scholarly journals A line of best fit: Re-stitching earthquake prone buildings and re-connecting pedestrian networks in Wellington City

2021 ◽  
Author(s):  
◽  
Charlotte Stewart

<p>A Line of Best Fit explores weakness and disconnection in the city. Weakness: There are over 600 earthquake prone buildings in Wellington. The urgency to strengthen buildings risks compromising the aesthetic integrity of the city through abrasive strengthening techniques, or losing a large portion of our built environment to demolition. The need for extensive earthquake strengthening in Wellington, Christchurch and other New Zealand cities provides an exciting opportunity for architecture. Disconnection: In Wellington pedestrian activity is focused around three main routes: Cuba Street, Lambton Quay and Courtney Place. The adjacent areas are often disconnected and lack vibrancy due to large building footprints, no-exit laneways and lack of public spaces. The Design proposes a strategy for earthquake strengthening, preserving and upgrading the built environment, and expanding and connecting the pedestrian realm. The site is two earthquake prone buildings on the block between Marion Street and Taranaki Street in central Wellington. A cut through the centre of the Aspro and Cathie Buildings ties the buildings together to strengthen and create a new arcade as public space. The cut aligns with existing pedestrian routes connecting the block with the city. The Design is divided into three components: Void, Curve, and Pattern and Structure. Void investigates the implications of cutting a portion out the existing buildings and the opportunities this provides for connection, urban interaction, and light. Curve discusses the unusual form of The Design in terms of scale, the human response and the surrounding spaces. Pattern and Structure considers the structural requirements of the project and how a void enveloped in perforated screens can strengthen the earthquake prone buildings. The importance of connection, providing strength in the city, a dialogue between old and new, and engagement with the unexpected are evaluated. Opportunities for further development and research are discussed, with particular reference to how the principles of The Design could be implemented on a larger scale throughout our cities. A Line of Best Fit is an architectural proposal that creates strength and connection.</p>

2021 ◽  
Author(s):  
◽  
Charlotte Stewart

<p>A Line of Best Fit explores weakness and disconnection in the city. Weakness: There are over 600 earthquake prone buildings in Wellington. The urgency to strengthen buildings risks compromising the aesthetic integrity of the city through abrasive strengthening techniques, or losing a large portion of our built environment to demolition. The need for extensive earthquake strengthening in Wellington, Christchurch and other New Zealand cities provides an exciting opportunity for architecture. Disconnection: In Wellington pedestrian activity is focused around three main routes: Cuba Street, Lambton Quay and Courtney Place. The adjacent areas are often disconnected and lack vibrancy due to large building footprints, no-exit laneways and lack of public spaces. The Design proposes a strategy for earthquake strengthening, preserving and upgrading the built environment, and expanding and connecting the pedestrian realm. The site is two earthquake prone buildings on the block between Marion Street and Taranaki Street in central Wellington. A cut through the centre of the Aspro and Cathie Buildings ties the buildings together to strengthen and create a new arcade as public space. The cut aligns with existing pedestrian routes connecting the block with the city. The Design is divided into three components: Void, Curve, and Pattern and Structure. Void investigates the implications of cutting a portion out the existing buildings and the opportunities this provides for connection, urban interaction, and light. Curve discusses the unusual form of The Design in terms of scale, the human response and the surrounding spaces. Pattern and Structure considers the structural requirements of the project and how a void enveloped in perforated screens can strengthen the earthquake prone buildings. The importance of connection, providing strength in the city, a dialogue between old and new, and engagement with the unexpected are evaluated. Opportunities for further development and research are discussed, with particular reference to how the principles of The Design could be implemented on a larger scale throughout our cities. A Line of Best Fit is an architectural proposal that creates strength and connection.</p>


