is that all the influences that Grundtvig obviously received are melted into his Christian universe to such an extent that it would not have been profitable if the reading of Herder and Schelling for example, which was of course a fact, should have entered explicitly into the presentation.Finally, Bent Christensen declares himself in agreement with Theodor J.rgensen’s concluding observations as far as the relation between the universal and the particular in Grundtvig is concerned. Grundtvig’s concept of a national and cultural organism is only part of his view of the whole human race as an organism, so that he cannot be cited in support of a nationalistic self-sufficiency. This is true also of the »superuniversity« in Gothenburg, which, for one thing, was to be a shared Scandinavian project, and which, for another thing, was expressly intended to be the specifically Nordic contribution to the universal-historical scholarship and development of clarification of the collective human race. The same thing applies concerning Grundtvig’s understanding of the relationship between the small Danish congregation and »the horizon of understanding to the catholicity of the Christian church«. In his ecumenical activity Bent Christensen himself has experienced »how good it feels to have the ecumenically universal Grundtvig with him when travelling the world«.


Author(s):  
Deniz Yaman

In the 1980s and 1990s, there were indispensable elements for the science fiction movies: cyborgs. This half-biologic and half-machine species had fully developed intelligence. And there was such a future fiction that appeared in these films that, on the one hand, raised admiration for the technologies that have not yet emerged, and on the other hand raised serious future concerns. The purpose of this study is to discuss the interaction of fear, artificial intelligence, and humans. And it is also aimed to research the way of representation of this interaction via aestheticization. Because of this, The Lawnmower (1992) has been chosen and analyized within the context of Production of Space Theory by Lefebvre. The Lawnmower has an importance about the imagining of dystopic and aesthetic way artificial intelligence technology would affect human life in the near future.


2014 ◽  
Vol 64 (1) ◽  
pp. 21-33
Author(s):  
Scott C. Jones

Abstract Qohelet draws upon the metaphors of a mercantile economy in order to assign values to human life. The primary context in which he calculates these values is time-under-the-sun. In the economy of time-under-the-sun, there are both absolute and relative credits. On the one hand, the inevitable onset of death reduces all credits or debits to zero. Yet on the other hand, Qohelet claims that the enjoyment of one’s profits during one’s lifetime is a relative credit. The sage, however, also perceives another sort of reckoning which reaches beyond his empirical observation. He speaks of a matrix outside of the rule of the sun, which he calls עולם. In this space beyond time God has ordained a judgment in which the pious will profit and the impious will suffer loss. The onset of a new order beyond the sun raises the possibility that zero might not be the final answer after all.


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