scholarly journals A Paradoxical Convergence: National Identity and Gender in 'The Topp Twins' Exhibition and the New Zealand Rugby Museum

2021 ◽  
Author(s):  
◽  
Chelsea Torrance

<p>In May 2017, there was a strange convergence inside Palmerston North’s Te Manawa museum. As visitors arrived on the first floor, they were left with two options. Turn left for the New Zealand Rugby Museum, or turn right for an exhibition on Jools and Lynda Topp. Left for masculinist rugby history. Right for radical activist lesbians. While both exhibitions have very different subject matter, themes of gender and national identity are prevalent within them both. Using this convergence as an entry point, this thesis considers the ways national identity and gender are put on display within the permanent exhibition at the New Zealand Rugby Museum and The Topp Twins exhibition.  Using data from interviews with key people involved with the two exhibitions, documentary research, and analysis of the two exhibitions, this thesis asks how New Zealand national identity and gender are narrated and displayed within The Topp Twins and the New Zealand Rugby Museum, and considers what this means for museum practice. In so doing, the thesis begins with an overview of key literature looking at nation, discourse and gender in museum and heritage scholarship. It also considers literature of New Zealand identity formation and gender. The intellectual foundation of this thesis resides in the idea that gender, nation and museums are intimately bound.  In the second part of the thesis, an investigation into the historical and contemporary context of the two exhibitions is conducted. This section provides an overview of the content and design of the exhibits. In combining both the context and content of the exhibitions, the thesis is able to consider intentions as well as the outcomes of the two. The final part of the thesis considers the ways national identity and gender have been presented within The Topp Twins exhibition and the New Zealand Rugby Museum. This chapter shows that while gender is presented in very different ways, the museums have a very similar narrative about ‘New Zealandness’.</p>

2021 ◽  
Author(s):  
◽  
Chelsea Torrance

<p>In May 2017, there was a strange convergence inside Palmerston North’s Te Manawa museum. As visitors arrived on the first floor, they were left with two options. Turn left for the New Zealand Rugby Museum, or turn right for an exhibition on Jools and Lynda Topp. Left for masculinist rugby history. Right for radical activist lesbians. While both exhibitions have very different subject matter, themes of gender and national identity are prevalent within them both. Using this convergence as an entry point, this thesis considers the ways national identity and gender are put on display within the permanent exhibition at the New Zealand Rugby Museum and The Topp Twins exhibition.  Using data from interviews with key people involved with the two exhibitions, documentary research, and analysis of the two exhibitions, this thesis asks how New Zealand national identity and gender are narrated and displayed within The Topp Twins and the New Zealand Rugby Museum, and considers what this means for museum practice. In so doing, the thesis begins with an overview of key literature looking at nation, discourse and gender in museum and heritage scholarship. It also considers literature of New Zealand identity formation and gender. The intellectual foundation of this thesis resides in the idea that gender, nation and museums are intimately bound.  In the second part of the thesis, an investigation into the historical and contemporary context of the two exhibitions is conducted. This section provides an overview of the content and design of the exhibits. In combining both the context and content of the exhibitions, the thesis is able to consider intentions as well as the outcomes of the two. The final part of the thesis considers the ways national identity and gender have been presented within The Topp Twins exhibition and the New Zealand Rugby Museum. This chapter shows that while gender is presented in very different ways, the museums have a very similar narrative about ‘New Zealandness’.</p>


Author(s):  
Alistair Fox

The conclusion reaffirms the essential role played by cinema generally, and the coming-of-age genre in particular, in the process of national identity formation, because of its effectiveness in facilitating self-recognition and self-experience through a process of triangulation made possible, for the most part, by a dialogue with some of the nation’s most iconic works of literature. This section concludes by point out the danger posed, however, by an observable trend toward generic standardization in New Zealand films motivated by a desire to appeal to an international audience out of consideration for the financial returns expected by funding bodies under current regimes.