2020 ◽  
pp. 42-54
Author(s):  
Anna Cudny

Influence of social capital of inhabitants on shaping common spaces in a housing environment The last two decades of the century have brought unusually many changes in the built environment. These include not only changes directly related to the emergence of a new urban fabric, but also changes in social attitudes towards common spaces located in residential areas. The built environment has never been evaluated so strongly. This assessment translates not only into the everyday outdoor activities of residents (necessary, optional and social activities), but also to economic projects (purchase, sale and rental of real estate). At the same time, the city ceases to be, as it has been so far, mainly subjected to criticism, and the residents are gradually changing their demanding attitude concerning the development of space to participate in the process of its creation. Society wants to have a real impact on urban space, especially on the space closest to them. Thus, the right to the city is no longer a privilege or a duty, but it becomes a need. Trying to meet this need results in a phenomenon which we can increasingly observe in Poland, and which we have been witnessing abroad for many years: activities in public space are changing into activities for public space. They include the transformation of common spaces related to the place of residence—improving their aesthetic quality, functional changes, modernization of development elements. Observing numerous examples of public participation in shaping public spaces, it was noticed that the initiation, course and effects of activities largely depend on the social capital of the group undertaking said activity. Accordingly, there is a need for research on the mutual relation between the level of social capital and the issue of shaping and managing public space with the participation of local communities, which will be the main topic of the paper. To investigate the above-mentioned issue, qualitative research methods were used in relation to the relationship: site visit, non-participant observation and focus interviews. This contributed to a comparative study of three selected Warsaw case studies. They were analysed in terms of meeting the qualitative criteria selected for the study. These criteria have been indicated on the basis of the Social Capital Development Strategy 2020, which is one of the parts of the Medium-Term National Development Strategy. The result of the analyses is an indication of derived factors from within the group of space users and external factors that have a positive and negative impact on initiating, carrying out and maintaining the effects of changes in common spaces developed with the participation of local communities in Polish conditions. The conclusions can be used to improve future participation processes related to urban space - both by non-professionals participating in them, as well as experts - architects and town planners.


Religions ◽  
2020 ◽  
Vol 11 (8) ◽  
pp. 379
Author(s):  
Jakob Helmut Deibl

Embedded in the paradigm of the “New Visibility of Religion,” this article addresses the question of the significance of sacred buildings for public spaces. ‘Visibility’ is conceived as religion’s presence in cities through the medium of architecture. In maintaining sacred buildings in cities, religions expose themselves to the conditions of how cities work. They cannot avoid questions such as how to counteract the tendency of public space to erode. Following some preliminary remarks on the “New Visibility of Religion,” I examine selected sacred buildings in Vienna. Next, I focus on the motifs of the city, the “ark” as a model for sacred buildings and the aesthetic dimension of public space. Finally, I consider the contribution of sacred buildings to contemporary public spaces. What is at issue is not the subject that moves in public and visits sacred buildings with the aim of acquiring knowledge or with the urgency to act, but rather the subject that feels and experiences itself in its dealings with public space and sacred buildings. In this context, I refer to the experience of disinterested beauty (Kant), anachronism, multi-perspectivity (Klaus Heinrich), and openness (Hans-Dieter Bahr).


2016 ◽  
Vol 40 (3) ◽  
pp. 198-205
Author(s):  
Hee Sun (Sunny) Choi

This paper explores what it means for a public space to embody the city within rapid urban change in contemporary urban development and how a space can accomplish this by embracing the culture of the city, its people and its places, using the particular case of Putuo, Shanghai in China. The paper employs mapping and empirical surveys to learn how the local community use the act of communal dance in everyday public spaces of this neighborhood, and seeks not to find generalizable rules for how humans comprehend a city, but instead to better understand how local inhabitants and their chosen activities can influence their built environment. The findings from this emphasize the importance to identify how public spaces can help to define cities with China’s emerging global presence, whilst addressing the ways in which local needs and perspectives can be preserved.