Author(s):  
Graham Virgo

The Principles of Equity & Trusts offers a new approach to this dynamic area of law. This book examines the law of Equity and Trusts in its contemporary context, offering a critical and insightful commentary on the law, its application, and development. The text communicates both Equity and trust doctrine and also theory and reflects the modern understanding of the subject, as propounded both by the judiciary and commentators in England and other Common Law jurisdictions, notably Australia, Canada, New Zealand, and Singapore. The book consists of nine parts. Part I considers the history and contemporary relevance of Equity. Part II is about the express trust. Part III considers purpose trusts. Part IV then examines implied trusts. Part V is about beneficiaries. Part VI examines trustees’ powers and duties. Part VII examines variations of trusts. Part VIII is about breach of trust and fiduciary duty and the personal and proprietary remedies available for such breach. The final part examines other equitable remedies.


2021 ◽  
Author(s):  
◽  
Peter Hoar

<p>This study is a qualitative content analysis of the magazines and newspapers produced on New Zealand troopships between 1914 and 1920. It begins with an account of the troopships, the printing of the magazines and the individuals involved. The bulk of the study is concerned with a thematic analysis of the troopship publications from a cultural historical perspective. These themes are; troopship life, army life, attitudes to war, national identity, race and gender. The content analysis and interpretation considers the magazines as media products of a particular social group and examines the ways in which this group represented itself. The roles of official discourse, propaganda and resistance in the troopship publications are analysed and the interactions between these and the functions of the publications are explicated. The conclusion assesses the publications' position in the context of discussions of cultural rupture and continuity and finds that they emphasise the latter.</p>


Author(s):  
Graham Virgo

The Principles of Equity & Trusts offers a distinctive approach to this dynamic area of law. This book examines the law of Equity and Trusts in its contemporary context, offering a critical and insightful commentary on the law, its application, and development. The text communicates both Equity and trust doctrine and also theory and reflects the modern understanding of the subject, as propounded both by the judiciary and commentators in England and other Common Law jurisdictions, notably Australia, Canada, New Zealand, and Singapore. The book consists of nine parts. Part I considers the history and contemporary relevance of Equity. Part II is about the express trust. Part III considers purpose trusts. Part IV then examines implied trusts. Part V is about beneficiaries. Part VI examines trustees’ powers and duties. Part VII examines variations of trusts. Part VIII is about breach of trust and fiduciary duty and the personal and proprietary remedies available for such breach. The final part examines other equitable remedies.


2007 ◽  
Vol 4 (2) ◽  
pp. 375-393 ◽  
Author(s):  
Rogelio Saenz ◽  
Janie Filoteo ◽  
Aurelia Lorena Murga

The Latino population has grown significantly over the last few decades in the United States and population projections suggest that the number of Latinos will increase disproportionately, relative to other immigrant groups, in the coming decades. These trends have resulted in great concern among some who fear that Latinos, especially Mexicans, are not acculturating and assimilating into mainstream, White America. Fears of the “browning of America” and of Latinos' presumed threat to the American way of life have led some to call for measures to ensure the preservation of America's national identity. Samuel Huntington is the latest public figure to make such claims. This paper provides an overview of Huntington's claims as well as the responses that his work has drawn from supporters and critics. Using data from the 2000 5% Public Use Microdata Sample, we assess the validity of Huntington's claims by examining the extent to which Mexicans, the largest Latino subgroup, have integrated into the United States, basing our assessment on a variety of selected demographic, social, and economic indicators. The results suggest that Mexicans have integrated in various dimensions, with the level of integration increasing with length of residence in the United States. We conclude with a discussion of the historical and contemporary context in which Mexicans have been racialized in the United States.