2020 ◽  
Vol 22 (1) ◽  
pp. 1-14
Author(s):  
Murtanti Jani Rahayu ◽  
Imam Buchori ◽  
Retno Widjajanti ◽  
Rufia Andisetyana Putri ◽  
Erma Fitria Rini

Stabilization as one of the street vendors arrangement type conducted by the government of Surakarta, that have great implications on the aesthetic style and form at some city parts. Some parts of Surakarta has changed a lot since the inauguration of the location, that is a public space, as a street vendors stabilization location in part of the area. Manahan area is one of the locations of street vendor stabilization that is considered successful. The presence of street vendors who have been arranged in the area Manahan able to attract visitors both weekand and weekdays, especially on holidays. This area is also more easily remembered by the visitors than other areas that there is no stabilization of street vendors. It means that this area has good and unique image quality that can be a memory for visitors. The purpose of this paper is to explore the image of street vendor Manahan stabilization area. Understanding the image of city area, principle that is used to assess the five basic elements of image formers include landmarks, path, edge, district and node. All five elements will be the componens in assessing the identity, identity and meaning that will shape the cognition of visitors so that it can be used as environmental orientation when someone is in a place. The introduction of Manahan stabilization area begins with stimulation done by graphic and visual technique before the interviews made a cognitive map in Stabilisasi PKL Manahan area and also made familiarity-favorability-semantic differensial assesment. This area has the potential of sustainability and good image compared to other stabilization locations, so that the managed street vendors can continue to grow and the location of the arrangement becomes an attractive area and supports the identity of the city of Surakarta as a merchant friendly city by staying a beautiful and friendly city for all the citizens and tourists who visit it.


2021 ◽  
Vol 70 (1) ◽  
pp. 80-88
Author(s):  
Vladimir V. Abashev ◽  

The article examines the representation of the city in rooftopping photography. Methodologically, the research is based on A. Lefebvre’s concept of social space, and also M. de Certeau’s concept of spatial practices as agents of its production. The principal notions in this analytical framework employed in the article are the urban imaginary and the gaze in constructivist understanding, which not only reflects, but also forms the object of vision. Rooftopping photography is considered in the context of the history of the view of the city from above, which has become an important factor in the urban imagination. The expansion of rooftopping photography into the public space and the presentation of cities is associated with the development of new communication and optical representation technologies in the 2010s. The analysis of the rooftoppers’ visualizing of the city carried out in semantic, aesthetic and rhetorical aspects revealed its substantive and aesthetic qualities. Rooftoppers photos capture the moment when a person faces the city as a whole. The city converges with natural and landscape objects. In the night panoramas that make up the bulk of roofer photography, the city is represented as a space of energy flows. In rhetorical terms, in contrast to the metonymy of a promenade, roofer photography is metaphorical. In general, it is concluded that the subject of rooftopper photography is not so much the identity of the city as its universal urban beginning embodied in the centers of the world’s megalopolises. Following D. Nye and his interpreters, the aesthetic mode of the city in roofer visuality is interpreted as urban version of the sublime.


2018 ◽  
Vol 2 (02) ◽  
pp. 182-195
Author(s):  
Arvin Tekadtuera ; Anindhita N. Sunartio

Abstract - The introduction the new infrastructures in the city of Bandung is being executed in order to tacklevarious urban problems, such as the lack ofpedestrian-friendly spacse and the lack ofpublic spaces throughoutthe city. In 2017, the Local Government of Bandung opened Teras Cihampelas, which is a skywalk-type ofinfrastructure that was built above Cihampelas Street in order to relocate the street vendors that had beenoccupying the pedestrianway in Jalan Cihampelas and to become a new public space. The new structure, in fact,affects the scale and proportion ofthe spaces between buildings along the road and reconfigurated the visualqualities ofthe existing street. Therefore, the visual experiences in the pedestrianway throughout CihampelasStreet had also affected by the changes of those factors.The method used in this research is a qualitative triangulation method which can be done by mappingthe typology of the space between buildings based on the existing buildings’ intensity for further analysiswhich consist ofscale and proportion analysis, and walkability analysis that was based on visual evaluation. Theanalysis of each typology will then be mapped and merged in each pedestrianways to provide the visualexperiences of the pedestrian in Cihampelas Street.The visual quality in Cihampelas Street appears to slightly exceed the minimum comfortability standardbut still far from the maximum comfort for a pedestrianway. This problem appears because there are lacks oflegibility and imageability that the pedestrian can grasp in most parts of the pedestrianway. But aside fromthose factors, other factors like transparency, complexity, and coherence in Cihampelas Street are highly achievedso that the pedestrianway can still be comfortably walkable by the pedestrian. sKey Words : scale, proportion, visual quality, walkabillity, visual experience, pedestrian, qualitativetriangulation method, Cihampelas Street


Buildings ◽  
2020 ◽  
Vol 10 (3) ◽  
pp. 56 ◽  
Author(s):  
Beata Majerska-Pałubicka ◽  
Elżbieta Latusek

The subject of this article is the presentation of site conditions and the authors’ concept of the development of the degraded riverside area located in the city of Cracow-Kraków Zabłocie. The concept transforms the above-named area into a multifunctional complex including museum, coworking, business and hotel functions. The area subject to development borders three important districts of Cracow: Old Town (Stare Miasto), Grzegórzki and Podgórze on the bank of the Vistula (Wisła) river. In the land development and urban planning documents of the city of Cracow this area has been marked as the public space which is to become a local focal point or a local centre. The main objective of this work was to find answers to the posed research questions concerning the historic context, formal and legal state, significance for the community as well as economic and ecological implications of the area to be developed. The main purpose was to properly develop the degraded riverside embankment in the downtown environment. The research method was based on own mixed method which encompassed the studies of historical literature and the legal–formal status as well as in situ examinations, including the analyses of the condition of the built and natural environment, traffic and circulation as well as photographic documentation. The authors also familiarised themselves with the activities undertaken by the local community with a view to the area’s regeneration. On the grounds of initial investigations, the SWOT analysis was performed and the evaluation of groups of prospective users was conducted. Comparative studies were conducted including selected examples of European riverside development projects. In its assumptions, the proposed concept of the riverside development in Kraków-Zabłocie is to meet the needs of the local community, enable further development of tourism, which is very important to Cracow, and satisfy the paradigm of sustainable development. The effect is a multi-functional complex that becomes an inherent part of the existing context.


2021 ◽  
Vol 47 (4) ◽  
pp. 461-479
Author(s):  
Lorne Platt

This paper considers skateboarding practices in urban public spaces. Often subversive, the interactions between skateboarders and built features are also regularly captured in visual imagery in print and online. The paper documents encounters between skateboarders and the built environment using visual geographic information and photo representation. Through content analysis of imagery from Instagram posts and Thrasher magazine, the aim is to organize visual/volunteered data to represent the varied types of interactions between skateboarders and particular features of the built environment. The images suggest that skateboarders seek out structures that are typically elements within a corporate plaza or city hardscape such as stairs, rails, planters. This imagery provides large amounts of data that researchers may cull in order to improve understanding of the ways such features are experienced, and of the potential conflicts that arise when a variety of users interact. The broader significance of the research contributes to the growing body of work that positions skateboarding as a legitimate practice in urban public spaces. Scholars, practitioners of architecture, and planners, among others may continue to engage with visualization methods to consider skateboarding as an evolving, responsive, embodied practice.


2019 ◽  
Vol 59 (6) ◽  
pp. 1269-1287 ◽  
Author(s):  
Andrew Millie

AbstractYarn bombing involves the display of knitted or crocheted items in public space, often without permission. This article draws on interviews with yarn bombers in the North West of England and considers who the yarn bombers are, their motivations and experiences and their views on the legal status of yarn bombing. Although the visual is important for yarn bombing—and it is therefore of interest to visual criminology—this article also looks further to consider other sensory experience. In this way, it contributes to an emerging aesthetic criminology concerned with broader sensory, affective and emotive experience. Drawing on Thrift’s work on urban affect or mood, as well as Anderson and Young on affective atmospheres, yarn bombing is regarded as a crime of the senses affecting both the look and the feel of the city. The scope for further development of an aesthetic criminology is suggested, including specific methodologies that embrace the full range of sensory experiences associated with crime, disorder or social harm.


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