2021 ◽  
Author(s):  
◽  
Peter Hoar

<p>This study is a qualitative content analysis of the magazines and newspapers produced on New Zealand troopships between 1914 and 1920. It begins with an account of the troopships, the printing of the magazines and the individuals involved. The bulk of the study is concerned with a thematic analysis of the troopship publications from a cultural historical perspective. These themes are; troopship life, army life, attitudes to war, national identity, race and gender. The content analysis and interpretation considers the magazines as media products of a particular social group and examines the ways in which this group represented itself. The roles of official discourse, propaganda and resistance in the troopship publications are analysed and the interactions between these and the functions of the publications are explicated. The conclusion assesses the publications' position in the context of discussions of cultural rupture and continuity and finds that they emphasise the latter.</p>


2001 ◽  
Vol 29 (3) ◽  
pp. 459-475 ◽  
Author(s):  
Elizabeth A. Drummond

National identity is everywhere constructed through a process of negotiation with other categories of identity—local, regional, class, confessional, and gender. In borderlands, however, there is another element in this negotiation process—the sharing of public space with another national group, an element that further complicates identity formation. Here categories can change and/or function differently than in the interior of a country. In many respects, the construction of Germanness in the province of Poznania [German: Posen; Polish: Poznań] proceeded along similar lines as in the rest of the German Empire. German nationalists, both in the eastern provinces and in the rest of the Reich, produced publications and organized lectures about and celebrations of German history and German culture in an effort to mobilize national loyalties in support of policies that would consolidate Germandom both within and without. However, the presence of a Polish challenge in Poznania—the defining problem of the province—complicated constructions of German national identity.


Author(s):  
Yulia Yu. Kravinskaya ◽  
◽  
Elena V. Polkhovskaya ◽  

A brief comparative review of English-language literatures of Australia and New Zealand is given in the article. The aim of the article is to highlight the similarities and differences at the stages of the literary process development from the point of view of postcolonial studies. The historical genesis specificity of the region and the uniqueness of national identity formation at the juncture of colonial and colonized cultures stipulate the definition of Australia and New Zealand as settler societies. Tasks needed to be resolved are to disclose the notion “settler societies”, to determine common characteristics of the studied national literatures as postcolonial ones, to give their comparative outline, to make a textual analysis of a number of literary works which are indicative for each stage of the literary process development. In the course of the study, the authors refer to a comparative historical method of scientific enquiry to highlight similarities in the literary process development and the degree of influence of metropolitan literature on it. They also use a sociological method to estimate the impact of the settler societies development on the literary process and a hermeneutic interpretative method in textual analysis to interpret the transformation of a typical hero at various stages of the literary process in Australia and New Zealand. The article is divided into theoretical and practical parts. In the theoretical part, the authors define “settler societies”, overview the place of “settler” countries in the postcolonial space, and note factors allowing to review the national literatures comparatively as postcolonial ones. In the practical part, the authors characterize three stages of the literary process development observed in the national literatures of Australia and New Zealand, conduct an interpretative analysis of the works in which the prolific features of a typical hero are shown. On conducting the research the authors come to the following conclusions. The national literatures of Australia and New Zealand are under the influence of the metropolitan culture and literaturel, but the relation started to loosen at a contemporary stage of the literary process development due to the formation of the national identities of Australians and New Zealanders. The impact of colonized indigenous peoples’ cultures on the literary process defines the difference between the national literatures. For the countries, the national identity formation is characteristic in the cultural sphere, which makes the further study of identification processes presentation in literary text promising.


2018 ◽  
Vol 35 (6) ◽  
pp. 367-371 ◽  
Author(s):  
Bridget Dicker ◽  
Kate Conaglen ◽  
Graham Howie

ObjectiveTo determine the relationships between survival from all-cause out-of-hospital cardiac arrest (OHCA) and gender in New Zealand.MethodsA retrospective observational study was conducted using data compliant with the Utstein guidelines from the St John New Zealand OHCA Registry for adult patients who were treated for an OHCA between 1 October 2013 and 30 September 2015. Univariate logistic regression was used to investigate factors associated with return of spontaneous circulation sustained to handover at hospital and survival to 30 days. Multivariate logistic regression models were used to investigate outcome differences in survival according to gender at 30 days postevent.ResultsWomen survived to hospital handover in 29% of cases, which was not significantly different from men (31%). When adjusted for age, location, aetiology, initial rhythm and witnessed status, there was no significant difference in 30-day survival between men (16%) and women (13%) (adjusted OR 1.22, 95% CI (0.96 to 1.55), p=0.11).ConclusionNo statistical differences were found in 30-day survival between genders when adjustments for unfavourable Utstein variables were accounted for.


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